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Theme with Variation No. 4
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Vous avez sélectionné:
Theme with Variation No. 4
Partitions à imprimer
60 partitions trouvées
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Theme with Variation No. 4
Theme with Variation No. 4
#
Piccolo, Piano
#
Jean Baptiste Charles Dancla
#
Colette Mourey
#
Theme with Variation No. 4
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Piccolo & Piano - Grade 4 - SKU: R0.24379 Donizettian Theme Opus 89 No. 4. Composed by Jean Baptiste Charles Dancla. Arranged by Colette Mourey. ...
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Piccolo & Piano - Grade 4 - SKU: R0.24379 Donizettian Theme Opus 89 No. 4. Composed by Jean Baptiste Charles Dancla. Arranged by Colette Mourey. Piccolo & Piano. Score and parts. 8 pages. Duration 5'00. Editions Marc Reift - Digital #24379. Published by Editions Marc Reift - Digital (R0.24379).
$6.95 ≈
6.26€
Theme with Variation No. 5
Theme with Variation No. 5
#
Clarinette
#
Charles Dancla
#
Colette Mourey
#
Theme with Variation No. 5
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Clarinet & Piano - Grade 4 - SKU: R0.24397 Weigel Theme Opus 89 No. 5. Composed by Charles Dancla. Arranged by Colette Mourey. Clarinet & Piano. ...
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Clarinet & Piano - Grade 4 - SKU: R0.24397 Weigel Theme Opus 89 No. 5. Composed by Charles Dancla. Arranged by Colette Mourey. Clarinet & Piano. Score and parts. 8 pages. Duration 7'17. Editions Marc Reift - Digital #24397. Published by Editions Marc Reift - Digital (R0.24397).
$6.95 ≈
6.26€
Theme with Variation No. 5
Theme with Variation No. 5
#
Flûte traversière et Piano
#
Charles Dancla
#
Colette Mourey
#
Theme with Variation No. 5
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Flute & Piano - Grade 4 - SKU: R0.24395 Weigel Theme Opus 89 No. 5. Composed by Charles Dancla. Arranged by Colette Mourey. Flute & Piano. Score ...
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Flute & Piano - Grade 4 - SKU: R0.24395 Weigel Theme Opus 89 No. 5. Composed by Charles Dancla. Arranged by Colette Mourey. Flute & Piano. Score and parts. 8 pages. Duration 7'17. Editions Marc Reift - Digital #24395. Published by Editions Marc Reift - Digital (R0.24395).
$6.95 ≈
6.26€
Symphony No. 3 in A minor, op. 17 (parts)
Symphony No. 3 in A minor, op. 17 (parts)
#
Orchestre
#
AVANCÉ
#
Adrian Gagiu
#
Symphony No. 3 in A minor, op.
#
Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by ...
(+)
Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00 ≈
189.14€
Symphony No. 3 in A minor, op. 17
Symphony No. 3 in A minor, op. 17
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Orchestre
#
AVANCÉ
#
Contemporain
#
Adrian Gagiu
#
Symphony No. 3 in A minor, op.
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Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by ...
(+)
Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00 ≈
189.14€
No. 4. The Four Sisters
No. 4. The Four Sisters
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Piano seul
#
T
#
No. 4. The Four Sisters
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano - SKU: LV.1366 Composed by T. Costellow. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1366).
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Piano - SKU: LV.1366 Composed by T. Costellow. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1366). No. 4. The Four Sisters. onsisting of Four Familiar Airs as an Inducement to Practice. Composed for and Named after Four Sisters by T. Costellow. Published [n.d.] by J.G. Klemm Music Seller in Philadelphia. Composition of theme and variation with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.39€
Elgar: "Nimrod" from Enigma Variation (Variations on an Original Theme for Orchestra for Low Brass (
Elgar: "Nimrod" from Enigma Variation (Variations on an Original Theme for Orchestra for Low Brass (
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Classique
#
Edward Elgar
#
Arkstar Brassmusic
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Tuba) and Trombone Quintet
#
Elgar: "Nimrod" from
#
ASANO Takashi
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SheetMusicPlus
Brass Ensemble Trombone,Tuba - Level 3 - SKU: A0.892047 Composed by Edward Elgar. Arranged by Arkstar Brassmusic. 20th Century,Contemporary,Graduation,H...
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Brass Ensemble Trombone,Tuba - Level 3 - SKU: A0.892047 Composed by Edward Elgar. Arranged by Arkstar Brassmusic. 20th Century,Contemporary,Graduation,Holiday,Standards. Score and parts. 10 pages. ASANO Takashi #4300253. Published by ASANO Takashi (A0.892047). The work was originally written for Orchestra, one of the most famous piece of Elgar as with Pomp and Circumstance No.1, No.4, Salut d'amour (Love's Greeting). Specially, Variation IX (Adagio) Nimrod has become popular in its own right and is sometimes used at funerals, memorial services, and other solemn occasions. Instrumentaion is for both Low brass quintet (4 Trombones & Tuba) and Trombone Quintet.Duration: 3 minutesYou can confirm the score and performance at the following Youtube site. https://youtu.be/MniSmkvNY70 Level: intermediate
$12.00 ≈
10.81€
A Favorite Air With Six Variations for the Piano Forte
A Favorite Air With Six Variations for the Piano Forte
#
Piano seul
#
T
#
A Favorite Air With Six Variat
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano - SKU: LV.1133 Composed by T. Latour. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1133).
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Piano - SKU: LV.1133 Composed by T. Latour. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1133). A Favorite Air With Six Variations for the Piano Forte. Composed by T. Latour. Published [n.d.] by G. Graupner, No. 6 Franklin Street in Boston. Composition of theme and variation with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.39€
Elgar: "Nimrod" from Enigma Variation (Variations on an Original Theme for Orchestra for Brass Quint
Elgar: "Nimrod" from Enigma Variation (Variations on an Original Theme for Orchestra for Brass Quint
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Edward Elgar
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Arkstar Brassmusic
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Elgar: "Nimrod" from
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ASANO Takashi
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.892046 Composed by Edward Elgar. Arranged by Arkstar Brassmusic. 20th Century,Contemporary...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.892046 Composed by Edward Elgar. Arranged by Arkstar Brassmusic. 20th Century,Contemporary,Graduation,World. Score and parts. 10 pages. ASANO Takashi #4303223. Published by ASANO Takashi (A0.892046). The work was originally written for Orchestra, one of the most famous piece of Elgar as with Pomp and Circumstance No.1, No.4, Salut d'amour (Love's Greeting). Specially, Variation IX (Adagio) Nimrod has become popular in its own right and is sometimes used at funerals, memorial services, and other solemn occasions. Instrumentaion is for brass quintet (2 Trumpets, Horn, Trombone, Tuba) Duration: 3 minutesYou can confirm the score and perfonmance at tue following YouYube site https://youtu.be/2-IU0GV-vVc Level: intermediate
$12.00 ≈
10.81€
Prelude Op.11 No 5
Prelude Op.11 No 5
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Guitare
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INTERMÉDIAIRE
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Classique
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Alexander Scriabin
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Rod Whittle
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Prelude Op.11 No 5
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899143 Composed by Alexander Scriabin. Arranged by Rod Whittle. Romantic Period. Individual part. 2 pages. Maggie Creek ...
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Solo Guitar - Level 3 - SKU: A0.899143 Composed by Alexander Scriabin. Arranged by Rod Whittle. Romantic Period. Individual part. 2 pages. Maggie Creek Music #4758403. Published by Maggie Creek Music (A0.899143). for solo classical guitar 2ppAlexander Scriabin 1872-1915 Some relevant facts about Scriabin are: He was Russian – he was born and died in Moscow. He was a child prodigy of the piano, and a great admirer of Chopin. His piano and orchestral compositions are finely crafted, the latter uniting aesthetics with religion. Both are naturally laced with the Russian temperament, and show an embrace of the harmonic revolution of his time. The Opus 11 preludes are early pieces exhibiting Scriabin's melodic and harmonic flair. The form of No 4 is binary, with a surprising, very expressive and poignant coda. No 5 could be described as a theme (with a prominent ninth) followed by two variations. The first variation ends with a bridging section that briefly changes tempo. maggie creek music
$5.00 ≈
4.50€
Hommages I. Rhapsody No. 1 - Romance
Hommages I. Rhapsody No. 1 - Romance
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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David Fraser
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Hommages I. Rhapsody No. 1 - R
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David Fraser
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1384061 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 8 pages. David Fraser #9684...
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Piano Solo - Level 4 - SKU: A0.1384061 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 8 pages. David Fraser #968422. Published by David Fraser (A0.1384061). Hommages I. Rhapsody No. 1 - Romance uses an inversion of a small melody from Rachmaninoffâ??s Rhapsody on a Theme of Paganini, Op. 4, variation 18. Specifically, Rachmaninoffâ??s piece starting with the D-flat of beat one in measure 9 going backwards to measure 8 to the C, B-flat, A-flat and B-flat of the fourth beat is replicated in Fraserâ??s piece in the pickup to beat three through beat four of measure 10, however with rhythmic changes. In addition, there are some harmonic similarities between Rachmaninoff and Fraserâ??s music.This is the Adagio section from the Rhapsody which is the first piece from 'Hommages: Suite pour le Piano'. 8 pages. ISMN 979-0-800277-00-9.
$5.99 ≈
5.39€
Hommages I. Rhapsody No. 1
Hommages I. Rhapsody No. 1
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Piano seul
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AVANCÉ
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Classique
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David Fraser
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Hommages I. Rhapsody No. 1
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David Fraser
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1384057 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 42 pages. David Fraser #968...
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Piano Solo - Level 5 - SKU: A0.1384057 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 42 pages. David Fraser #968418. Published by David Fraser (A0.1384057). David Fraser wrote the first 41 measures of ‘Rhapsody No. 1’ in 1997. When playing the original 41 measures of this piece in 2019, Fraser noted that the music had some resemblance to works by Sergei Rachmaninoff. This encouraged Fraser to compose the remainder of this piece in a manner reminiscent of Rachmaninoff and, consequently, author a suite of solo piano pieces as homages to some of his favorite composers.In the “Adagio†section, which starts on Page 3, Fraser uses an inversion of a small melody from Rachmaninoff’s Rhapsody on a Theme of Paganini, Op. 4, variation 18. Specifically, Rachmaninoff’s piece starting with the D-flat of beat one in measure 9 going backwards to measure 8 to the C, B-flat, A-flat and B-flat of the fourth beat is replicated in Fraser’s piece in the pickup to beat three through beat four of measure 10, however with rhythmic changes. In addition, there are some harmonic similarities between Rachmaninoff and Fraser’s music.This is the full version of the Rhapsody which is the first piece from 'Hommages: Suite pour le Piano'. 45 pages. ISMN 979-0-800277-00-9.
$9.99 ≈
9.00€
Hommages and Prelude No. 1
Hommages and Prelude No. 1
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Piano seul
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AVANCÉ
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Classique
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David Fraser
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Hommages and Prelude No. 1
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David Fraser
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #96...
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Piano Solo - Level 5 - SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #968350. Published by David Fraser (A0.1383996). This volume contains five solo piano pieces expertly crafted and meticulously edited for accuracy. Advanced pianists will welcome the technical challenges and heights of musicality these works require. Music terminology for â??Le Cygne noirâ?? and â??L'océanâ?? are in French, with regard to the dedications of these pieces. All other works use conventional music terminology in Italian. 178 pages. ISMN 979-0-800277-00-9.David Fraser wrote the first 41 measures of â??Rhapsody No. 1â?? in 1997 and subsequently completed this piece and all other works in this volume over the course of six months in 2019. When playing the original 41 measures of â??Rhapsody No. 1â?? in 2019, Fraser noted that the music had some resemblance to works by Sergei Rachmaninoff. This encouraged Fraser to compose the remainder of this piece in a manner reminiscent of Rachmaninoff and, consequently, author a suite of solo piano pieces as homages to some of his favorite composers. In Rachmaninoffâ??s famous â??Rhapsody on a Theme of Paganini, Op. 43â??, variation 18, the composer uses an upside-down inversion of a small melody by Paganini. Similarly, Fraser uses a backwards inversion of a small melody from Rachmaninoffâ??s variation for the Rhapsodyâ??s â??Adagioâ? section, which starts on Page 3.Le Cynge noir {The Black Swan} is the second piece Fraser authored, dedicated to his beloved piano composer, Maurice Ravel. In this piece, Fraser wrote in his own style while evoking images such as a swan gliding on a lake, peering at its reflection in the water, and taking flight into the clouds with its wings rustling in the wind. Fraser gleaned inspiration for this piece from Ravelâ??s song for voice and piano â??Histoires naturelles - Le cygneâ??, set to a poem by Jules Renard. In addition, Fraser alternates between the keys of C-sharp major and A major as a depiction of the magical swanâ??s internal conflict in choosing to exist as a black or white swan.Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The fourth piece of this suite, â??L'océan {The Ocean}â?? dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.Prelude No. 1 L'adieu {The Farewell} offers rich and lush harmonies with an enticing melody. This piece was written in memoriam to Fraser's mother.
$29.99 ≈
27.01€
String Quartet No. 3
String Quartet No. 3
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Quatuor à cordes: 2 violons, alto, violoncelle
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Julian Anderson
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String Quartet No. 3
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Schott Music - Digital
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SheetMusicPlus
String quartet - difficult - SKU: S9.Q771471 ‘hana no hanataba’. Composed by Julian Anderson. Downloadable. Duration 23 minutes. Schott Music...
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String quartet - difficult - SKU: S9.Q771471 ‘hana no hanataba’. Composed by Julian Anderson. Downloadable. Duration 23 minutes. Schott Music - Digital #Q771471. Published by Schott Music - Digital (S9.Q771471). My 3rd String Quartet is in six contrasted movements. Certain musical figures recur across the work, but there are few themes as such. The main emphasis is on contrast of mood, texture, harmony, pacing and timing. Unlike many of my works this quartet had no extra-musical inspiration, and in principle should have no subtitle. Certain features already present in my music became more prominent in this new work: modes (limited collections of pitches) have always helped me to focus musical character, but here a sense of key note for each mode became much more pronounced, as did the difference between modes for each section of the work. A sort of hybrid key-system emerged (even with equivalents of major and minor) which is not normal tonality, nor does it aim to imitate it. Unlike tonality this key-system includes noises, extended performance techniques and intervals outside Western tuning as available resources. What I hope it does is to focus the listening experience onto different musical areas, to encourage a sense of both modulation from one area to another and to give the music a sense of goal. No conscious knowledge of this is needed when listening: the music should communicate directly on its own.Here, then, is this collection of six musical colours, related and unrelated, different yet belonging together, variable yet in a set order. Hence the subtitle, chosen both for both its sound and its sense: ‘hana no hanataba’ meaning, in Japanese, ‘bouquet of flowers’.A brief description:1)Moderately fast. Short droplets of sounds gather increasing momentum. 2)Very fast. Canons and bells at different speeds.3)Very slow – fast – very slow – very fast – very slow. The main slow movement and its main scherzo. An emphasis on non-tempered tunings and on inhaling and exhaling waves of sound. The slow sections feature florid melodic writing. In the exuberant scherzo competing duos and trios create imaginary folk music.4)Extremely fast/extremely slow. Open strings and harmonics fuse into a single string instrument – like a sort of large resonating Medieval tromba marina.5)Very fast. A variation on movement 2). Variation, Schoenberg told Cage, is just a sort of repetition ‘with some things changed and others not.’6)Slow - Very Fast - Fast – Slow. The opening calm harmonies and florid melodies evoke movement 3) in different music. The fast part features one overt theme: a fanfare-like call to attention which is subject to extensive development. There is much use of non-Western tuning. At its climax the music freezes into a frieze – a wall of sound standing in front of the audience with increasing obstinacy and certainty as the work grinds towards its cadence.
$24.99 ≈
22.51€
Variations on a Theme By Paganini
Variations on a Theme By Paganini
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Nicolo Paganini
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Fiona Hickie
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Variations on a Theme By Pagan
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Fiona Alice Hickie
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SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.738315 Composed by Nicolo Paganini. Arranged by Fiona Hickie. Blues,Celtic,Classical,Folk,Irish,Romantic Period. S...
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French Horn,Piano - Level 4 - SKU: A0.738315 Composed by Nicolo Paganini. Arranged by Fiona Hickie. Blues,Celtic,Classical,Folk,Irish,Romantic Period. Score and part. 14 pages. Fiona Alice Hickie #6477451. Published by Fiona Alice Hickie (A0.738315). Variations on a Theme by Niccolo Paganini arranged for French Horn and Piano by Fiona Hickie with a few new variations. It incudes Theme – Caprice No. 24 (Paganini/Leopold Auer) Variation 1 - Triplet (Paganini/Leopold Auer) Variation 2 - Semiquaver (Paganini/Leopold Auer) Variation 3 – Swing (Fiona Hickie) Variation 4 – Jazz Waltz (Fiona Hickie) Variation 5 – Hornpipe (Fiona Hickie) Variation 6 - Theme (Paganini/Fiona Hickie) Arranged Fiona Hickie (2021)
$5.99 ≈
5.39€
String Quartet No 2 (Score)
String Quartet No 2 (Score)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Colin Bayliss
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String Quartet No 2
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Colin Bayliss
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.938383 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 30 pages. Colin Bayliss ...
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String Quartet String Quartet - Level 4 - SKU: A0.938383 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 30 pages. Colin Bayliss #6121. Published by Colin Bayliss (A0.938383). (B33) was first written as Piano Sonata No.1 [B12] in late 1981. It was revised into a string quartet in January 1990. There are four movements, and all the thematic material, whether tonal, atonal or serial is derived from the music of the first seven bars. After this opening, the first movement is written in a straightforward sonata form, using a mixture of tonal and serial themes in constantly changing rhythms. The second movement Adagio also contrasts tonal and serial themes, while the third movement is a short scherzo and trio, with an atonal motif in the scherzo being treated in simple rhythms. A lyrical variation of the main theme of the slow movement is used for the trio, and develops further into a simple diatonic tune. The last movement is a kaleidoscopic treatment of the preceding thematic material, together with further variations and short contrapuntal passages, to give the effect of a rondo. The motif from the beginning of the whole work then returns as a coda to unify the quartet. The Score and Parts are available on this site as separate downloads The sound sample is the second movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and for this particular quartet: https://itunes.apple.com/us/album/colin-bayliss-string-quartet/id573541672.
$8.00 ≈
7.21€
String Quartet No 2 (Parts)
String Quartet No 2 (Parts)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Colin Bayliss
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String Quartet No 2
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Colin Bayliss
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.938382 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 42 pages. Colin Bayliss ...
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String Quartet String Quartet - Level 4 - SKU: A0.938382 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 42 pages. Colin Bayliss #6123. Published by Colin Bayliss (A0.938382). (B33) was first written as Piano Sonata No.1 [B12] in late 1981. It was revised into a string quartet in January 1990. There are four movements, and all the thematic material, whether tonal, atonal or serial is derived from the music of the first seven bars. After this opening, the first movement is written in a straightforward sonata form, using a mixture of tonal and serial themes in constantly changing rhythms. The second movement Adagio also contrasts tonal and serial themes, while the third movement is a short scherzo and trio, with an atonal motif in the scherzo being treated in simple rhythms. A lyrical variation of the main theme of the slow movement is used for the trio, and develops further into a simple diatonic tune. The last movement is a kaleidoscopic treatment of the preceding thematic material, together with further variations and short contrapuntal passages, to give the effect of a rondo. The motif from the beginning of the whole work then returns as a coda to unify the quartet. The Score and Parts are available on this site as separate downloads The sound sample is the second movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and for this particular quartet: https://itunes.apple.com/us/album/colin-bayliss-string-quartet/id573541672.
$10.00 ≈
9.01€
The Much Admired Air, Sul Margine D'un Rio
The Much Admired Air, Sul Margine D'un Rio
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1 Piano, 4 mains
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T
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The Much Admired Air, Sul Marg
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano, 4-hands - SKU: LV.1590 Arranged by T. Latour. Lester S. Levy Collection. 13 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1...
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Piano, 4-hands - SKU: LV.1590 Arranged by T. Latour. Lester S. Levy Collection. 13 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1590). The Much Admired Air, Sul Margine D'un Rio. Arranged as a Duett With Variations for Two Performers on one Piano Forte by T. Latour. Published [n.d.] by Dubois & Stodart at their Piano Forte & Music Store, No. 126 Broadway in New York. Composition of theme and variation with piano four-hands instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.39€
The Hunter's Chorus
The Hunter's Chorus
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1 Piano, 4 mains
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G
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The Hunter's Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano, 4-hands - SKU: LV.6710 Arranged by G.F. Harris. Lester S. Levy Collection. 15 pages. Published by Johns Hopkins University Sheridan Libraries (LV...
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Piano, 4-hands - SKU: LV.6710 Arranged by G.F. Harris. Lester S. Levy Collection. 15 pages. Published by Johns Hopkins University Sheridan Libraries (LV.6710). The Hunter's Chorus. From Weber's Celebrated Opera Der Freischutz. Arranged with Variations for Two Performers on the Piano Forte by G.F. Harris. Published [n.d.] by G.E. Blake at his Piano Forte and Music Store, No. 13 South 5th Street in Philadelphia. Composition of theme and variation with piano four hands instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.39€
Variations in D major on “Procession of the Sardar” from Caucasian Sketches, Suite No. 1, Opus 10
Variations in D major on “Procession of the Sardar” from Caucasian Sketches, Suite No. 1, Opus 10
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Piano seul
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INTERMÉDIAIRE
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Mikhail Mikhaylovich Ippolitov
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Constance Shelengian
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Variations in D major on &ldqu
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Constance Shelengian
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1486010 Composed by Mikhail Mikhaylovich Ippolitov-Ivanov. Arranged by Constance Shelengian. 20th Century. Score. 8 pages...
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Piano Solo - Level 3 - SKU: A0.1486010 Composed by Mikhail Mikhaylovich Ippolitov-Ivanov. Arranged by Constance Shelengian. 20th Century. Score. 8 pages. Constance Shelengian #1063063. Published by Constance Shelengian (A0.1486010). Procession of the Sardar was composed in 1894 by Mikhail Ippolitov-Ivanov (1859-1935). The melody is derived from Russian composer Ippolitov-Ivanov's Caucasian Sketches, Suite No. 1, Op. 10, Movement 4. In these variations, the opening eight-bar theme provided the inspiration for the work. Armenians identify with the theme as a patriotic song Zeitountsiner or Arevn Yelav, Zeitountsiner (The sun rose, people of Zeitoun). In this arrangement for piano, the five variations in D major are a step lower, suited for the intermediate player. The original key for orchestra is E major. Techniques of motivic development include changes in: style, tonality, harmonization, meter (5/4) and tempo. The last variation is an homage to the Armenian composer Komitas Vardapet (1869-1935), based on his “Dance #1” from Six Dances for Piano.Extensive background notes provided.Duration: 4:38.
$5.99 ≈
5.39€
Theme and Variations (Andante) from Symphony No. 94 ("Surprise")
Theme and Variations (Andante) from Symphony No. 94 ("Surprise")
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Orchestre d'harmonie
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AVANCÉ
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Classique
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Franz Joseph Haydn
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Ted R
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Theme and Variations
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Ted R. Marcus
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.840485 Composed by Franz Joseph Haydn. Arranged by Ted R. Marcus. Classical,Contest,Festival,Historic. Score and Parts....
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Concert Band - Level 5 - SKU: A0.840485 Composed by Franz Joseph Haydn. Arranged by Ted R. Marcus. Classical,Contest,Festival,Historic. Score and Parts. 93 pages. Ted R. Marcus #3368179. Published by Ted R. Marcus (A0.840485). The tonal palette of the modern concert band brings fresh color and variety to the complete second movement of Haydn's Surprise Symphony. The famous theme and one of the variations explore the subtle contrast between bassoon and English horn. The original repeats are opened up and scored differently, using contrasting colors and combinations of solo clarinet, solo flute, piccolo, and soprano saxophone. A repeated section first has a flute and oboe accompanied with clarinets, then a saxophone quartet on the repeat. One variation features a solo piccolo and bells. And a prominent pair of horns recalls the sound of Haydn's divertimenti for wind ensemble. Duration: approx. 6:00. Written for an adult community band, this challenging arrangement is appropriate for a university, college, or community band, or an adventurous high school wind ensemble. The bassoon, English horn, and soprano saxophone parts are all fully cued to allow rehearsal or performance in the absence of any or all of them. Two strong horn players are essential; but the third and fourth horn parts are easier, and cued in trombones and euphonium. The bassoon parts use the tenor clef and ascend to a high B-flat; the second bassoon has only one 8-measure high passage that doubles the horns and can be omitted if necessary. The alternate versions of both bassoon parts use only bass clef but are otherwise identical. All essential bassoon passages are cued in saxophone and bass clarinet parts.Instrumentation: Piccolo / Flute 1-2 / Oboe / English Horn / Clarinet 1-2-3 / Alto Clarinet / Bass Clarinet / Bassoon 1-2 (and alternate parts using only bass clef) / Soprano Saxophone / Alto Saxophone / Tenor Saxophone / Baritone Saxophone / Trumpet 1-2-3 / Horn 1-2-3-4 / Trombone 1-2-3 / Euphonium / Baritone T.C. / Tuba / String Bass / Percussion (snare drum, crash cymbals) / Mallets (xylophone, bells) / TimpaniPlease visit my Web site to explore more classics for adventurous concert bands.
$45.00 ≈
40.53€
Blue Bells of Scotland (Clarinet Quartet)
Blue Bells of Scotland (Clarinet Quartet)
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Arthur Willard Pryor
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John Romano
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Blue Bells of Scotland
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John Romano
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - SKU: A0.874591 Composed by Arthur Willard Pryor. Arranged by John Romano. 20th Century. 20 pages...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - SKU: A0.874591 Composed by Arthur Willard Pryor. Arranged by John Romano. 20th Century. 20 pages. John Romano #4839389. Published by John Romano (A0.874591). Arthur Pryor (1869-1942)Blue Bells of Scotland arr. for clarinet quartet (3Bb clarinets with bass clarinet solo) by John RomanoFamous bandleader and Sousa Band soloist Arthur Pryor (1869-1942) penned Blue Bells of Scotland in 1901 as a virtuoso trombone solo with band or piano accompaniment. This theme and variation showpiece has finally been liberated from the clutches trombonists and can now be enjoyed by bass clarinetists everywhere. No extended range required for bass clarinet.
$25.00 ≈
22.52€
Prelude 4 in D Minor Phrygian
Prelude 4 in D Minor Phrygian
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Piano seul
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AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 4 in D Minor Phrygian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1191080 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 9 pages. Brian Golden ...
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Piano Solo - Level 5 - SKU: A0.1191080 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 9 pages. Brian Golden #790596. Published by Brian Golden (A0.1191080). Prelude 4 in D Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
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5.39€
Variations on a Theme by Paganini
Variations on a Theme by Paganini
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Trompette, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Nicolo Paganini
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Fiona Hickie
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Variations on a Theme by Pagan
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Fiona Hickie
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SheetMusicPlus
Piano Accompaniment, Trumpet - Advanced Intermediate - Composed by Nicolo Paganini (1782-1840). Arranged by Fiona Hickie. Romantic Period, Blues, Fo...
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Piano Accompaniment, Trumpet - Advanced Intermediate - Composed by Nicolo Paganini (1782-1840). Arranged by Fiona Hickie. Romantic Period, Blues, Folk, Recital. Score, Solo Part. 14 pages. Published by Fiona Hickie
Variations on a Theme by Niccolo Paganini arranged for Trumpet and Piano by Fiona Hickie with a few new variations. It incudes
Theme ? Caprice No. 24 (Paganini/Leopold Auer)
Variation 1 - Triplet (Paganini/Leopold Auer)
Variation 2 - Semiquaver (Paganini/Leopold Auer)
Variation 3 ? Swing (Fiona Hickie)
Variation 4 ? Jazz Waltz (Fiona Hickie)
Variation 5 ? Hornpipe (Fiona Hickie)
Variation 6 - Theme (Paganini/Fiona Hickie)
Arranged Fiona Hickie (2021)
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5.39€
Sonata in F and C, for Solo Piano
Sonata in F and C, for Solo Piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Mike Strand, ASCAP <
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Mike Strand, aka Michael M
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Sonata in F and C, for Solo Pi
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Michael M. Strand
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.970714 Composed by Mike Strand, aka Michael M. Strand. Contemporary,World. Score. 37 pages. Michael M. Strand #4829865. P...
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Piano Solo - Level 4 - SKU: A0.970714 Composed by Mike Strand, aka Michael M. Strand. Contemporary,World. Score. 37 pages. Michael M. Strand #4829865. Published by Michael M. Strand (A0.970714). By Mike Strand, ASCAP This sonata is in the style of Ludwig von Beethoven, whom this composer has studied and greatly admires.The audio sample is taken from Movement 3: The end of variation 2, all of variation 3 (rock), and the beginning of variation 4 (rag). Movement 1 This is the result of my experimenting with the first movement of Beethoven’s piano sonata no. 23 op. 57. The Beethoven sonata’s overarching tonality based on F minor evokes a mood of darkness and despair. I used the time signature 4-4 instead of Beethoven’s 12-8, and my sonata introduces a new set of themes and motifs with tonality F major. These modifications posed interesting problems in figuration and modulation and changed the mood of the piece. Movement 2 This is a slow movement that might be characterized as minimalistic. The player should accentuate the right-hand octaves corresponding to the gradually unfolding melody. Movement 3 This is a theme with five variations, among which are rock, rag, and swing.
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4.50€
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Theme with Variation No. 4
