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The Red Covered Bridge: Flute
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Vous avez sélectionné:
The Red Covered Bridge: Flute
Partitions à imprimer
16 partitions trouvées
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1
The Red Covered Bridge: Flute
The Red Covered Bridge: Flute
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Orchestre d'harmonie
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Methodes
#
Robert Sheldon
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Festival.
#
The Red Covered Bridge: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0016436_F1 Flute. Composed by Robert Sheldon. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-P...
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Concert Band - SKU: AX.00-PC-0016436_F1 Flute. Composed by Robert Sheldon. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016436_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016436_F1). UPC: 038081465890.A red covered bridge spans the Big Bureau Creek just north of Princeton, Illinois. This local attraction has served as the inspiration for this lyrical composition. The serene setting brings to mind the many people who have crossed that bridge in simpler times, and the stories of their lives. This piece hopes to capture those moments of reflection, joy, children playing, and powerful moments of resolve. (5:00) This title is available in SmartMusic.Concert/Contest; Festival.
$3.00 ≈
2.71€
The Red Covered Bridge: 2nd Flute
The Red Covered Bridge: 2nd Flute
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Orchestre d'harmonie
#
Methodes
#
Robert Sheldon
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Festival.
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The Red Covered Bridge: 2nd Fl
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Concert Band - SKU: AX.00-PC-0016436_F2 2nd Flute. Composed by Robert Sheldon. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #...
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Concert Band - SKU: AX.00-PC-0016436_F2 2nd Flute. Composed by Robert Sheldon. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016436_F2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016436_F2). UPC: 038081465890.A red covered bridge spans the Big Bureau Creek just north of Princeton, Illinois. This local attraction has served as the inspiration for this lyrical composition. The serene setting brings to mind the many people who have crossed that bridge in simpler times, and the stories of their lives. This piece hopes to capture those moments of reflection, joy, children playing, and powerful moments of resolve. (5:00) This title is available in SmartMusic.Concert/Contest; Festival.
$3.00 ≈
2.71€
The American Road: Flute
The American Road: Flute
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Orchestre d'harmonie
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Methodes
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Jerry Brubaker
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The American Road: Flute
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014305_F1 Flute. Composed by Jerry Brubaker. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-P...
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Concert Band - SKU: AX.00-PC-0014305_F1 Flute. Composed by Jerry Brubaker. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0014305_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014305_F1). UPC: 038081351186.This piece for symphonic band by Jerry Brubaker is a musical excursionA into the American driving experience. From majestic mountain vistas and wide open spaces to the hustle and bustle of rush hour traffic. There is even a section about the beloved covered bridge. Find one and there's bound to be an interesting little two lane country road leading up to it. The piece is designed around just two themes which are tied together in the final section which the composer calls Our Favorite Road. This can be the road to the beach, to the mountains or just simply cruisin' with the top down on a summer afternoon! Enjoy this delightful taste of Americana. (7:11) This title is available in SmartMusic.Concert/Contest.
$3.00 ≈
2.71€
The American Road: 2nd Flute
The American Road: 2nd Flute
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Orchestre d'harmonie
#
Methodes
#
Jerry Brubaker
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The American Road: 2nd Flute
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014305_F2 2nd Flute. Composed by Jerry Brubaker. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #...
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Concert Band - SKU: AX.00-PC-0014305_F2 2nd Flute. Composed by Jerry Brubaker. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0014305_F2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014305_F2). UPC: 038081351186.This piece for symphonic band by Jerry Brubaker is a musical excursionA into the American driving experience. From majestic mountain vistas and wide open spaces to the hustle and bustle of rush hour traffic. There is even a section about the beloved covered bridge. Find one and there's bound to be an interesting little two lane country road leading up to it. The piece is designed around just two themes which are tied together in the final section which the composer calls Our Favorite Road. This can be the road to the beach, to the mountains or just simply cruisin' with the top down on a summer afternoon! Enjoy this delightful taste of Americana. (7:11) This title is available in SmartMusic.Concert/Contest.
$3.00 ≈
2.71€
Bridge Over Troubled Water
Bridge Over Troubled Water
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Quintette de Flûte : 5 flûtes
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INTERMÉDIAIRE
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Simon And Garfunkel
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Spencer Bundy
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Bridge Over Troubled Water
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Spencer Bundy
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SheetMusicPlus
Flute Quintet,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1280932 By Simon And Garfunkel. By Paul Simon. Arranged by Spencer Bundy. 20th...
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Flute Quintet,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1280932 By Simon And Garfunkel. By Paul Simon. Arranged by Spencer Bundy. 20th Century,Pop. 19 pages. Spencer Bundy #872270. Published by Spencer Bundy (A0.1280932). The title track from Simon & Garfunkels fith studio album, released in 1970. The song went on to win five Grammy Awards in 1971. The song has been covered many times and there has also been several charity versions, most recently in the U.K for the victims of the Grenfell Tower fire of 2017.
$12.99 ≈
11.72€
Bridge Over Troubled Water
Bridge Over Troubled Water
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Quatuor de Flûtes : 4 flûtes
#
INTERMÉDIAIRE
#
Simon And Garfunkel
#
Spencer Bundy
#
Bridge Over Troubled Water
#
Spencer Bundy
#
SheetMusicPlus
Flute Quartet,Woodwind Ensemble Alto Flute - Level 3 - SKU: A0.1277899 By Simon And Garfunkel. By Paul Simon. Arranged by Spencer Bundy. 20th Century,Po...
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Flute Quartet,Woodwind Ensemble Alto Flute - Level 3 - SKU: A0.1277899 By Simon And Garfunkel. By Paul Simon. Arranged by Spencer Bundy. 20th Century,Pop. 13 pages. Spencer Bundy #869600. Published by Spencer Bundy (A0.1277899). The title track from Simon & Garfunkel's fith studio album, released in 1970. The song went on to win five Grammy Awards in 1971. It has been covered many times and there have been several versions for charity. Most recently in the U.K for the victims of the Grenfell Tower fire of 2017.
$12.99 ≈
11.72€
Bridge Over Troubled Water
Bridge Over Troubled Water
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Flûte, Hautbois, Clarinette, Basson
#
INTERMÉDIAIRE
#
Simon And Garfunkel
#
Spencer Bundy
#
Bridge Over Troubled Water
#
Spencer Bundy
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.1277732 By Simon And Garfunkel. By Paul Simon. Arranged by Spencer Bu...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.1277732 By Simon And Garfunkel. By Paul Simon. Arranged by Spencer Bundy. 20th Century,Pop. 13 pages. Spencer Bundy #869414. Published by Spencer Bundy (A0.1277732). The title track from Simon & Garfunkel's fith studio album released in 1970. The song went on to win five Grammy Awards in 1971. It has been covered many times and there has been a few charity versions of the song too. In the U.K, the most recent being a version for the victims of the Grenfell Tower fire in 2017.
$12.99 ≈
11.72€
Bridge Over Troubled Water
Bridge Over Troubled Water
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
INTERMÉDIAIRE
#
Simon And Garfunkel
#
Spencer Bundy
#
Bridge Over Troubled Water
#
Spencer Bundy
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1271534 By Simon And Garfunkel. By Paul Simon. Arranged by Spenc...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1271534 By Simon And Garfunkel. By Paul Simon. Arranged by Spencer Bundy. 20th Century,Pop. 19 pages. Spencer Bundy #863932. Published by Spencer Bundy (A0.1271534). The title track from Simon & Garfunkel's firth studio album, released in 1970. This much loved song went on to win five Grammy Awards in 1971. It has been covered many times and there have been several charity versions which have raised money for disasters all over the world. The Eatern China flood, Typhon Morakot and most recently in the uk for the victims of the Grenfell Tower fire.
$12.99 ≈
11.72€
El Condor Pasa (If I Could)
El Condor Pasa (If I Could)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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DÉBUTANT
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Daniel Alomia Robles, Jorge Mi
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El Condor Pasa
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. Arranged by Alan...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. Arranged by Alan Frazer (arranger) & Peet du Toit (orchestrator). Folk. 10 pages. Peet du Toit #986049. Published by Peet du Toit (A0.1402823). This song started out as an Andean folk melody that Paul Simon came across in 1969 when he played a week-long engagement at a theater in Paris along with the South American group Los Incas, who played an instrumental version of the song called Paso Del Condor. Said Simon: I used to hang around every night to hear them play that. I loved it and I would play it all the time, and then I thought, Let's put words to it.The Peruvian songwriter Daniel Robles recorded this song in 1913, and copyrighted it in the United States in 1933 during his travels in America. When Simon recorded it with his added lyrics, he thought it was a traditional song, as that's what Los Incas told him. When Robles' son filed a lawsuit, Simon had to give Robles a composer credit on the song, with his estate getting those royalties.In discussing the song, Simon always talks about it as being based on a traditional Peruvian song, and we've never heard him mention Robles. This wasn't the first time Simon got tangled over songwriting credits on traditional melodies: Simon & Garfunkel's Scarborough Fair / Canticle was based on a folk song, but his arrangement came from a singer named Martin Carthy. Simon was always clear on his influences, but legal misunderstandings were a problem in these cases.Los Incas, who were the group that introduced Simon to the song, provided the instrumentation when they recorded it in Paris with Simon. Their leader, Jorge Milchberg, played a charango, which is an Andean string instrument made from the shell of an armadillo. Simon played acoustic guitar, and other members of Los Incas played flutes and percussion. When Simon brought the track to America, he added his lyrics. This was one of the easier songs to record for the Bridge Over Troubled Water album, since the backing track was already mixed together - it was just a matter of adding the vocals.The title translates to English as The Condor Passes. The lyrics Robles wrote to the song in 1913 are about returning home to his native Peru.Los Incas leader Jorge Milchberg got a composer credit on this song along with Simon and Robles. Milchberg later became the head of the group Urubamba and remained friends with Simon, who toured with them and produced their first American album. >>The Wainwright Sisters covered this for their 2015 Songs in the Dark album. Lucy Wainwright Roche explained to The Sun: I chose 'El Condor Pasa' because it was one of the first songs I ever learned to play on it guitar and it has a childlike quality to it, but it also has a darkness and sadness that fit in well with the album.Paul Simon performed this on both Sesame Street (in 1977) and The Muppet Show (in 1980).
$15.00 ≈
13.53€
Martha My Dear
Martha My Dear
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Pop musique
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The Beatles
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Ray Thompson
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Martha My Dear
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.841010 By The Beatles. By John Lennon and Paul McCartney. Arrang...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.841010 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop. 11 pages. RayThompsonMusic #447688. Published by RayThompsonMusic (A0.841010). Arranged standard wind quintet.Opening piano solo arr. clt and bsn, then melody is taken by oboe, chorus by flute.Fun for everyone. Martha My Dear is a song by the English rock band the Beatles from their 1968 eponymous double album The Beatles (also known as the White Album).Credited to Lennon–McCartney, the song was written solely by Paul McCartney about his Old English Sheepdog, Martha. It has been covered by several artists, including Slade, Herb Alpert & The Tijuana Brass, Phish, World Party, and Les Boréades de Montréal. The song incorporates elements from pop rock music; it also features a music hall-inspired piano line that recurs throughout the piece, as well as a brass section. The song modulates through several keys The song is notated mainly in the key of E♠major, showing up embellished chords with jazzy sprinkled dissonances. The verse is a syncopated replicate of the first melodic section adding two extra beats, a technique similar to that used later by McCartney in Two of Us. Though the bridge is in the key of F major, the manner in which it abruptly sets in and exits makes it sound more out-of-the-way than it really is.
$15.95 ≈
14.39€
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #303...
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Small Ensemble - Level 5 - SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #3037307. Published by Musik Fabrik Music Publishing (A0.533673). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the complete set of parts. The full score and the individual parts are avaialbe as seperate items.
$64.95 ≈
58.58€
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
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Orchestre de chambre
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3...
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Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95 ≈
23.41€
Can't Help Falling In Love
Can't Help Falling In Love
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Mariage/Ballade
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Rock
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Elvis Presley
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Phil Beaman
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Can't Help Falling In Love
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Phil Beaman
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.845287 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/TV,Pop,R...
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Flute,Piano - Level 3 - SKU: A0.845287 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/TV,Pop,Rock,Wedding. Score and part. 4 pages. Phil Beaman #6680997. Published by Phil Beaman (A0.845287). Can't Help Falling In Love was made famous by Elvis Presley on his album and film Blue Hawaii. My arrangement takes it from a 60's pop song to a gentle jazz ballad. It is totally reharmonized and has a fresh new feel. The melody is the same, except it has a new Time Signature. The song was originally in 6/8 but I have set it in 1/2 in order to get the pulse and phrasing I want. (Yes, 1 minim/half note per bar.) The original accompaniment was broken arpeggios, but now it is all about the rich new blocked chords. With repeats and a D.S. I have covered all 4 verses and bridges. Enjoy a fresh take on this forever classic. Great for weddings and nostalgic concerts. solo range 10th solo part, Early Intermediate; piano part, Intermediateavailable for several different instrument solos3 pages score, 1 page part2:00 minutes
$5.99 ≈
5.40€
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