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The forsaken on
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Vous avez sélectionné:
The forsaken on
Partitions à imprimer
29 partitions trouvées
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1
26
The forsaken on
The forsaken on
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Piano, Voix
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Mrs
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Poetry by Alfred Wheeler, Esq
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The forsaken on
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Voice and piano - SKU: LV.95 Composed by Mrs. William H. Dishrow. Portraits, Death, Immigrants--Spain. Lester S. Levy Collection. 5 pages. Published by ...
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Voice and piano - SKU: LV.95 Composed by Mrs. William H. Dishrow. Portraits, Death, Immigrants--Spain. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.95). The forsaken on. Composed by Mrs. Wm. H. Dishrow; Poetry by Alfred Wheeler, Esq. Published 1848 by C. Holt, Jr., 156 Fulton St. in New York. Composition of ballad with voice and piano instrumentation. Subject headings for this piece include Portraits, Death, Immigrants--Spain Call number. First line reads Nay ask not why my heart is sad.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.40€
Three Sacred Songs: 1. The Round Day (Downloadable)
Three Sacred Songs: 1. The Round Day (Downloadable)
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Chorale SATB
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Derek Healey
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Three Sacred Songs: 1. The Rou
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir, flute and piano (ad lib.) - Moderately Difficult - SKU: MQ.7540-E Composed by Derek Healey. Instrument part. 9 pages. E. C. Schirmer Music C...
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SATB choir, flute and piano (ad lib.) - Moderately Difficult - SKU: MQ.7540-E Composed by Derek Healey. Instrument part. 9 pages. E. C. Schirmer Music Company - Digital #7540-E. Published by E. C. Schirmer Music Company - Digital (MQ.7540-E). English.These songs are dedicated to William Osborne. The title Three Sacred Songs: was given to these pieces rather than the more usual terms anthem or motet because of the strongly secular presence in the texts. The songs were written over a period of some eighteen months. The Shepherd Lad was finished on February 29, 2008. The Round Day and Magdalene’s Song were completed in Brooklyn on June 11, 2009, the music having been originally sketched-out on Christmas Day and Boxing Day 2008, at Putnam Valley, New York. In the first song, The Round Day, the singer hears the voice of the Blessed Virgin Mary as she sings to the glory of God throughout the day. The text was written on June 7, 2008. In The Shepherd Lad, the Spanish mystic Saint John of the Cross describes a shepherd lad’s (Jesus’s) love for a shepherdess (the Church) and how another (the Devil) tempted his love away. Heartbroken, the shepherd climbed a tree, “And threw wide his arms in sweetest charity, Since by His Shepherdess He was forsaken.†The original Spanish text was translated and adapted into Villanelle form by the composer in early December 2004. The text of Magdalene’s Song describes the feelings of a mystic, or a devotee of Jesus, inspired by the fresh beauty, grace and power of the Lord of creation. The main body of the text is given to a soprano solo. The text was written on April 27, 2008. These sacred songs were conceived as being performed either as a set or individually. The composer had secular ensembles in mind, such as college or concert choruses, but these songs may, of course, also be performed in a liturgical setting. The accompanying flute provides introductions, interludes and codas throughout the set and, on a few occasions, plays with the voices. The piano part is ad lib. (optional).
$1.95 ≈
1.76€
Three Sacred Songs: 2. The Shepherd Lad (Downloadable)
Three Sacred Songs: 2. The Shepherd Lad (Downloadable)
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Derek Healey
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Three Sacred Songs: 2. The She
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice solo, SATB choir, flute and piano (ad lib.) - Moderately Difficult - SKU: MQ.7541-E Composed by Derek Healey. Instrument part. 9 pages. E....
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Soprano voice solo, SATB choir, flute and piano (ad lib.) - Moderately Difficult - SKU: MQ.7541-E Composed by Derek Healey. Instrument part. 9 pages. E. C. Schirmer Music Company - Digital #7541-E. Published by E. C. Schirmer Music Company - Digital (MQ.7541-E). English.These songs are dedicated to William Osborne. The title Three Sacred Songs: was given to these pieces rather than the more usual terms anthem or motet because of the strongly secular presence in the texts. The songs were written over a period of some eighteen months. The Shepherd Lad was finished on February 29, 2008. The Round Day and Magdalene’s Song were completed in Brooklyn on June 11, 2009, the music having been originally sketched-out on Christmas Day and Boxing Day 2008, at Putnam Valley, New York. In the first song, The Round Day, the singer hears the voice of the Blessed Virgin Mary as she sings to the glory of God throughout the day. The text was written on June 7, 2008. In The Shepherd Lad, the Spanish mystic Saint John of the Cross describes a shepherd lad’s (Jesus’s) love for a shepherdess (the Church) and how another (the Devil) tempted his love away. Heartbroken, the shepherd climbed a tree, “And threw wide his arms in sweetest charity, Since by His Shepherdess He was forsaken.†The original Spanish text was translated and adapted into Villanelle form by the composer in early December 2004. The text of Magdalene’s Song describes the feelings of a mystic, or a devotee of Jesus, inspired by the fresh beauty, grace and power of the Lord of creation. The main body of the text is given to a soprano solo. The text was written on April 27, 2008. These sacred songs were conceived as being performed either as a set or individually. The composer had secular ensembles in mind, such as college or concert choruses, but these songs may, of course, also be performed in a liturgical setting. The accompanying flute provides introductions, interludes and codas throughout the set and, on a few occasions, plays with the voices. The piano part is ad lib. (optional).
$1.95 ≈
1.76€
Forsaken
Forsaken
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Marimba
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INTERMÉDIAIRE
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Musique Sacrée
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Jessica Williams
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Forsaken
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Jessica Williams
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SheetMusicPlus
Marimba Solo - Level 3 - SKU: A0.1017231 Composed by Jessica Williams. Contemporary. Individual part. 5 pages. Jessica Williams #6082449. Published by J...
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Marimba Solo - Level 3 - SKU: A0.1017231 Composed by Jessica Williams. Contemporary. Individual part. 5 pages. Jessica Williams #6082449. Published by Jessica Williams (A0.1017231). Forsaken is a 5-octave, unaccompanied marimba solo. The piece draws its inspiration from the biblical verse, Psalms 22:1 My God, my God, why have you forsaken me? and the same verse quoted by Jesus while he was on the cross in both Matthew and Mark-Eli, Eli, lama sabachthani?. This is one of the last seven sayings of Christ before his death on the cross. Some will interpret this saying as words of Abandonment of the Son by the Father. God has left his son to die in pain at the hands of humanity as a sacrifice for their sins.
$10.00 ≈
9.02€
Meditation on Psalm 22
Meditation on Psalm 22
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Orgue
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DÉBUTANT
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Musique Sacrée
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Richard deCosta
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Meditation on Psalm 22
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Richard deCosta
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SheetMusicPlus
Organ - Level 1 - SKU: A0.973161 Composed by Richard deCosta. 20th Century,Christian,Sacred. Score. 2 pages. Richard deCosta #4643177. Published by Rich...
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Organ - Level 1 - SKU: A0.973161 Composed by Richard deCosta. 20th Century,Christian,Sacred. Score. 2 pages. Richard deCosta #4643177. Published by Richard deCosta (A0.973161). A breathlessly slow and haunting arrangement primarily featuring the Voix céleste and flute céleste stopsA highly lyrical, mournful, meditative piece inspired by Psalm 22.1 My God, my God, why hast thou forsaken me? why art thou so far from helping me, and from the words of my roaring?2 O my God, I cry in the day time, but thou hearest not; and in the night season, and am not silent.3 But thou art holy, O thou that inhabitest the praises of Israel.4 Our fathers trusted in thee: they trusted, and thou didst deliver them.
$7.99 ≈
7.21€
Hope of the World 15 Why Have You Forsaken Me? by Stephen R Dalrymple
Hope of the World 15 Why Have You Forsaken Me? by Stephen R Dalrymple
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Chorale SATB
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Musique Sacrée
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Stephen R Dalrymple
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Hope of the World 15 Why Have
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Stephen R Dalrymple
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SheetMusicPlus
Choral Choir,Choral (SATB) - SKU: A0.818373 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred....
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Choral Choir,Choral (SATB) - SKU: A0.818373 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. 29 pages. Stephen R Dalrymple #6709753. Published by Stephen R Dalrymple (A0.818373). Hope of the World: 15 Why Have You Forsaken Me?original song arranged for SATB choir and piano by Stephen R Dalrymple (includes an optional tenor solo)♫ sequenced by the composer♫ music © 1999 Stephen R Dalrymple♫ recording ℗ 2022 Stephen R Dalrymple♫ presentation © 2024 Stephen R Dalrymple♫ based on (Psalm 22, Matthew 27)♫ with At the Cross (public domain hymn by Isaac Watts and Ralph Hudson.)♫ In Psalm 22, David describes the pain he is feeling in the current controversy he was facing. Deliberate hyperbole was one of the figures of speech used in ancient Jewish culture (as it is used in our culture today.) Probably much of what David is describing is somewhat metaphoric. But for Jesus on the cross, this Psalm all too real. Jesus literally lived Psalm 22 on the cross.       ♫ Includes 1) full score 2) SATB choir part on 2 staves 3) full score for 10 inch tablet♫  (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ YouTube channel @DalrympleDesigns
$2.00 ≈
1.80€
Seven Meditations on the Last Words of Christ
Seven Meditations on the Last Words of Christ
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Chorale SATB
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INTERMÉDIAIRE
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Christian contemporain
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Musique Sacrée
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Reis Luke Aquino
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Seven Meditations on the Last
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Reis Luke Aquino
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.943136 Composed by Reis Luke Aquino. Christian,Contemporary,Easter,Sacred. Octavo. 23 pages. Reis Luke Aquino #4...
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Choral Choir (SATB) - Level 3 - SKU: A0.943136 Composed by Reis Luke Aquino. Christian,Contemporary,Easter,Sacred. Octavo. 23 pages. Reis Luke Aquino #4320921. Published by Reis Luke Aquino (A0.943136). This piece was conceptualized for the Holy Innocents Episcopal Church (Baguio City, Philippines) for the Good Friday service. The text comes from a set of short poems by Ms. Nava Faith Bawayan evoking short personal impressions and reflections on each of the traditional last seven words of Christ. The music are short musical impressions in a semi-contemporary (avant-garde) style, scored for an SATB choir, Tenor and Soprano Soloists and Piano. It features call and response passages between the soloists and the choir, short canons, and easy chord clusters for certain effects. The composer has considered these especially for choirs who are immersed in the Hymn singing tradition but are expanding into a more contemporary style of music.1. Father Forgive them2. You will be with me in Paradise.3. Woman, Behold your son!4. My God, my God, Why have you forsaken me?5. I Thirst6. It is Finished7. Father into your handsVideos here:https://www.facebook.com/hiecchoir/videos/1866208853398362/https://www.facebook.com/hiecchoir/videos/1866283680057546/https://www.facebook.com/watch/?v=1866289593390288https://www.facebook.com/watch/?v=1866294370056477
$9.99 ≈
9.01€
I Stand the Watch Before the Dawn
I Stand the Watch Before the Dawn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Michael E
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you are never alone
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I Stand the Watch Before the D
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Michael E. Ropp
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.971687 Composed by Michael E. Ropp. 20th Century,A Cappella,Christian,Sacred. Octavo. 11 pages. Michael E. Ropp ...
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Choral Choir (SATB) - Level 4 - SKU: A0.971687 Composed by Michael E. Ropp. 20th Century,A Cappella,Christian,Sacred. Octavo. 11 pages. Michael E. Ropp #2034327. Published by Michael E. Ropp (A0.971687). I Stand the Watch Before the Dawn is a dramatic piece for SATB choir and tenor and soprano soloists, for the season of Advent. The piece begins with the solo tenor and piano, in which the tenor plays the part of the night watchman and expresses longing for the light, and anguish at the condition of the people in the darkness. The tenor solo ends with the words Why have you forsaken us? The choir then enters a cappella (in performance, the choir can be doubled on organ using soft strings if necessary--it's difficult for the choir to get its starting pitches), and a soaring solo soprano provides the answer: the Light has come, but more than that, You were never alone; you are never alone; you will never be alone. One staging idea for this piece is to have the solo tenor up front, and the choir and soprano unseen in the rear, especially if there is a rear balcony that will hold the choir. However it is staged, this piece provides worshipers with a powerful and unforgettable reassurance that they do not face their darkest hours alone. (Please note that the MP3 file has some oddities in the dynamics; the sudden changes are artifices of how the MP3 is rendered from Finale and should not be interpreted literally.).
$2.99 ≈
2.70€
Vocal Solo-Why Have You Forsaken Me? (Psalm 22) for baritone/mezzo-soprano
Vocal Solo-Why Have You Forsaken Me? (Psalm 22) for baritone/mezzo-soprano
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Piano, Voix
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INTERMÉDIAIRE
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Musique Sacrée
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Dan Cutchen
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baritone: Bb2 to Eb4
 
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Vocal Solo-Why Have You Forsak
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Dan Cutchen Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.844370 Composed by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score. 4 pages. Dan Cutchen Music #6329599. Pub...
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Piano,Vocal,Voice - Level 3 - SKU: A0.844370 Composed by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score. 4 pages. Dan Cutchen Music #6329599. Published by Dan Cutchen Music (A0.844370). Vocal solo with piano accompaniment. The text is based on Psalm 22:1-3.For mezzo-soprano/baritoneRange: mezzo-soprano: Bb3 to Eb5; baritone: Bb2 to Eb4 Historically, Psalm 22:1 is known as the fourth saying of the Seven Last Words of Christ.There is also a version for tenor/soprano in the key of G.For the PIANO ACCOMPANIMENT track, please search for, Dan Cutchen-Why Have You Forsaken Me? Key of Eb, Piano Accompaniment.The attached VIDEO is for soprano/tenor in the key of G.
$5.99 ≈
5.40€
Vocal Solo-Why Have You Forsaken Me? (Psalm 22) for soprano/tenor
Vocal Solo-Why Have You Forsaken Me? (Psalm 22) for soprano/tenor
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Piano, Voix
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INTERMÉDIAIRE
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Musique Sacrée
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Dan Cutchen
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Tenor: Eb3 to G4.
 
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Vocal Solo-Why Have You Forsak
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Dan Cutchen Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.844369 Composed by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score. 4 pages. Dan Cutchen Music #6329541. Pub...
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Piano,Vocal,Voice - Level 3 - SKU: A0.844369 Composed by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score. 4 pages. Dan Cutchen Music #6329541. Published by Dan Cutchen Music (A0.844369). Vocal solo with piano accompaniment. The text is based on Psalm 22:1-3.For soprano/tenor.Range: Soprano: Eb4 to G5; Tenor: Eb3 to G4. Historically, Psalm 22:1 is known as the fourth saying of the Seven Last Words of Christ.There is also a version for baritone/mezzo-soprano in the key of Eb.For the PIANO ACCOMPANIMENT track, please search for, Why Have You Forsaken Me? Key of G, Piano Accompaniment..
$5.99 ≈
5.40€
Psalm 22: Why Hast Thou Forsaken Me
Psalm 22: Why Hast Thou Forsaken Me
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Denise M
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Psalm 22: Why Hast Thou Forsak
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Denise M. Owen
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.881192 Composed by Denise M. Owen. Baroque,Christian,Easter,Sacred. Octavo. 3 pages. Denise M. Owen #13451. Pub...
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Choral Choir (Mixed) - Level 3 - SKU: A0.881192 Composed by Denise M. Owen. Baroque,Christian,Easter,Sacred. Octavo. 3 pages. Denise M. Owen #13451. Published by Denise M. Owen (A0.881192). A solo setting of the Good Friday Psalm 22, the words Jesus spoke from the Cross: My God, my God, why hast Thou forsaken me? This Psalm setting would be perfect for Good Friday services or for use during Lent or other penitential seasons. It can be sung by a treble soloist, unison choir, soprano or tenor soloist. The accompaniment can be played on piano or organ (organ preferred) and is written in Baroque-style four parts which are distinct from the solo part. The melody uses the descending-second sighing technique to indicate the strong emotions of questioning and pleading with God. This would be a very effective solo or unison choir piece for Tenebrae or Good Friday.
$3.99 ≈
3.60€
Why Have You Forsaken Me? Key of Eb, Piano Accompaniment
Why Have You Forsaken Me? Key of Eb, Piano Accompaniment
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Piano seul
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Musique Sacrée
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Dan Cutchen
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Why Have You Forsaken Me? Key
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Dan Cutchen Music
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SheetMusicPlus
Piano - SKU: A0.1069297 Composed by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Accompaniment. Duration 199. Dan Cutchen Music #6329607. Published b...
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Piano - SKU: A0.1069297 Composed by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Accompaniment. Duration 199. Dan Cutchen Music #6329607. Published by Dan Cutchen Music (A0.1069297). This is the piano accompaniment track for: Vocal Solo-Why Have You Forsaken Me? (Psalm 22) for baritone/mezzo-sopranoVocal solo with piano accompaniment. The text is based on Psalm 22:1-3.For mezzo-soprano/baritoneRange: mezzo-soprano: Bb3 to Eb5; baritone: Bb2 to Eb4The attached VIDEO is for soprano/tenor in the key of G. Just to give you an idea of what is sounds like.
$1.99 ≈
1.79€
Forsaken
Forsaken
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Forsaken
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Brian Golden
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SheetMusicPlus
Piano - Level 4 - SKU: A0.1367014 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Full Performance. Duration 418. Br...
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Piano - Level 4 - SKU: A0.1367014 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Full Performance. Duration 418. Brian Golden #951356. Published by Brian Golden (A0.1367014). Forsaken is a heartfelt reflection on the plight of the homelss for solo piano.
$1.99 ≈
1.79€
Forsaken
Forsaken
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Forsaken
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1367025 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1367025 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #951367. Published by Brian Golden (A0.1367025). Forsaken is a heartfelt reflection on the plight of the homeless for solo piano.
$5.99 ≈
5.40€
Why Have You Forsaken Me? Key of G, Piano Accompaniment
Why Have You Forsaken Me? Key of G, Piano Accompaniment
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Accompagnement Piano
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Musique Sacrée
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Dan Cutchen
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Why Have You Forsaken Me? Key
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Dan Cutchen Music
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SheetMusicPlus
Piano - SKU: A0.1069296 Composed by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Accompaniment. Duration 199. Dan Cutchen Music #6329601. Published b...
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Piano - SKU: A0.1069296 Composed by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Accompaniment. Duration 199. Dan Cutchen Music #6329601. Published by Dan Cutchen Music (A0.1069296). This is the piano accompaniment track for:Vocal Solo-Why Have You Forsaken Me? (Psalm 22)Vocal solo with piano accompaniment. The text is based on Psalm 22:1-3.For soprano/tenor.Range: Soprano: Eb4 to G5; Tenor: Eb3 to G4.
$1.99 ≈
1.79€
A Psalm of Suffering and of Hope (By the Waters of Babylon)
A Psalm of Suffering and of Hope (By the Waters of Babylon)
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Mary Ann Joyce
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A Psalm of Suffering and of Ho
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Mary Ann Joyce-Walter
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.989242 Composed by Mary Ann Joyce. Christian,Concert,Jewish,Sacred,World. Octavo. 9 pages. Mary Ann Joyce-Walter...
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Choral Choir (SATB) - Level 5 - SKU: A0.989242 Composed by Mary Ann Joyce. Christian,Concert,Jewish,Sacred,World. Octavo. 9 pages. Mary Ann Joyce-Walter #6244605. Published by Mary Ann Joyce-Walter (A0.989242). Mary Ann Joyce-Walters writes: The first two sections of In Anguish and Hope are based on verses from two terrifying Psalms; the third section is a setting of a passage from Micah. I chose to use these texts after listening to a friend of mine speak about the death of her son.I became keenly aware of her personal and genuine feelings of rage against God, which were so similar to David’s Why do You hide Your face and forget our persecution and our oppression? Christ’s My God, My God, why have you forsaken me? and Elie Wiesel’s Never shall I forget those flames which consumed my faith forever. I realized that a far more difficult question (and perhaps more deeply personal) than that of asking God to forgive us is Can we forgive God?After asking that intimate and bold question, the words of Micah recall that peace, based on justice, will come one day: you shall be at peace and unafraid.…nations shall not lift up sword against nation….you shall bear fruit in justice and peace.
$4.50 ≈
4.06€
The Water is Wide for Viola & Piano
The Water is Wide for Viola & Piano
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Alto, Piano
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FACILE
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Contemporain
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Traditional Scottish
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James M
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The Water is Wide for Viola &
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jmsgu3
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SheetMusicPlus
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pag...
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)
Duration: 5:24
Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time
Solo part: 3 pg.
Piano part: 4 pg.
A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"
it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."
This is an original arrangement from the ground up.
Programming:
If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.
It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.
Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.
Keep in mind these performance ideas:
1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.
2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.
3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.
Synopsis of the arrangement:
verse 1: Simple quiet duet with the melody in the solo instrument.
verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.
verse 3: Melody in the piano in 4-part harmony.
verse 4: 3-part canon on the melody (with a free accompaniment voice).
verse 5: 2-part canon with a free accompaniment in the solo part
verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.
verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal
piano clusters over bass chords that suggest submerged church bells.
For better insight into the performance of this music: express the emotion indicated by the lyrics:
The Water Is Wide:
The water is wide, I cannot get over
Neither have I wings to fly
Give me a boat that can carry two
And both shall row, my love and I
A ship there is and she sails the sea
She's loaded deep as deep can be
But not so deep as the love I'm in
I know not if I sink or swim
I leaned my back against an oak
Thinking it was a trusty tree
But first it bent and then it broke
So did my love prove false to me
I reached my finger into some soft bush
Thinking the fairest flower to find
I pricked my finger to the bone
And left the fairest flower behind
Oh love be handsome and love be kind
Gay as a jewel when first it is new
But love grows old and waxes cold
And fades away like the morning dew
Must I go bound while you go free
Must I love a man who doesn't love me
Must I be born with so little art
As to love a man who'll break my heart
When cockle shells turn silver bells
Then will my love come back to me
When roses bloom in winter's gloom
Then will my love return to me
The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).
O Waly, waly (a lament ? "woe is me") up the bank,
And waly, waly doun the brae (hill),
And waly, waly, yon burn-side (riverside),
Where I and my love wont to gae.
I lean'd my back into an aik (oak),
I thocht it was a trusty tree;
But first it bow'd, and syne (soon) it brak (broke),
Sae my true love did lightly me.
O waly, waly, but love be bonnie (beautiful),
A little time while it is new,
But when 'tis auld (old), it waxeth cauld (cold),
And fades away like the morning dew.
O wherefore should I busk my heid (adorn my head)?
Or wherefore should I kame (comb) my hair?
For my true love has me forsook,
And says he'll never love me mair (more).
Now Arthur Seat shall be my bed,
The sheets shall ne'er be fyl'd by me,
Saint Anton's well shall be my drink,
Since my true love has forsaken me.
Martinmas wind, when wilt thou blaw (blow),
And shake the green leaves off the tree?
O gentle death, when wilt thou come?
For of my life I am weary.
'Tis not the frost, that freezes fell,
Nor blawing snaws (snow) inclemency,
'Tis not sic cauld (such cold) that makes me cry,
But my love's heart grown cauld to me.
When we cam in by Glasgow town,
We were a comely sight to see;
My love was clad in the black velvet,
And I my sell in cramasie (crimson).
But had I wist (known), before I kiss'd,
That love had been sae ill to win,
I'd lock my heart in a case of gold,
And pin'd it with a silver pin.
Oh, oh! if my young babe were born,
And set upon the nurse's knee,
And I my sell were dead and gane,
For a maid again I'll never be.[4]
(Lyrics courtesy of Wikipedia)
For more information, please feel free to contact me at: jmsgu3 "at" gmail.com
James M. Guthrie, ASCAP
jmsgu3 publications
$32.95 ≈
29.72€
Folk Songs For Classical Guitar - Volume 35 (Songs 919-945)
Folk Songs For Classical Guitar - Volume 35 (Songs 919-945)
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guita
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Socrates Arvanitakis
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1167752 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music...
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Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1167752 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 46 pages. Socrates Arvanitakis #768119. Published by Socrates Arvanitakis (A0.1167752). This is the thirtieth-fifth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all  volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view.Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 35 (Songs 919-945)Wild, Wild Berry (the)Will Ye No Come Back AgainWill you go lassieWilliam TaylorWillie Brook (William Cook)Willie DooWillie drowned in EroWindy Old WeatherWithin a GardenWoodsmans Alphabet (the)World I have Forsaken (the)Wraggle Taggle Gipsies-O (the)Wreck of the Sloop John B (the)Yankee DoodleYarmouth is a Pretty TownYe Banks And BraesYe Mar’ners AllYe People All, In God RejoiceYe’re sair dung, Annie, or, Bervie’s BraesYellow BirdYellow Rose of Texas (the)Yellow Sheepskin (the)Young BankerYoung Bucks A-Hunting GoYoung CollinsYoung HerchardYoung William.
$25.00 ≈
22.55€
Folk Songs For Classical Guitar - Volume 13 (Songs 325-351)
Folk Songs For Classical Guitar - Volume 13 (Songs 325-351)
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guita
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Socrates Arvanitakis
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1153431 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music...
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Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1153431 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 41 pages. Socrates Arvanitakis #753692. Published by Socrates Arvanitakis (A0.1153431). This is the thirteenth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Folk Songs For Classical Guitar - Volume 13 (Songs 325-351)Flowers in the Valley [The Red, The Green and the Yellow]Flowers O’ the ForestFoggy Dew (the)Football CrazyFor I am a Maid that’s Deep in LoveForsaken Maiden - A Maiden Sat A-WeepingForty MilesFour in a BoatFour Maries (the)Four Pence a DayFox 1 (THE)Fox 2 (THE)Fox 3 (THE)Fox Hunt (the)Frenet Ha’Friendly Beasts (THE)Frog and the Mouse (THE)Fum, Fum Fum!Gabriel’s MessageGarden Gate (THE)Garden where the Praties Grow (THE)Gathering PeascodsGentlemen of High RenownGently Johnny my Jingalo (different key)GeordieGeorge CollinsGeorgie.
$25.00 ≈
22.55€
My God, My God, Why Have You Forsaken Me? (for SAB)
My God, My God, Why Have You Forsaken Me? (for SAB)
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Chorale 3 parties
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FACILE
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Musique Sacrée
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Stephen DeCesare
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My God, My God, Why Have You F
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Exultet Music
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SheetMusicPlus
Choral Choir (SAB) - Level 2 - SKU: A0.620961 Composed by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Octavo. 5 pages. Exultet Music #35...
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Choral Choir (SAB) - Level 2 - SKU: A0.620961 Composed by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Octavo. 5 pages. Exultet Music #3500819. Published by Exultet Music (A0.620961). Contemplative and meditative song for Holy Week or Good Friday that is scored for SAB, Solo, with Piano accompaniment. Accessible and appropriate for any church or concert setting. Featured in the musical service: The Seven Last Words From The Cross which is available on this site.
$3.99 ≈
3.60€
My God, My God, Why Have You Forsaken Me? (for SATB)
My God, My God, Why Have You Forsaken Me? (for SATB)
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Chorale SATB
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FACILE
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Musique Sacrée
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Stephen DeCesare
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My God, My God, Why Have You F
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Exultet Music
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.620960 Composed by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Octavo. 5 pages. Exultet Music #3...
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Choral Choir (SATB) - Level 2 - SKU: A0.620960 Composed by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Octavo. 5 pages. Exultet Music #3500817. Published by Exultet Music (A0.620960). Contemplative and meditative song for Holy Week or Good Friday that is scored for SATB, Solo, with Piano accompaniment. Accessible and appropriate for any church or concert setting. Featured in the musical service: The Seven Last Words From The Cross which is available on this site.
$3.99 ≈
3.60€
I have forsaken the world for oboe and piano
I have forsaken the world for oboe and piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Contemporain
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Colin W Bayliss
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I have forsaken the world for
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Colin Bayliss
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.938503 Composed by Colin W Bayliss. 20th Century,Contemporary. Score and part. 15 pages. Colin Bayliss #6286221. Publishe...
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Oboe,Piano - Level 3 - SKU: A0.938503 Composed by Colin W Bayliss. 20th Century,Contemporary. Score and part. 15 pages. Colin Bayliss #6286221. Published by Colin Bayliss (A0.938503). Three contemplations on poems of Friedrich Rückert
$10.00 ≈
9.02€
Three Sacred Songs: 3. Magdalene (Downloadable)
Three Sacred Songs: 3. Magdalene (Downloadable)
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Derek Healey
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Three Sacred Songs: 3. Magdale
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice solo, SATB choir, flute and piano (ad lib.) - Moderately Difficult - SKU: MQ.7542-E Composed by Derek Healey. Instrument part. 13 pages. E...
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Soprano voice solo, SATB choir, flute and piano (ad lib.) - Moderately Difficult - SKU: MQ.7542-E Composed by Derek Healey. Instrument part. 13 pages. E. C. Schirmer Music Company - Digital #7542-E. Published by E. C. Schirmer Music Company - Digital (MQ.7542-E). English.These songs are dedicated to William Osborne. The title Three Sacred Songs: was given to these pieces rather than the more usual terms anthem or motet because of the strongly secular presence in the texts. The songs were written over a period of some eighteen months. The Shepherd Lad was finished on February 29, 2008. The Round Day and Magdalene’s Song were completed in Brooklyn on June 11, 2009, the music having been originally sketched-out on Christmas Day and Boxing Day 2008, at Putnam Valley, New York. In the first song, The Round Day, the singer hears the voice of the Blessed Virgin Mary as she sings to the glory of God throughout the day. The text was written on June 7, 2008. In The Shepherd Lad, the Spanish mystic Saint John of the Cross describes a shepherd lad’s (Jesus’s) love for a shepherdess (the Church) and how another (the Devil) tempted his love away. Heartbroken, the shepherd climbed a tree, “And threw wide his arms in sweetest charity, Since by His Shepherdess He was forsaken.†The original Spanish text was translated and adapted into Villanelle form by the composer in early December 2004. The text of Magdalene’s Song describes the feelings of a mystic, or a devotee of Jesus, inspired by the fresh beauty, grace and power of the Lord of creation. The main body of the text is given to a soprano solo. The text was written on April 27, 2008. These sacred songs were conceived as being performed either as a set or individually. The composer had secular ensembles in mind, such as college or concert choruses, but these songs may, of course, also be performed in a liturgical setting. The accompanying flute provides introductions, interludes and codas throughout the set and, on a few occasions, plays with the voices. The piano part is ad lib. (optional).
$2.25 ≈
2.03€
La Campanella Paganini Etude No.3 in G# minor for Piano Solo
La Campanella Paganini Etude No.3 in G# minor for Piano Solo
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Piano seul
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AVANCÉ
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Classique
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Franz Liszt
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Michael Bomier
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La Campanella Paganini Etude N
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.862685 Composed by Franz Liszt. Arranged by Michael Bomier. Concert,Instructional,Romantic Period. Score. 14 pages. Micha...
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Piano Solo - Level 5 - SKU: A0.862685 Composed by Franz Liszt. Arranged by Michael Bomier. Concert,Instructional,Romantic Period. Score. 14 pages. Michael Butkus-Bomier #3691681. Published by Michael Butkus-Bomier (A0.862685). We assume that anyone who is interested in this edited version of La Camp WANTS our slow tempo, our reduced intervals, our melodic alterations, hand re-assignments, and lack of holds, slurs, ties and all manner of gewgaws. This piece, in this edition, is meant to give The Aspiring Artist a really strong taste of just what is in store for them when they ARRIVE! This piece is a common concert closer, for Kissin, Lang Lang, Lisitsa and others. Try it on for size, and then gradually increase the pace, as the notes in this forsaken key become a bit less thorny. When you encounter the original version, you'll have a good leg up on what it takes to make those brilliant octaves, tremolos, chime effects, and thundering finale. MBB.
$4.25 ≈
3.83€
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