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The Shape Of Things To Come
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Vous avez sélectionné:
The Shape Of Things To Come
Partitions à imprimer
14 partitions trouvées
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1
The Shape Of Things To Come
The Shape Of Things To Come
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Bear McCreary
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G
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The Shape Of Things To Come
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Gina Streeks
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.827735 Composed by Bear McCreary. Arranged by G. Streeks. Contemporary. Score and parts. 14 pages. Gin...
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String Quartet String Quartet - Level 4 - SKU: A0.827735 Composed by Bear McCreary. Arranged by G. Streeks. Contemporary. Score and parts. 14 pages. Gina Streeks #4786987. Published by Gina Streeks (A0.827735). A very popular arrangement of the main theme of Battlestar Gallactica, perfect for informal concerts and functions. .
$24.99 ≈
23.34€
The Shape Of Things To Come
The Shape Of Things To Come
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Bear McCreary
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Kirstin Fife
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The Shape Of Things To Come
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Blonde Recluse Music
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.846639 Composed by Bear McCreary. Arranged by Kirstin Fife. Contemporary. Score and parts. 8 pages. Bl...
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String Quartet String Quartet - Level 5 - SKU: A0.846639 Composed by Bear McCreary. Arranged by Kirstin Fife. Contemporary. Score and parts. 8 pages. Blonde Recluse Music (ASCAP) #3556555. Published by Blonde Recluse Music (ASCAP) (A0.846639). PARTS ONLY Arranged for String Quartet by ASCAP composer and violinist, Kirstin Fife, this arrangement is great for all kinds of parties. Â Fun sci-fi addition to any quartet repertoire. Â .
$13.99 ≈
13.07€
The Shape Of Things To Come
The Shape Of Things To Come
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Rock
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Bear McCreary
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Kate Ryan
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The Shape Of Things To Come
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Kate Ryan
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SheetMusicPlus
Composed by Bear McCreary. Arranged by Kate Ryan. Contemporary. Score and parts. 15 pages. Kate Ryan #4414057. Published by Kate Ryan...
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Composed by Bear McCreary. Arranged by Kate Ryan. Contemporary. Score and parts. 15 pages. Kate Ryan #4414057. Published by Kate Ryan
$12.99 ≈
12.13€
Bear McCreary: The Shape Of Things To Come for piano solo
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Piano seul
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INTERMÉDIAIRE
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Film/TV
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Bear McCreary
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Virtualsheetmusic
Instantly printable sheet music by Bear McCreary for piano solo of MEDIUM skill level. / film/tv,movies
Instantly printable sheet music by Bear McCreary for piano solo of MEDIUM skill level. / film/tv,movies
$5.97 ≈
5.58€
The Shape of Things to Come by RayJmusic - Piano Solo
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Piano seul
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RayJmusic
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The Shape of Things to Come
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Musicnotes
Sheet Music for The Shape of Things to Come from How the Grinch Stole Christmas [2000] arranged for Instrumental Solo in F Major. Digital sheet music from Music...
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Sheet Music for The Shape of Things to Come from How the Grinch Stole Christmas [2000] arranged for Instrumental Solo in F Major. Digital sheet music from Musicnotes.
$9.99 ≈
9.33€
The Shape of Things To Come by Bear McCreary - Piano Solo
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Piano seul
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Film/TV
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Bear McCreary
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The Shape of Things To Come
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Musicnotes
Performed by: Bear McCreary: The Shape of Things To Come - from the Universal Television Series Battlestar Galactica Digital Sheetmusic - instantly downloadable...
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Performed by: Bear McCreary: The Shape of Things To Come - from the Universal Television Series Battlestar Galactica Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 4 pages -- Movie/TV~~Soundtrack
$5.79 ≈
5.41€
Brass Quintet - Three Pastoral Sketches
Brass Quintet - Three Pastoral Sketches
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Contemporain
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Servic...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00 ≈
26.16€
A Hymn A Day Volume 1
A Hymn A Day Volume 1
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Harpe, Voix
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Hugh Callison
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A Hymn A Day Volume 1
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Afghan Press Music for the Harp
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SheetMusicPlus
Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. Christian, Sacred, General Worship, Funeral. 118 pages. Published b...
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Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. Christian, Sacred, General Worship, Funeral. 118 pages. Published by Afghan Press Music for the Harp
This valuable collection of hymns is just the first in a series of five! These are wonderful titles , from well-known favorites that many grew up with, to songs that are lesser known yet equally important. These tunes have the added benefit of being arranged in keys that are accessible to most vocal ranges, which is especially helpful when playing along with congregational singing. Arrangements are interesting and have lovely harmonies. Lever changes are indicated with diamond shaped notes. Some tunes have no lever changes, some have a lot. The left hand in a few of the tunes is quite active. An enormous amount of harp work for these 72 tunes.
Table of Contents: At the Lamb's High Feast,Hallelujah, What a Savior!,There Is a Fountain Filled with Blood, I Will Sing of My Redeemer, Am I a Soldier of the Cross?,I Know That My Redeemer Lives, Redeemed, My Faith Looks Up to Thee, Let Us Love, and Sing, and Wonder, Rejoice! Ye Pure in Heart, Blessed Be the Name, Rejoice, the Lord Is King!, All Creatures of Our God and King, Blessed Assurance, For the Beauty of the Earth, All Things Bright and Beautiful, All Nature's Works His Praise Declare, This Is My Father's World, Praise Him! Praise Him!, How Great Thou Art, Prayer Is the Soul's Sincere Desire, Come, Let Us Rise with Christ, Fairest Lord Jesus, Crown Him with Many Crowns, Come Down, O Love Divine, Spirit of God, Descend upon My Heart, Come, Gracious Spirit, Heavenly Dove, Come, Holy Ghost, Our Souls Inspire, Blessed Quietness, Come, Holy Spirit, Dove Divine, Holy Spirit, Truth Divine, Lord Jesus Christ, Be Present Now, Come, Holy Spirit, Heavenly Dove, Holy Ghost, with Light Divine, Holy, Holy, Holy, Christ for the World We Sing, Take Time to Be Holy, O for a Closer Walk with God, Jesus Shall Reign, Revive Us Again, Teach Me, O Lord, Thy Holy Way, Come, Holy Ghost, Our Hearts Inspire, O Zion Haste, Channels Only, Onward Christian Soldiers, I Love to Tell the Story, Stand Up, Stand Up for Jesus, Be Thou My Vision, I Surrender All, Give of Your Best to the Master, All for Jesus, All for Jesus!, Close to Thee, O Jesus, I Have Promised, God of Grace and God of Glory, All People That on Earth Do Dwell, Grace Greater than Our Sin, Battle Hymn of the Republic, Faith of Our Fathers, Dear Lord and Father of Mankind, Just As I Am, Praise the Lord! O Heavens Adore Him, Ancient of Days, Holy God, We Praise Your Name,
Come, We That Love the Lord, Who Is on the Lord?s Side, Softly and Tenderly, Immortal, Invisible, God Only Wise, God of Our Fathers, O My Soul, Bless God the Father, O for a Thousand Tongues to Sing, Depth of Mercy!
$25.00 ≈
23.35€
The Shape Of Things To Come
The Shape Of Things To Come
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Piano seul
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Film/TV
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Bear McCreary and Battlestar G
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The Shape Of Things To Come
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Bear McCreary and Battlestar Galactica (TV Series). Film/TV. Piano. 4 pages. Published by Hal Leonard - Digital Sheet Music...
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By Bear McCreary and Battlestar Galactica (TV Series). Film/TV. Piano. 4 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.66€
All The Things You Are
All The Things You Are
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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Jack Leonard with Tommy Dorsey
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Liz Garnett
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All The Things You Are
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.856234 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern. Arranged by Liz Garnett. Musical/Show. Octav...
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Choral Choir (SSAA) - Level 4 - SKU: A0.856234 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern. Arranged by Liz Garnett. Musical/Show. Octavo. 4 pages. Liz Garnett #4966823. Published by Liz Garnett (A0.856234). This ballad has not only been recorded by artists from Ella Fitzgerald to Michael Jackson, but has become the medium for harmonic exploration by a host of jazz instrumentalists. This arrangement puts its harmonic shape back in service of its story-telling to re-cast it as a barbershop contest ballad. The tonal twists and turns inherent in the melody are there, but the chord choices prioritise cleaner, ringier voicings over the extended harmonies of some renditions.The sweeping melodic line is complemented by harmony parts designed to flow; the bass line in particular invites and rewards lyricism.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: F4 - E flat 5Lead: A3 - D5Bari: B3 - B4Bass: D3 - F4www.HelpingYouHarmonise.com
$2.99 ≈
2.79€
Good Advice
Good Advice
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Piano, Voix
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INTERMÉDIAIRE
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Country
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Cheryl Prazak
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Jon Burr
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Good Advice
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Cheryl Prazak
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1327438 By Cheryl Prazak. By Music by Jon Burr, Lyrics by Cheryl Prazak. Arranged by Jon Burr. Country. Score. 15 ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1327438 By Cheryl Prazak. By Music by Jon Burr, Lyrics by Cheryl Prazak. Arranged by Jon Burr. Country. Score. 15 pages. Cheryl Prazak #915482. Published by Cheryl Prazak (A0.1327438). Part of Cheryl Prazak's Military Trilogy, this is a story of parental advice to a grown child who's become down on their luck.This is a piano/vocal arrangment. Music, arranging and production by Jon Burr The Lyric:Everything was fine, not so very long ago.I had a weekly paycheck, I was rolling in the dough.I had a truck, got me where I needed to go.I didn’t know how much I had, ‘til things began to blow.Everything was fine, then my tire picked up a tack.The rubber was so thin, you see, it really set me back.“What’s the problem now?†was all my boss would say,Gave me my last paycheck, and sent me on my way…So, here I am remembering, not so long ago,I had a weekly paycheck, I was rolling in the dough.I had my pick-up truck back then, had a shirt. and had a wife.I didn’t know how little I had because, well, that was life.Sleeping in my pick-up truck, the light began to dawn.I would go back home, before my last chance was blown.I would tell my loving folks, at last I saw the light, My prospects didn’t look so good, my future, none too bright.Could they start me off again, with tuition and the such, andhelp me get a-brand new tire, for my raggedy ol’ truck?If they could be so kind, as to set me on my way, I would do my very best, their kindness to repayConsider the military, said my folks, sounding wisethey told me I need extra time, didn’t mean to criticizeMaybe they were onto something, maybe that could helpWhy, oh, why didn’t I think of that myself?Military life’s not easy, as I learned from the start, but I came out much the better, and learned to have some heart.Well, I’m that better man now, after going through all this.Finally got my life in shape, it had been so amiss.I repaid my folks’ advice, as I promised that I would,Became the son they hoped for, the man they knew I could.We often go to see them, and they visit the wife and me,Now they’re contented grandfolks, with babies on each knee!Once upon a time, when I was really stuck, I went back home to see the folks, which became a day of luck.Military service, I’m glad I took it up.Life changed for me, when I stopped sleeping in that ol’ truck.
$4.99 ≈
4.66€
Oneness in This World (clarinet, cello, piano)
Oneness in This World (clarinet, cello, piano)
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Jeffrey Hoover
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Oneness in This World
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Musicart Publications
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SheetMusicPlus
Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - SKU: A0.971656 Composed by Jeffrey Hoover. 20th Century,Contemporary,Spiritua...
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Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - SKU: A0.971656 Composed by Jeffrey Hoover. 20th Century,Contemporary,Spiritual. Score and parts. 47 pages. Musicart Publications #5719085. Published by Musicart Publications (A0.971656). Set in two movements, the music of Oneness in This World represents two things necessary for humanity to move together: Unity and Joy.In the first movement, the music evolves from tension and musical discord to unity and harmony. While much of the drama is heard through the interaction of the clarinet and cello, the piano provides a key factor throughout the second part of the first movement through foundational chaconne variations. As the harmonic progression repeats, the clarinet and cello become more aligned in their music yet maintaining a sense of individuality. Without unity and informed agreement, a society cannot truly benefit its people. Unity is strongest within diversity, contributing to growth, and moving towards a common goal to benefit all.In the second movement, all three musicians share equally in the production of the state of joy. The varied tone colors of the instruments, shifting meters, and dancing music all provide energy and emotions suggesting joy. Joy is a certainty of the goodness of life, in spite of sorrows or pain or even tragedy. Joy gives us wings to transcend our situation, opens us to our potential, and helps us become who we are to be. Joy comes from faith and belief of value and purpose for our life and its beauty.As with other musical compositions of mine, there are two paintings– a diptych –titled Unity and Joy which I created to visually interpret the music. –Jeffrey HooverThis edition is set to print correct page turns, back-to-back.Jeffrey Hoover's work– music ranging from soloist to symphony orchestra –has received recognition through the prestigious Trieste prize, the SMP/Universal Edition composition award for contemporary music, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, the L. Russolo competition, grants, publications fellowships, and more than 25 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer.One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Jeffrey Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both music faculty and arts administrative appointments.For questions about this music, how he combines his music with his paintings or other inquiries, please visit his website or contact the composer directly:jeffreyhooverart@gmail.comhttps://jeffreyhooverart.wixsite.com/mysite
$21.95 ≈
20.50€
Triad Chord Worksheet
Triad Chord Worksheet
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Guitare notes et tablatures
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DÉBUTANT
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Methodes
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Brian Streckfus
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Triad Chord Worksheet
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1175289 Composed by Brian Streckfus. Instructional. Guitar Tab. 5 pages. Brian Streckfus #774500. Published by Brian Streckfu...
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Guitar - Level 1 - SKU: A0.1175289 Composed by Brian Streckfus. Instructional. Guitar Tab. 5 pages. Brian Streckfus #774500. Published by Brian Streckfus (A0.1175289). Pages: 5 (84 chords to name)Objective:Instead of learning chords one by one, you instead learn how to build chords yourself. Also, this mindset helps in composing, because instead of seeing things as wrong chord versus correct chord, you simply see it as every harmony as a name. Like many things in life, theoritcal concepts can allow you to formulate thousands of outcomes in a single day. Tips:1. You start counting from 0 for this exercise if that makes any sense. Avoid the common fence post error by overcounting by 1. Other times you start counting from 1 in music is when talking about scale degrees. What is the distance from C to E? C(0) C#(1) D(2) D#(3) E(4).2. Use the chromatic scale at the top to help in counting.3. E# = F...Fb = E...B# = C...Cb = B...In otherwords, don't let strange enharmonics confuse you. Picture the black key sometimes missing between white keys on a piano in your mind if it helps. 4. Even though enharmonics like E# can seem confusing, they can actually add clarity sometimes because they cause the chord to stack perfectly in the sheet music and letter names. A# C# E#...versus...A# C# F...Sure, F is easier to understand in a part, but it actually makes the harmony harder to understand because not it looks like it isn't 3rds, even though it is.5. I included tab just to make this worksheet a little bit more interesting; however, the guitar chords that result are NOT practical. Voicings of common guitar chords are much more spread out, and often contain more duplicate letter names. Practical guitar chords is sort of a different conversation. I sort of did this intentionally to prove that perfectly stacked voicings do not work well on guitar. C E G Bb perfectly in order in harmony, sounds like it would be easy on guitar, but it is not.6. To make this more practical on guitar, I recommend building the chords yourself by simply knowing letter names well on guitar. The next time something asks for G major, don't just play a common voicing, actually find G B D randomly on the guitar neck. 7. Often the fifth of a chord is removed since it is the least important to invoking the flavor of the chord. This is especially true on guitar because we quickly run out of fingers and strings.8. The nature of the piano lends pianists to constantly seeing these distances on a linear plane. Conversely, guitar is a very murky instrument since the real distances of pitches is counterintuitive to arbitrary (usually) fret numbers! That is why many guitarists would benefit from thinking this way, instead of thinking of chords simply as shapes (which is also important for different reasons). In other words, try to build a chord on one string on guitar. It is impractical, but the half step distances required for chords will make much more sense.To Do:1. Slight differences in how the sheet look need to be made similiar.2. Remove green line.
$1.99 ≈
1.86€
Passacaglia
Passacaglia
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Contemporain
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Bear McCreary
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Passacaglia
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Chris Siddall Music Publishing
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SheetMusicPlus
String Ensemble,String Quintet - Level 3 - SKU: A0.833886 Composed by Bear McCreary. Arranged by Chris Siddall Music Publishing. Contemporary. Score and...
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String Ensemble,String Quintet - Level 3 - SKU: A0.833886 Composed by Bear McCreary. Arranged by Chris Siddall Music Publishing. Contemporary. Score and parts. 36 pages. Chris Siddall Music Publishing #4319041. Published by Chris Siddall Music Publishing (A0.833886). Forty years ago, Battlestar Galactica introduced us to a ragtag fugitive fleet on a lonely quest to find a shining planet known as Earth. In 2003, nearly twenty-five years later, the Galactica jumped back onto our screens and changed the face of sci-fi with its dark and gritty storytelling.Bear McCreary's award-winning score takes influences of music from all across the globe and moulds them skilfully into a cohesive whole.The Passacaglia represents one of three pieces using this particular theme (Passacaglia, Allegro and The Shape of Things to Come), and appears for the first time during the episode Kobol's Last Gleaming.
$15.99 ≈
14.94€
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The Shape Of Things To Come
