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The words are powerful.
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The words are powerful.
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At the Edge of the Body's Night
At the Edge of the Body's Night
#
Piano seul
#
Contemporain
#
William Grosvenor Neil
#
At the Edge of the Body's Nigh
#
TheComposerStudio.Com, LLC
#
SheetMusicPlus
Piano Solo - SKU: A0.982538 Composed by William Grosvenor Neil. Contemporary. Score. 50 pages. TheComposerStudio.Com, LLC #6709495. Published by TheComp...
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Piano Solo - SKU: A0.982538 Composed by William Grosvenor Neil. Contemporary. Score. 50 pages. TheComposerStudio.Com, LLC #6709495. Published by TheComposerStudio.Com, LLC (A0.982538). Program Notes: At the Edge of the Body’s Night (2008) for piano and digital acoustics is a setting of Seven Poems by the late poet, Mark Strand. These poems intrigued me with their potent brevity and mysterious symbolism. I found in their riddle-like form a concise emotional message, ideal for creating short melodic themes and inspiring fantastic piano music. When I recorded Mark’s voice reading the poems, I knew that his recitation would be part of the compositional resources for the piece. His resonant voice, enhanced by the audio editing process, provided a powerful context for the musical interpretation of his words. The addition of a soprano voice (Ashley Parker) in the digital landscape alludes to the traditional art song setting of poems. and her siren-call voice recalls the female muse that I imagined inspired the poet in writing his words. The piano music guides the listener throughout this fantastic journey of sound and music reflecting on the meaning and character of the poems and driving the dream-like narrative forward. Performance of the digital acoustic: Each of the six movements (I & II are combined) for piano are accompanied by a digital audio landscape as part of the performance. At the beginning of each section, a cue is notated in the score to start the audio wave file. It is recommended that a high fidelity audio play back system be employed in the recital hall or performance space. The sound system could be interfaced with a laptop computer or iPad operated by the pianist using a foot pedal similarly used with iPads supporting a digital part or it could be executed during the performance by a technician. The rental of the digital acoustic files includes a Key File license from Qlab that TheComposerStudio will email to be uploaded to a PC or Mac laptop computer for the duration of the rental. The uploaded software will ensure that the files are executed during a performance with ease and accuracy. The rental agreement also includes support from TheComposerStudio.Com, LLC from the time of rental through the performance of the piece. Duration: ca. 24 mins. www.williamneil.net www.thecomposerstudio.com for more info: thecomposerstudio@gmail.com
$25.00 ≈
22.60€
"Hope" is the thing with feathers (SATB)
"Hope" is the thing with feathers (SATB)
#
Chorale SATB
#
INTERMÉDIAIRE
#
Keaton Manwaring
#
"Hope" is the thing
#
Keaton Manwaring
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1177607 Composed by Keaton Manwaring. A Cappella. Octavo. 6 pages. Keaton Manwaring #777622. Published by Keaton...
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Choral Choir (SATB) - Level 3 - SKU: A0.1177607 Composed by Keaton Manwaring. A Cappella. Octavo. 6 pages. Keaton Manwaring #777622. Published by Keaton Manwaring (A0.1177607). Hope is such a powerful thing that can push us through the toughest of times. In this poem, Emily Dickinson calls hope a feathered thing. It perches in the soul and sings without stoping. The singing is at the loudest when things are at their worst. Although hope is the central theme to the poem, the harsh conditions that are described in the poem was the driving force while writing the music. Creating a sound for the chillest day and the storm that could not abash the little bird was what really inspired me to write this piece. Something that stood out for me, was the use of dashes that breaks up the poem. I used rests to create these breaks. These rests are very deliberate to show these pauses of contemplation, almost struggling for the right words to describe a complex subject such as hope. At first the rests felt like a hindrance, where it felt natural for the music to flow, but now I cannot imagine the piece without it.
$2.50 ≈
2.26€
Son to Mother
Son to Mother
#
Chorale SATB
#
Henrik Dahlgren
#
Son to Mother
#
Bo Ejeby Forlag - Digital
#
SheetMusicPlus
SATB chorus divisi - SKU: BJ.1370 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1370. Published by Bo Ejeby Forlag ...
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SATB chorus divisi - SKU: BJ.1370 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1370. Published by Bo Ejeby Forlag - Digital (BJ.1370). 8.27 x 11.7 inches.In 2017, I was commissioned by the male voice choir Svanholm Singers to write a work for inclusion in a concert marking 70 years since the proclamation of the Universal Declaration of Human Rights. Choosing a text was difficult. I came across upon a poem by Maya Angelou, but it struck me as being too powerful and emotional for the music I was writing to carry it; everything I composed sounded banal next to Angelou's words. I soon realized that I could use silence to enhance the text, rather than heaping layers and layers of music upon it. Silence is both terrifying and serious - in a sense, it is the only adequate counterpoint to the poetry. So, I decided to build the piece on silence. Though the beginning of the piece is the opposite of silence - a scream of desperation -, I followed that outburst by cutting the poem's stanzas into single words, repeated in a different order each time, almost in the manner of a mantra. Finally, they end up in the right order and suddenly the words take on their rightful meaning. I hope, in this way, the music is equally powerful as the words. Son to Mother has been well-received and has gone on to become one of the most widely performed pieces I have written. It has been performed at various festivals and in various countries, including Taiwan, France and China - where it only just made it past the government censors. - Henrik DahlgrenThis version is an adaptation for mixed choir of the original male choir version. Henrik Dahlgren is a Swedish composer, born 1991. He has been studying at the Academy Of Music in Malmo with Prof. Rolf Martinsson and the Royal College Of Music in London with Dr. Haris Kittos. Henrik started his musical career as a drummer and has ever since worked in a very wide range of different genres and styles, both as a performer and as a composer.
$5.40 ≈
4.88€
Son to Mother
Son to Mother
#
Chorale TTBB
#
Henrik Dahlgren
#
Son to Mother
#
Bo Ejeby Forlag - Digital
#
SheetMusicPlus
TTBB divisi chorus - SKU: BJ.1351 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1351. Published by Bo Ejeby Forlag ...
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TTBB divisi chorus - SKU: BJ.1351 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1351. Published by Bo Ejeby Forlag - Digital (BJ.1351). 8.27 x 11.7 inches.In 2017, I was commissioned by the Svanholm Singers to write a work for inclusion in a concert marking 70 years since the proclamation of the Universal Declaration of Human Rights. Choosing a text was difficult. I came across upon a poem by American poet Maya Angelou, but it struck me as being too powerful and emotional for the music I was writing to carry it; everything I composed sounded banal next to Angelou's words. I soon realized that I could use silence to enhance the text, rather than heaping layers and layers of music upon it. Silence is both terrifying and serious - in a sense, it is the only adequate counterpoint to the poetry. So, I decided to build the piece on silence. Though the beginning of the piece is the opposite of silence - a scream of desperation - I followed that outburst by cutting the poem's stanzas into single words, repeated in a different order each time, almost in the manner of a mantra. Finally, they end up in the right order and suddenly the words take on their rightful meaning. I hope, in this way, the music is equally powerful as the words. Son to Mother has been well-received and has gone on to become one of the most widely performed pieces I have written. It has been performed at various festivals and in various countries, including Taiwan, France and China - where it only just made it past the government censors.Also available for mixed choir.Henrik Dahlgren is a Swedish composer, born 1991. He has been studying at the Academy Of Music in Malmo with Prof. Rolf Martinsson and the Royal College Of Music in London with Dr. Haris Kittos. Henrik started his musical career as a drummer and has ever since worked in a very wide range of different genres and styles, both as a performer and as a composer.
$5.40 ≈
4.88€
Beds Are Burning
Beds Are Burning
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Chorale TTBB
#
INTERMÉDIAIRE
#
Midnight Oil
#
Sandra Milliken
#
Beds Are Burning
#
Sandra Milliken
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.774735 By Midnight Oil. By James Moginie, Peter Garrett, and Robert Hirst. Arranged by Sandra Milliken. Contempo...
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Choral Choir (TTBB) - Level 3 - SKU: A0.774735 By Midnight Oil. By James Moginie, Peter Garrett, and Robert Hirst. Arranged by Sandra Milliken. Contemporary. Octavo. 18 pages. Sandra Milliken #4404582. Published by Sandra Milliken (A0.774735). Beds are Burning is a powerful and immediately recognisable song by the Australian band Midnight Oil. It was written by band members Peter Garrett, Jim Moginie and Rob Hirst in 1987 following the band’s Blackfella-Whitefella tour of indigenous communities in outback Australia during 1986.Following its release, the song peaked at No. 1 in Canada, New Zealand and South Africa, at No. 6 in Australia and the UK, and reached the top 20 in America.in 1988 Beds are Burning was named ARIA Song of the Year and remains a powerful and recognisable anthem three decades after its release. Its enduring appeal was also recognised when the Australian Performing Rights Association (APRA) placed it third in their Top 30 Australian Songs of all time poll, revealed in 2001 to celebrate the copyright agency’s 75th anniversary.Beds are Burning focused on the issue of Aboriginal land rights. The words it belongs to them, let’s give it back put reconciliation front and centre on the domestic agenda as Australia prepared to mark its Bicentenary in 1988.This arrangement of Beds are Burning, features piano accompaniment, guitar chords and body percussion
$2.30 ≈
2.08€
Beds Are Burning
Beds Are Burning
#
Chorale 3 parties
#
INTERMÉDIAIRE
#
Contemporain
#
Midnight Oil
#
Sandra Milliken
#
Beds Are Burning
#
Sandra Milliken
#
SheetMusicPlus
Choral Choir (SAB) - Level 3 - SKU: A0.774733 By Midnight Oil. By James Moginie, Peter Garrett, and Robert Hirst. Arranged by Sandra Milliken. Contempor...
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Choral Choir (SAB) - Level 3 - SKU: A0.774733 By Midnight Oil. By James Moginie, Peter Garrett, and Robert Hirst. Arranged by Sandra Milliken. Contemporary. Octavo. 13 pages. Sandra Milliken #4368262. Published by Sandra Milliken (A0.774733). Beds are Burning is a powerful and immediately recognisable song by the Australian band Midnight Oil. It was written by band members Peter Garrett, Jim Moginie and Rob Hirst in 1987 following the band’s Blackfella-Whitefella tour of indigenous communities in outback Australia during 1986.Following its release, the song peaked at No. 1 in Canada, New Zealand and South Africa, at No. 6 in Australia and the UK, and reached the top 20 in America.in 1988 Beds are Burning was named ARIA Song of the Year and remains a powerful and recognisable anthem three decades after its release. Its enduring appeal was also recognised when the Australian Performing Rights Association (APRA) placed it third in their Top 30 Australian Songs of all time poll, revealed in 2001 to celebrate the copyright agency’s 75th anniversary.Beds are Burning focused on the issue of Aboriginal land rights. The words it belongs to them, let’s give it back put reconciliation front and centre on the domestic agenda as Australia prepared to mark its Bicentenary in 1988.This arrangement of Beds are Burning, features piano accompaniment, guitar chords and body percussion
$2.30 ≈
2.08€
Beds Are Burning
Beds Are Burning
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Chorale 3 parties
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INTERMÉDIAIRE
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Contemporain
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Midnight Oil
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Sandra Milliken
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Beds Are Burning
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Sandra Milliken
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SheetMusicPlus
Choral Choir (3-Part) - Level 3 - SKU: A0.774732 By Midnight Oil. By James Moginie, Peter Garrett, and Robert Hirst. Arranged by Sandra Milliken. Contem...
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Choral Choir (3-Part) - Level 3 - SKU: A0.774732 By Midnight Oil. By James Moginie, Peter Garrett, and Robert Hirst. Arranged by Sandra Milliken. Contemporary. Octavo. 13 pages. Sandra Milliken #4368260. Published by Sandra Milliken (A0.774732). Beds are Burning is a powerful and immediately recognisable song by the Australian band Midnight Oil. It was written by band members Peter Garrett, Jim Moginie and Rob Hirst in 1987 following the band’s Blackfella-Whitefella tour of indigenous communities in outback Australia during 1986.Following its release, the song peaked at No. 1 in Canada, New Zealand and South Africa, at No. 6 in Australia and the UK, and reached the top 20 in America.in 1988 Beds are Burning was named ARIA Song of the Year and remains a powerful and recognisable anthem three decades after its release. Its enduring appeal was also recognised when the Australian Performing Rights Association (APRA) placed it third in their Top 30 Australian Songs of all time poll, revealed in 2001 to celebrate the copyright agency’s 75th anniversary.Beds are Burning focused on the issue of Aboriginal land rights. The words it belongs to them, let’s give it back put reconciliation front and centre on the domestic agenda as Australia prepared to mark its Bicentenary in 1988.This arrangement of Beds are Burning, features piano accompaniment, guitar chords and body percussion.
$2.30 ≈
2.08€
The Love of God
The Love of God
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Frederick M
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Leandro Bizama
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The Love of God
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Leandro Bizama Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.933695 Composed by Frederick M. Lehman. Arranged by Leandro Bizama. Christian,Christmas,Easter,Jewish,Sacred. Score and...
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Concert Band - Level 3 - SKU: A0.933695 Composed by Frederick M. Lehman. Arranged by Leandro Bizama. Christian,Christmas,Easter,Jewish,Sacred. Score and parts. 44 pages. Leandro Bizama Music #2907105. Published by Leandro Bizama Music (A0.933695). The Love of God, for Concert Band, Grade Level 2.5, dur. 4 mins.The lyrical nature of the tune combined with the powerful poem about God's love make this one of the greatest hymns ever. This arrangement maintains the power of the tune and represents the beauty of the poetry musically. Each verse has its own special setting corresponding to the words of the hymn. Starting in a mysterious, martial and subdued style, The Love of God develops into a strong but respectful to the hymn type of finale, complete with musical representations of the waves of the sea. It is accessible to High School groups but also appropriate for Community or College ensembles. Because of its history (see below) it can appeal to a wide range of faiths and inspire unity and peace. Audiences and performers alike are sure to find it inspiring and uplifting.---A little about the history of the hymn:Could we with ink the ocean fill, and were the skies of parchment made;Were every stalk on earth a quill, and every man a scribe by trade;To write the love of God above would drain the ocean dry;Nor could the scroll contain the whole, though stretched from sky to sky.These timeless words inspired Lehman to write The Love of God after they were found edged on the wall of an asylum patient's room. They are an adaptation and translation of a poem originally written in Aramaic by the Jewish Rabbi of Worms, Germany around the year 1050. This poem in turn is similar to a passage in the Qur'an. What an incredible journey for these great words: an ancient poem that has its roots in the Qur'an, later adapted by a Rabbi, written on the wall of an insane asylum by a patient, and finally taken up by a Christian to be the basis of a beautiful song. Surely God's love and music are the only two things powerful enough in our World to bring unity and respect in the face of pride and violence.For more about the arranger, visitwww.leandrobizama.comSources:http://www.hymnary.org/text/the_love_of_god_is_greater_farhttp://library.timelesstruths.org/music/The_Love_of_God/http://www.tanbible.com/tol_sng/sng_theloveofgod.htm
$30.00 ≈
27.12€
The Good, The Bad And The Ugly (Main Title)
The Good, The Bad And The Ugly (Main Title)
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Chorale SSAA
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INTERMÉDIAIRE
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Ennio Morricone
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Karen Ivana
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The Good, The Bad And The Ugly
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Karen Ivana
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SheetMusicPlus
Choral Choir,Choral,SSAA Chorus - Level 3 - SKU: A0.1455526 Composed by Ennio Morricone. Arranged by Karen Ivana. 20th Century,Film/TV. 10 pages. Karen ...
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Choral Choir,Choral,SSAA Chorus - Level 3 - SKU: A0.1455526 Composed by Ennio Morricone. Arranged by Karen Ivana. 20th Century,Film/TV. 10 pages. Karen Ivana #1034615. Published by Karen Ivana (A0.1455526). The haunting and powerful main theme tune to the spaghetti western - The Good, the Bad and the Ugly, written by Ennio Morricone. The music features no meaningful words but the rich sounds and textures are brought to life for the voice. It starts gently but builds dramatically, and there is also some fun for the pianist!Although it is written for four parts it is not as challenging as it may appear as each part requires a little vocal dexterity but is otherwise not difficult.
$2.99 ≈
2.70€
The Holy City (for Flute and/or Violin Duet with Piano Accompaniment)
The Holy City (for Flute and/or Violin Duet with Piano Accompaniment)
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Accompagnement Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Sharon Wilson
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The Holy City
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Sharon Wilson
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.1214497 By Sharon Wilson. By F. E. Weatherly, Michael Maybrick, and Ste...
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.1214497 By Sharon Wilson. By F. E. Weatherly, Michael Maybrick, and Stephen Adams. Arranged by Sharon Wilson and Sharon Wilson Music. 19th Century,Christian,Easter,Holiday,Sacred. 24 pages. Sharon Wilson #811477. Published by Sharon Wilson (A0.1214497). Here is a simplified, yet powerful instrumental trio arrangement (for FLUTE and/or VIOLIN duet with PIANO accompaniment) of the beloved classic hymn The Holy City by Stephen Adams (aka Michael Maybrick). The PIANO accompaniment has been simplified from the original making it more accessible to the intermediate pianist. This majestic and uplifting arrangement is an often-requested selection for church services and Easter celebrations and a valuable addition to the sacred repertoire of string and woodwind players. Both the FLUTE and the VIOLIN get to lead with the melody at times making this a fun and equally challenging piece for both instruments while adding variety for the listeners. Though notated with FLUTE on part 1 and VIOLIN on part 2, the ranges are also accessible for other combinations of C instruments such as 2 VIOLINS or 2 FLUTES. The range for each part is as follows: Part 1 (FLUTE) ~ F#4 to B5; Part 2 (VIOLIN) ~ D4  to F5. For the violin on either part, all notes are playable in the first position making this piece an excellent choice for early intermediate string players. Duration 5:15.The purchase price includes these printing options: 1. a grand staff (10 pages) with all parts on each page2. separate scores for the FLUTE and VIOLIN (2 pages each) and PIANO (4 pages)3. a combined FLUTE and VIOLIN score (4 pages)Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicKeywords: worship service, meditation, prelude, offertory, wedding, funeral, memorial service, sacred repertoire, church music, Easter, Lent, communion.
$5.99 ≈
5.42€
Come to the Tree of Life—SAB Chorus and Piano
Come to the Tree of Life—SAB Chorus and Piano
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Chorale 3 parties
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FACILE
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Musique Sacrée
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Daniel Carter
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Daniel Carter
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Come to the Tree of Life&mdash
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Daniel Carter
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SheetMusicPlus
Choral Choir (SAB) - Level 2 - SKU: A0.1189680 By Daniel Carter. By Daniel Carter. Arranged by Daniel Carter. Christian,Easter,Praise & Worship,Religiou...
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Choral Choir (SAB) - Level 2 - SKU: A0.1189680 By Daniel Carter. By Daniel Carter. Arranged by Daniel Carter. Christian,Easter,Praise & Worship,Religious,Sacred. Octavo. 5 pages. Daniel Carter #789301. Published by Daniel Carter (A0.1189680). Instantly downloadable sheet music at holysheetmusic.comA gentle and powerful invitation to lay down all our burdens and come to the Tree of Life where forgiveness, solace, redemption, and salvation await through the atonement of Jesus Christ. Part writing is smooth and helps facilitate efficient rehearsal and moving, powerful performance. Suitable for Lent, Easter, and topics of Atonement, Crucifixion, Redemption, and Salvation. Read below for words to this anthem.Words and music by Daniel CarterCome taste the fruit of the tree of life; life everlasting, the love of God. Come all you burdened, lay down your cares. These cares and these sins, these burdens laden with such regret, too heavy to carry to the tree. Oh, come to the tree of life and taste its fruit, eternal life. See how the Savior who was nailed to a tree of death now rises to immortality! See how that tree became the way to eternal life through Jesus the Christ, the crucified! We see the tree of life,cast off our sinand taste the sweetest fruit,eternal life.Come taste the fruit of the tree of life; life everlasting, the love of God. Come all you burdened, lay down your cares.
$1.99 ≈
1.80€
Wise Words: A Children's Song About Abe Lincoln
Wise Words: A Children's Song About Abe Lincoln
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Piano, Voix
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DÉBUTANT
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Enfant
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Darcy Hill
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Wise Words: A Children's Song
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Darcy Hill
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - SKU: A0.960863 Composed by Darcy Hill. Children. Score. 3 pages. Darcy Hill #1768651. Published by Darcy Hill (A0.960863)....
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Piano,Vocal,Voice - Level 1 - SKU: A0.960863 Composed by Darcy Hill. Children. Score. 3 pages. Darcy Hill #1768651. Published by Darcy Hill (A0.960863). Abraham Lincoln was a wise man. He chose his words carefully and spoke well. Whatever you are, be a good one, is a perfect example of a powerful, meaningful Abe Lincoln quote. There are countless dozens of such quotes attributed to him. This song addresses the importance of words and, for my students, became an important lesson in assessing the value and impact of the words each of us use throughout the course of an ordinary day. Do my words bring blessing or do they bring hurt? This is the sheet music for Wise Words. One Arts Infusion Collaborative seeks to create original music and poetry to support and enhance curricular content, celebrate holidays, stir imaginations, and draw students into challenging mini-lesson discussions.
$2.00 ≈
1.81€
I Stand the Watch Before the Dawn
I Stand the Watch Before the Dawn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Michael E
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you are never alone
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I Stand the Watch Before the D
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Michael E. Ropp
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.971687 Composed by Michael E. Ropp. 20th Century,A Cappella,Christian,Sacred. Octavo. 11 pages. Michael E. Ropp ...
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Choral Choir (SATB) - Level 4 - SKU: A0.971687 Composed by Michael E. Ropp. 20th Century,A Cappella,Christian,Sacred. Octavo. 11 pages. Michael E. Ropp #2034327. Published by Michael E. Ropp (A0.971687). I Stand the Watch Before the Dawn is a dramatic piece for SATB choir and tenor and soprano soloists, for the season of Advent. The piece begins with the solo tenor and piano, in which the tenor plays the part of the night watchman and expresses longing for the light, and anguish at the condition of the people in the darkness. The tenor solo ends with the words Why have you forsaken us? The choir then enters a cappella (in performance, the choir can be doubled on organ using soft strings if necessary--it's difficult for the choir to get its starting pitches), and a soaring solo soprano provides the answer: the Light has come, but more than that, You were never alone; you are never alone; you will never be alone. One staging idea for this piece is to have the solo tenor up front, and the choir and soprano unseen in the rear, especially if there is a rear balcony that will hold the choir. However it is staged, this piece provides worshipers with a powerful and unforgettable reassurance that they do not face their darkest hours alone. (Please note that the MP3 file has some oddities in the dynamics; the sudden changes are artifices of how the MP3 is rendered from Finale and should not be interpreted literally.).
$2.99 ≈
2.70€
The Old Lie - powerful setting of Wilfred Owen's WW1 poetry - choral score
The Old Lie - powerful setting of Wilfred Owen's WW1 poetry - choral score
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Chorale SATB
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Contemporain
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Jon Arterton
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Jon Arterton
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The Old Lie - powerful setting
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Jon Arterton
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.776997 Composed by Jon Arterton. Arranged by Jon Arterton. Contemporary. Octavo. 19 pages. Jon Arterton #34811. Published ...
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Choral Choir (SATB) - SKU: A0.776997 Composed by Jon Arterton. Arranged by Jon Arterton. Contemporary. Octavo. 19 pages. Jon Arterton #34811. Published by Jon Arterton (A0.776997). This dramatic 12-minute piece captures the agony and brutality of the First World War. It begins with a gentle setting of Robert Burns' famous poem Red, Red Rose. The lyrical sounds of the bucolic countryside gradually give way to the electrifying poetry of First World War poet Wilfred Owen. The horrors of gas warfare are brought to life with rhythmic intensity and passion. The title Dulce et Decorum Est is the old lie according to Owen: It is sweet and right to die for your country. The piece ends with a comforting chorale-like setting of the composer's words: Light eternal shines all around them, resting forever, finally at rest. A performance of the piece with accompanying images can be seen on Youtube at https://www.youtube.com/watch?v=-Z-PPk6uXAI. Scored for SATB chorus, narrator, piano/organ, flute, trumpet, timpani/chime and strings. Choral Score with piano reduction. Full Score (JA222) and parts (JA223) also available. https://www.youtube.com/watch?v=-Z-PPk6uXAI&t=206s.
$2.50 ≈
2.26€
The Old Lie - powerful setting of Wilfred Owen's WW1 poetry - full score
The Old Lie - powerful setting of Wilfred Owen's WW1 poetry - full score
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Chorale SATB
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Contemporain
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Jon Arterton
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The Old Lie - powerful setting
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Jon Arterton
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.776998 Composed by Jon Arterton. Contemporary. Octavo. 33 pages. Jon Arterton #34815. Published by Jon Arterton (A0.776998...
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Choral Choir (SATB) - SKU: A0.776998 Composed by Jon Arterton. Contemporary. Octavo. 33 pages. Jon Arterton #34815. Published by Jon Arterton (A0.776998). This dramatic 12-minute piece captures the agony and brutality of the First World War. It begins with a gentle setting of Robert Burns' famous poem Red, Red Rose. The lyrical sounds of the bucolic countryside gradually give way to the electrifying poetry of First World War poet Wilfred Owen. The horrors of gas warfare are brought to life with rhythmic intensity and passion. The title Dulce et Decorum Est is the old lie according to Owen: It is sweet and right to die for your country. The piece ends with a comforting chorale-like setting of the composer's words: Light eternal shines all around them, resting forever, finally at rest. A performance of the piece with accompanying images can be seen on Youtube at https://www.youtube.com/watch?v=-Z-PPk6uXAI. Scored for SATB chorus, narrator, piano/organ, flute, trumpet, timpani/chime and strings. Full Score. Chorus with piano reduction (JA221) and parts (JA223) also available. https://www.youtube.com/watch?v=-Z-PPk6uXAI&t=206s.
$8.95 ≈
8.09€
Missa Solemnis, op. 27 (vocal score)
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99 ≈
79.55€
Missa Solemnis, op. 27 - Score Only
Missa Solemnis, op. 27 - Score Only
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published ...
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Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00 ≈
90.41€
The Holy City (for VIOLIN and CELLO Duet with PIANO Accompaniment)
The Holy City (for VIOLIN and CELLO Duet with PIANO Accompaniment)
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Musique Sacrée
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Sharon Wilson
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The Holy City
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Sharon Wilson
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1230175 By Sharon Wilson. By F. E. Weatherly, Michael Maybrick, and Stephen Adams. Arranged by Sharon ...
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Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1230175 By Sharon Wilson. By F. E. Weatherly, Michael Maybrick, and Stephen Adams. Arranged by Sharon Wilson and Sharon Wilson Music. Christian,Easter,Praise & Worship,Sacred,Standards. 24 pages. Sharon Wilson #825899. Published by Sharon Wilson (A0.1230175). Here is a simplified, yet powerful instrumental trio arrangement (for VIOLIN and CELLO duet with PIANO accompaniment) of the beloved classic hymn The Holy City by Stephen Adams (aka Michael Maybrick). The PIANO accompaniment has been simplified from the original making it more accessible to the intermediate pianist. This majestic and uplifting arrangement is an often-requested selection for church services and Easter celebrations and a valuable addition to the sacred repertoire of string players. Both the VIOLIN and the CELLO lead with the melody at times making this a fun and equally challenging piece for both instruments while adding variety for the listeners. The range for each string instrument is as follows: VIOLIN ~ F#4 to B5; CELLO ~ C3  to D4. For the violin, all notes are playable in the first position and all notes for the cello are playable in the first and second positions. This arrangement is an excellent choice for intermediate string players. The PIANO accompaniment is written for an intermediate player. Duration 5:00.The purchase price includes these printing options: 1. a grand staff (10 pages) with all parts on each page2. separate scores for the VIOLIN and CELLO (2 pages each) and PIANO (4 pages)3. a combined VIOLIN and CELLO score (4 pages)Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicKeywords: worship service, meditation, prelude, offertory, wedding, funeral, memorial service, sacred repertoire, church music, Easter, Lent, communion, string duets, string ensembles.
$5.99 ≈
5.42€
The Eyes Have It
The Eyes Have It
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Chorale SATB
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Gary Kent Walth
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The Eyes Have It
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Roger Dean Publishing
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SheetMusicPlus
SATB choir divisi, a cappella - Moderately Advanced - SKU: LX.15-1667R Japanese Proverbs II. Composed by Gary Kent Walth. Electa Series. Educatio...
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SATB choir divisi, a cappella - Moderately Advanced - SKU: LX.15-1667R Japanese Proverbs II. Composed by Gary Kent Walth. Electa Series. Educational. Octavo. 16 pages. Roger Dean Publishing #e15/1667R. Published by Roger Dean Publishing (LX.15-1667R). UPC: 000308062908.Kotowaza (proverbs) are a vital part of Japanese culture and are often reflective of Japanese thought and tradition. They impart great wisdom in a very few words. These are set with the voices imitating Japanese stringed instruments creating a stunning effect. They make a powerful concert grouping when combined with Two Japanese Proverbs (15/1641R) also by Dr. Walth, winner of the WCDA composition competition.
$2.75 ≈
2.49€
Seven Last Words (Septem Ultima Verba) (Choral Score)
Seven Last Words (Septem Ultima Verba) (Choral Score)
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Musique Sacrée
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Michael John Trotta
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John 19:23-28, 30
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Seven Last Words
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Soprano and baritone soli, SATB choir, and piano or full orchestra or chamber ensemble - Medium - SKU: MQ.70-390-E Composed by Michael John Trotta. Lent...
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Soprano and baritone soli, SATB choir, and piano or full orchestra or chamber ensemble - Medium - SKU: MQ.70-390-E Composed by Michael John Trotta. Lent, Triduum/Three Days. 91 pages. MorningStar Music Publishers - Digital Sheet Music #70-390-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.70-390-E). English, Latin. Luke 23:34, 37, 42-46; John 19:23-28, 30; Matthew 6:10; Matthew 27:40, 46, 51-52, 54; Mark 15:32, 34; Psalms 75; Psalms 76:9.This long-awaited major work is a seven-movement choral journey through the Passion, which delivers a powerful and captivating story encompassing a breathtaking palette of emotion, from intimate tenderness to majestic triumph. A rare gem, powerfully emotive and effective in both liturgical and concert settings. The work may be performed in either English or in Latin. Duration: 40 min. Movements include:1. Father, Forgive Them2. Today, You Will Be with Me3. Behold Your Son4. I Thirst5. My God, Why Have You Abandoned Me?6. Into Your Hands I Surrender My Soul7. It is Finished. The piece may be done with Full Orchestra (Flute, Oboe, 2 Trumpets in C, Horn in F, Timpani, Harp, Strings), or with a Chamber Ensemble (Flute, Oboe, Horn in F, Piano). Preview pack includes a choral score and CD recording.
$9.95 ≈
9.00€
I Am the World (Two-Part)
I Am the World (Two-Part)
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Chorale 2 parties
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INTERMÉDIAIRE
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Christopher Alexander
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I Am the World
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Christopher Alexander
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SheetMusicPlus
Choral Choir,Choral (2-Part) - Level 3 - SKU: A0.1299221 By Christopher Alexander. By Christopher Alexander. Contest,Festival. 24 pages. Christopher Ale...
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Choral Choir,Choral (2-Part) - Level 3 - SKU: A0.1299221 By Christopher Alexander. By Christopher Alexander. Contest,Festival. 24 pages. Christopher Alexander #889081. Published by Christopher Alexander (A0.1299221). The poet’s powerful words are fully encapsulated in this new choral anthem. The beginning declaration segues into a fast traveling waltz with a fervent and adventurous piano accompaniment. A slower, introspective section then returns to the fast waltz toward a final callback of the opening.Also available in: SATB, SAB, SSA, and TBB voicings.SATB demo recording performed by Rocky Mountain Chamber Choir.https://www.rockymountainchamberchoir.com.
$2.50 ≈
2.26€
I Am the World (SAB)
I Am the World (SAB)
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Chorale 3 parties
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INTERMÉDIAIRE
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Christopher Alexander
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I Am the World
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Christopher Alexander
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SheetMusicPlus
Choral Choir,Choral (SAB) - Level 3 - SKU: A0.1299218 By Christopher Alexander. By Christopher Alexander. Contest,Festival. 24 pages. Christopher Alexan...
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Choral Choir,Choral (SAB) - Level 3 - SKU: A0.1299218 By Christopher Alexander. By Christopher Alexander. Contest,Festival. 24 pages. Christopher Alexander #889077. Published by Christopher Alexander (A0.1299218). The poet’s powerful words are fully encapsulated in this new choral anthem. The beginning declaration segues into a fast traveling waltz with a fervent and adventurous piano accompaniment. A slower, introspective section then returns to the fast waltz toward a final callback of the opening.Also available in: SATB, SSA, TBB, and Two-Part voicings.SATB demo recording performed by Rocky Mountain Chamber Choir.https://www.rockymountainchamberchoir.com.
$2.50 ≈
2.26€
I Am the World (TBB)
I Am the World (TBB)
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Chorale 2 parties
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INTERMÉDIAIRE
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Christopher Alexander
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I Am the World
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Christopher Alexander
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SheetMusicPlus
Choral Choir,Choral (TB) - Level 3 - SKU: A0.1299220 By Christopher Alexander. By Christopher Alexander. Contest,Festival. 24 pages. Christopher Alexand...
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Choral Choir,Choral (TB) - Level 3 - SKU: A0.1299220 By Christopher Alexander. By Christopher Alexander. Contest,Festival. 24 pages. Christopher Alexander #889079. Published by Christopher Alexander (A0.1299220). The poet’s powerful words are fully encapsulated in this new choral anthem. The beginning declaration segues into a fast traveling waltz with a fervent and adventurous piano accompaniment. A slower, introspective section then returns to the fast waltz toward a final callback of the opening.Also available in: SATB, SAB, SSA, and Two-Part voicings.SATB demo recording performed by Rocky Mountain Chamber Choir.https://www.rockymountainchamberchoir.com.
$2.50 ≈
2.26€
I Am the World (SSA)
I Am the World (SSA)
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Chorale 3 parties
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INTERMÉDIAIRE
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Christopher Alexander
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I Am the World
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Christopher Alexander
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SheetMusicPlus
Choral Choir,Choral (SSA) - Level 3 - SKU: A0.1299219 By Christopher Alexander. By Christopher Alexander. Contest,Festival. 24 pages. Christopher Alexan...
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Choral Choir,Choral (SSA) - Level 3 - SKU: A0.1299219 By Christopher Alexander. By Christopher Alexander. Contest,Festival. 24 pages. Christopher Alexander #889078. Published by Christopher Alexander (A0.1299219). The poet’s powerful words are fully encapsulated in this new choral anthem. The beginning declaration segues into a fast traveling waltz with a fervent and adventurous piano accompaniment. A slower, introspective section then returns to the fast waltz toward a final callback of the opening.Also available in: SATB, SAB, TBB, and Two-Part voicings.SATB demo recording performed by Rocky Mountain Chamber Choir.https://www.rockymountainchamberchoir.com.
$2.50 ≈
2.26€
On That Cross (Piano part ONLY)
On That Cross (Piano part ONLY)
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99 ≈
1.80€
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