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The Second Storm
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9
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The Second Storm
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Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
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Violon, Clarinette, Piano (trio)
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AVANCÉ
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Adam Lenhart
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Two Scenes from The Rubá
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Adam Lenhart
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SheetMusicPlus
B-Flat Clarinet,Piano,Violin - Level 5 - SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenha...
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B-Flat Clarinet,Piano,Violin - Level 5 - SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$14.99 ≈
13.50€
The Edmund Fitzgerald - Concerto for Piano and Strings
The Edmund Fitzgerald - Concerto for Piano and Strings
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Orchestre à Cordes
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AVANCÉ
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Contemporain
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Geoffrey Peterson
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The Edmund Fitzgerald - Concer
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Geoffrey Peterson
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Publishe...
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String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99 ≈
9.00€
The Four Seasons in the Basque Country
The Four Seasons in the Basque Country
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Orchestre d'harmonie
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Gregory Fritze
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The Four Seasons in the Basque
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Musica Nova USA
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SheetMusicPlus
Concert Band - SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Publishe...
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Concert Band - SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Published by Musica Nova USA (A0.917412). The Four Seasons in the Basque Country is a 4 movement symphony for concert band. It is the Third Prize Winner of the 2020 American Prize in Composition - Concert Band. Grade 5, duration 27 minutes. The piece depicts four different places in the Basque country that the composer feels best show the changes of season. The first movement is Winter in the Costa Norte (Galerna). Galerna is on the northerncoast and is subject to harsh storms in the winter. As the piece starts off with a light-hearted dance in thepiccolo, a storm is approaching from afar. At first the storm seems to be in the distance but as it comes closer it overtakes the festivities in a bluster. For a short time two conductors are needed as the concertband is split into two groups – one showing the light-hearted dance led by the piccolo, the other thecacophony of the storm led by the percussion. The storm overtakes everything as it ends the movement with a flourish.The second movement Spring in Rioja Alavesa is a calming contrast to the first movement like the freshness of a spring day. The sun rises and shines beams of light onto the acres of grape vines. After a timea short rain comes to refresh and clean the plants.The third movement Autumn at the Guggenheim Museum is in a traditional 3rd movement form of a symphony, minuet and trio, but the harmonies sometimes use bitonality, having the melody in one key while the accompaniment is in another to suggest surrealism. The Guggenheim Museum in Bilbaois one of the world’s most famous museums, not only for the surreal art inside, but also because of the architecture of the building itself.The fourth movement Summer in Bilbao is based on a dance melody composed in the Ezpata- dantza Basque style. It employs a rhythmic element with alternating 6/8 and 3â„4 meters where the eighth notes are basically equal, but in the dance the 3â„4 meter is actually a little bit longer. This type of subtlemanipulation of rhythm is used similarly in the Viennese Waltz, when the 3rd beat would be stretched outto accommodate the dancers. The Ezpata-dantza dance continues until the Altza Gastiak, the officialsong of the Bilbao Athletic Club, the local soccer team of Bilbao, is heard. After this the Ezpata-dantzamelody is transformed from a happy dance to a triumphant melody and rousing finale.In The Four Seasons in the Basque Country all of the themes are original except for the short excerpt ofAltza Gastiakin the 4th movement. Some themes are composed in the style of Basque folk dances.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanishcomposers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Recordsand others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University.He now resides in Daytona Beach Shores, Florida
$100.00 ≈
90.07€
Floating, Falling, Flying (parts for other instrumental combinations)
Floating, Falling, Flying (parts for other instrumental combinations)
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Brian Chung
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Floating, Falling, Flying
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Brian Chung Music
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SheetMusicPlus
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 4 - SKU: A0.1188952 Composed by Brian Chung. Contemporary,Film/TV,Thriller,Tradit...
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Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 4 - SKU: A0.1188952 Composed by Brian Chung. Contemporary,Film/TV,Thriller,Traditional. 9 pages. Brian Chung Music #788560. Published by Brian Chung Music (A0.1188952). Floating, Falling, Flying was originally written as trio for Oboe, Violin and Piano (#1284568 on Sheet Music Direct, #A0.1188926 on Sheet Music Plus). For those who have already purchased that original score, these supplemental parts will make possible the following instrumental combinations:Clarinet (for Oboe) creates a Clarinet/Violin/Piano trio.Clarinet (for Violin) creates an Oboe/Clarinet/Piano trio (heard on sample audio file).Flute (for Violin) creates an Oboe/Flute/Piano trio.The Piano part in the original score is unchanged for all combinations. For Flute/Clarinet/Piano, please purchase the separate version optimized for that instrumentation (#1288002 on Sheet Music Direct, #A0.1192373 on Sheet Music Plus). Composer's Commentary on YouTube:  https://youtu.be/7Isy0t6VzasSUMMARYHave you ever wondered what happens to balloons when they fly away? Floating, Falling, Flying depicts the odyssey of two balloons who find themselves suddenly and blissfully untethered.  It presents a musical narrative of their unpredictable journey through the skies, back to earth, and, eventually, into the stratosphere. The piece was commissioned by Music Teachers National Association for the 2022 National Conference.  It is a trio for oboe, violin and piano written for students at the intermediate to advanced-intermediate level.  Composed in three contiguous movements, it involves three characters – the balloons (portrayed by the oboe and violin) and the wind (represented by the piano).  In the opening movement (Floating), the balloons escape their moorings and ascend into free space, floating playfully among the clouds with the help of a gentle wind. But, as in life, journeys are not always peaceful.  The second movement (Falling) opens with a hint that something is not quite right.  Undaunted, the balloons continue their carefree ascent amid the ominous signs of an approaching storm.  The wind ultimately asserts its authority, pummeling the balloons back to earth.  As they lie helplessly on the ground, they assess each other’s condition and make feeble attempts to relaunch.  But, without wind, their situation seems hopeless.  In the final movement (Flying), hope is restored as a quiet breeze lifts the intrepid pair back into the air.  They resume their skyward adventure with renewed vigor and joy – dancing through the clouds and, ultimately, out of sight.Floating, Falling, Flying is an exciting and challenging piece for student concerts, recitals and Solo and Ensemble festivals.Brian Chung is a pianist, arranger, composer, conference speaker, former Senior Vice Present of Kawai America Corporation, and author or co-author of four books published by Alfred Music.  He was honored to participate in MTNA’s Collaborative Music Commissioning Project with this composition.
$6.00 ≈
5.40€
The Duality of Cats
The Duality of Cats
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Nathan Grocholski
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The Duality of Cats
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Nathan Grocholski
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1123447 Composed by Nathan Grocholski. Classical,Contemporary. Score and parts. 65 pages. Nathan Grocholski #724258. ...
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Brass Ensemble - Level 4 - SKU: A0.1123447 Composed by Nathan Grocholski. Classical,Contemporary. Score and parts. 65 pages. Nathan Grocholski #724258. Published by Nathan Grocholski (A0.1123447). The basis of this piece was centered around the complex emotions of cats in which we observe in our every day lives. With regards to this piece especially, there were three cats that I based this composition on, and their names are Storm, Zany and Tremor. Each miniature is a representation of a certain type of emotion that each of these cats is known for expressing. The first movement is for my favorite cat, Storm, and is titled, “Precious Storm.†Going back to my earliest memories of writing songs, I re-translated an old tune that I used to sing into a brass quintet miniature and dedicated to him, for he is the best cat. The second miniature is titled, “Mouse on a String,†and is supposed to portray the same energy that one would see from a cat in chase of a toy mouse being constantly propelled around the air from one end of a string, which is one of Storm’s favorite things to do. The third movement is called “Zany the Scaredy-Cat,†which is exactly the type of cat that Zany is. Always fearful and skittish, Zany sneaks around the house to avoid human contact at all costs. The fourth movement is titled “You Stuck, Zany?†This is named after a short video clip in which Zany finds herself stuck in the fireplace and struggling to get out. Once she frees herself, she runs away as fast as she can. The fifth movement is called “Passive-Aggressive Tremor†for the final cat, Tremor. Tremor likes to instigate conflicts with the other cats, but once the tension arises, he backs away, which can also be heard within the intense build ups and anti-climatic drops within the music as well. Finally, the sixth movement is called, “King Tremor,†in which is the boldest sounding of all the pieces, for when it does come to conflict, it is usually Tremor who comes out on top, outsmarting the other two cats.
$5.00 ≈
4.50€
Song of the Mountains
Song of the Mountains
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Chorale SATB
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INTERMÉDIAIRE
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Greg Bartholomew
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Song of the Mountains
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Burke & Bagley
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.787250 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Patriotic,Standards. Octavo. 16 pages. Burke & Ba...
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Choral Choir (SATB) - Level 3 - SKU: A0.787250 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Patriotic,Standards. Octavo. 16 pages. Burke & Bagley #49747. Published by Burke & Bagley (A0.787250). SONG OF THE MOUNTAINS is a setting for mixed (SSAATB) choir with piano accompaniment of text adapted from prose by American naturalist John Muir (1838-1914). Commissioned for the Combined Choirs of St. Joseph's School, Seattle, directed by Rick Boyle, who premiered the piece at Benaroya Hall's Nordstrom Recital Hall on May 6, 2004, in the second annual New Works New Hope concert for the benefit of Gilda's Club Seattle. The piece was revised in 2007 and the premiere of the revised score was given on November 16, 2007, by the Queens College Chorus, Cindy Bell conducting, at the Aaron Copland School of Music in New York. It was selected by the Portland Vocal Consort for their 2013 Best of the Northwest program. Duration ca. 6 minutes. Conductor Cindy Bell says, Driven by a refreshing text of American naturalist John Muir, Bartholomew has created an accessible work that flows easily through both key and meter changes, and features expressive, lyric melodies contrasted by exciting rhythmic drive. Song of the Mountains is almost cantata-like, or through-composed, in that each line of Muir's text receives equal and interesting interpretation. Occasional use of the triplet rhythm creates both a relaxing effect (grasses cease waving) and driving sense of forward motion (Vibrating!). Effective use of dynamics and interweaving of choral parts make for each section having a musical life of its own. Follow along in the score as you listen to a performance in this video: https://www.youtube.com/watch?v=5VVW1Ah6kqE SONG OF THE MOUNTAINS Climb the mountains and get their good tidings. Nature's peace will flow into you as sunshine flows into trees. The winds will blow their freshness into you, and the storms their energy, while cares drop off like autumn leaves. Here is calm so deep, grasses cease waving. Everything in wild nature fits into us, as if truly part and parent of us. The sun shines not on us but in us. The rivers flow not past, but through us, thrilling, tingling, vibrating every fiber and cell of the substance of our bodies, Making them glide and sing. The trees wave and the flowers bloom in our bodies as in our souls, and every bird song, wind song, and tremendous storm song of the rocks in the heart of the mountain, is our song, our very own, and sings our love.
$2.50 ≈
2.25€
Serving for Thee (The United States Marine Corps Hymn)
Serving for Thee (The United States Marine Corps Hymn)
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Chorale SATB
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DÉBUTANT
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the 1970s, the Marines were se
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James F
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Serving for Thee
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Military Bible Association
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1465866 Composed by James F. Linzey and Lowell Mason. 21st Century,Chamber,Patriotic,Religious,Sacre...
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Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1465866 Composed by James F. Linzey and Lowell Mason. 21st Century,Chamber,Patriotic,Religious,Sacred. 4 pages. Military Bible Association #1044463. Published by Military Bible Association (A0.1465866). The History of the United States Marine Corps and the Marine Corps HymnOn November 10, 1775, the Second Continental Congress passed a resolution to establish the Continental Marines. is marked the formation of the United States Marine Corps. The Marine Corps was provided two battalions with a fleet. But the Treaty of Paris in April 1783 ended the Marine Corps along with the Revolutionary War. It was later permanently re-established on July 11, 1798. Since then the United States Marine Corps has been involved in the War of 1812, defending Washington in Bladensburg, Maryland, fighting for Andrew Jackson against the British in New Orleans, and fighting in the Mexican War (1846-1848) in which US Marines fought all the way to the Halls of Montezuma, Mexico City. The Marines served in the Civil War (1861-1865), the Spanish-American War (1898), the Philippine Insurrection (1899-1902), the Boxer Rebellion in China (1900), and World War I. The Marines were later involved in World War II, the Korean conflict beginning in 1950, and the Vietnam conflict, beginning in 1965. By the 1970s, the Marines were securing NATO, and later were involved in Operation Desert Shield and Operation Desert Storm (1990s), Somalia (1992), Operation Enduring Freedom (2001), the Global War on Terrorism and Operation Iraqi Freedom (2002), and in various conflicts since then. Since the inception of the Marine Corps in 1775,about 70,000 Marines have been killed in action. James Linzey served as a chaplain for the Marines in training at Fort Lee, Virginia, and as a contract chaplain at the Airman-Marine Memorial Chapel at MCAS Miramar from 2016-2019. While at Miramar, he gave leadership seminars to the Marines on the Battle of Midway. He is one of ten children of World War II hero, the late Navy Captain Stanford E. Linzey, Jr., CHC, USN (Ret.), who survived the sinking of the USS Yorktown (CV-5) in the Battle of Midway as a sailor, and later served with the Marines in Okinawa as a chaplain. Since the Marine Corps is part of the Department of the Navy, it has used the Navy hymn in chapel services. What is called “The Marine’s Hymn” cannot be sung in chapel services, because it is not a song of praise. As a fighting march, its author called it a hymn in name only. So, in commemoration of the United States Marine Corps, hymn writer James F. Linzey wrote the United States Marine Corps Hymn, “Serving for Thee.” He set it to the tune of Bethany, which was written by Lowell Mason in 1841. James Linzey is the General Editor of the New Tyndale Version (NTV) Bible translation.
$1.99 ≈
1.79€
Fountains of the Deep (SATB, Piano, Horns, Timpani, Perc)
Fountains of the Deep (SATB, Piano, Horns, Timpani, Perc)
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Chorale SATB
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AVANCÉ
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D
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Fountains of the Deep
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D. M. Gardner Music
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.799654 Composed by D. M. Gardner. Christian,Concert,Contemporary. Octavo. 55 pages. D. M. Gardner Music #481051....
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Choral Choir (SATB) - Level 5 - SKU: A0.799654 Composed by D. M. Gardner. Christian,Concert,Contemporary. Octavo. 55 pages. D. M. Gardner Music #481051. Published by D. M. Gardner Music (A0.799654). SATB, Piano, Horns, Timpani, PercussionBE ADVISED, IF YOU SIT IN THE FRONT ROW, YOU MAY WANT TO BRING A RAINCOAT!In the six hundredth year of Noah's life, in the second month, the seventeenth day of the month, the same day were all the fountains of the great deep broken up, and the windows of heaven were opened. And the rain was upon the earth forty days and forty nights. (Gen 7:11-12 KJV)Quietly the first drops of rain begin to fall... One, two... The wind begins to stir, becoming audible. And in a moment it seems thousands of heavy raindrops fall upon the mountains and hills and plains, as though a veil of water had suddenly descended upon the earth from the heavens. Fountains of the Deep musically portrays the events of the Bible concerning the great waters in a tumultuous storm of notes thundering from the grand piano and percussion. Simultaneously, the choir calls out for help while being tossed by the tempestuous seas, swallowed by a great fish, and chased to the edge of the sea by Pharaoh.The text in Fountains of the Deep is a mixed narrative that combines scripture with an imagined exclamation at the cataclysmic events of the day. Still comes the rain, still comes the rain, never ceasing! Whether it was one man, thousands, or all of mankind, the Lord has chosen to use the great depths of the sea to do his Will. This dramatic sonic reenactment brings the listener as close to the action as one would wish to get.PURCHASE INCLUDES FULL SCORE AND ALL PARTS - priced to be purchased as a choral score, so, please purchase one copy per performer...Thank you!)Difficulty: Moderate (Choir)/Intermediate/Advanced (Piano)NOTE: While Ab minor may seem like an extreme key, it plays very well on the piano and gives the choir a very full sound. However, Fountains can easily be performed in A minor, as desired, by simply removing the key signature (for the Horns, also add a sharp (E minor)Approx. 4 minutes and 50 seconds in lengthTo learn more about the composer, please visit https://www.dmgardner.com
$2.99 ≈
2.69€
The City of Our God (for VIOLIN and CELLO Duet with PIANO Accompaniment)
The City of Our God (for VIOLIN and CELLO Duet with PIANO Accompaniment)
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Sharon Wilson
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CELLO ~ B2 to D4
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The City of Our God
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Sharon Wilson
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1262685 By Sharon Wilson. By B. Ogden, G W Bethune, George Washington Bethune, W A Ogden, and William ...
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Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1262685 By Sharon Wilson. By B. Ogden, G W Bethune, George Washington Bethune, W A Ogden, and William Augustine Ogden. Arranged by Sharon Wilson and Sharon Wilson Music. 19th Century,Christian,Easter,Multicultural,Sacred,World. 23 pages. Sharon Wilson #855694. Published by Sharon Wilson (A0.1262685). Here is a flowing instrumental trio arrangement (for VIOLIN and CELLO duet with PIANO accompaniment) of a beautiful hymn from the late 1800's titled The City of Our God when associated with the lyrics by George Washington Bethune. The tune was composed by William Augustine Ogden. This hymn may be better known by its Spanish title Jerusalén Mi Amado Hogar (Jerusalem My Beloved Home) when used with contemporary lyrics by Nicolás Samojluk. The original lyrics by G. W. Bethune are shown below.Both the VIOLIN and the CELLO get to lead with the melody at times making this a fun and equally challenging piece for both instruments while adding variety for the listeners. The VIOLIN plays the melody for the first verse and then the CELLO leads with the melody for the second verse. The song begins in the key of G major for the first verse, then transitions to the key of C major during the piano interlude between verses.The range for each part is as follows: VIOLIN ~ A4 to A5; CELLO ~ B2 to D4. All notes for both the VIOLIN and CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player.  Duration 2:50.The purchase price includes these printing options: 1. a grand staff (9 pages) with all parts on each page2. separate scores for the VIOLIN and CELLO (2 pages each) and PIANO (4 pages)3. a combined VIOLIN and CELLO score (4 pages)Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicLyrics by G. W. Bethune O city of the jasper wall,And of the pearly gate,For thee amid the storms of life,Our weary spirits wait,O may we walk the streets of gold,No mortal feet have trod;O may we worship at the shrine,The temple of our God.Chorus:O land of bliss!O land of light!O city of the jasper wall!O land forever bright!
$5.99 ≈
5.39€
On Jordan's Stormy Banks (for 8-note Bells and Boomwhackers with Color Coded Notes)
On Jordan's Stormy Banks (for 8-note Bells and Boomwhackers with Color Coded Notes)
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Sharon Wilson
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Sharon Wilson
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On Jordan's Stormy Banks
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Sharon Wilson
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SheetMusicPlus
Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophone - Level 2 - SKU: A0.564945 By Sharon Wilson. By Folk Song, Samuel Stennett,...
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Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophone - Level 2 - SKU: A0.564945 By Sharon Wilson. By Folk Song, Samuel Stennett, and Traditional. Arranged by Sharon Wilson. 20th Century,Children,Instructional,Sacred,Spiritual. 12 pages. Sharon Wilson #3087227. Published by Sharon Wilson (A0.564945). This arrangement is one of the 10 hymns included in the collection Ten Classic Hymns for 8-note Bells and Boomwhackers (with Color Coded Notes). This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating a 2-part instrumental ensemble (requires one set of each instrument). Both parts play the melody for one verse beginning with part one (handbells) on the melody and part two (Boomwhackers®) on harmony. After a short interlude, part two plays the melody for the second verse while part one plays harmony. If you want to play only the first verse, an optional ending is provided or it can be skipped to perform the two verses together. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note chart is also provided to aid in the learning and teaching of this song. Lyrics are provided as well for sing along enjoyment. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. If you have a set of bells or tubes with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the instruments match the Boomwhackers® color scheme. This set of scores is also available (separate purchase) in
$5.99 ≈
5.39€
"It was a dark and stormy night..." 9 Spooky composing prompts
"It was a dark and stormy night..." 9 Spooky composing prompts
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Piano Facile
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DÉBUTANT
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Elizabeth Essex
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Elizabeth Essex
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"It was a dark and stormy
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Elizabeth Essex
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1404470 By Elizabeth Essex. By Elizabeth Essex. Arranged by Elizabeth Essex. Children,Halloween,Holiday,Instructional,Thr...
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Easy Piano - Level 1 - SKU: A0.1404470 By Elizabeth Essex. By Elizabeth Essex. Arranged by Elizabeth Essex. Children,Halloween,Holiday,Instructional,Thriller. Score. 18 pages. Elizabeth Essex #987552. Published by Elizabeth Essex (A0.1404470). It was a dark and stormy night…†is a collection of songs-writing templates centered around the theme of telling stories around a campfire. Full of spooky-sounding flats and staccato jump-scares, these late primer level songwriting templates work around a basic call-and response framework. The first and every other measure of music are provided; the blank measures are an invitation for the student to add in their own unique creations. I usually suggest the song end on a “C†key and offer similar guidance along the way.The song templates are sequenced in order of difficulty to read and play; each includes a variety of interesting composing problems for primer-level pianists:Rain Storm - harmonic seconds, thirdsLittle Surprise - staccatosCampfire Story - eighth note pairs, repeat barBlack Cats & Bats - flats, quarter restsPumpkin Carving - 3/4 time signaturePotions & Poisons - slurs into staccato groupsCostume Party - review of flats, secondsVampires vs. Zombies - review of flats, seconds, eighth note pairsCandy Bucket - intro to eighth note groups See my other arrangements: Sheet Music Press (copyrighted music available)https://www.sheetmusicplus.com/publishers/elizabeth-essex-sheet-music/3018847Sheet Music Direct (copyrighted music available)https://www.sheetmusicdirect.com/en-US/Search.aspx?query=Elizabeth%20EssexTop Music Marketplace (piano studio licenses available)https://topmusicmarketplace.com/pages/seller-profile/elizabeths-music-artsTeachers Pay Teachers (classroom licenses available)https://www.teacherspayteachers.com/Store/Elizabeths-Music-And-ArtsTo commission an arrangement or set up Zoom piano or art lessons, contact Elizabeth: https://elizabethmusicnarts.wordpress.com
$5.99 ≈
5.39€
Thérèse Brenet : Concerto for violoncello and chamber orchestra - score plus solo part
Thérèse Brenet : Concerto for violoncello and chamber orchestra - score plus solo part
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Orchestre de chambre
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AVANCÉ
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Therese Brenet
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Thérèse Brenet :
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.532846 Composed by Therese Brenet. Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishin...
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Chamber Orchestra - Level 5 - SKU: A0.532846 Composed by Therese Brenet. Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #61889. Published by Musik Fabrik Music Publishing (A0.532846). This concerto is a stormy work: dry and violent in the first movement, full of rich harmonies in the third movement. Only the second movement, in contrast, resounds with an infinite softness. There are very few metronomic indications or other indications of tempo. Thérèse Brenet wanted to write a music which breathes and which gives the conductor the possibility to make choices to create an interpretation in the true sense of the word Instrumentation 1111/1000/timp/2perc/piano/strings (43322) Parts on rental from the publisher.
$19.95 ≈
17.97€
Despite the Storm
Despite the Storm
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Cloches
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INTERMÉDIAIRE
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Cathy Moklebust
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Despite the Storm
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Chorister's Guild - Digital
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SheetMusicPlus
2 or 3 octaves handbells - Level 3- - SKU: C7.CGB932 Composed by Cathy Moklebust. General. With flute (or violin), 2 or 3 octaves handchimes. Score. 16 ...
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2 or 3 octaves handbells - Level 3- - SKU: C7.CGB932 Composed by Cathy Moklebust. General. With flute (or violin), 2 or 3 octaves handchimes. Score. 16 pages. Chorister's Guild - Digital #CGB932. Published by Chorister's Guild - Digital (C7.CGB932). UPC: 749193022269.Commissioned for the Handbell Musicians of America, Area 8 2016 Festival/Conference, Despite the Storm is dedicated to the memory of Cheryl Abney, longtime Area 8 board member. This original composition for handbells, optional handchimes, and optional flute (or violin) features a nautical, Celtic-flavored melody in G minor, with a gentle LV accompaniment. The second section is in C minor, and includes a repetitive, turbulent 16th-note handbell ostinato played over the bass and lower treble handchime melody. The next section returns to the original melody, but now in G major, it is full and chordal, with a soaring flute descant. The work ends with calming singing bells. The two editions for 2-3 and 3-6 octaves are compatible for massed ringing.
$4.95 ≈
4.46€
Despite the Storm
Despite the Storm
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Cloches
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INTERMÉDIAIRE
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Cathy Moklebust
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Despite the Storm
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4, 5 or 6 octaves handbells - Level 3- - SKU: C7.CGB933 Composed by Cathy Moklebust. General. With flute (or violin), 3, 4, 5, or 6 octaves handchime...
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3, 4, 5 or 6 octaves handbells - Level 3- - SKU: C7.CGB933 Composed by Cathy Moklebust. General. With flute (or violin), 3, 4, 5, or 6 octaves handchimes. Score. 16 pages. Chorister's Guild - Digital #CGB933. Published by Chorister's Guild - Digital (C7.CGB933). UPC: 749193022276.Commissioned for the Handbell Musicians of America, Area 8 2016 Festival/Conference, Despite the Storm is dedicated to the memory of Cheryl Abney, longtime Area 8 board member. This original composition for handbells, optional handchimes, and optional flute (or violin) features a nautical, Celtic-flavored melody in G minor, with a gentle LV accompaniment. The second section is in C minor, and includes a repetitive, turbulent 16th-note handbell ostinato played over the bass and lower treble handchime melody. The next section returns to the original melody, but now in G major, it is full and chordal, with a soaring flute descant. The work ends with calming singing bells. The two editions for 2-3 and 3-6 octaves are compatible for massed ringing.
$4.95 ≈
4.46€
Battle In The Storm (Piano Version)
Battle In The Storm (Piano Version)
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Piano seul
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Pablo Islas
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Battle In The Storm
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Pablo Islas
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SheetMusicPlus
Piano Solo - SKU: A0.492230 By Pablo Islas. By Pablo Islas. 20th Century,Classical,Contemporary,Film/TV. Score. 3 pages. Published by Pablo Islas (A0.49...
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Piano Solo - SKU: A0.492230 By Pablo Islas. By Pablo Islas. 20th Century,Classical,Contemporary,Film/TV. Score. 3 pages. Published by Pablo Islas (A0.492230). As the battle begins, the Captain and his men fire their canons and strike the beast, but with no avail. The beast continues to strike down, causing waves to shower over the Captain's ship. The Captain and his men unfazed by the raw power of the beast, stride forward as they unleash a second barrage of canon fire, striking the beast, yet with no avail once again. As neither side will waver, who will win this battle of attrition, The Captain or... The Kraken?
$2.99 ≈
2.69€
On Jordan's Stormy Banks (euphonium solo - unaccompanied)
On Jordan's Stormy Banks (euphonium solo - unaccompanied)
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Musique Sacrée
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American Folk Hymn from The So
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Alison L
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On Jordan's Stormy Banks
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P. A. Lensey
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SheetMusicPlus
Baritone Horn TC Solo - Level 5 - SKU: A0.890215 Composed by American Folk Hymn from The Southern Harmony (1835), arr. R. McIntosh (1895). Arranged by A...
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Baritone Horn TC Solo - Level 5 - SKU: A0.890215 Composed by American Folk Hymn from The Southern Harmony (1835), arr. R. McIntosh (1895). Arranged by Alison L. Albright. Christian,Sacred. Individual part. 6 pages. P. A. Lensey #3430319. Published by P. A. Lensey (A0.890215). An arrangement of On Jordan's Stormy Banks I Stand for unaccompanied solo euphonium. Bass and Treble Clef parts are included.Two different transpositions of this piece are included. The original spans from low C (2nd space on on Bass Clef) to high B-flat (over an octave above the staff). The second transposition lowers the range so that the highest note is now G above the staff so that intermediate players may also be able to perform this piece.
$1.99 ≈
1.79€
The Passing Storm - miniature for three violins
The Passing Storm - miniature for three violins
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Trio à cordes: 3 violins
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FACILE
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Tom Swafford
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The Passing Storm - miniature
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Tom Swafford
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SheetMusicPlus
Small Ensemble Violin - Level 2 - SKU: A0.914149 Composed by Tom Swafford. 20th Century,Children,Contemporary,Instructional. Score and parts. 6 pages. T...
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Small Ensemble Violin - Level 2 - SKU: A0.914149 Composed by Tom Swafford. 20th Century,Children,Contemporary,Instructional. Score and parts. 6 pages. Tom Swafford #3577537. Published by Tom Swafford (A0.914149). This tiny programmatic piece is designed for young players in their third year of playing. Running 16th notes gradually crescendo and diminuendo representing perhaps the rustling of the wind, each player is given a chance to show off with a dramatic solo phrase or two. Provides experience with non-tonal harmonies and ensemble playing (knowing who has the solo vs. accompanying part etc.) Duration: about 40 seconds. www.tomswafford.com ASCAP .
$3.00 ≈
2.70€
Master, the Tempest is Raging (SATB)
Master, the Tempest is Raging (SATB)
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Chorale SATB
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DÉBUTANT
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Musique Sacrée
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Mary Ann Baker, H
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Garrett Breeze
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Master, the Tempest is Raging
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Lagom Music
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SheetMusicPlus
Choral Choir (SATB) - Level 1 - SKU: A0.723296 Composed by Mary Ann Baker, H.R. Palmer. Arranged by Garrett Breeze. Easter,Praise & Worship,Sacred,Spiri...
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Choral Choir (SATB) - Level 1 - SKU: A0.723296 Composed by Mary Ann Baker, H.R. Palmer. Arranged by Garrett Breeze. Easter,Praise & Worship,Sacred,Spiritual. Octavo. 7 pages. Lagom Music #6093717. Published by Lagom Music (A0.723296). This arrangement by Garrett Breeze is easy to learn and fun to sing! The men and women sing the first and second verses respectively in unison, then come together on the third verse in familiar harmony. The piano part is full of movement, evoking the motion of the ocean as it ebbs and flows. An excited and accessible arrangement suitable for many different kinds of church services.Visit https://garrettbreeze.com to read my blog and discover new music!Check out my catalog of choral music at https://holidaychoirmusic.com!Subscribe to my YouTube channel at https://bit.ly/35HZC2d!Lyrics:Master the tempest is raging! The billows are tossing high! The sky is o'ershadowed with blackness. No shelter or help is nigh. Carest thou not that we perish? How canst thou lie asleep when each moment so madly is threat'ning a grave in the angry deep?Master with anguish of spirit I bow in my gried today. The depths of my sad heart are troubled. Oh, waken and save, I pray! Torrents of sin and of anguish sweep o'er my sinking soul, and I perish! I perish! dear Master. Oh hasten and take control!Master, the terror is over, the elements sweetly rest. Earth's sun in the calm lake is mirrored, and heaven's within my breast. Linger, o blessed Redeemer! Leave me alone no more, and with joy I shall make the blest harbor and rest on the blissful shore.The winds and the waves shall obey thy will: Peace, be still. Whether the wrath of the stormtossed sea or demons or men or whatever it be, no waters can swallow the ship where lies the Master of ocean and earth and skies. They all shall sweetly obey Thy will: Peace, be still. Peace, be still. They all shall sweetly obey Thy will: Peace, peace, be still.
$2.25 ≈
2.03€
The Privateers
The Privateers
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Craig Wadley
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The Privateers
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Wadley Publications
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.983162 Composed by Craig Wadley. Concert,Contemporary,Standards. Score and parts. 102 pages. Wadley Publications #30438...
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Concert Band - Level 3 - SKU: A0.983162 Composed by Craig Wadley. Concert,Contemporary,Standards. Score and parts. 102 pages. Wadley Publications #3043809. Published by Wadley Publications (A0.983162). The Privateers is a swashbuckling depiction of an oceangoing pirate adventure, presented in the form of a march. The piece starts with a brief fanfare, followed immediately by a rousing melody in the style of an old sea-shanty. Images of sailing upon an endless sea of stars come to mind as a tranquil nocturne is presented, but the peace is shattered as cutlasses and sabers clash in a dogfight sure to end in Davy Jones’ locker! The music swells to a dramatic conclusion as our mighty galleon surges across a stormy sea. Instrumentation The Privateers comes with full sets of both concert/stage and marching/field parts, allowing for great flexibility in your performance venues. Contemporary marching bands and drum & bugle corps utilize specialized field percussion which is typically not used in a concert setting. With this piece, the use of outdoor percussion (quad toms and a tonal bass drum line) onstage is encouraged, although not required. A single bass drum line is included which may be used instead of (or in addition to) the tonal bass drum line, and the Quad Toms part may be omitted. A piano part is included, primarily for optional use indoors as a color instrument for the ensemble. However, smaller bands in particular may find it useful for filling out the accompaniment line if instrumentation is limited. Optionally, a very small ensemble of melodic instruments could be used, with the piano acting as a full-fledged accompaniment. Several optional parts are included, such as Eb and Bb Horn, for ensembles with limited instrumentation. Also, the two Low Winds parts should be distributed equally across trombone, baritone/euphonium, and tenor sax players. Double reed parts are not included. Double these instruments on appropriate parts to suit the needs of your ensemble. Teaching Points Meter – The alternation of 6/8 and 4/4 with a constant pulse (rather than a constant 8th note) provides an excellent opportunity to teach your students to shift the subdivision of the beat from triple to duple and back again. Chromaticism & Accidentals – There is a recurring passage which features the prominent use of secondary dominants, or circle of fifths chord motion. Students can learn a few less-than-common accidentals and enharmonics, while also getting a larger lesson in music theory.
$24.99 ≈
22.51€
Patios de Córdoba
Patios de Córdoba
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Guitare
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FACILE
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Traditional
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Richard Hirsch
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Patios de Córdoba
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individu...
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Solo Guitar - Level 2 - SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individual part. 5 pages. Richard Hirsch #203776. Published by Richard Hirsch (A0.594506). An arrangement of the Flamenco Soleares style (palo) for the dance (baile). The musical material for the arrangement is taken from standard traditional themes for the Soleares style of Flamenco. The arrangement is meant for guitarists and students of guitar that are new to Flamenco and want to learn the basics for one of the most important palos in Flamenco. The arrangement can be used to accompany a solo dance, customary in serious (jondo) Flamenco, often performed by a woman dancer. The Soleares rhythm consists of a repetition of a twelve beat phrase the Flamencos refer to as a compás where accents fall on the third, sixth, eight, tenth, and twelfth beats of the phrase (1 2 3 4 5 6 7 8 9 10 11 12). I notate the compás as a series of five measures that comprises two 3/4 measures followed by three 2/4 measures. Throughout the notation there is, therefore, a fluctuating between two measures in 3/4 and three measures in 2/4 time. The first beat of the compás falls on the second beat of the first 3/4 measure in the series and the first accented beat falls on the first beat of the second 3/4 measure. The sixth, eight, and tenth accented beats fall on the first beats of the 2/4 measures in the series. The twelfth beat falls on the first beat of the next series beginning with a 3/4 measure. Notating the compás in this manner allows the guitarist a total grasp of the underlying structure of the music, something that is often lost in other notations I have studied for Soleares. A command of the compás is essential for the guitarist to be able to work with Flamenco singers and dancers. The Soleares is a stately dance that moves at a moderate pace, but often ends in a finale (macho por BulerÃas) that is more than twice as fast as the first sections of the dance. The finale also contains a key change from the Phrygian mode of the llamadas and corridas to the key of E major. The arrangement contains essential basic techniques for Flamenco guitar, the rasqueado, the legato with hammering on, the four finger tremolo that rips at the strings before a full chord with the thumb, alzapúa where the thumb strikes in triplets down, up, down in rapid succession, etc. Students should dedicate themselves to a close and careful study of the notation to gain full mastery of these techniques. The arrangement consists of several sections, the llamadas which are calls to the dancer to take the stage, corridas where the dancer moves in a circle executing various heel and toe steps together with hand, arm, and body gestures, and the macho where the dance ends in a storm of stamping and a fit of wild abandon. The corrida sections consist of melodies Flamencos call “falsetasâ€. One of these is simply a series of broken chords while another is a melody taken from a song called “Caña†that is a member of the Soleares family. The notation ends, as is prescribed for the dance, on the tenth beat of the last compás (the first beat of the last 2/4 measure in the last five measure series). The Soleares was the first palo my maestro Juan González “Triguito†introduced me to in my studies with him in Madrid in the late 1960’s and is considered to be the “mother†of true forms of Flamenco. The title of the arrangement is in celebration of the beautiful patios of Córdoba, home of the Flamenco palo Soleares.
$3.99 ≈
3.59€
Spring from the Four Seasons for Brass Quintet
Spring from the Four Seasons for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Classique
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Antonio Vivaldi
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Mark J
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Spring from the Four Seasons f
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Gordon Cherry
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1240389 Composed by Antonio Vivaldi. Arranged by Mark J. LaFratta. Baroque. 36 pages. Gordo...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1240389 Composed by Antonio Vivaldi. Arranged by Mark J. LaFratta. Baroque. 36 pages. Gordon Cherry #835766. Published by Gordon Cherry (A0.1240389). Spring from the Four Seasons by Antonio Vivaldi is a masterpiece of Baroque music that captures the essence of the changing season. The composition features three movements, each invoking the sights and sounds of springtime. The first movement is a joyful celebration of the arrival of spring, with its lively melodies and energetic rhythms. The second movement is a pastoral scene, featuring delicate solos, representing the peacefulness of the countryside in spring and even a barking dog. Finally, the third movement depicts a violent thunderstorm, before giving way to an optimistic finale that reflects the renewal and rebirth of nature in spring.This marvelous work of about 9-minutes in length by Mark LaFratta has been arranged and transposed from the original. It is scored for standard Brass Quintet with Trumpets in B-flat and is appropriate for advanced performers.
$37.50 ≈
33.77€
Stormy Weather
Stormy Weather
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Instruments en Do
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Contemporain
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Harold Arlen
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Mark W
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Stormy Weather
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Mark Wayne Music, LLC
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SheetMusicPlus
C Instrument - SKU: A0.808246 Composed by Harold Arlen. Arranged by Mark W. Huxhold. Contemporary. Lead Sheet / Fake Book. 6 pages. Mark Wayne Music, LL...
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C Instrument - SKU: A0.808246 Composed by Harold Arlen. Arranged by Mark W. Huxhold. Contemporary. Lead Sheet / Fake Book. 6 pages. Mark Wayne Music, LLC #3539287. Published by Mark Wayne Music, LLC (A0.808246). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com
$4.99 ≈
4.49€
Cagney And Lacey Theme
Cagney And Lacey Theme
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Bill Conti
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John Ivor Holland
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Cagney And Lacey Theme
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1299697 Composed by Bill Conti. Arranged by John Ivor Holland. 20th Century,Film/TV,Pop. Score and Parts. 42 pages. Joh...
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Concert Band - Level 3 - SKU: A0.1299697 Composed by Bill Conti. Arranged by John Ivor Holland. 20th Century,Film/TV,Pop. Score and Parts. 42 pages. John Ivor Holland #889488. Published by John Ivor Holland (A0.1299697). The barnstorming alto saxophone duet at the opening and closing of this iconic TV theme for 'Cagney and Lacey' is certain to get everyone's attention! Preserving the energy of the original recording and even giving your soloists another oppotunity for an improvised solo (or duet) later on, this would make a perfect addition to a concert programme featuring film and TV music. The show was broadcast between 1982-1988 and set in New York, given this theme by Bill Conti at the start of its second season; known for his blockbuster songs for 'Rocky' and the James Bond film 'For Your Eyes Only', turn back the clock with this slice of nostalgic TV fun! Certain phrases in the higher registers are cued elsewhere to ensure a confident performance every time.
$49.99 ≈
45.02€
Gathering Storms (Movement 2 from American Serenade Symphony): Viola
Gathering Storms (Movement 2 from American Serenade Symphony): Viola
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Orchestre à Cordes
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Robert Kerr
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Gathering Storms
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0001098_VA1 Viola. Composed by Robert Kerr. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00...
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String Orchestra - SKU: AX.00-PC-0001098_VA1 Viola. Composed by Robert Kerr. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001098_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001098_VA1). UPC: 038081299525.A stirring piece, this second movement of American Serenade Symphony depicts the time in which the Native Americans were struggling with the arrival of the Europeans in this land. Listen for the Native-American drums of war and the promise of battles to come! This title is available in SmartMusic.Concert/Contest.
$5.99 ≈
5.39€
Hommages and Prelude No. 1
Hommages and Prelude No. 1
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Piano seul
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AVANCÉ
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Classique
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David Fraser
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Hommages and Prelude No. 1
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David Fraser
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #96...
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Piano Solo - Level 5 - SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #968350. Published by David Fraser (A0.1383996). This volume contains five solo piano pieces expertly crafted and meticulously edited for accuracy. Advanced pianists will welcome the technical challenges and heights of musicality these works require. Music terminology for â??Le Cygne noirâ?? and â??L'océanâ?? are in French, with regard to the dedications of these pieces. All other works use conventional music terminology in Italian. 178 pages. ISMN 979-0-800277-00-9.David Fraser wrote the first 41 measures of â??Rhapsody No. 1â?? in 1997 and subsequently completed this piece and all other works in this volume over the course of six months in 2019. When playing the original 41 measures of â??Rhapsody No. 1â?? in 2019, Fraser noted that the music had some resemblance to works by Sergei Rachmaninoff. This encouraged Fraser to compose the remainder of this piece in a manner reminiscent of Rachmaninoff and, consequently, author a suite of solo piano pieces as homages to some of his favorite composers. In Rachmaninoffâ??s famous â??Rhapsody on a Theme of Paganini, Op. 43â??, variation 18, the composer uses an upside-down inversion of a small melody by Paganini. Similarly, Fraser uses a backwards inversion of a small melody from Rachmaninoffâ??s variation for the Rhapsodyâ??s â??Adagioâ? section, which starts on Page 3.Le Cynge noir {The Black Swan} is the second piece Fraser authored, dedicated to his beloved piano composer, Maurice Ravel. In this piece, Fraser wrote in his own style while evoking images such as a swan gliding on a lake, peering at its reflection in the water, and taking flight into the clouds with its wings rustling in the wind. Fraser gleaned inspiration for this piece from Ravelâ??s song for voice and piano â??Histoires naturelles - Le cygneâ??, set to a poem by Jules Renard. In addition, Fraser alternates between the keys of C-sharp major and A major as a depiction of the magical swanâ??s internal conflict in choosing to exist as a black or white swan.Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The fourth piece of this suite, â??L'océan {The Ocean}â?? dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.Prelude No. 1 L'adieu {The Farewell} offers rich and lush harmonies with an enticing melody. This piece was written in memoriam to Fraser's mother.
$29.99 ≈
27.01€
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