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The Static Age
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Vous avez sélectionné:
The Static Age
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Paul Wehage: To You for baritone, tenor saxophone and piano
Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,St...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95 ≈
$41.49
The Static Age
The Static Age
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Guitare notes et tablatures
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Green Day
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The Static Age
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Authentic Guitar TAB - SKU: AX.00-PS-0004122 By Green Day. By Green Day. Pop/Rock. 7 pages. Alfred Music - Digital Sheet Music #00-PS-0004122. Published...
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Authentic Guitar TAB - SKU: AX.00-PS-0004122 By Green Day. By Green Day. Pop/Rock. 7 pages. Alfred Music - Digital Sheet Music #00-PS-0004122. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0004122). ISBN 9780739062050. UPC: 038081371634. Billie Joe.From the album-matching authentic guitar TAB songbook to 21st Century Breakdown, Green Day’s brilliant concept album.
$2.99 ≈
$4.14
Love Was My Lord and King!: 3. Crossing the Bar (Downloadable TTBB Chamber Orchestra Score)
Love Was My Lord and King!: 3. Crossing the Bar (Downloadable TTBB Chamber Orchestra Score)
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Gwyneth W
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Love Was My Lord and King!: 3.
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Choir and various instruments - SKU: MQ.6506-E Composed by Gwyneth W. Walker. 19 pages. E. C. Schirmer Music Company - Digital #6506-E. Published by E. ...
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Choir and various instruments - SKU: MQ.6506-E Composed by Gwyneth W. Walker. 19 pages. E. C. Schirmer Music Company - Digital #6506-E. Published by E. C. Schirmer Music Company - Digital (MQ.6506-E). Crossing the Bar creates images of the sea, with the final voyage leading us out across the water, to see our Pilot, face to face. The musical setting endeavors to express the growth from peaceful to ecstatic moods, the tolling of the bell, the meeting of the Pilot. May there be no moaning of the bar, when I put out to see.The poetry of Alfred, Lord Tennyson (1809-1892) is characterized by dark, yet transcendent imagery -- the depths of the ocean, the triumph of the spirit. These poems seem well-suited to musical settings for Men's Chorus. The deep tones. The sonority of male voices (perhaps speaking for the poet) rising in song.Throughout the varied imagery of this poetry -- the depth of the sea, the dark of the night, the tumult of passion and the acceptance of death -- there speaks one, central message. Love was my lord and king. *Sound recording provided by the High School Mens's Honor Choir, Robert Ward, conductor (Southwestern ACDA Conference 2014)
$13.15 ≈
$18.22
Crossing the Bar from Love Was My Lord and King! (Downloadable SSAA Choral Score)
Crossing the Bar from Love Was My Lord and King! (Downloadable SSAA Choral Score)
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Chorale SSAA
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INTERMÉDIAIRE
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Gwyneth W
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Crossing the Bar from Love Was
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SSAA choir, piano or chamber orchestra (strings: 5-5-3-3-3) - Medium - SKU: MQ.6377-E Composed by Gwyneth W. Walker. 12 pages. E. C. Schirmer Music Comp...
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SSAA choir, piano or chamber orchestra (strings: 5-5-3-3-3) - Medium - SKU: MQ.6377-E Composed by Gwyneth W. Walker. 12 pages. E. C. Schirmer Music Company - Digital #6377-E. Published by E. C. Schirmer Music Company - Digital (MQ.6377-E). English.Crossing the Bar creates images of the sea, with the final voyage leading us out across the water, to see our Pilot, face to face. The musical setting endeavors to express the growth from peaceful to ecstatic moods, the tolling of the bell, the meeting of the Pilot. May there be no moaning of the bar, when I put out to see.The poetry of Alfred, Lord Tennyson (1809-1892) is characterized by dark, yet transcendent imagery -- the depths of the ocean, the triumph of the spirit. These poems seem well-suited to musical settings for Men's Chorus. The deep tones. The sonority of male voices (perhaps speaking for the poet) rising in song.Throughout the varied imagery of this poetry -- the depth of the sea, the dark of the night, the tumult of passion and the acceptance of death -- there speaks one, central message. Love was my lord and king..
$2.65 ≈
$3.67
Love Was My Lord and King!: 3. Crossing the Bar (Downloadable SATB Brass Version Full/Choral Score)
Love Was My Lord and King!: 3. Crossing the Bar (Downloadable SATB Brass Version Full/Choral Score)
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Chorale SATB
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Gwyneth W
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Love Was My Lord and King!: 3.
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir, organ, optional brass quartet, percussion - SKU: MQ.7526-E Composed by Gwyneth W. Walker. 17 pages. E. C. Schirmer Music Company - Digital #...
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SATB choir, organ, optional brass quartet, percussion - SKU: MQ.7526-E Composed by Gwyneth W. Walker. 17 pages. E. C. Schirmer Music Company - Digital #7526-E. Published by E. C. Schirmer Music Company - Digital (MQ.7526-E). English.Crossing the Bar creates images of the sea, with the final voyage leading us out across the water, to see our Pilot, face to face. The musical setting endeavors to express the growth from peaceful to ecstatic moods, the tolling of the bell, the meeting of the Pilot. May there be no moaning of the bar, when I put out to see.The poetry of Alfred, Lord Tennyson (1809-1892) is characterized by dark, yet transcendent imagery -- the depths of the ocean, the triumph of the spirit. These poems seem well-suited to musical settings for Men's Chorus. The deep tones. The sonority of male voices (perhaps speaking for the poet) rising in song.Throughout the varied imagery of this poetry -- the depth of the sea, the dark of the night, the tumult of passion and the acceptance of death -- there speaks one, central message. Love was my lord and king..
$2.85 ≈
$3.95
Crossing the Bar from Love Was My Lord and King! (Downloadable TTBB Choral Score)
Crossing the Bar from Love Was My Lord and King! (Downloadable TTBB Choral Score)
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Gwyneth W
#
Crossing the Bar from Love Was
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
TTBB choir, chamber orchestra (strings: 5-5-3-3-3) or piano - Medium - SKU: MQ.6373-E Composed by Gwyneth W. Walker. 12 pages. E. C. Schirmer Music Comp...
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TTBB choir, chamber orchestra (strings: 5-5-3-3-3) or piano - Medium - SKU: MQ.6373-E Composed by Gwyneth W. Walker. 12 pages. E. C. Schirmer Music Company - Digital #6373-E. Published by E. C. Schirmer Music Company - Digital (MQ.6373-E). English.Crossing the Bar creates images of the sea, with the final voyage leading us out across the water, to see our Pilot, face to face. The musical setting endeavors to express the growth from peaceful to ecstatic moods, the tolling of the bell, the meeting of the Pilot. May there be no moaning of the bar, when I put out to see.The poetry of Alfred, Lord Tennyson (1809-1892) is characterized by dark, yet transcendent imagery -- the depths of the ocean, the triumph of the spirit. These poems seem well-suited to musical settings for Men's Chorus. The deep tones. The sonority of male voices (perhaps speaking for the poet) rising in song.Throughout the varied imagery of this poetry -- the depth of the sea, the dark of the night, the tumult of passion and the acceptance of death -- there speaks one, central message. Love was my lord and king..
$2.65 ≈
$3.67
Crossing the Bar (Downloadable)
Crossing the Bar (Downloadable)
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Chorale TTBB
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David Conte
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Crossing the Bar
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
TTBB choir (a cappella) - SKU: MQ.7720-E Composed by David Conte. 9 pages. E. C. Schirmer Music Company - Digital #7720-E. Published by E. C. Schirmer M...
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TTBB choir (a cappella) - SKU: MQ.7720-E Composed by David Conte. 9 pages. E. C. Schirmer Music Company - Digital #7720-E. Published by E. C. Schirmer Music Company - Digital (MQ.7720-E). English.Crossing the Bar creates images of the sea, with the final voyage leading us out across the water, to see our Pilot, face to face. The musical setting endeavors to express the growth from peaceful to ecstatic moods, the tolling of the bell, the meeting of the Pilot. May there be no moaning of the bar, when I put out to see.The poetry of Alfred, Lord Tennyson (1809-1892) is characterized by dark, yet transcendent imagery -- the depths of the ocean, the triumph of the spirit. These poems seem well-suited to musical settings for Men's Chorus. The deep tones. The sonority of male voices (perhaps speaking for the poet) rising in song.Throughout the varied imagery of this poetry -- the depth of the sea, the dark of the night, the tumult of passion and the acceptance of death -- there speaks one, central message. Love was my lord and king..
$1.95 ≈
$2.70
The Static Age
The Static Age
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Piano, Voix et Guitare
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Green Day
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The Static Age
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0004121 By Green Day. By Green Day. Pop/Rock. 8 pages. Alfred Music - Digital Sheet Music #00-PS-0004121. Published b...
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Piano/Vocal/Chords - SKU: AX.00-PS-0004121 By Green Day. By Green Day. Pop/Rock. 8 pages. Alfred Music - Digital Sheet Music #00-PS-0004121. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0004121). ISBN 9780739062326. UPC: 038081371986. Billie Joe.A selection from the album-matching piano/vocal sheet music songbook to 21st Century Breakdown, Green Day’s brilliant concept album.
$3.99 ≈
$5.53
Beyond the Sky
Beyond the Sky
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Trio de Flûtes: 3 flûtes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jeffrey Hoover
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Beyond the Sky
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Musicart Publications
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Flute - Level 4 - SKU: A0.971663 Composed by Jeffrey Hoover. 20th Century,Contemporary. 49 pages. Musicart Publications ...
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Woodwind Ensemble,Woodwind Trio Flute - Level 4 - SKU: A0.971663 Composed by Jeffrey Hoover. 20th Century,Contemporary. 49 pages. Musicart Publications #5992083. Published by Musicart Publications (A0.971663). Beyond the Sky. Flute trio (1st doubling piccolo and 3rd doubling alto flute). Duration, 13 minutes.1. Black Hole (3 min. 45 sec.)2. A Crescent Moon, 1969 (3 min. 45 sec.)3. SETI Ratio (Search for Extraterrestrial Intelligence) (2 min.)4. Quantum Waltz (3 min. 30 sec.)The score and parts in this edition are arranged to be printed double-sided, with correct page turns.Beyond the Sky is a celebration of space exploration and imagination. It is in many respects a symphonic work for flute trio, with the characteristics and order of the four movements resembling the structure of a classical symphony. As a child during the Space Race, I was immensely interested in both terrestrial- and extraterrestrial-exploration, and as I composed this music a half-century later it made the most sense to set the musical ideas in this manner. In the first movement, Black Hole, two contrasting themes are presented and immediately developed: a theme of polyphonic gestures, with a contrasting second theme of chordal-textured music. The characteristic and somewhat liquid sound of the flute trio in the second theme is especially evident. The static and evolving blocks of music represent the gravitational collection of matter by a black hole. The second movement, A Crescent Moon, 1969, celebrates astronaut Neil Armstrong's moonwalk in July 1969. This slow, lyrical movement possesses a nocturnal quality while features the alto flute as a solo instrument. The third movement, SETI Radio (Search for Extraterrestrial Intelligence), is a slow through-composed scherzo. With piccolo, a high tessitura of the flute trio range is heard. The fourth movement is a dynamic Rondo Variations form. Quantum Waltz is just that, a small waltz where the music is developed with a recurring first section, alternating between new material.– Jeffrey HooverJeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the Universal Edition/SMP Press Contemporary Composition Award, the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as an M.M. and Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments. To learn more about Jeffrey Hoover's work, or for specific inquiries about his music, guest residencies/festivals, and commissions, please visit his website: https://jeffreyhooverart.wixsite.com/mysiteContacting Musicart PublicationsCarlos Rio, Editormusicart.publications.editor@gmail.com
$21.95 ≈
$30.41
Other Echoes Inhabit the Garden
Other Echoes Inhabit the Garden
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Contemporain
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William Grosvenor Neil
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Other Echoes Inhabit the Garde
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TheComposerStudio.Com, LLC
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SheetMusicPlus
Small Ensemble Bass Clarinet,Pipa - Level 5 - SKU: A0.982536 Composed by William Grosvenor Neil. Contemporary. Score and parts. 41 pages. TheComposerStu...
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Small Ensemble Bass Clarinet,Pipa - Level 5 - SKU: A0.982536 Composed by William Grosvenor Neil. Contemporary. Score and parts. 41 pages. TheComposerStudio.Com, LLC #6701343. Published by TheComposerStudio.Com, LLC (A0.982536). Other Echoes Inhabit the Garden (2009) for clarinet, bass clarinet, pipa, and erhu (score and parts) I composed this piece imagining myself in a garden of images, sonorities, and aromas that all merge in an idyllic moment in time. I have taken a line from one of T.S.Eliot’s poems in the Four Quartets, for my title, Other Echoes Inhabit the Garden. The poem, Burnt Norton, concludes with the poignant truth that humankind cannot bear very much reality. I often wonder whether my work as a composer really has any significance or meaning beyond helping my listeners temporarily escape their personal realities. In recalling Eliot’s line, What might have been and what has been/ point to one end, which is always present I am reminded that a melody, a single line of lyric pitch flow evokes memory in the mind of the listener and that rhythm and accent often draws our attention to the present moving towards the future. So, with these inherent powersof music in mind, it was my goal to create a piece of vibrant and engaging music that relentlessly draws the listener into the present moment. Eliot also alludes to a timeless merging of present and past in this poem. His line, then a cloud passed and the pool was empty brought back memories of being a child watching clouds almost unnoticeably move across the sky. I was similarly inspired to conclude Other Echoes Inhabit the Garden with music that evokes an ecstatic stillness tempered with a longing for the past. WGN
$35.00 ≈
$48.49
Crossing the Bar
Crossing the Bar
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Chorale SATB
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INTERMÉDIAIRE
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Gwyneth W
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Crossing the Bar
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir and chamber orchestra or piano (Strings: 5-5-3-3-3) - Medium - SKU: MQ.6378-E Composed by Gwyneth W. Walker. 12 pages. E. C. Schirmer Music C...
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SATB choir and chamber orchestra or piano (Strings: 5-5-3-3-3) - Medium - SKU: MQ.6378-E Composed by Gwyneth W. Walker. 12 pages. E. C. Schirmer Music Company - Digital #6378-E. Published by E. C. Schirmer Music Company - Digital (MQ.6378-E). English.Crossing the Bar creates images of the sea, with the final voyage leading us out across the water, to see our Pilot, face to face. The musical setting endeavors to express the growth from peaceful to ecstatic moods, the tolling of the bell, the meeting of the Pilot. May there be no moaning of the bar, when I put out to sea.
$2.65 ≈
$3.67
The Hildegard Motets: 8. O speculum columbe (Downloadable)
The Hildegard Motets: 8. O speculum columbe (Downloadable)
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Chorale TTBB
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Frank Ferko
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The Hildegard Motets: 8. O spe
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
TTBB choir (a cappella) - SKU: MQ.4995-E Composed by Frank Ferko. 12 pages. E. C. Schirmer Music Company - Digital #4995-E. Published by E. C. Schirmer ...
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TTBB choir (a cappella) - SKU: MQ.4995-E Composed by Frank Ferko. 12 pages. E. C. Schirmer Music Company - Digital #4995-E. Published by E. C. Schirmer Music Company - Digital (MQ.4995-E). The Hildegard Motets comprise a cycle of nine unaccompanied choral motets using texts by the 12th century abbess Hildegard von Bingen (1098-1179). The texts were extracted from Hildegard's opus of more than seventy sacred poems titled Symphinia armonie celestium revelationum. Although these poems have been translated into English (more than once) and some of the translations are quite brilliant, I chose to set the original Latin texts as I felt they remained closer to Hildegard's own thoughts. The nine poems used in this cycle were selected according to their appropriateness to seasons in the Christian liturgical caldendar (thus, most of them can be sung in specific liturgical settings) and to their appropriateness to the structured plan of this cycle as well as for their sheer poetic beauty. Hildegard's poetic vocabulary was unusual and unique; she frequently used language that is not found in standard Latin liturgical texts. As with the music she composed, her poetry is highly ecstatic, vivid and rich in imagery.
$2.65 ≈
$3.67
The Hildegard Motets: 2. O splendidissima gemma (Downloadable)
The Hildegard Motets: 2. O splendidissima gemma (Downloadable)
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Chorale SATB
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Frank Ferko
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The Hildegard Motets: 2. O spl
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB Choir divisi - SKU: MQ.4989-E Composed by Frank Ferko. Advent. 11 pages. E. C. Schirmer Music Company - Digital #4989-E. Published by E. C. Schirme...
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SATB Choir divisi - SKU: MQ.4989-E Composed by Frank Ferko. Advent. 11 pages. E. C. Schirmer Music Company - Digital #4989-E. Published by E. C. Schirmer Music Company - Digital (MQ.4989-E). The Hildegard Motets comprise a cycle of nine unaccompanied choral motets using texts by the 12th century abbess Hildegard von Bingen (1098-1179). The texts were extracted from Hildegard's opus of more than seventy sacred poems titled Symphinia armonie celestium revelationum. Although these poems have been translated into English (more than once) and some of the translations are quite brilliant, I chose to set the original Latin texts as I felt they remained closer to Hildegard's own thoughts. The nine poems used in this cycle were selected according to their appropriateness to seasons in the Christian liturgical caldendar (thus, most of them can be sung in specific liturgical settings) and to their appropriateness to the structured plan of this cycle as well as for their sheer poetic beauty. Hildegard's poetic vocabulary was unusual and unique; she frequently used language that is not found in standard Latin liturgical texts. As with the music she composed, her poetry is highly ecstatic, vivid and rich in imagery.
$2.65 ≈
$3.67
The Hildegard Motets: 3. Hodie aperuit (Downloadable)
The Hildegard Motets: 3. Hodie aperuit (Downloadable)
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Chorale SATB
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Noël
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Frank Ferko
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The Hildegard Motets: 3. Hodie
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB Choir divisi - SKU: MQ.4990-E Composed by Frank Ferko. Christmas. 9 pages. E. C. Schirmer Music Company - Digital #4990-E. Published by E. C. Schir...
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SATB Choir divisi - SKU: MQ.4990-E Composed by Frank Ferko. Christmas. 9 pages. E. C. Schirmer Music Company - Digital #4990-E. Published by E. C. Schirmer Music Company - Digital (MQ.4990-E). The Hildegard Motets comprise a cycle of nine unaccompanied choral motets using texts by the 12th century abbess Hildegard von Bingen (1098-1179). The texts were extracted from Hildegard's opus of more than seventy sacred poems titled Symphinia armonie celestium revelationum. Although these poems have been translated into English (more than once) and some of the translations are quite brilliant, I chose to set the original Latin texts as I felt they remained closer to Hildegard's own thoughts. The nine poems used in this cycle were selected according to their appropriateness to seasons in the Christian liturgical caldendar (thus, most of them can be sung in specific liturgical settings) and to their appropriateness to the structured plan of this cycle as well as for their sheer poetic beauty. Hildegard's poetic vocabulary was unusual and unique; she frequently used language that is not found in standard Latin liturgical texts. As with the music she composed, her poetry is highly ecstatic, vivid and rich in imagery.
$2.65 ≈
$3.67
The Hildegard Motets: 7. O vos angeli (Downloadable)
The Hildegard Motets: 7. O vos angeli (Downloadable)
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Chorale SATB
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Frank Ferko
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The Hildegard Motets: 7. O vos
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir - SKU: MQ.4994-E Composed by Frank Ferko. 10 pages. E. C. Schirmer Music Company - Digital #4994-E. Published by E. C. Schirmer Music Company...
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SATB choir - SKU: MQ.4994-E Composed by Frank Ferko. 10 pages. E. C. Schirmer Music Company - Digital #4994-E. Published by E. C. Schirmer Music Company - Digital (MQ.4994-E). The Hildegard Motets comprise a cycle of nine unaccompanied choral motets using texts by the 12th century abbess Hildegard von Bingen (1098-1179). The texts were extracted from Hildegard's opus of more than seventy sacred poems titled Symphinia armonie celestium revelationum. Although these poems have been translated into English (more than once) and some of the translations are quite brilliant, I chose to set the original Latin texts as I felt they remained closer to Hildegard's own thoughts. The nine poems used in this cycle were selected according to their appropriateness to seasons in the Christian liturgical caldendar (thus, most of them can be sung in specific liturgical settings) and to their appropriateness to the structured plan of this cycle as well as for their sheer poetic beauty. Hildegard's poetic vocabulary was unusual and unique; she frequently used language that is not found in standard Latin liturgical texts. As with the music she composed, her poetry is highly ecstatic, vivid and rich in imagery.
$2.65 ≈
$3.67
The Hildegard Motets: 9. Nunc gaudeant (Downloadable)
The Hildegard Motets: 9. Nunc gaudeant (Downloadable)
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Chorale SATB
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Frank Ferko
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The Hildegard Motets: 9. Nunc
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB Choir divisi - SKU: MQ.4996-E Composed by Frank Ferko. Easter, Building Dedication. 10 pages. E. C. Schirmer Music Company - Digital #4996-E. Publi...
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SATB Choir divisi - SKU: MQ.4996-E Composed by Frank Ferko. Easter, Building Dedication. 10 pages. E. C. Schirmer Music Company - Digital #4996-E. Published by E. C. Schirmer Music Company - Digital (MQ.4996-E). The Hildegard Motets comprise a cycle of nine unaccompanied choral motets using texts by the 12th century abbess Hildegard von Bingen (1098-1179). The texts were extracted from Hildegard's opus of more than seventy sacred poems titled Symphinia armonie celestium revelationum. Although these poems have been translated into English (more than once) and some of the translations are quite brilliant, I chose to set the original Latin texts as I felt they remained closer to Hildegard's own thoughts. The nine poems used in this cycle were selected according to their appropriateness to seasons in the Christian liturgical caldendar (thus, most of them can be sung in specific liturgical settings) and to their appropriateness to the structured plan of this cycle as well as for their sheer poetic beauty. Hildegard's poetic vocabulary was unusual and unique; she frequently used language that is not found in standard Latin liturgical texts. As with the music she composed, her poetry is highly ecstatic, vivid and rich in imagery.
$2.65 ≈
$3.67
The Hildegard Motets: 4. O factura Dei (Downloadable)
The Hildegard Motets: 4. O factura Dei (Downloadable)
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Chorale SATB
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Frank Ferko
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The Hildegard Motets: 4. O fac
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir - SKU: MQ.4991-E Composed by Frank Ferko. Epiphany. 7 pages. E. C. Schirmer Music Company - Digital #4991-E. Published by E. C. Schirmer Musi...
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SATB choir - SKU: MQ.4991-E Composed by Frank Ferko. Epiphany. 7 pages. E. C. Schirmer Music Company - Digital #4991-E. Published by E. C. Schirmer Music Company - Digital (MQ.4991-E). The Hildegard Motets comprise a cycle of nine unaccompanied choral motets using texts by the 12th century abbess Hildegard von Bingen (1098-1179). The texts were extracted from Hildegard's opus of more than seventy sacred poems titled Symphinia armonie celestium revelationum. Although these poems have been translated into English (more than once) and some of the translations are quite brilliant, I chose to set the original Latin texts as I felt they remained closer to Hildegard's own thoughts. The nine poems used in this cycle were selected according to their appropriateness to seasons in the Christian liturgical caldendar (thus, most of them can be sung in specific liturgical settings) and to their appropriateness to the structured plan of this cycle as well as for their sheer poetic beauty. Hildegard's poetic vocabulary was unusual and unique; she frequently used language that is not found in standard Latin liturgical texts. As with the music she composed, her poetry is highly ecstatic, vivid and rich in imagery.
$2.25 ≈
$3.12
Trio for Violin, Cello and Piano, "The Lotos-Eaters" (2000)
Trio for Violin, Cello and Piano, "The Lotos-Eaters" (2000)
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Piano Trio: piano, violon, violoncelle
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AVANCÉ
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Colin Eatock
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ca
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Trio for Violin, Cello and Pia
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Colin Eatock Music
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 5 - SKU: A0.1246925 Composed by Colin Eatock. 21st Century,Chamber,Classical. 26 pages. Colin Eatock Music #840791...
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Piano Trio Cello,Piano,Violin - Level 5 - SKU: A0.1246925 Composed by Colin Eatock. 21st Century,Chamber,Classical. 26 pages. Colin Eatock Music #840791. Published by Colin Eatock Music (A0.1246925). Violin, cello, piano; ca. 9 min.The composer writes: I have subtitled this single-movement piano trio “The Lotos-Eaters†because it is a programmatic work, based on Alfred Lord Tennyson’s 1842 poem of the same title. Tennyson’s image of a land where all cares are forgotten seemed to me an apt subject for a lyrical and tranquil composition, and many images from the poem are “translated†quite literally into musical ideas. Tonally static, the trio is constructed in an extended arc form. Tempo, volume and intensity gradually increase, and textures become denser, until the climax of the piece – at which point these processes are reversed.
$4.99 ≈
$6.91
The Little Drummer Boy
The Little Drummer Boy
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Quatuor de Cuivres
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AVANCÉ
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Gloria Gaynor
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Stephen Jenkins
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The Little Drummer Boy
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edition BlechMafia
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1117524 By Gloria Gaynor. By Harry Simeone, Henry Onorati, and Katherine K. Davis. Arranged by Stephen Je...
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Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1117524 By Gloria Gaynor. By Harry Simeone, Henry Onorati, and Katherine K. Davis. Arranged by Stephen Jenkins. 19th Century,Christian,Christmas,Classical,Comedy. 39 pages. Edition BlechMafia #719069. Published by edition BlechMafia (A0.1117524). Weihnachtsboléro - Little Drummer Boy in the style of Ravel's Boléro After promising a friend to undertake that task of combining Little Drummer Boy with Ravel's Boléro I soon came across a small but rather significant problem: Boléro is in 3/4 whereas Little Drummer Boy is in 4/4. Thankfully, Little Drummer Boy works extremely well transformed into 6/8 and this produces a wonderful juxtaposition when combined with the virtually static 3/4 rhythm of Boléro. Boléro is a masterwork of skillful orchestration and enthralling harmony, which results in an incredible crescendo - which lasts for a quarter of an hour! My aim was to achieve this same effect, however in a much shorter time frame! Essentially, this arrangement is based on the structure of Boléro, using elements of Ravel’s harmonic and orchestrational ideas. The importance of the second, contrasting melody is not forgotten, with the famous trombone solo combined with fragments of Jingle Bells and ... voilà ! This arrangement is most effective with a snare drum, but it works well without. Duration ca 5:00 Alternative transpositions are provided: Trumpet 1 in D (recommended), Bb and C Trumpet 2 in Bb and C Horn in F / alt. Flugelhorn in Bb Trombone in C (Bass Clef) and Bb (Treble Clef) For alternative transpositions or any other questions, contact me here: stephen@blechmafia.de.
$20.00 ≈
$27.71
Responsory: O felix anima, from the Anonymous 4 album "The Origin of Fire" - Score Only
Responsory: O felix anima, from the Anonymous 4 album "The Origin of Fire" - Score Only
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Anonymous 4
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Susan Hellauer
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Responsory: O felix anima, fro
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Susan Hellauer
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SheetMusicPlus
SKU: A0.878619 By Anonymous 4. By Hildegard Von Bingen. Arranged by Susan Hellauer. Early Music,Medieval,New Age,Religious,Sacred. 4 pages. Susan Hellau...
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SKU: A0.878619 By Anonymous 4. By Hildegard Von Bingen. Arranged by Susan Hellauer. Early Music,Medieval,New Age,Religious,Sacred. 4 pages. Susan Hellauer #6264447. Published by Susan Hellauer (A0.878619). Plainchant Responsory by Hildegard of Bingen from Anonymous 4's recording The Origin of Fire:Â 2005, harmonia mundi 907327). Duration: 6' 40. This chant was written for the Divine Office in honor of the 7th-century Irish missionary St. Disibod, who founded a monastery near Bingen. It features the ecstatic spirituality and rhapsodic musical gesture that mark the longer works of this 12th-century German nun, author, mystic and musician. Includes translation, performance note, and detailed description of the transcription procedures.
$1.99 ≈
$2.76
Medioevo By Jannes Jacobs
Medioevo By Jannes Jacobs
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Orchestre d'harmonie
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Contemporain
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Jannes Jacobs
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Medioevo By Jannes Jacobs
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Jannes Jacobs
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SheetMusicPlus
Concert Band - SKU: A0.1012109 Composed by Jannes Jacobs. Contemporary. Score and parts. 359 pages. Jannes Jacobs #3569171. Published by Jannes Jacobs (...
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Concert Band - SKU: A0.1012109 Composed by Jannes Jacobs. Contemporary. Score and parts. 359 pages. Jannes Jacobs #3569171. Published by Jannes Jacobs (A0.1012109). Medioevo is a Composition based on impressions from the dark ages. The composer wrote the piece to take you on a journey through this remarkable period of time.Part 1: The Promised Beginning Land Of Departurethe part opens with a decisive rhythm in the lower brass, woodwind and percussion section. The theme played by the woodwinds is written to give the listeners a middle eastern feeling. This represents the crusades. The higher brass section play a nice and static counter theme.Part 2: Enchanted DominionThis section a bit mysterious and magic, played by mallets and flutes. The theme from the Oboe represents the ghost of a warlock trapped on the dominion. As we pas trough the dominion we need the protection of the church represented by the Harpsichord (clavecimbel) and clarinets.Part 3: The rustling ForestsAfter leaving the Enchanted Dominion we gallop with our horse trough the Rustling Forests. These forest show fast winds and have a lyric theme played by the trumpets and saxesPart 4: The SquareOnce trough the Forests we get to the Village square where the market is on going. We have several sales men selling their goods. These are represented in the themes of the woodwinds. The confusion gets to much and we try to hide from the sales men. The trumpets represent this part in a piano 5/4 movement which bring a big contrast trough the noises from the market place. In the end we need to get through the market place so we find a way to keep the sales men away by playing a wonderful legato melody which the dwarf’s taught us.Part 5: Dwarf’sThese social and kind people have a little village outside of the town where joyful melodies sound from both children as adults and elderly dwarf’s. the themes are divided under the different solo players of the woodwind sections.Part 6: Run or HideAfter a nice time with the Dwarf’s we continue our path but soon we face a large army coming our way. What do we do Run or Hide? This part is full of different melodies and counter melodies to represent the indecisiveness of the Dark Ages.Part 7: NeverlandWe arrive in the land of the elves where the tenor sax and horns play an agitato atmosphere to represent our hart beat when we see these beautiful creatures. The themes from the flutes and euphoniums show the grace and beauty of the elves. While the harp creates an elf like atmosphere.Part 8 The castle Gardenswe arrive in the castle gardens. These gardens are the most beautiful in the whole land. It makes the orchestra say Ahh. While the percussion section gives it a magical feeling. After being amassed we soon find out that these gardens are made for the Authorities and paid by our tax money which gives us a double feeling. Should this money not be better spend on good music?Part 9 Black Powderafter we find out the castle lord wrongly used or tax money we go and find some black powder to blow him up. After being hunted down by the castle lord trying to get some black powder. We find ourselves in the glorious fight.Part 10: Rageour glorious fight with the castle lord continues into an enormous climax where we are stroke down and ends up with a one way ticket to the graveyard.Part 11: The GraveyardThe whole orchestra sings a spiritual song to guide us into the afterlives. An angle comes to collect our soul (represented by the piccolo flute). And slowly or name is forgotten.
$15.00 ≈
$20.78
We Gather Together (3, 4 or 5 octaves)
We Gather Together (3, 4 or 5 octaves)
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Cloches
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FACILE
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Anna Laura Page
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Anna Laura Page
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We Gather Together
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4 or 5 octaves handbells - Level 2 - SKU: C7.CGB1084 Composed by Anna Laura Page. Arranged by Anna Laura Page. General. Score. 8 pages. Chorister's G...
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3, 4 or 5 octaves handbells - Level 2 - SKU: C7.CGB1084 Composed by Anna Laura Page. Arranged by Anna Laura Page. General. Score. 8 pages. Chorister's Guild - Digital #CGB1084. Published by Chorister's Guild - Digital (C7.CGB1084). UPC: 749193028049.After the overwhelmingly moving Pinnacle 2015 concert by Council Oak Bells of First United Methodist, Michael Glasgow was ecstatic to accept a commission for them. Named after the French ballet term meaning dance for two, the piece was conceived as a duet between bells and violin. This sublime original composition is at once flowing and rhythmic, contemplative and forceful, haunting and dramatic. It is designed to offer exceptional opportunities for musical nuance and interpretation, and to present a pleasant challenge without being too technically intricate.
$4.95 ≈
$6.86
The Gates of Destiny: (wp) 1st Horn in E-flat
The Gates of Destiny: (wp) 1st Horn in E-flat
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Orchestre d'harmonie
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Methodes
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Gary Fagan
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The Gates of Destiny:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014570_WPEH1 (wp) 1st Horn in E-flat. Composed by Gary Fagan. Instructional. World Part. 1 pages. Alfred Music - Di...
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Concert Band - SKU: AX.00-PC-0014570_WPEH1 (wp) 1st Horn in E-flat. Composed by Gary Fagan. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014570_wpEH1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014570_WPEH1). UPC: 038081395111.This exciting work for beginning band uses a technique in which primary themes begin on a unison note, and then move stepwise away and back while the other voices remain static or proceed in contrapuntal inversion. This creates chords that expand and contract almost continuously beneath the melody. The percussion section plays an important role providing a rhythmic base which enhances the flow and development of the piece from beginning to end.Concert/Contest.
$3.00 ≈
$4.16
The Gates of Destiny: (wp) B-flat Tuba B.C.
The Gates of Destiny: (wp) B-flat Tuba B.C.
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Orchestre d'harmonie
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Methodes
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Gary Fagan
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The Gates of Destiny:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014570_WPTBBBC (wp) B-flat Tuba B.C.. Composed by Gary Fagan. Instructional. World Part. 1 pages. Alfred Music - Di...
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Concert Band - SKU: AX.00-PC-0014570_WPTBBBC (wp) B-flat Tuba B.C.. Composed by Gary Fagan. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014570_wpTBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014570_WPTBBBC). UPC: 038081395111.This exciting work for beginning band uses a technique in which primary themes begin on a unison note, and then move stepwise away and back while the other voices remain static or proceed in contrapuntal inversion. This creates chords that expand and contract almost continuously beneath the melody. The percussion section plays an important role providing a rhythmic base which enhances the flow and development of the piece from beginning to end.Concert/Contest.
$3.00 ≈
$4.16
The Gates of Destiny: (wp) E-flat Alto Clarinet
The Gates of Destiny: (wp) E-flat Alto Clarinet
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Orchestre d'harmonie
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Methodes
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Gary Fagan
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The Gates of Destiny:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014570_WPAC1 (wp) E-flat Alto Clarinet. Composed by Gary Fagan. Instructional. World Part. 1 pages. Alfred Music - ...
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Concert Band - SKU: AX.00-PC-0014570_WPAC1 (wp) E-flat Alto Clarinet. Composed by Gary Fagan. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014570_wpAC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014570_WPAC1). UPC: 038081395111.This exciting work for beginning band uses a technique in which primary themes begin on a unison note, and then move stepwise away and back while the other voices remain static or proceed in contrapuntal inversion. This creates chords that expand and contract almost continuously beneath the melody. The percussion section plays an important role providing a rhythmic base which enhances the flow and development of the piece from beginning to end.Concert/Contest.
$3.00 ≈
$4.16
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