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The Rock That is Higher Than I
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Vous avez sélectionné:
The Rock That is Higher Than I
Partitions à imprimer
30 partitions trouvées
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The Rock That is Higher Than I
The Rock That is Higher Than I
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Chorale TTBB
#
INTERMÉDIAIRE
#
Musique Sacrée
#
William Fischer
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Joseph Schrock
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The Rock That is Higher Than I
#
Schrock Music
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.977516 Composed by William Fischer. Arranged by Joseph Schrock. Christian,Sacred. Octavo. 4 pages. Schrock Music...
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Choral Choir (TTBB) - Level 3 - SKU: A0.977516 Composed by William Fischer. Arranged by Joseph Schrock. Christian,Sacred. Octavo. 4 pages. Schrock Music #4595991. Published by Schrock Music (A0.977516). The solo is supported by a rhythmic Sometimes walking part. A gentle reflective setting speaks of hope in the Rock That is Higher Than I. Hints of barbershop harmonies give interest and challenge. Appropriate for general worship, special occasions, concerts and festivals.Length-4 pages Duration approx. 3:40 min.Also available as ttbb accompanied
$2.25 ≈
£1.69
Higher Ground Medley
Higher Ground Medley
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Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Annie L
#
Tanya L
#
Higher Ground Medley
#
Tanya Vance
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.995884 Composed by Annie L. Coghill, Augustus M. Toplady, Charles C. Converse, Charles H. Gabriel, Erastus Johnson, Johns...
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Piano Solo - Level 4 - SKU: A0.995884 Composed by Annie L. Coghill, Augustus M. Toplady, Charles C. Converse, Charles H. Gabriel, Erastus Johnson, Johnson Oatman Jr., Joseph M. Scriven, Thomas Hastings, William G. Fischer, and and Philip Bliss. Arranged by Tanya L. Vance. Sacred. Score. 6 pages. Tanya Vance #5733029. Published by Tanya Vance (A0.995884). This is a medium level piano arrangement of some classic hymns: Higher Ground, Rock of Ages, Work for the Night is Coming, What a Friend We Have in Jesus, The Rock that is Higher than I, and Jesus Loves Even Me. These were my grandfather's favorite hymns. I dedicated this arrangement in his memory. He taught me all of these hymns when I was a young girl, learning to play piano. This makes a nice piece to play as a prelude to a church service.
$4.25 ≈
£3.19
The Rock That is Higher Than I - for easy piano
The Rock That is Higher Than I - for easy piano
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Piano Facile
#
DÉBUTANT
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Erastus Johnson, William G
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Samuel Stokes
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The Rock That is Higher Than I
#
SamuelStokesMusic.com
#
SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.562382 Composed by Erastus Johnson, William G. Fischer. Arranged by Samuel Stokes. Children,Christian,Concert,Sacred. Sco...
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Easy Piano - Level 1 - SKU: A0.562382 Composed by Erastus Johnson, William G. Fischer. Arranged by Samuel Stokes. Children,Christian,Concert,Sacred. Score. 1 pages. SamuelStokesMusic.com #5722623. Published by SamuelStokesMusic.com (A0.562382). This is an arrangement of The Rock That is Higher Than I for easy piano in C major. Learn more about Samuel Stokes at https://www.SamuelStokesMusic.com
$2.50 ≈
£1.88
The Rock That Is Higher Than I - For 2 flutes and cello
The Rock That Is Higher Than I - For 2 flutes and cello
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Flûte, Violoncelle
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FACILE
#
Christian contemporain
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Musique Sacrée
#
William G
#
David Anthony
#
The Rock That Is Higher Than I
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David Anthony Woods
#
SheetMusicPlus
Instrumental Duet Cello,Flute,Instrumental Duet - Level 2 - SKU: A0.931508 Composed by William G. Fisher. Arranged by David Anthony. Contemporary,Sacred...
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Instrumental Duet Cello,Flute,Instrumental Duet - Level 2 - SKU: A0.931508 Composed by William G. Fisher. Arranged by David Anthony. Contemporary,Sacred. Score and parts. 4 pages. David Anthony Woods #3489093. Published by David Anthony Woods (A0.931508). This is an arrangement of a beautiful hymn for a trio of 2 flutes and violoncello. It can be used for various types of performances. It has a melody that is open for different types of phrasing to create emotion and mood. This song has been placed in many a hymnal. For more arrangements like this contact me at davidanthony@davidanthonymusic.com. .
$1.99 ≈
£1.49
Hear My Cry (Psalm 61)
Hear My Cry (Psalm 61)
#
Piano, Voix
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Everall A
#
Hear My Cry
#
Everall Aiken Peele
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.821604 Composed by Everall A. Peele. Christian,Praise & Worship,Sacred. Score. 2 pages. Everall Aiken Peele #42957...
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Piano,Vocal,Voice - Level 3 - SKU: A0.821604 Composed by Everall A. Peele. Christian,Praise & Worship,Sacred. Score. 2 pages. Everall Aiken Peele #4295767. Published by Everall Aiken Peele (A0.821604). Meditative and gentle, Christian song for solo or small group, based on Psalm 61. When my heart is so overwhelmed, bring me out to the rock that is higher than I...
$2.00 ≈
£1.50
Rock My Soul
Rock My Soul
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Traditional
#
Richard Hirsch
#
Rock My Soul
#
Richard Hirsch
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1444613 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Ragtime,Spiritual,World. I...
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Solo Guitar - Level 4 - SKU: A0.1444613 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Ragtime,Spiritual,World. Individual part. 13 pages. Richard Hirsch #1024507. Published by Richard Hirsch (A0.1444613). I offer an arrangement of the Spiritual “Rock My Soul in the Bosom of Abraham” for acoustic fingerstyle guitar. The arrangement is in the ragtime style of guitar playing reminiscent of Reverend Gary Davis. The melody is played with alternating middle, index, and ring fingers over alternating bases played by the thumb. The melody is repeated in different major keys starting in the key of D and moving through the keys of A , G, and C, returning at the end to D.The arrangement is intended as a fun instructional introduction to the various keys that are good for fingerstyle guitar with alternating bases in normal tuning. There are lots of little ornamentations like pulls-offs, slurs, and trills that liven up the piece and are good practice for the intermediate to advanced student of fingerstyle guitar.I have given Presto as the tempo as that is the tempo in which I first conceived of the arrangement, but the piece can also be played at a slower tempo, i.e. Allegro.In a number of instances in the notation harmonics are marked as sounding one or two octaves higher than notated. These notes are notated and tabulated at the position they are to be found on the fretboard. When played as harmonics they will sound one or two octaves higher.The piece would I think work well also in contexts where the guitarist might like to have some audience participation in the way of hand-clapping of the beat while moving through the various key changes. The piece also works well as a warm-up. I really enjoy playing the piece. It makes my day!
$6.99 ≈
£5.25
The Sound Of Silence
The Sound Of Silence
#
Chorale SSAA
#
AVANCÉ
#
Simon And Garfunkel
#
Liz Garnett
#
The Sound Of Silence
#
Liz Garnett
#
SheetMusicPlus
Choral Choir (SSAA) - Level 5 - SKU: A0.856221 By Simon And Garfunkel. By Paul Simon. Arranged by Liz Garnett. A Cappella,Pop,Rock. Octavo. 10 pages. Li...
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Choral Choir (SSAA) - Level 5 - SKU: A0.856221 By Simon And Garfunkel. By Paul Simon. Arranged by Liz Garnett. A Cappella,Pop,Rock. Octavo. 10 pages. Liz Garnett #4612527. Published by Liz Garnett (A0.856221). The starting-point for this major show-piece was Disturbed's 2015 cover of Simon and Garfunkel's classic. The White Rosettes sought to capture its escalation of of emotional impact as the vocal range shifted and the orchestration developed through the narrative of a dystopic vision.A cappella voices can capture that sense of build through layering of different sizes of ensemble. And, whilst their timbral palette is more limited than the instrumentation Disturbed could draw on, they have the power of harmony to add colour and impact.The arrangement is built around two main harmonic ideas: juxtaposing minor chords and key areas a third apart, and the dissonance of the melodic major 2nd and minor 3rd rubbing up against each other. Between them they create an atmosphere that hangs heavy with portent and mystery, echoing and amplifying the emotional tone of the lyrics.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal ranges:QuartetTenor: F#4 - E5Lead: B3 - A4Bari: C#4 - A4Bass: F#3 - A 4OctetTenor: G4 - D5Lead: C4 - A4Bari: B3 - A4Bass: E3 - C4DuetVoice 1: G3 - C5Voice 2: G3 - A4Full chorusTenor 1: E flat 4 - G5Tenor 2: E flat 4 - F#5Lead 1: B3 - E flat 5Lead 2: B3 - E flat 5Bari: A3 - C5Bass: D3 - G4www.HelpingYouHarmonise.com
$3.99 ≈
£2.99
Lead Me To the Rock
Lead Me To the Rock
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Piano, Voix
#
Musique Sacrée
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David Skates
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Lead Me To the Rock
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Mere Dog Music
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.1007846 Composed by David Skates. Christian,Praise & Worship,Sacred. Score. 2 pages. Mere Dog Music #3685991. Published by M...
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Piano,Vocal,Voice - SKU: A0.1007846 Composed by David Skates. Christian,Praise & Worship,Sacred. Score. 2 pages. Mere Dog Music #3685991. Published by Mere Dog Music (A0.1007846). A joyous uptempo praise and worship song based on the prayer of Psalm 61 where the psalmist desires to live among God's people, resting on the rock that is higher than I. David Skates is a member of ASCAP and a publisher-writer member at CCLI (Christian Copyright Licensing Inc.). His main focus in songwriting and with his music publishing company Mere Dog Music is on contemporary Christian music although he also writes in other genres as well. A Music Therapist and Hospice Chaplain in Southern California, David often does music programs at Senior Living facilities and churches, leads worship and guest preaches in the San Diego/Orange County areas.He can be followed at https://twitter.com/dskates2 and at https://www.facebook.com/david.a.skates. Several of his songs (including the one) are also available for viewing on his You Tube channel at https://www.youtube.com/user/TheLgcc
$4.99 ≈
£3.74
Let Me Be There
Let Me Be There
#
Chorale SSAA
#
DÉBUTANT
#
Rock
#
Elvis Presley
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Liz Garnett
#
Let Me Be There
#
Liz Garnett
#
SheetMusicPlus
Choral Choir (SSAA) - Level 1 - SKU: A0.856222 By Elvis Presley. By John Rostill. Arranged by Liz Garnett. Rock. Octavo. 3 pages. Liz Garnett #4594611. ...
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Choral Choir (SSAA) - Level 1 - SKU: A0.856222 By Elvis Presley. By John Rostill. Arranged by Liz Garnett. Rock. Octavo. 3 pages. Liz Garnett #4594611. Published by Liz Garnett (A0.856222). This song was first recorded by Olivia Newton John, and then covered by Elvis Presley the following year, which tells you a good deal about the range of voices and performing personas it can suit. The arrangement was commissioned to form part of the polecat collection (common repertoire that all members can sing together) for the Ladies Association of Barbershop Singers, and is thus designed to be accessible to singers and audiences alike.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: G4 - E flat 5Lead: B flat 3 - C5Bari: B flat 3 - B flat 4Bass: E flat 3 - G4www.HelpingYouHarmonise.com
$2.50 ≈
£1.88
I Wish I Was A Punk Rocker (with Flowers In My Hair)
I Wish I Was A Punk Rocker (with Flowers In My Hair)
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Chorale SSAA
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FACILE
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Contemporain
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Sandi Thom
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Liz Garnett
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I Wish I Was A Punk Rocker
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 2 - SKU: A0.856182 By Sandi Thom. By Sandi Thom and Tom Gilbert. Arranged by Liz Garnett. Contemporary. Octavo. 7 pages. Liz...
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Choral Choir (SSAA) - Level 2 - SKU: A0.856182 By Sandi Thom. By Sandi Thom and Tom Gilbert. Arranged by Liz Garnett. Contemporary. Octavo. 7 pages. Liz Garnett #3918667. Published by Liz Garnett (A0.856182). This song was a hit in 2006 for Sandi Thom and represents a nostalgia-fest for life in the 70s from someone too young to have experienced it. The original consists primarily of solo voice and duets, accompanied by increasingly developed percussion parts. The arrangement follows this to an extent, though it develops the vocal texture further, reaching four parts towards the end, and brings in some of the percussive functions into the vocal parts so that the optional percussion parts (for cajon, egg shaker and hand-clapping) can be omitted if need be.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: B3 - C#5Lead: G#3 - A4Bari: A3 - B4Bass: E3 - A4www.HelpingYouHarmonise.com
$2.99 ≈
£2.24
America's Favorite Hymns arranged for Wind Instruments
America's Favorite Hymns - Wind Instruments
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Orchestre d'harmonie
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Americana
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Various
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America's Favorite Hymns - Win
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Colin Kirkpatrick Publications
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SheetMusicPlus
Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Praise and Worship. Score, Set of Parts. 244 pages. Published by Colin Kirkpatrick P...
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Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Praise and Worship. Score, Set of Parts. 244 pages. Published by Colin Kirkpatrick Publications
Here?sa new collection of thirty-two of America?s best-loved hymn tunes, at a bargainprice too! The arrangements are intended either as stand-alone pieces thatcould be used as interludes in a service, or they could be used to accompanysolo, choral or congregational singing.
Thepublication consists of a four-staff score in concert pitch together withfifteen separate parts in various transpositions including a simplifiedoptional keyboard part. These four-partarrangements use flexible instrumentation so that you can exercise considerablecontrol over the instrumental voicing or use them for non-standard ensembles. You can also create interesting instrumentaltone color by omitting groups of instruments. If the ensemble is large enoughyou could omit brass instruments in the quieter sections, or use a solo trumpetagainst a woodwind background. There are endless possibilities.
Thecomplete set includes Part 1 in B flat, E flat and C (high and low pitch); Part2 in B flat, E flat and C; Part 3 in B flat, E flat, F and C and Part 4 in Bflat, E flat and C. While Part 1 (high pitch) is suitable for flute and oboebeing an octave above concert, the low pitch version is more suited toelementary players. Part 2 in C is an octave higher than concert. Parts 3 and 4in C are in the bass clef. The arrangements could be played by virtually anycombination of conventional wind instruments. Using the optional keyboard partthey could also be used as solos, duets or trios. The scores and all the parts are containedin a single 244-page PDF file.
The collection includes the followingtitles: A Mighty Fortress IsOur God (Ein? Feste Burg); All Creatures Of our God and King(Lasst uns Erfreuen); All People that on Earth do Dwell (OldHundredth); Abide with Me (Eventide); AllHail the Power of Jesus? Name (Coronation); Amazing Grace (Trad); At the Cross(Alas and Did My Savior Bleed) (Hudson); Be Thou My Vision(Slane); Blessed Assurance(Assurance); Blest Be the Tie That Binds (Dennis - Ngeli); ComeThou Fount of Every Blessing (Nettleton); ComeWe That Love the Lord (St. Thomas);Crown Him with ManyCrowns (Diademata); Guide Me OThou Great Jehovah (Cwm Rhondda); Holy, Holy, Holy(Nicea); How Firm a Foundation (Foundation); It is Wellwith my Soul (Ville du Havre); Jesus Christ is Risen Today(Easter Hymn);Jesus, Lover of My Soul (Hollingside); JesusPaid it All (All to Christ); Joy to theWorld (Antioch); Just as I Am, Without one Plea (Woodworth); Love Divine, AllLoves Excelling (Hyfrydol); Nearer my God to Thee (Bethany); Praise To the Lord, The Almighty(Lob den Herren); Rock of Ages (Toplady); Shall we gather at the River?(Hanson Place); The Day thou Gave us, Lord is Ended (St. Clement);To God Be The Glory(To God be the Glory); There is a Fountain (Cleansing Fountain);What a Friend WeHave in Jesus (Converse) and WhenI Survey the Wondrous Cross (Hamburg).
The audio demo contains the followingtitles (1) Abide with Me; (2) All Hailthe Power of Jesus? Name; (3) A Mighty Fortress is our God and (4) Love Divine,all Loves Excelling.
$23.99 ≈
£18.00
Uptown Girl
Uptown Girl
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Flûte et Guitare
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INTERMÉDIAIRE
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Billy Joel
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Derek Hasted
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Uptown Girl
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Derek Hasted
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SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.797772 By Billy Joel. By Billy Joel. Arranged by Derek Hasted. Contemporary,Pop,Roc...
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.797772 By Billy Joel. By Billy Joel. Arranged by Derek Hasted. Contemporary,Pop,Rock. Score and parts. 13 pages. Derek Hasted #5305729. Published by Derek Hasted (A0.797772). UPTOWN GIRL - FLUTE and GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This very playable but satisfying arrangement is a piece that's full of hidden gems...For an audience it's absolutely full of uplifting key changes - not just one on the last chorus!This arrangement starts in A, but visits the keys of F, C, D and E more than once, and each one seems to lift the mood yet higher. And then there's a gentle fade away to a quiet finish.It's an easy rhythmic crowd-pleaser that any audience will like and it’s a real toe-tapper.The guitar has a simple syncopated rhythm that was inspired by the electric bass line of the original and reworked to provide a rhythm 'chords and bass' part that is straightforward and reliable to play.The soundfile alongside this download at Sheet Music Press is a mix of real guitar and synthesised flute. In a real performance the flute part will benefit from rubato and being relaxed with the beat.I hope you enjoy this piece!
$4.99 ≈
£3.74
Fifteen Safari Duets for Tubas
Fifteen Safari Duets for Tubas
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2 Tubas (duo)
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FACILE
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Jazz
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Gregory Fritze
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Fifteen Safari Duets for Tubas
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova US...
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova USA
Fifteen Safari Duets for Tubas was composed for playing duets with my tuba students. The fifteen duets are at different levels of difficulty and various styles so that we always had duets to play no matter what ability of student. There is something in each duet for students to learn from the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. They are all fun to play. Although for tubas, they may be played on any instrument.
In 1988 I spent a month in Kenya on safari and experiencing the African wildlife and culture, thus the inspiration for these duets that were composed soon after the trip in 1989 and 1990 and have been a regular part of my teaching ever since. Four of these duets are recorded on the compact disc ?Tuba Safari? (Troy 1173) on Albany Records.
1. Elephants at Stave
This duet presents the cantabile style studied for playing the tuba. I find that this duet helps the student much like the melodies of Borgodni etudes. There are more elephants in Tsavo than anywhere else in Kenya. It was not uncommon to see large families of thirty elephants at a time.
2. Gallop ? Thompson Gazelle at Amboseli
This duet provides an opportunity to read in a sharp key, D major, as well as basic rhythms and articulations. I find that the more advanced students can read in a faster tempo and other students can work in a slower tempo ? a common choice in all of the duets. Large herds of playful Thompson Gazelle were a usual occurrence in most of the game parks in Kenya.
3. Rhinos at Nairobi Game Park
This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. The rhinoceros is a very noble animal that can grow to more that 1,000 pounds and is known for its horn. The Nairobi game park is located just outside the city, giving a sense of surrealism to the panorama.
4. Giraffes at Nairobi Twiga Park
This is in a ?rock? style with syncopated rhythms and cantabile melodies. The Nairobi Twiga park is just outside the city and is the only place where one can feed the giraffes. Along with their long necks they have very long tongues.
5. Warthogs at Ngulia
Legato scales and syncopated rhythms are the features of this duet. Warthogs have tails that are held upright when they run.
6. Baboons at Kiliguni
This duets alternates in rock style and swing. Baboons are sometimes a problem because they will try to steal food from the tourists? tables. They will work together where one causes a diversion while the others steal.
7. Pastoral ? Cape Buffalo at Samburu
The key of A for this duet gives variation for the students. Cape Buffalo are in large herds on the savanna. The Samburu Lodge dining area was built next to a watering hole. At the beginning of breakfast there were no animals, but in fifteen minutes more than 500 cape buffalo were at the water hole.
8. Song - Hippos at Mzima Springs
This is the easiest of rhythms and range of the duets, especially for the 2nd(student) part. Hippopotamuses can grow up to 4,000 pounds and spend most of their time sleeping in the water during the day. At night they go on land to hunt.
9. Leopards at Kimana Lodge
This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many have never experienced this notation before. The leopard is a large predatory cat that usually hunts at night.
10. Colobus Monkeys at the Ark
This is an Invention in the Bach style. The Ark is a building that was built in 1969 at a watering hole for tourists to watch wildlife. The colobus monkey is black with white on its forearms and chest.
11. Zebra Migration at Masai Mara
This duet is in a ?Medium Swing? jazz style. The great migration between the Masai Mara and Serengeti involves about two million wildebeest, zebras and other animals every year. It is considered one of the most impressive natural events worldwide.
12. Ostrich at Samburu
This duet works on double time and half time. The ostrich is the largest bird in the world. In Samburu there was an ostrich that hung around the lodge, her name was Margaret. She was very friendly with everybody but she would steal your hat.
13. Cheetah at Voi
This is another duet that includes graphic notation. The cheetah can run up to 80 miles an hour when chasing after prey. When not hunting prey it often walks very slowly.
14. Gallop ? Gerenuk at Buffalo Springs
This gallop displays different types of articulation. The gerenuk is an antelope with a slightly extended neck so it can eat higher leaves from trees.
15. Lions at Mara Sopa
This duet is in the style of a fanfare. The lion is considered the king of the savanna.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.
His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
£15.01
Eruption
Eruption
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Violon
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AVANCÉ
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Metal/Hard Rock
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Rock
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Van Halen
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Kyle Pudenz
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Eruption
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ViolinVagabond Music
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.845988 By Van Halen. By Alex Van Halen, David Lee Roth, Eddie Van Halen, and Michael Anthony. Arranged by Kyle Pudenz. M...
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Violin Solo - Level 5 - SKU: A0.845988 By Van Halen. By Alex Van Halen, David Lee Roth, Eddie Van Halen, and Michael Anthony. Arranged by Kyle Pudenz. Metal,Rock. 3 pages. ViolinVagabond Music #6332317. Published by ViolinVagabond Music (A0.845988). One of the most iconic guitar solos of all time, written by one of the most influential guitarists in history, and now arranged for violin!!As a violinist who has extensively studied both the classical & rock genres, I made it my goal to be as faithful to EVH's original performance as possible, while also making this version more adaptable to the different virtuosic techniques available to violinists. We may not be able to tap out those signature arpeggios with 2 hands, but arpeggiating them with the bow creates a similar texture with a distinctly more violin-friendly approach! I've also used octave transpositions and re-voiced some of the chords to make them more adaptable to the violin's range without feeling chopped up.The result: a fresh take on this timeless solo that can be performed on any standard violin. No need for extra strings or electronics (though I'll admit, it will probably sound pretty awesome on an electric violin...) and no need to re-tune your instrument. This version is written a half-step higher than the original recording in concert A. If you want to match the original key of the Van Halen recording (Ab), you can tune a half-step down like Eddie does, and just read this chart exactly as written.Whether you're looking for a new encore or intro for your next solo performance, or just want to learn a few new licks from one of the greatest rock n' roll musicians of all time, this tune is a fantastic addition to the repertoire of any violinist looking to reach a bit beyond the norms of the classical tradition!Performance time: approximately 1:50 (the tapping section feels better at a slightly slower tempo on violin)Enjoy the chart, and if you have questions, comments or suggestions, you can contact me via my website www.kylepudenz.com/ or on Instagram @theviolinvagabond
$9.99 ≈
£7.50
No Time To Die
No Time To Die
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Billie Eilish
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George Willson
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No Time To Die
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George Willson
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1240490 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by George Willson. ...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1240490 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by George Willson. 21st Century,Film/TV,Jazz,Rock. Score and Parts. 59 pages. George Willson #835873. Published by George Willson (A0.1240490). As performed by the T-Town Jazz Band.After creating a perfectly servicable big band arrangement of No Time To Die, I did what any good arranger of a big band would do and asked myself, How would Maynard Ferguson play this? The answer is, of course, louder, faster, and higher, or otherwise stated, obnoxiously. Such was born this unique version of this piece, with screaming trumpet parts, but a trombone soloing the first verse and then taking an extended improvisional solo throughout the middle (because as the lead trombone player of the band, I opted to give it to myself). I, personally, like this version better than the one that mimics the original, and give a little Bond pep to the midst to your setlist. Enjoy No Time To Die, as performed (obnoxiously) by the T-Town Jazz Band.George Willson has been an performer, composer, and conductor for thirty years in various mediums and ensembles.MP3 rendition is an extract of the composition program.
$49.99 ≈
£37.51
Your Favorite Christmas Hymns and Carols for Wind Instruments Book 1
Your Favorite Christmas Hymns and Carols for Wind Instruments Book 1
Woodwind Quartet: any 4 woodwinds
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Noël
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Various
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Your Favorite Christmas Hymns
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Colin Kirkpatrick Publications
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SheetMusicPlus
Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise & Worship, General Worship, Christmas. Score, Set of Parts. 125 pages. Publi...
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Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise & Worship, General Worship, Christmas. Score, Set of Parts. 125 pages. Published by Colin Kirkpatrick Publications
Your Favorite Christmas Hymns and Carols for Wind Instruments
Arranged by Colin Kirkpatrick
Book 1
This essential collection may be all you ever need for your wind instruments at Christmas. It's a bargain price too! The arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing.
The publication consists of a four-staff score in concert pitch together with fourteen separate parts in various transpositions. There is also a fairly easy optional keyboard part. These four-part arrangements use flexible instrumentation so that you can exercise considerable control over the instrumental voicing. You can also create interesting instrumental tone colour by omitting groups of instruments. This can be achieved with the aid of a pencil. If the ensemble is large enough you could omit brass instruments in the quieter sections, or use a solo trumpet against a woodwind background. There are endless possibilities. You can hear the effect of omitting sections in the audio samples. The arrangements could therefore be played by brass quartet, woodwind quartet, saxophone quartet or virtually any combination of wind instruments. Using the piano part (which has been kept as simple as possible) the arrangements could also be used as solos or duets, depending of what instruments are available. Parts 1 and 2 in C have been printed an octave higher than the pitch shown in the score because the parts invariably are too low for flute or oboe. All the scores and parts are contained in a single125-page PDF file.
The publication consists of four-stave scores for each hymn and carol plus:
1. Part 1 in B flat (clarinet, trumpet, cornet, soprano sax);
2. Part 1 in C (8ve higher for piccolo, flute, oboe);
3. Part 1 in E flat (alto saxophone, E flat clarinet);
4. Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn);
5. Part 2 in C (8ve higher for flute, oboe);
6. Part 2 in E flat (alto saxophone);
7. Part 3 in B flat (tenor saxophone, B flat baritone);
8. Part 3 in C (bass clef for trombone, bassoon);
9. Part 3 in E flat (E flat tenor horn, alto saxophone, alto clarinet);
10. Part 3 in F (French horn in F);
11. Part 3a in B flat (8ve below score pitch for 3rd clarinet);
12. Part 4 in B flat (B flat bass clarinet, B flat bass);
13. Part 4 in C (bass clef for trombone, bass trombone, bassoon, tuba);
14. Part 4 in E flat (E flat baritone saxophone, E flat bass)
Book 1 includes the following 19 titles: Angels from the Realms of Glory (Melody: Gloria); Away in a Manger (Melody: Mueller); Unto Us a Child Is Born (Melody: Puer Nobis); Christians Awake! (Melody: Yorkshire); Deck the Halls with Boughs of Holly (Melody: Nos Galan); Go Tell it on the Mountain; Good Christian Men, Rejoice (Melody: In Dulci Jubilo); Good King Wenceslas (Melody: Tempus Adest Floridum); I Saw Three Ships Come Sailing In; It Came Upon the Midnight Clear (Melody: Carol); Little Jesus, Sweetly Sleep (Melody: Rocking); O Christmas Tree (Melody: Tannenbaum); O Come all ye Faithful (Melody: Adeste Fidelis); O Little Town of Bethlehem (Melody: Saint Louis); O Holy Night (Melody: Cantique Nol); Silent Night (Melody: Stille Nacht); The Holly and the Ivy; We Wish You a Merry Christmas and What Child is This? (Melody: Greensleeves)
The audio samples include Angels from the Realms of Glory, Deck the Halls with Boughs of Holly, Go Tell it on the Mountain and Silent Night. Please note that arrangements in the publication are not intended to be compatible with Your Favorite Christmas Hymns and Carols for Brass.
$29.99 ≈
£22.51
To Make You Feel My Love
To Make You Feel My Love
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Chorale SSAA
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INTERMÉDIAIRE
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Rock
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Billy Joel
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Liz Garnett
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To Make You Feel My Love
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.856152 By Billy Joel. By Bob Dylan. Arranged by Liz Garnett. Rock. Octavo. 4 pages. Liz Garnett #3593807. Publis...
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Choral Choir (SSAA) - Level 3 - SKU: A0.856152 By Billy Joel. By Bob Dylan. Arranged by Liz Garnett. Rock. Octavo. 4 pages. Liz Garnett #3593807. Published by Liz Garnett (A0.856152). This ballad is I think the only song by a Nobel Laureate that I have arranged . It is in many ways, both melodically and lyrically, a simple and classic declaration of love, but manages to typify the genre without losing any sense of freshness. This is archetypal human experience, felt authentically.The arrangement is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written)Vocal Ranges:Tenor: F4 - D flat 5Lead: B3 - C5Bari: C4 - A flat 4Bass: E flat 3 - E flat 4www.HelpingYouHarmonise.com
$2.99 ≈
£2.24
Memories
Memories
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Rock
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Maroon 5
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Kathy Hirche
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ISMN 979-0-7201-802-5-0
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Memories
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Kathy Hirche
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 2 - SKU: A0.820022 By Maroon 5. By Adam Levine, Jacob Hindlin, Jacob Kasher Hindlin, Jon Bellion, Mich...
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Instrumental Duet Instrumental Duet,Piano - Level 2 - SKU: A0.820022 By Maroon 5. By Adam Levine, Jacob Hindlin, Jacob Kasher Hindlin, Jon Bellion, Michael Pollack, Stefan Johnson, and Vincent Ford. Arranged by Kathy Hirche. Pop,Rock. Score and parts. 10 pages. Kathy Hirche #5019427. Published by Kathy Hirche (A0.820022). The music of this popular song has been specially arranged to be suitable for Early Intermediate Level performers and for use as instructional repertoire. The written range is kept mostly within the staff and the appropriate performance range of pitches on the keyboard is achieved by octave displacement, i.e. the Primo part is performed an octave higher than written and the Secondo an octave lower. As the performance range extends beyond that of a 61-note keyboard, an acoustic piano or 88-note keyboard is required if both players are to perform on the same instrument. Another performance option is to use two 61-note keyboards and use the transpose function to displace the parts by an octave (up for Primo, down for Secondo). Both the score and separate parts are provided. ISMN 979-0-7201-802-5-0 kathysprintmusic.com Dueto de Piano/Teclado La música en esta canción popular ha sido. Arreglada especialmente para ejecutantes de Nivel Intermedio Temprano, asi como para formar parte del repertorio de enseñanza. El rango escrito se mantiene principalmente con el personal de enseñanza y el rango apropiado de tonos en el teclado se consigue por desplazamiento de octavos, o sea que la parte Prima se ejecuta en una octava mas alta que lo escrito; el Secondo se ejecuta en una octava mas baja. Ya que el rango de ejecución se extiende mas allá de un teclado de 61- notas, se requiere un piano acústico de 88 notas si ambos músicos van a tocar en un mismo instrumento. Otra opción de ejecución es usar dos teclados de 61 notas y usar la función de transposición para desplazar cada parte por una octava (hacia arriba para Primo y hacia abajo para Secondo). todas las partes separadas y la partitura se incluyen. é’¢ç´/ 键盘二é‡å¥ 书é¢èŒƒå›´ä¸»è¦ä¿ç•™åœ¨äº”线谱ä¸ã€‚键盘上的音高范围是通过å€é¢‘程ä½ç§»å®žçŽ°çš„。
$5.99 ≈
£4.50
Bad Moon Rising
Bad Moon Rising
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Rock
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Creedence Clearwater Revival
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Kathy Hirche
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Bad Moon Rising
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Kathy Hirche
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.819985 By Creedence Clearwater Revival. By John Fogerty. Arranged by Kathy Hirche. Rock. S...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.819985 By Creedence Clearwater Revival. By John Fogerty. Arranged by Kathy Hirche. Rock. Score and parts. 11 pages. Kathy Hirche #4111345. Published by Kathy Hirche (A0.819985). The music of this popular song has been specially arranged to be suitable for Intermediate Level performers and for use as instructional repertoire. The written range is kept almost entirely within the staff and the appropriate performance range of pitches on the keyboard is achieved by octave displacement, i.e. the Primo part is performed an octave higher than written and the Secondo an octave lower. As the performance range extends beyond that of a 61-note keyboard, an acoustic piano or 88-note keyboard is required if both players are to perform on the same instrument. Another performance option is to use two 61-note keyboards and use the transpose function to displace the parts by an octave (up for Primo, down for Secondo). Both the score and separate parts are provided. ISMN 979-0-9009761-7-8 kathysprintmusic.com. Dueto de Piano/Teclado La música en esta canción popular ha sido arreglada especialmente para ejecutantes de Nivel Intermedio asi como para formar parte del repertorio de enseñanza. El rango escrito se mantiene principalmente con el personal de enseñanza y el rango apropiado de tonos en el teclado se consigue por desplazamiento de octavos, o sea que la parte Prima se ejecuta en una octava mas alta que lo escrito; el Secondo se ejecuta en una octava mas baja. Ya que el rango de ejecución se extiende mas allá de un teclado de 61- notas, se requiere un piano acústico de 88 notas si ambos músicos van a tocar en un mismo instrumento. Otra opción de ejecución es usar dos teclados de 61 notas y usar la función de transposición para desplazar cada parte por una octava (hacia arriba para Primo y hacia abajo para Secondo). todas las partes separadas y la partitura se incluyen.
$5.99 ≈
£4.50
Somebody To Love
Somebody To Love
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Queen
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Liz Garnett
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Somebody To Love
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.856155 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Liz Garnett. Rock. Octavo. 8 pages. Liz G...
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Choral Choir (SSAA) - Level 4 - SKU: A0.856155 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Liz Garnett. Rock. Octavo. 8 pages. Liz Garnett #3628563. Published by Liz Garnett (A0.856155). Freddie Mercury can make you feel that somehow it is heroic to be a loser. This is a big sing – not so much in terms of range (certainly less rangy than some of the stuff he wrote), but challenging in terms of the stamina and performing charisma required.The arrangement is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written)Vocal ranges:Tenor: E4 - F#5
$2.99 ≈
£2.24
Against All Odds (take A Look At Me Now)
Against All Odds (take A Look At Me Now)
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Phil Collins
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Liz Garnett
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Against All Odds
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.856198 By Phil Collins. By Phil Collins. Arranged by Liz Garnett. Contemporary,Pop,Rock. Octavo. 5 pages. Liz Ga...
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Choral Choir (SSAA) - Level 4 - SKU: A0.856198 By Phil Collins. By Phil Collins. Arranged by Liz Garnett. Contemporary,Pop,Rock. Octavo. 5 pages. Liz Garnett #4274739. Published by Liz Garnett (A0.856198). This arrangement takes Phil Collins' classic rock ballad and reimagines it as a barbershop contest ballad. The raising of emotional temperature that the original achieves through the throb of the beat is achieved here by richer and, in places, more surprising harmonies. It needs a free, conversational delivery that privileges the ebb and flow of the lyric over metrical pulse.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal ranges:Tenor: F4 - E5Lead: A3 - D5Bari: C4 - C5Bass: D3 - G4
$2.99 ≈
£2.24
America's Favorite Hymns arranged for Strings
America's Favorite Hymns - Strings
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Musique Sacrée
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Various
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America's Favorite Hymns - Str
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Quartet, String Orchestra - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise and Worship,...
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String Quartet, String Orchestra - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise and Worship, General Worship. Score, Set of Parts. 127 pages. Published by Colin Kirkpatrick Publications
This is an essential item for any string ensemble, whether string quartet or string orchestra. The publication consists of full scores for each hymn plus separate instrumental parts and an optional simplified keyboard part. The parts include 1st violin, 2nd violin, viola, cello and bass. You can brighten the tone quality by getting the more advanced violin players play an octave higher than the written part. (You can hear this effect in the audio demos.) The cello and bass parts appear on a single staff but there?s also a melody part provided in the bass clef should you require a cello or double bass solo. Of course, you can use any number of instruments to a particular part. Using the keyboard part, you can use the arrangements as solos, duets or trios. Because the music has been set in string-friendly keys, the arrangements are not usually compatible with the brass and wind collections of the same title.
The collection includes the following titles: A Mighty Fortress Is Our God (Ein? Feste Burg); All Creatures Of our God and King (Lasst uns Erfreuen); All People that on Earth do Dwell (Old Hundredth); Abide with Me (Eventide); All Hail the Power of Jesus? Name (Coronation); Amazing Grace (Trad); At the Cross (Alas and Did My Savior Bleed) (Hudson); Be Thou My Vision (Slane); Blessed Assurance (Assurance); Blest Be the Tie That Binds (Dennis - Ngeli); Come Thou Fount of Every Blessing (Nettleton); Come We That Love the Lord (St. Thomas); Crown Him with Many Crowns (Diademata); Guide Me O Thou Great Jehovah (Cwm Rhondda); Holy, Holy, Holy (Nicea); How Firm a Foundation (Foundation); It is Well with my Soul (Ville du Havre); Jesus Christ is Risen Today (Easter Hymn); Jesus, Lover of My Soul (Hollingside); Jesus Paid it All (All to Christ); Joy to the World (Antioch); Just as I Am, Without one Plea (Woodworth); Love Divine, All Loves Excelling (Hyfrydol); Nearer my God to Thee (Bethany); Praise To the Lord, The Almighty (Lob den Herren); Rock of Ages (Toplady); Shall we gather at the River? (Hanson Place); The Day thou Gave us, Lord is Ended (St. Clement); To God Be the Glory (To God be the Glory); There is a Fountain (Cleansing Fountain); What a Friend We Have in Jesus (Converse) and When I Survey the Wondrous Cross (Hamburg).
The audio demo contains the following titles (1) Abide with Me; (2) Nearer my God to Thee; (3) Be Thou my Vision and (4) What a Friend we have in Jesus.
$15.99 ≈
£12.00
Monkeys Spinning Monkeys
Monkeys Spinning Monkeys
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Kevin MacLeod
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Lisa Ochoco
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Monkeys Spinning Monkeys
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1167899 By Kevin MacLeod. By Kevin MacLeod. Arranged by Lisa Ochoco. Comedy,Cont...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1167899 By Kevin MacLeod. By Kevin MacLeod. Arranged by Lisa Ochoco. Comedy,Contemporary. 31 pages. Lisa L Ochoco #768254. Published by Lisa L Ochoco (A0.1167899). If you’ve ever seen a funny video on YouTube, Facebook, TikTok, etc., chances are that you’ve heard this tune before…many many times.  It makes cute and funny videos, well, cuter and funnier.Kevin Macleod wrote this cute and funny tune, and it’s written to loop until the video ends.  The longer the video, the higher it goes (I think, although having a cute video last more than 5 minutes may wear you out.)  While I could have modulated it 5 times, I didn’t.  There is one key change, and after that key change, this cute and funny tune goes Radio City Rockette-ish before definitely coming to an end at around the 2 minute mark.Scored for flute choir – 4 C, alto, bass, and contrabass flutes.  There is an optional cello part that can help bring out the staccato notes in the contrabass, which can also be played by any C instrument in a similar range, such as a bassoon.This would be a great recital opener, closer, or filler.  Or, you could have a few members of your group act out a cute and funny scene to it.  The possibilities are endless!Duration: 2 minutes.
$15.00 ≈
£11.26
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The Rock That is Higher Than I
