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Theme from 'The Trap'
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Vous avez sélectionné:
Theme from 'The Trap'
Partitions à imprimer
18 partitions trouvées
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1
Theme from 'The Trap' (London Marathon Theme) - String Quartet/Orchestra
Theme from 'The Trap' (London Marathon Theme) - String Quartet/Orchestra
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Film/TV
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Ron Goodwin
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Peter Martin
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Theme from 'The Trap'
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Mainstream Music
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SheetMusicPlus
By Ron Goodwin. Arranged by Peter Martin. Score, Set of Parts. 18 pages. Published by Mainstream Music ...
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By Ron Goodwin. Arranged by Peter Martin. Score, Set of Parts. 18 pages. Published by Mainstream Music
$12.99
The Merry Peasant
The Merry Peasant
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Piano seul
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Peter Wittrich and Robert Schu
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The Merry Peasant
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Schott Music - Digital
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SheetMusicPlus
Piano - intermediate to advanced - SKU: S9.Q7268 Humorous variations on a theme by Robert Schumann in barious styles from Bach to Liszt. Composed...
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Piano - intermediate to advanced - SKU: S9.Q7268 Humorous variations on a theme by Robert Schumann in barious styles from Bach to Liszt. Composed by Peter Wittrich and Robert Schumann. This edition: Sheet music. Downloadable. Schott Music - Digital #Q7268. Published by Schott Music - Digital (S9.Q7268). The fun and fascination with disguising oneself to be someone else for a moment has been expressed many times in music through compositions such as Un ballo in maschera, Masquerade or Carnaval. In the humorous variations on a theme of Robert Schumann, Peter Wittrich lets the Fröhliche Landmann [Happy Peasant] slip into different roles and sets out with him on a journey through time from the Baroque to the modern era. In ten variations, Wittrich makes the Landmann familiar with the different styles and famous themes of the music epochs by treating Robert Schumann's popular theme contrapuntally in the sense of Bach, imposing Mozart's sonata form on it or letting the Landmann dance a proud polonaise with Frédéric Chopin. Der fröhliche Landmann also becomes a jazz pianist and improvises with Ella Fitzgerald and Oscar Petersen in a blues sound before he indulges, in a Grand finale, in the brilliant virtuosity of the 19th century together with Tchaikovsky, Liszt and Rachmaninov. Apart from performing the entire work, individual variations can be arranged in small cycles according to preferences in style, e.g. for Jugend musiziert, or counter-posed against the original work. A fresh and entertaining contribution to the Schumann Year 2010.
$13.99
Main Theme from The Trap by RayJmusic - Piano Solo
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Piano seul
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RayJmusic
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Main Theme from The Trap
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Musicnotes
Sheet Music for Main Theme from The Trap from The Trap arranged for Instrumental Solo in Ab Major. Digital sheet music from Musicnotes. ...
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Sheet Music for Main Theme from The Trap from The Trap arranged for Instrumental Solo in Ab Major. Digital sheet music from Musicnotes.
$9.99
Brighten The Corner Where You Are
Brighten The Corner Where You Are
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Ina D
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Dana F
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Brighten The Corner Where You
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Brass Quintet - Grade 3 - SKU: DX.145533 Composed by Ina D. Ogden. Arranged by Dana F. Everson. Traditional. Key of Eb, Ab. Sacred Instrumental Music. S...
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Brass Quintet - Grade 3 - SKU: DX.145533 Composed by Ina D. Ogden. Arranged by Dana F. Everson. Traditional. Key of Eb, Ab. Sacred Instrumental Music. Score and Parts. 12 pages. David E. Smith - Digital Sheet Music #145533. Published by David E. Smith - Digital Sheet Music (DX.145533). A standard brass quintet with optional trumpet for horn. As one might expect the piece is cheerful from beginning to end. After a bright intro, the trumpet carry the tune until handed over to the middle voices with flourishes in the trumpets. After a transition that leads upward to an exciting climax. The piece abruptly shits to a quiet and expressive section lead by the trombone on the theme where it all builds to another zenith and once again abruptly goes quiet. A modulation and meter shift and the piece becomes countrapuntally gentle.. A meter shift back to the beginning and an exuberant building to a joyous conclusion.
$12.00
Finale From Three Pieces For String Quartet
Finale From Three Pieces For String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Thomas R
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Finale From Three Pieces For S
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Thomas R. Schadl
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.912485 Composed by Thomas R. Schadl. Contemporary,Instructional,Standards. Score and parts. 13 pages. ...
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String Quartet String Quartet - Level 5 - SKU: A0.912485 Composed by Thomas R. Schadl. Contemporary,Instructional,Standards. Score and parts. 13 pages. Thomas R. Schadl #3053991. Published by Thomas R. Schadl (A0.912485). The Finale From Three Pieces For String Quartet, like the Moderato and Adagio versions, consists of B G# A C theme, the motive that unifies the three pieces. In addition, the middle section includes D E flat C B motive that signifies the signature of Dmitri Shostakovich, and B flat A C B that represents BACH. Both motives are treated contrapuntally. This work is suitable for recital, as well as educational use that stresses on contrapuntal treatment of motives and the resolution of ambiguous tonality to the key of E Major. .
$9.95
Concertino for Alto Saxophone and Band
Concertino for Alto Saxophone and Band
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Orchestre d'harmonie
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AVANCÉ
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Contemporain
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Sy Brandon
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Concertino for Alto Saxophone
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Sy Brandon
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.755114 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 177 pages. Sy Brandon #3392241. Publ...
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Concert Band - Level 5 - SKU: A0.755114 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 177 pages. Sy Brandon #3392241. Published by Sy Brandon (A0.755114). Concertino was composed during 2009 at the request of Dr. Andy Wen and premiered by him at the Region 4 NASA Conference in April 2011. The work is in three movements. The first movement is in an abbreviated sonata form in a spirited Vivace tempo. The first theme group consists more of motives rather than an actual theme and is characterized by interplay between the soloist and the band. The second theme group has a lyrical saxophone line over a staccato bass line. The development begins quietly with the treatment of a syncopated idea from the second theme using a trio of solo saxophone, timpani and euphonium. After further development, a variant of the first theme group returns. The recapitulation consists only of first theme group ideas before ending with a brief coda. The second and third movements are performed with out pause between them. While the first movement was created during 2009, the second and third movements are a reworking of an earlier work by the composer for alto saxophone and piano soloists with orchestra. A rubato Lento theme containing many triplets that is accompanied by lush harmony begins the second movement. It is followed by a more scale-wise melody that is treated contrapuntally. Both these ideas develop during the movement leading to a strong climax before returning to a quiet conclusion. The third movement is an Allegro, once again with a rhythmic opening idea that changes meter often, and a more lyrical second idea with scale-wise passages as counterpoint. The development of these ideas leads to a cadenza for the solo saxophonist, followed by a coda that brings the composition to a rousing conclusion. The score prints on legal size paper and the parts on letter.
$39.99
Concertino for Alto Saxophone and Piano
Concertino for Alto Saxophone and Piano
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Saxophone Alto et Piano
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AVANCÉ
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Contemporain
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Sy Brandon
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Concertino for Alto Saxophone
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Sy Brandon
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.755072 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 50 pages. Sy Brandon #3366105. Publis...
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Alto Saxophone,Piano - Level 5 - SKU: A0.755072 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 50 pages. Sy Brandon #3366105. Published by Sy Brandon (A0.755072). Concertino was composed during 2009 at the request of Dr. Andy Wen and premiered by him at the Region 4 NASA Conference in April 2011. This piano reduction of the band parts was completed in 2011. The work is in three movements. The first movement is in an abbreviated sonata form in a spirited Vivace tempo. The first theme group consists more of motives rather than an actual theme and is characterized by interplay between the soloist and the band. The second theme group has a lyrical saxophone line over a staccato bass line. The development begins quietly with the treatment of a syncopated idea from the second theme using a trio of solo saxophone, timpani and euphonium. After further development, a variant of the first theme group returns. The recapitulation consists only of first theme group ideas before ending with a brief coda. The second and third movements are performed with out pause between them. While the first movement was created during 2009, the second and third movements are a reworking of an earlier work by the composer for alto saxophone and piano soloists with orchestra. A rubato Lento theme containing many triplets that is accompanied by lush harmony begins the second movement. It is followed by a more scale-wise melody that is treated contrapuntally. Both these ideas develop during the movement leading to a strong climax before returning to a quiet conclusion. The third movement is an Allegro, once again with a rhythmic opening idea that changes meter often, and a more lyrical second idea with scale-wise passages as counterpoint. The development of these ideas leads to a cadenza for the solo saxophonist, followed by a coda that brings the composition to a rousing conclusion.
$14.99
Venezuela
Venezuela
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Jose Luis Armenteros Sanchez a
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Venezuela
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Nonamé Música
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1176600 Composed by Jose Luis Armenteros Sanchez and Pablo Herrero Ibarz. Arranged ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1176600 Composed by Jose Luis Armenteros Sanchez and Pablo Herrero Ibarz. Arranged by Luis Turina and Nonamé Música. 20th Century,Classical,Latin,Multicultural,Wedding,World. Score and parts. 9 pages. Nonamé Música #776677. Published by Nonamé Música (A0.1176600). (English below) (De Wikipedia) Venezuela es una canción popular venezolana, con letra y música de [...] Los Relámpagos [...]. La popularidad y el sentimiento que evoca en los venezolanos es tal, que se la considera el cuarto himno de Venezuela, [tras] el Himno Nacional, «Alma llanera» y «Conticinio, del venezolano, Laudelino MejÃas»...Con los millones de venezolanos que hay emigrados por todo el mundo, era casi un crimen no tener esta canción disponible para ellos. Novios y novias lloran por igual al entrar en sus bodas escuchando estos acordes, invitados cantando y abrazándose... Toca mucho el corazón.Mientras el cello hace casi un continuo, viola y violines se van alternando la melodÃa, con multitud de contratemas, adornos, segundas voces y contrapuntos. Una gozada tocarla, muy sencilla además. Cuidado con el calderón del cambio de tono.Arreglo en una página por instrumento para facilitar su interpretación al aire libre. Arcos, matices y letras de ensayo para poder hacer una buena lectura a primera vista. Más arreglos de Nonamé en nuestro canal: Nonamé Música.(From Wikipedia) Venezuela is a popular Venezuelan song, with lyrics and music by [...] Los Relámpagos [...]. The popularity and sentiment it evokes in Venezuelans is such that it is considered the fourth anthem from Venezuela, [after] the National Anthem, Alma llanera and Conticinio, from the Venezuelan, Laudelino MejÃas...With millions of Venezuelans emigrating all over the world, it was almost a crime not to have this song available to them. Grooms and brides alike cry when they enter their weddings listening to these chords, guests singing and hugging each other... It really touches the heart.While the cello plays almost a continuum, the viola and violins alternate the melody, with a multitude of counter-themes, ornaments, second voices and counterpoints. A joy to play it, very simple as well. Beware of the calderón of the change of tone.Arrangement on one page per instrument to facilitate outdoor performance. Bowings, dynamics and rehearsal letters to be able to make a good sightreading. More Nonamé arrangements on our channel: Noname Música.Letra/Lyrics Llevo tu luz y tu aroma en mi pielY el cuatro en el corazónLlevo en mi sangre la espuma del marY tu horizonte en mis ojosNo envidio el vuelo ni el nido al turpialSoy como el viento en la miezSiento el caribe como a una mujerSoy asÃ, ¿qué voy a hacer?Soy desierto, selva, nieve y volcánY al andar dejo una estelaDel rumor del llano en una canciónQue me desvela La mujer que quiero tiene que serCorazón, fuego y espuelasCon la piel tostada como una florDe VenezuelaCon tu paisaje y mis sueños me iréPor esos mundos de DiosY tus recuerdos al atardecerMe harán más corto el caminoEntre tus playas quedó mi niñezTendida al viento y al solY esa nostalgia que sube a mi vozSin querer se hizo canciónDe los montes quiero la inmensidadY del rÃo la acuarelaY de ti los hijos que sembraránNuevas estrellasY si un dÃa tengo que naufragarY el tifón rompe mis velasEnterrad mi cuerpo cerca del marEn Venezuela
$17.99
Medioevo By Jannes Jacobs
Medioevo By Jannes Jacobs
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Orchestre d'harmonie
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Contemporain
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Jannes Jacobs
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Medioevo By Jannes Jacobs
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Jannes Jacobs
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SheetMusicPlus
Concert Band - SKU: A0.1012109 Composed by Jannes Jacobs. Contemporary. Score and parts. 359 pages. Jannes Jacobs #3569171. Published by Jannes Jacobs (...
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Concert Band - SKU: A0.1012109 Composed by Jannes Jacobs. Contemporary. Score and parts. 359 pages. Jannes Jacobs #3569171. Published by Jannes Jacobs (A0.1012109). Medioevo is a Composition based on impressions from the dark ages. The composer wrote the piece to take you on a journey through this remarkable period of time.Part 1: The Promised Beginning Land Of Departurethe part opens with a decisive rhythm in the lower brass, woodwind and percussion section. The theme played by the woodwinds is written to give the listeners a middle eastern feeling. This represents the crusades. The higher brass section play a nice and static counter theme.Part 2: Enchanted DominionThis section a bit mysterious and magic, played by mallets and flutes. The theme from the Oboe represents the ghost of a warlock trapped on the dominion. As we pas trough the dominion we need the protection of the church represented by the Harpsichord (clavecimbel) and clarinets.Part 3: The rustling ForestsAfter leaving the Enchanted Dominion we gallop with our horse trough the Rustling Forests. These forest show fast winds and have a lyric theme played by the trumpets and saxesPart 4: The SquareOnce trough the Forests we get to the Village square where the market is on going. We have several sales men selling their goods. These are represented in the themes of the woodwinds. The confusion gets to much and we try to hide from the sales men. The trumpets represent this part in a piano 5/4 movement which bring a big contrast trough the noises from the market place. In the end we need to get through the market place so we find a way to keep the sales men away by playing a wonderful legato melody which the dwarf’s taught us.Part 5: Dwarf’sThese social and kind people have a little village outside of the town where joyful melodies sound from both children as adults and elderly dwarf’s. the themes are divided under the different solo players of the woodwind sections.Part 6: Run or HideAfter a nice time with the Dwarf’s we continue our path but soon we face a large army coming our way. What do we do Run or Hide? This part is full of different melodies and counter melodies to represent the indecisiveness of the Dark Ages.Part 7: NeverlandWe arrive in the land of the elves where the tenor sax and horns play an agitato atmosphere to represent our hart beat when we see these beautiful creatures. The themes from the flutes and euphoniums show the grace and beauty of the elves. While the harp creates an elf like atmosphere.Part 8 The castle Gardenswe arrive in the castle gardens. These gardens are the most beautiful in the whole land. It makes the orchestra say Ahh. While the percussion section gives it a magical feeling. After being amassed we soon find out that these gardens are made for the Authorities and paid by our tax money which gives us a double feeling. Should this money not be better spend on good music?Part 9 Black Powderafter we find out the castle lord wrongly used or tax money we go and find some black powder to blow him up. After being hunted down by the castle lord trying to get some black powder. We find ourselves in the glorious fight.Part 10: Rageour glorious fight with the castle lord continues into an enormous climax where we are stroke down and ends up with a one way ticket to the graveyard.Part 11: The GraveyardThe whole orchestra sings a spiritual song to guide us into the afterlives. An angle comes to collect our soul (represented by the piccolo flute). And slowly or name is forgotten.
$15.00
A Pukwudgie Christmas: A Tale of Mischief, Mayhem and Redemption
A Pukwudgie Christmas: A Tale of Mischief, Mayhem and Redemption
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Joseph Davila
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A Pukwudgie Christmas: A Tale
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JaGlo Music
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SheetMusicPlus
Guitar Ensemble - Level 5 - SKU: A0.1453659 By Joseph Davila. By Joseph Davila. Christmas,Classical,Contemporary,Holiday,Multicultural,World. Score and ...
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Guitar Ensemble - Level 5 - SKU: A0.1453659 By Joseph Davila. By Joseph Davila. Christmas,Classical,Contemporary,Holiday,Multicultural,World. Score and Parts. 17 pages. JaGlo Music #1032873. Published by JaGlo Music (A0.1453659). This is a guitar quartet Christmas piece that I wrote earlier this year. It is for advanced players and is perfect for Holiday Concerts, Christmas parties or recitals. The theme is based on the legend of the Pukwudgie and is the soundtrack to the story below. © Copyright 2024 JaGlo Music. In the quaint village of Hollybrook, Christmas was a time of joy and togetherness. But this year, a malicious pukwudgie named Bramble planned to spread fear and chaos. On Christmas Eve, as villagers gathered around the grand tree for the annual lighting ceremony, Bramble struck. He made the lights flicker and go out and twisted the ornaments into grotesque shapes. He snuck into homes, swapping sugar for ashes and hiding stockings in unreachable places, casting a dark spell over the village. By morning, Hollybrook was in disarray. Children found their stockings missing, cookies ruined, and the tree ominous in the square. Fear gripped the town. Amidst the chaos, a brave girl named Lucy refused to let fear win. She gathered her friends and ventured into the forest, following eerie footprints. They found Bramble muttering dark incantations under a gnarled tree. Caught in a trap made from holly and mistletoe, Bramble hissed his intentions to spread fear. Lucy, with steely resolve, offered him a chance at redemption. Reluctantly, Bramble agreed. They returned to the village, and with Bramble’s help, dispelled the dark enchantments. The ornaments returned to their beautiful forms, sugar replaced the ashes, and the stockings were found. That night, the tree lit up, and Bramble felt warmth in his heart for the first time. The villagers, initially wary, accepted him as he helped create beautiful ice sculptures, adding magic to the festivities. From that year on, Bramble became part of Hollybrook. His dark nature slowly transformed under the light of friendship and acceptance. Every Christmas, his magic brought extra sparkle to the celebrations, reminding everyone that even the darkest hearts could find redemption through kindness and love.
$12.00
La Valse d'Amelie - String Orchestra
La Valse d'Amelie - String Orchestra
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Orchestre à Cordes
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Film/TV
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Yann Tiersen
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Paul Trapkus
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La Valse d'Amelie - String Orc
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Paul Trapkus
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SheetMusicPlus
By Yann Tiersen. Arranged by Paul Trapkus. Score, Set of Parts. 15 pages. Published by Paul Trapkus...
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By Yann Tiersen. Arranged by Paul Trapkus. Score, Set of Parts. 15 pages. Published by Paul Trapkus
A meticulous string orchestra arrangement of La Valse d'Amelie by Yann Tiersen from the movie Amelie. Features brief solos from the 1st violin, 2nd violin, and viola sections. Bowings have been carefully added to all parts.
More string orchestra arrangements by Paul Trapkus available at https://www.sheetmusicplus.com/publishers/paul-trapkus/19286 including:
Take On Me ? Africa ? Never Gonna Give You Up ? Ghostbusters ? Secrets ? Final Countdown ? Darude Sandstorm ? Dancing Queen ? Undisclosed Desires ? Some Nights ? The Office Theme ? Seal Lullaby ? Only Time ? Pompeii ? Radioactive ? Paradise ? May It Be ? Laughter Lines ? Things We Lost in the Fire ? All I Ever Wanted ? La Valse d'Amelie ? Young and Beautiful ? Raging Fire
$12.99
Ghostbusters for String Orchestra or String Quintet
Ghostbusters for String Orchestra or String Quintet
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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Film/TV
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Ray Parker Jr
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Paul Trapkus
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Ghostbusters for String Orches
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Paul Trapkus
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SheetMusicPlus
By Ray Parker Jr. Arranged by Paul Trapkus. Score, Set of Parts. 13 pages. Published by Paul Trapkus ...
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By Ray Parker Jr. Arranged by Paul Trapkus. Score, Set of Parts. 13 pages. Published by Paul Trapkus
A meticulous arrangement of the theme song from the movie Ghostbusters for string orchestra or string quintet. Bowings have been carefully added to all parts.
$14.99
Two Duets for Two Violins
Two Duets for Two Violins
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Marga Richter
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Two Duets for Two Violins
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Imagine Music - Digital
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SheetMusicPlus
Two Violins - SKU: IZ.PDP296 Composed by Marga Richter. Score. 7 pages. Imagine Music - Digital #PDP296. Published by Imagine Music - Digital (IZ.PDP296...
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Two Violins - SKU: IZ.PDP296 Composed by Marga Richter. Score. 7 pages. Imagine Music - Digital #PDP296. Published by Imagine Music - Digital (IZ.PDP296). 9 x 12 inches.Richter wrote Two Duets for Two Violins in 2008 on commission from the Long Island Arts Council for the 2009 Long Island Composer Alliance's annual Music for Students concert. The Pavanne is stately and spare, with a reiterated opening theme. It develops contrapuntally, employing gentle dissonances which lend an edge to the slightly medieval sound of the duet. Tag for Two is a rambunctious dialogue in which the two players rarely wait for the other to finish before joining in. The clever interplay is occasionally interrupted by chromatic passages in rhythmic unison, usually in thirds, but once at the tritone. The title stems from the delightfully twisted use of the classic song Tea for Two in the second half of the duet. The two duets are playable in 1st through 3rd position. The Pavanne is an excellent piece for tone color and control. Tag for Two features meter changes and shifting rhythmic patterns as well as the melodic and harmonic use of tritones. These are contemporary duets that are enjoyable to play and hear!
$8.00
I HEARD IT A LOVE SONG
I HEARD IT A LOVE SONG
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Piano, Voix
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Comédie Musicale
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MICHAEL L
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TIM C
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I HEARD IT A LOVE SONG
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Creative Horizons Music Publishers
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.991733 Composed by MICHAEL L. RICCIARDI. Arranged by TIM C. DORAN. Broadway,Jazz,Musical/Show. Score. 5 pages. Creative Hori...
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Piano,Vocal,Voice - SKU: A0.991733 Composed by MICHAEL L. RICCIARDI. Arranged by TIM C. DORAN. Broadway,Jazz,Musical/Show. Score. 5 pages. Creative Horizons Music Publishers (ASCAP) #3080427. Published by Creative Horizons Music Publishers (ASCAP) (A0.991733). FROM THE BROADWAY BOUND MUSICAL COMEDY THE GHOST WHO SAVED BROADWAY HERE IS A 1930'S ERA UP BEAT TUNE THAT REPRESENTS THE THEME SONG OF TWO EX- VAUDEVILLIANS OF BROADWAY'S GOLDEN AGE. SUNG HERE BY RECORDING STAR GREG LASTRAPES.
$3.25
Mozartina
Mozartina
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Orchestre
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AVANCÉ
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Otoniel Rojas
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Mozartina
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Otoniel Rojas
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1302257 Composed by Otoniel Rojas. 20th Century,Classical,Historic,Latin,Traditional. Score and Parts. 119 pages. Oto...
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Full Orchestra - Level 5 - SKU: A0.1302257 Composed by Otoniel Rojas. 20th Century,Classical,Historic,Latin,Traditional. Score and Parts. 119 pages. Otoniel Rojas #891863. Published by Otoniel Rojas (A0.1302257). Based on a traditional Merengue tune from Dominican Republic in a Rondó style a'la Mozart, combining Mozart's Jupiter symphony 35th 4-note theme.Originally commissioned by the 'Fundación Filarmónica del Cibao' in  1997. Mozartina is an effervescent overture that paints us a contemporary Mozart, exposed to the melodic and rhythmic resources of the Caribbean identity, fusing the style and spirit of the famous Austrian with a mixed of the rhythmic and harmonic developments of the last 200 years of musical development. The work is structured as Rondo ,taking as its theme the traditional merengue (a traditional Dominican dance) El jarro 'ta pichao using it as melodic material that integrates into many styles and orchestral techniques. The topic is presented in juxtaposition with the monumental melodic motif of the last movement of the symphony ' Jupiter ' . Sometimes we appreciate it as it is , sometimes in inverted or hidden among contrapuntistic passages in striped and woven into different instrumental colors and harmonic richness coated within countless melodic modulations or put into small pieces. The climax part suddenly surrounds us with the classic merengue, where the 'tambora' (traditional dominican percussion instrument) makes appearance and gives it its soul. Meanwhile, in the background we still can hear the theme of 'Jupiter'. There briefly we can discover a 'perico ripiao' (another traditional Dominican dance)with its typical melisma embodied by the horn, we finally get to a climax that concludes with a short cadenza of 'tambora' and the reitaration of the main merengue theme in unison. The work was commissioned in 1997 for the opening concert of the Philharmonic of Cibao and this time receives his first audition by the National Symphony Orchestra.
$9.99
In Your Hands - Brass Quintet
In Your Hands - Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Christian contemporain
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Musique Sacrée
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Paul St-Amand
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In Your Hands - Brass Quintet
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BBQ Editions
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.923891 Composed by Paul St-Amand. Christian,Contemporary,Easter,Sacred. Score and parts. 15 pages. BBQ Editions #3385...
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Brass Ensemble - Level 3 - SKU: A0.923891 Composed by Paul St-Amand. Christian,Contemporary,Easter,Sacred. Score and parts. 15 pages. BBQ Editions #3385417. Published by BBQ Editions (A0.923891). This chorale for brass quintet is a showcase for the 1st trumpeter, with several solo passages, and a soaring descant in the final passage. The piece is based on a line from Psalm 31, variously translated as Into your hands I commend my spirit or Father, I put my life in Your hands. The central musical theme is extrapolated from a basic melodic idea originally intended to be sung by a cantor. While it may be played year-round, In Your Hands makes an especially fitting selection during the Easter season.In Your Hands was composed by Bedford Brass Quintet trumpeter Paul St-Amand in memory of his father, Gerry. The piece was premiered at Harmony & Hope: A Concert for Cancer Research in 2015.Performance time is approx. 4:30.
$11.99
String Quartet No. 3
String Quartet No. 3
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Classique
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Paul Dessau
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String Quartet No. 3
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Schott Music - Digital
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SheetMusicPlus
String quartet - advanced - Composed by Paul Dessau (1894-1979). This edition: score and parts. Downloadable. Duration 12 minutes. Schott Music - ...
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String quartet - advanced - Composed by Paul Dessau (1894-1979). This edition: score and parts. Downloadable. Duration 12 minutes. Schott Music - Digital #Q5968. Published by Schott Music - Digital
Paul Dessau described his Third String Quartet, begun at Laguna Beach near Los Angeles in 1943, as predominantly lyrical. The song-like, melodious main theme of this one-movement work emerges from a series of notes grounded in tonality. A contrapuntally separated little semiquaver figure acquires increasing importance and points the way ahead to the greater rhythmical turbulence of the middle section. Syncopated imitative devices add intensity to the music until all this activity is calmed down again in the extended Coda.
By working names into his music as quotations Dessau pays musical homage to two of his aesthetic forefathers - Bach and Schoenberg - during a creative period spent in exile.
$29.99
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Theme from 'The Trap'
