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There's Never Been a Day Like This
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Vous avez sélectionné:
There's Never Been a Day Like This
Partitions à imprimer
33 partitions trouvées
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1
26
Silent Night: Cello
Silent Night: Cello
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Violoncelle (partie séparée)
#
Musique Sacrée
#
Franz Xaver Gruber
#
Jeffrey E
#
Silent Night: Cello
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0017316_VC1 Cello. Composed by Franz Xaver Gruber. Arranged by Jeffrey E. Turner. Sacred. Part. 1 pages. Alfred ...
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String Orchestra - SKU: AX.00-PC-0017316_VC1 Cello. Composed by Franz Xaver Gruber. Arranged by Jeffrey E. Turner. Sacred. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017316_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017316_VC1). UPC: 038081517315.A joyful departure from tradition, now set in 4/4 time by Jeffrey Turner, this fresh setting of the beloved carol is sure to add sparkle to any holiday celebration. Across the silent night, the blazing star of a solo cello beacons. A violinist follows, and the glory of a string orchestra suddenly bursts across the heavens. A twinkling piano announces that a child has been born unto the world; then, the high strings enter like angels singing from above. With its ending in 3/4, sure to put a smile on everyone's face, there's never been a happier birthday. (3:20) This title is available in SmartMusic.
$5.99 ≈
5.52€
Silent Night: Viola
Silent Night: Viola
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Alto (partie séparée)
#
Musique Sacrée
#
Franz Xaver Gruber
#
Jeffrey E
#
Silent Night: Viola
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0017316_VA1 Viola. Composed by Franz Xaver Gruber. Arranged by Jeffrey E. Turner. Sacred. Part. 1 pages. Alfred ...
(+)
String Orchestra - SKU: AX.00-PC-0017316_VA1 Viola. Composed by Franz Xaver Gruber. Arranged by Jeffrey E. Turner. Sacred. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017316_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017316_VA1). UPC: 038081517315.A joyful departure from tradition, now set in 4/4 time by Jeffrey Turner, this fresh setting of the beloved carol is sure to add sparkle to any holiday celebration. Across the silent night, the blazing star of a solo cello beacons. A violinist follows, and the glory of a string orchestra suddenly bursts across the heavens. A twinkling piano announces that a child has been born unto the world; then, the high strings enter like angels singing from above. With its ending in 3/4, sure to put a smile on everyone's face, there's never been a happier birthday. (3:20) This title is available in SmartMusic.
$5.99 ≈
5.52€
Silent Night: 1st Violin
Silent Night: 1st Violin
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Violon (partie séparée)
#
Musique Sacrée
#
Franz Xaver Gruber
#
Jeffrey E
#
Silent Night: 1st Violin
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0017316_VN1 1st Violin. Composed by Franz Xaver Gruber. Arranged by Jeffrey E. Turner. Sacred. Part. 1 pages. Al...
(+)
String Orchestra - SKU: AX.00-PC-0017316_VN1 1st Violin. Composed by Franz Xaver Gruber. Arranged by Jeffrey E. Turner. Sacred. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017316_VN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017316_VN1). UPC: 038081517315.A joyful departure from tradition, now set in 4/4 time by Jeffrey Turner, this fresh setting of the beloved carol is sure to add sparkle to any holiday celebration. Across the silent night, the blazing star of a solo cello beacons. A violinist follows, and the glory of a string orchestra suddenly bursts across the heavens. A twinkling piano announces that a child has been born unto the world; then, the high strings enter like angels singing from above. With its ending in 3/4, sure to put a smile on everyone's face, there's never been a happier birthday. (3:20) This title is available in SmartMusic.
$5.99 ≈
5.52€
There's Never Been a Day Like This
There's Never Been a Day Like This
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Joel Evans & Adryan Russ
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Adryan Russ
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There's Never Been a Day
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One Hundred Percent Pub. Co.
#
SheetMusicPlus
Composed by Joel Evans & Adryan Russ. For Piano,Piano/Vocal/Chords,Voice. Jazz,Movies,TV. Advanced Intermediate. Sheet Music Single. 6 pages. Published by O...
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Composed by Joel Evans & Adryan Russ. For Piano,Piano/Vocal/Chords,Voice. Jazz,Movies,TV. Advanced Intermediate. Sheet Music Single. 6 pages. Published by One Hundred Percent Pub. Co. (BMI)
$3.99 ≈
3.67€
OF LIGHT AND SHADOW (A NEW YEAR)
OF LIGHT AND SHADOW (A NEW YEAR)
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Contemporain
#
Monica Bergo
#
OF LIGHT AND SHADOW
#
Moni Bergo
#
SheetMusicPlus
Small Ensemble Drums,Flute,Piano,Violin - SKU: A0.1012752 Composed by Monica Bergo. Contemporary. Score and parts. 37 pages. Moni Bergo #5743757. Publis...
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Small Ensemble Drums,Flute,Piano,Violin - SKU: A0.1012752 Composed by Monica Bergo. Contemporary. Score and parts. 37 pages. Moni Bergo #5743757. Published by Moni Bergo (A0.1012752). Music and song composed by meOF LIGHT AND SHADOW (A new year) Lights that shine On these days of mine Shadows that kill My enthusiasm but there is A whole journey that has been written for me Like a novel, its plot will unveil Another year on me And new days to be invented Find out what will happen It's a good reason to fight The light will illuminate me Or there will be new pain Find out what will happen It's a good reason to stay And I always run so strong For fear of falling Maybe this year I will learn How to do walk And I never slow down my pace Back I can not come back Because I would meet myself And inside me I should look I will fill with light and shadow This my eternal emptiness That I can not placate A thousand songs I will invent If there will be someone who will want to listen In connection with the world singing of fairies, magicians, elves, witches and intrigues always uncomfortable in my time looking for a place, a role in this year new I know that nothing will change yet Of light and shadow I will live I steal from the moon her mysteries I will give them to the sun In exchange for the eternal heat in the heart And like a witch burning at the stake I fire, I melt And born again And the alignment of Jupiter in Pluto The lunar eclipse gives me protection I wish the night would go down fast When my pain never finds peace I wish the sun would shine forever In every season, summer and winter A new year here Before me I mess up his days The gray of November With the warmth of September with lights and shadows I will confuse I will steal the sun in June and my Christmas will heat up and the January ice at Easter I will donate I will confuse the night and the day always mistress of my time in that mirror I will look happy with what I will see and new trips and experiences and emotions on the skin I will live with joy and intensity the light and the shadow that will come how many smiles on my lips will form new wrinkles happy with my age it's a nice finish line to be here and how many tears again will come down on my face will be joy or pain of light and shadow I will live It will be a new year of joys and sorrows of light and shadow of cold and heat ... .. Monica Bergo
$5.00 ≈
4.60€
You Can't Tell a Newfie a Thing He Should Do
You Can't Tell a Newfie a Thing He Should Do
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Basse electrique
#
INTERMÉDIAIRE
#
David Kai
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David Kai
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You Can't Tell a Newfie a Thin
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David Kai
#
SheetMusicPlus
Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar - Level 3 - SKU: A0.1105293 By David Kai. By David Kai. Arranged by David Kai. Celtic,Co...
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Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar - Level 3 - SKU: A0.1105293 By David Kai. By David Kai. Arranged by David Kai. Celtic,Comedy,Country,Folk,Irish. Full Performance. Duration 190. David Kai #708538. Published by David Kai (A0.1105293). A song about a famous symbol of Newfoundland - the Newfoundland dog. This song features the use of an Ugly Stick, a traditional Newfoundland percussion instrument. You Can’t Tell a Newfie words and music by David Kai ©1990 No you can’t tell a Newfie a thing he should do To sit or to stay or to come back to you He’s hairy and slobbery, as strong as a horse It’s the Newfoundland dog that I sing of, of course. He’s the kind of a dog that will never be scared For to serve and protect he was bred and prepared And there’s many a swimmer whose life has been spared By the Newfoundland dog, who’s like a lifeguard with hair. But you can’t tell a Newfie a thing he should do To sit or to stay or to come back to you He’s hairy and slobbery, as strong as a horse It’s the Newfoundland dog that I sing of, of course. You can hook up a Newfie to a cart or a sleigh It will bear all your burdens, not tiring all day It can carry a line from a boat to the land To rescue the perishing, saving all hands But you can’t tell a Newfie a thing it should do To sit or to stay or to come back to you It’s hairy and slobbery, as strong as a horse It’s the Newfoundland dog that I sing of, of course. She is strong but so gentle, a real teddy bear But there won’t be a place where you won’t find her hair She will care for the children, watch them just like a Mum And keep them in safety ‘til labours are done But you can’t tell a Newfie a thing she should do To sit or to stay or to come back to you She’s hairy and slobbery, as strong as a horse It’s the Newfoundland dog that I sing of, of course. It’s the Newfoundland dog that I sing of, of course.
$1.99 ≈
1.83€
Silent Night: Score
Silent Night: Score
#
Orchestre à Cordes
#
Musique Sacrée
#
Franz Xaver Gruber
#
Jeffrey E
#
Silent Night: Score
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - SKU: AX.00-PR-0005595 Score. Composed by Franz Xaver Gruber. Arranged by Jeffrey E. Turner. Sacred. Score. 8 pages. Alfred Mus...
(+)
String Orchestra - SKU: AX.00-PR-0005595 Score. Composed by Franz Xaver Gruber. Arranged by Jeffrey E. Turner. Sacred. Score. 8 pages. Alfred Music - Digital Sheet Music #00-PR-0005595. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005595). UPC: 038081517315.A joyful departure from tradition, now set in 4/4 time by Jeffrey Turner, this fresh setting of the beloved carol is sure to add sparkle to any holiday celebration. Across the silent night, the blazing star of a solo cello beacons. A violinist follows, and the glory of a string orchestra suddenly bursts across the heavens. A twinkling piano announces that a child has been born unto the world; then, the high strings enter like angels singing from above. With its ending in 3/4, sure to put a smile on everyone's face, there's never been a happier birthday. (3:20) This title is available in SmartMusic.
$9.00 ≈
8.29€
Silent Night: Piano Accompaniment
Silent Night: Piano Accompaniment
#
Accompagnement Piano
#
Musique Sacrée
#
Franz Xaver Gruber
#
Jeffrey E
#
Silent Night: Piano Accompanim
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0017316_K Piano Accompaniment. Composed by Franz Xaver Gruber. Arranged by Jeffrey E. Turner. Sacred. Part. 2 pa...
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String Orchestra - SKU: AX.00-PC-0017316_K Piano Accompaniment. Composed by Franz Xaver Gruber. Arranged by Jeffrey E. Turner. Sacred. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017316_K. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017316_K). UPC: 038081517315.A joyful departure from tradition, now set in 4/4 time by Jeffrey Turner, this fresh setting of the beloved carol is sure to add sparkle to any holiday celebration. Across the silent night, the blazing star of a solo cello beacons. A violinist follows, and the glory of a string orchestra suddenly bursts across the heavens. A twinkling piano announces that a child has been born unto the world; then, the high strings enter like angels singing from above. With its ending in 3/4, sure to put a smile on everyone's face, there's never been a happier birthday. (3:20) This title is available in SmartMusic.
$5.99 ≈
5.52€
Silent Night: String Bass
Silent Night: String Bass
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Orchestre à Cordes
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Musique Sacrée
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Franz Xaver Gruber
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Jeffrey E
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Silent Night: String Bass
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0017316_SB String Bass. Composed by Franz Xaver Gruber. Arranged by Jeffrey E. Turner. Sacred. Part. 1 pages. Al...
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String Orchestra - SKU: AX.00-PC-0017316_SB String Bass. Composed by Franz Xaver Gruber. Arranged by Jeffrey E. Turner. Sacred. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017316_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017316_SB). UPC: 038081517315.A joyful departure from tradition, now set in 4/4 time by Jeffrey Turner, this fresh setting of the beloved carol is sure to add sparkle to any holiday celebration. Across the silent night, the blazing star of a solo cello beacons. A violinist follows, and the glory of a string orchestra suddenly bursts across the heavens. A twinkling piano announces that a child has been born unto the world; then, the high strings enter like angels singing from above. With its ending in 3/4, sure to put a smile on everyone's face, there's never been a happier birthday. (3:20) This title is available in SmartMusic.
$5.99 ≈
5.52€
Silent Night: 2nd Violin
Silent Night: 2nd Violin
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Orchestre à Cordes
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Musique Sacrée
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Franz Xaver Gruber
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Jeffrey E
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Silent Night: 2nd Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0017316_VN2 2nd Violin. Composed by Franz Xaver Gruber. Arranged by Jeffrey E. Turner. Sacred. Part. 1 pages. Al...
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String Orchestra - SKU: AX.00-PC-0017316_VN2 2nd Violin. Composed by Franz Xaver Gruber. Arranged by Jeffrey E. Turner. Sacred. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017316_VN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017316_VN2). UPC: 038081517315.A joyful departure from tradition, now set in 4/4 time by Jeffrey Turner, this fresh setting of the beloved carol is sure to add sparkle to any holiday celebration. Across the silent night, the blazing star of a solo cello beacons. A violinist follows, and the glory of a string orchestra suddenly bursts across the heavens. A twinkling piano announces that a child has been born unto the world; then, the high strings enter like angels singing from above. With its ending in 3/4, sure to put a smile on everyone's face, there's never been a happier birthday. (3:20) This title is available in SmartMusic.
$5.99 ≈
5.52€
Silent Night: 3rd Violin (Viola [TC])
Silent Night: 3rd Violin (Viola [TC])
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Orchestre à Cordes
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Musique Sacrée
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Franz Xaver Gruber
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Jeffrey E
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Silent Night: 3rd Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0017316_VN3 3rd Violin (Viola [TC]). Composed by Franz Xaver Gruber. Arranged by Jeffrey E. Turner. Sacred. Part...
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String Orchestra - SKU: AX.00-PC-0017316_VN3 3rd Violin (Viola [TC]). Composed by Franz Xaver Gruber. Arranged by Jeffrey E. Turner. Sacred. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017316_VN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017316_VN3). UPC: 038081517315.A joyful departure from tradition, now set in 4/4 time by Jeffrey Turner, this fresh setting of the beloved carol is sure to add sparkle to any holiday celebration. Across the silent night, the blazing star of a solo cello beacons. A violinist follows, and the glory of a string orchestra suddenly bursts across the heavens. A twinkling piano announces that a child has been born unto the world; then, the high strings enter like angels singing from above. With its ending in 3/4, sure to put a smile on everyone's face, there's never been a happier birthday. (3:20) This title is available in SmartMusic.
$5.99 ≈
5.52€
Anna's Song - Bb-B (high)
Anna's Song - Bb-B (high)
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Chorale 2 parties
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INTERMÉDIAIRE
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Deborah Johnson
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info
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Anna's Song - Bb-B
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Deborah Johnson
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SheetMusicPlus
Choral Choir,Choral (SA) - Level 3 - SKU: A0.877833 Composed by Deborah Johnson. Christmas,Pop. 19 pages. Deborah Johnson #6069729. Published by Deborah...
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Choral Choir,Choral (SA) - Level 3 - SKU: A0.877833 Composed by Deborah Johnson. Christmas,Pop. 19 pages. Deborah Johnson #6069729. Published by Deborah Johnson (A0.877833). Annas Song is a captivating contemporary inspirational piece written by Deborah Johnson. It features a solo vocalist, a chorus, and a string ensemble, resulting in a harmonious and emotionally resonant composition. This enchanting piece can be found on the album Merry Christmas Too, which is a collection of holiday-themed music. This version of the song is in the key of Bb-B, spanning from B below middle C to high B, and this range allows for a wide vocal expression, making it suitable for various singers. There is also a lower version in G-Ab keys as well as an MP3 accompaniment track available in Bb-B for performance.Annas Song carries a powerful message, drawing inspiration from the biblical account found in Luke 2:36-38. It serves as a reminder that we are never beyond the reach of God's redemption, and He can work His miraculous ways in our lives, no matter how long we may have waited. This message of hope and redemption makes the song particularly meaningful for church and worship celebrations, where it can be used to inspire and uplift congregations. The arrangement of Annas Song includes a full score, encompassing the piano, chorus, strings, and rhythm parts, making it comprehensive and adaptable for different musical settings. Additionally, it provides separate vocal lead sheets, chorus parts, and string parts, allowing for flexibility in performance and accommodating a range of musical talents. Annas Song is a beautiful and spiritually moving composition that combines a contemporary sound with a profound message of redemption. Deborah Johnson's arrangement offers a versatile musical experience suitable for church and worship gatherings, helping to create a spiritually uplifting atmosphere for all who listen. The MP3 accompaniment track is also available for download in this key. Full song download on Spotify: https://open.spotify.com/track/4l5svO76D7GLwaxPSA7gOF More information here: https://djworksmusic.com/annas-song/ https://djworksmusic.com/products/ for physical albums & info. Twitter: @DJWorksMusic; Instagram: Deborah_johnsonmusic Like our Facebook page: https://www.facebook.com/deborah.johnson For updates and weekly articles: https://goalsforyourlife.com/newsletter Merry Christmas Too is written and arranged by Deborah Johnson and is on the full album titled Merry Christmas Too. DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded over a dozen albums, written 3 original musicals and has appeared on many stages around the country and world. She has also appeared with the headliner piano/vocal duo Double Grande. Also the author of multiple books, her music has been up for multiple Grammy Awards.Production, Music and Lyrics by Deborah Johnson. Keyboards: Deborah Johnson and Tom Keene; Bass Guitar: David Coy; Drums: Dave Spurr; Guitars: John Hunt; Flute: John Reilly; Strings: Living Strings. Recorded at: Tor-Wood-Lea Recording Studios, Engineered by Tom Keene. Bass/Strings Recorded at: A to Z Studios, Engineered by Tim Jaquette. Mixed at: ETC Studio A, Tim Jaquette; Album Mastering: Bernie Grundman.
$6.99 ≈
6.44€
Baby, It's Cold Outside - Piano Solo
Baby, It's Cold Outside - Piano Solo
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Piano seul
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INTERMÉDIAIRE
#
Pop musique
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Various
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Mario Stallbaumer
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Baby, It's Cold Outside - Pian
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo - Intermediate - By Various. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer ...
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Piano Solo - Intermediate - By Various. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer
With this sheet music, you can play ?Baby, It?s Cold Outside? on piano!
The full melody is included in the piano part, so it makes for a perfect instrumental (piano solo) cover.
The famous duet "Baby, It's Cold Outside" was written in 1944 by Frank Loesser, who regularly performed the song at celebrity parties with his wife, Lynn Garland.
In 1949, the song appeared in the film "Neptune's Daughter", and won an Academy Award for Best Original Song!
The song is clearly winter-themed (talking about the blizzard outside!), but it doesn?t mention anything holiday-related. Anyway, the song is generally considered a Christmas song.
Of course, the song has been covered by countless artists since the 40s.
Some of the most memorable recordings include such fantastic duos as Louis Armstrong and Velma Middleton, Ray Charles and Betty Carter, Rod Stewart and Dolly Parton, Idina Menzel and Michael Bubl, Cee Lo Green and Christina Aguilera, Lady Gaga and Joseph Gordon-Levitt, Seth MacFarlane and Sara Bareilles!
?Baby, It?s Cold Outside? also appeared in an episode of Glee (?A Very Glee Christmas?, Season 2, Episode 10), where it is performed by members of the Glee Cast (Blaine Anderson/Darren Criss and Kurt Hummel/Chris Colfer).
Time for you to play it!
Here are the full lyrics to ?Baby, It?s Cold Outside?:
[VERSE 1]
I really can't stay (but baby, it's cold outside)
I've got to go away (but baby, it's cold outside)
This evening has been (been hoping that you'd drop in)
So very nice (i'll hold your hands, they're just like ice)
My mother will start to worry (beautiful what's your hurry?)
My father will be pacing the floor (listen to the fireplace roar)
So really I'd better scurry (beautiful please don't hurry)
But maybe just a half a drink more (put some records on while I pour)
The neighbors might think (baby, it's bad out there)
Say what's in this drink? (no cabs to be had out there)
I wish I knew how (your eyes are like starlight now)
To break this spell (i'll take your hat, your hair looks swell)
I ought to say, no, no, no sir (mind if I move in closer?)
At least I'm gonna say that I tried (what's the sense in hurtin' my pride?)
I really can't stay (oh baby don't hold out)
But baby, it's cold outside
[VERSE 2]
I simply must go (but baby, it's cold outside)
The answer is no (but baby, it's cold outside)
Your welcome has been(how lucky that you dropped in)
So nice and warm (look out the window at this dawn)
My sister will be suspicious (gosh your lips look delicious)
My brother will be there at the door (waves upon the tropical shore)
My maiden aunts mind is vicious (gosh your lips are delicious)
But maybe just a cigarette more (never such a blizzard before)
I've gotta get home(but baby, you'd freeze out there)
Say lend me a coat(it's up to your knees out there)
You've really been grand (i thrill when you touch my hand)
But don't you see? (how can you do this thing to me?)
There's bound to be talk tomorrow (think of my lifelong sorrow)
At least there will be plenty implied (if you got pnuemonia and died)
I really can't stay (get over that old out)
Baby, it's cold outside
$4.99 ≈
4.59€
Baby, It's Cold Outside
Baby, It's Cold Outside
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Piano, Voix
#
INTERMÉDIAIRE
#
Pop musique
#
Glee Cast
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Mario Stallbaumer
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Baby, It's Cold Outside
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo, Piano/Vocal/Chords, Voice Duet - Intermediate - Digital Download By Glee Cast. Arranged by Mario Stallbaumer. 7 pages. Published by Mario...
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Piano Solo, Piano/Vocal/Chords, Voice Duet - Intermediate - Digital Download By Glee Cast. Arranged by Mario Stallbaumer. 7 pages. Published by Mario Stallbaumer
With this piano sheet music, you can play ?Baby, It?s Cold Outside? on piano!
The famous duet "Baby, It's Cold Outside" was written in 1944 by Frank Loesser, who regularly performed the song at celebrity parties with his wife, Lynn Garland.
In 1949, the song appeared in the film "Neptune's Daughter", and won an Academy Award for Best Original Song!
The song is clearly winter-themed (talking about the blizzard outside!), but it doesn?t mention anything holiday-related. Anyway, the song is generally considered a Christmas song.
Of course, the song has been covered by countless artists since the 40s.
Some of the most memorable recordings include such fantastic duos as Louis Armstrong and Velma Middleton, Ray Charles and Betty Carter, Rod Stewart and Dolly Parton, Idina Menzel and Michael Bubl, Cee Lo Green and Christina Aguilera, Lady Gaga and Joseph Gordon-Levitt, Seth MacFarlane and Sara Bareilles!
?Baby, It?s Cold Outside? also appeared in an episode of Glee (?A Very Glee Christmas?, Season 2, Episode 10), where it is performed by members of the Glee Cast (Blaine Anderson/Darren Criss and Kurt Hummel/Chris Colfer).
Time for you to play it!
These piano sheets come with seperate systems for the two singers, so you?ll always have an easy oversight who?s singing when. Of course, the full lyrics and chords are included as well.
You can use these piano sheets to play the song for yourself on piano, accompany singers, or sing along yourself!
Listen to the full arrangement here: https://youtu.be/Y5gtxqT_Ewo
Here are the full lyrics to ?Baby, It?s Cold Outside?:
[VERSE 1]
I really can't stay (but baby, it's cold outside)
I've got to go away (but baby, it's cold outside)
This evening has been (been hoping that you'd drop in)
So very nice (i'll hold your hands, they're just like ice)
My mother will start to worry (beautiful what's your hurry?)
My father will be pacing the floor (listen to the fireplace roar)
So really I'd better scurry (beautiful please don't hurry)
But maybe just a half a drink more (put some records on while I pour)
The neighbors might think (baby, it's bad out there)
Say what's in this drink? (no cabs to be had out there)
I wish I knew how (your eyes are like starlight now)
To break this spell (i'll take your hat, your hair looks swell)
I ought to say, no, no, no sir (mind if I move in closer?)
At least I'm gonna say that I tried (what's the sense in hurtin' my pride?)
I really can't stay (oh baby don't hold out)
But baby, it's cold outside
[VERSE 2]
I simply must go (but baby, it's cold outside)
The answer is no (but baby, it's cold outside)
Your welcome has been(how lucky that you dropped in)
So nice and warm (look out the window at this dawn)
My sister will be suspicious (gosh your lips look delicious)
My brother will be there at the door (waves upon the tropical shore)
My maiden aunts mind is vicious (gosh your lips are delicious)
But maybe just a cigarette more (never such a blizzard before)
I've gotta get home(but baby, you'd freeze out there)
Say lend me a coat(it's up to your knees out there)
You've really been grand (i thrill when you touch my hand)
But don't you see? (how can you do this thing to me?)
There's bound to be talk tomorrow (think of my lifelong sorrow)
At least there will be plenty implied (if you got pnuemonia and died)
I really can't stay (get over that old out)
Baby, it's cold outside
$4.99 ≈
4.59€
Cello - "And Can It Be?" Theme and Variations
Cello - "And Can It Be?" Theme and Variations
#
Violoncelle, Piano
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Gospel Spirituel
#
Lyrics: Charles Wesley, Music:
#
Dan Cutchen
#
Cello - "And Can It Be?&q
#
Dan Cutchen Music
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan C...
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Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00 ≈
5.52€
Tuba solo - "And Can It Be?" Theme and Variations
Tuba solo - "And Can It Be?" Theme and Variations
#
Tuba
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Lyrics: Charles Wesley, Music:
#
Dan Cutchen
#
Tuba solo - "And Can It B
#
Dan Cutchen Music
#
SheetMusicPlus
Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cu...
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Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00 ≈
5.52€
Alto Sax - "And Can It Be?" Theme and Variations
Alto Sax - "And Can It Be?" Theme and Variations
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Lyrics: Charles Wesley, Music:
#
Dan Cutchen
#
Alto Sax - "And Can It Be
#
Dan Cutchen Music
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged...
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Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00 ≈
6.45€
Five Australian Scenes for String Orchestra - 4. Snowy Mountains
Five Australian Scenes for String Orchestra - 4. Snowy Mountains
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Martin Lass
#
Five Australian Scenes for Str
#
MA Lass & I Lass
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1368932 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 32 pages. MA Lass & I Lass #953274. Publ...
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String Orchestra - Level 3 - SKU: A0.1368932 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 32 pages. MA Lass & I Lass #953274. Published by MA Lass & I Lass (A0.1368932). Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring one solo cello passage, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This particular piece, Snowy Mountains, is set in the alpine region of Australia, in Thredbo in the state of NSW, which is a popular ski resort. The scene opens with the majesty and austerity of the alpine mountains. Then, the cold sets the teeth chattering and the feet stamping with a paraphrase from Vivaldi's Winter from The Four Seasons but which transforms into the iconic Australian song, Waltzing Matilda. From there, fun is had in the snow followed by the journey up the ski lift to the top of the ski fields. Then, of course, there is the exhilarating ski journey down the mountain! After more fun in the snow, the day ends, everybody tired but happy!
$39.00 ≈
35.91€
Constantly Abiding (for violins, cello and piano)
Constantly Abiding (for violins, cello and piano)
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Piano Trio: piano, violon, violoncelle
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Anne S
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Sylvia Hung
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Constantly Abiding
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Notes of Delight
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.1012276 Composed by Anne S. Murphy. Arranged by Sylvia Hung. Christian,...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.1012276 Composed by Anne S. Murphy. Arranged by Sylvia Hung. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 15 pages. Notes of Delight #6382903. Published by Notes of Delight (A0.1012276). This all time Christian hymn was arranged for piano, violins and cello. Perfect for all church occasions, hymnal presentation or regular worship. The performance duration is around 3:10Constantly Abiding (Anne E.Murphy)There’s a peace in my heart that the world never gave,A peace it cannot take away; Though the trials of lifemay surround like a cloud, I’ve a peace that has come here to stay !All the world seemed to sing of a Saviour and King,When peace sweetly came to my heart; Troubles all fled away and my night turned to day,Blessed Jesus, how glorious Thou art!This treasure I have in a temple of clay, While here on His footstool I roam; But He’s coming to take me some glorious day, Over there to my heavenly home!Refrain:Constantly abiding, Jesus is mine; Constantly abiding, rapture divine; He never leaves me lonely, whispers, oh, so kind:I will never leave thee Jesus is mine.About Sylvia Hung / Notes of Delight MusicSylvia Hung is a Toronto-based Christian Church composer/arranger/pianist, she has been arranging and composing numerous pieces for various choir group and ensembles over the past 20 years, including weddings, hymnal services presentation and performances on special occasion. She has also served in church as a pianist /choir conductor/ ensemble director. Please visit her music at https://sylviahungmusic.ca
$6.99 ≈
6.44€
#WeToo
#WeToo
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Chorale SATB
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INTERMÉDIAIRE
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Sally Whitwell
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#WeToo
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Publish...
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Choral Choir (SATB) - Level 3 - SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Published by Sally Whitwell (A0.1262362). On the morning of 2 March 2020, I finished writing the first draft of this song. It was the same morning that the New South Wales Rural Fire Service announced that for the first time since July 2019, the state was free of active bush and grass fires.At the time it felt quite euphoric. We’d been through a lot. Little did we know what was coming just a few days from then, when the Covid19 global pandemic reached our shores. It’s a virus that would kill millions across the world, and disable millions more, long term. It forced us, globally, into a kind of reckoning the like of which we had never experienced before. Non pharmaceutical controls like lockdowns, mask mandates, social distancing and ventilation standards were employed to keep us safe from this airborne virus, whilst scientists worked round clock to develop vaccines and treatments.Technically, the declaration of a pandemic is still active, but governments and people have somehow decided for themselves that it is all over. No one takes any precautions any more. Governments have stopped reporting statistics. People who know they are infected are going about their business with no thought for others. Meanwhile, many of the immune-compromised, the disabled, the vulnerable, are unable to safely leave their homes and engage in activities out in the world. I know this, because I am a carer for a vulnerable person.What this whole exercise has taught me is that people in the world are actually much less kind than I thought they were. Humans do not really care for each other. People attack me for wearing a mask, tell me that I’m virtue signalling and that I look ridiculous (as if I care how I look). I’ve asked questions about workplace Covid safety and been informed that it’s “a bit rich†that I’m asking at all, when everything is now safe. A friend’s diagnosed Long Covid symptoms were cruelly minimised or completely dismissed “Oh, it’s not Covid. How old are you? In your forties? It’s your hormones, it’s the menopause.†The fatal combination of sheer selfishness, rampant misinformation and DISinformation continues, whilst people waltz around spreading a deadly virus with no thought for the grief that will undoubtedly ensue.It boils down to this: if we want to continue as a species and to have a planet on which to reside, we have to stop with the Self Care and start with the Community Care. A choir is the perfect instrument for expressing these notions, through the unique power of the massed first person plural. My wish for this piece is that it spurs performer and listener alike into some kind of action. Please consider the effect your actions have on others, and on the planet, and make any changes necessary, however inconvenient or difficult they are. Otherwise, there’s really no point.Sally Whitwell 11 July 2023.
$1.99 ≈
1.83€
Peacock Colors
Peacock Colors
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Piano seul
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INTERMÉDIAIRE
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Donald Ashwander
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Peacock Colors
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The Donald Ashwander Estate
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1414330 Composed by Donald Ashwander. Ragtime. Score. 8 pages. The Donald Ashwander Estate #996103. Published by The Dona...
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Piano Solo - Level 3 - SKU: A0.1414330 Composed by Donald Ashwander. Ragtime. Score. 8 pages. The Donald Ashwander Estate #996103. Published by The Donald Ashwander Estate (A0.1414330). Donald Ashwander's Peacock Colors invites listeners into a kaleidoscopic world of sound, where the boundaries between genres blur and the palette of emotions shifts like the iridescent hues of a peacock's plumage.In June 1967, Ashwander reflects, I awoke to a wonderful rainy morning. As the coffee dripped, I was filled with the luxurious feeling of having a day completely unscheduled. A perfect day for writing a new rag - the kind of rag that had never before been written. A Blues Rag-Waltz, I thought, that's the ticket! The composition, however, would not stay darkly blue as I had intended. Purples, browns, greens and in-betweens began to creep in. When the piece was complete, it had become an Iridescent Rag-Waltz. Sitting on top of my piano was an Art Nouveau vase filled with peacock feathers.With this anecdote in mind, one can trace the genesis of Peacock Colors. There are moments of playful whimsy, where the music seems to skip and twirl like the feathers of a dancing peacock, as well as passages of introspective reflection, where the harmonies deepen and the melodies take on a more contemplative tone.Ultimately, Peacock Colors is a testament to the power of music to transcend boundaries and capture the imagination. In Donald Ashwander's hands, the piano becomes a canvas, and each note a brushstroke, painting a vivid portrait of a world where waltz and ragtime intertwine in a glorious display of color and emotion.
$5.95 ≈
5.48€
Acoustic Music Source Book
Acoustic Music Source Book
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Guitare
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DÉBUTANT
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Richard L
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Acoustic Music Source Book
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (all) - Beginning - SKU: M0.21665EB Over 200 Old-Time Songs With Melody Line, Lyrics & Guitar Chords. Composed by Richard L. Matteson, Jr....
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Guitar (all) - Beginning - SKU: M0.21665EB Over 200 Old-Time Songs With Melody Line, Lyrics & Guitar Chords. Composed by Richard L. Matteson, Jr. American Music. Acoustic Music. E-book. Mel Bay Publications - Digital Sheet Music #21665EB. Published by Mel Bay Publications - Digital Sheet Music (M0.21665EB). ISBN 9781619110991. 8.75x11.75 inches.Bill Bay asked me to write a follow up book to my last book, The Bluegrass Pickers Tune Book (20233). If you like Bluegrass music (232 songs) I'd recommend getting that book to add to your collection. The focus of this book, The Acoustic Source Book is on roots and old-time music. The book is focused on the time period from late 1800's until 1940's.There are a few songs from The Bluegrass Book that were too important to be left out. I decided not to use any patriotic and Christmas songs and came up with a list of about 400 songs which eventually was cut down to over 200. During the late 1800's and early 1900's there was an important evolution in American music; the birth of jazz, ragtime, and blues. This was also the period of the phonograph and early commercial recordings. Music from the Minstrel period as well as traditional songs were used as staple for the roots musicians. In the early 1900's there were rags, blues, gospel, Tin-Pan Alley, jug band, spiritual, old-time country and popular songs. I've tried to include some of the well-known songs from every genre to give you a big slice of Americana.There are some great songs that are popular roots, bluegrass and old-time songs today that have never been published. There are also great songs that are not well known that should be played and enjoyed.
$29.99 ≈
27.62€
South Bay Angle for violin and piano
South Bay Angle for violin and piano
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Violon et Piano
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AVANCÉ
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Contemporain
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Robert M
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South Bay Angle for violin and
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Robert M. Greenberg
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SheetMusicPlus
Instrumental Solo,Piano,Violin - Level 5 - SKU: A0.987851 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 29 page...
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Instrumental Solo,Piano,Violin - Level 5 - SKU: A0.987851 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 29 pages. Robert M. Greenberg #100609. Published by Robert M. Greenberg (A0.987851). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 6 1/2 minutes Year of composition: 2011 Program Note: Titles, like mold-scum atop month-old cottage cheese, can take on a life of their own. South Bay Angle was originally composed in 1991 during an Astor Piazzolla-inspired fit of tango-madness. While a more appropriate title for the piece would have been something on the lines of I Can Write One of Those! or This Gringo’s Token Tango, circumstances conspired in another titular direction. The piece was originally intended for performance on a program produced by Composers, Inc., a new-music collective in which I was (and remain) an artistic director. Composers Inc. was then in its seventh season. In those days when newspapers still mattered, Composers, Inc. sought to receive as many print reviews as possible. To that end, the organization invited Paul Hertelendy - who was then the music critic for the San Jose Mercury News - to cover its concerts. He said he would do so provided that there was some sort of south-bay angle which addressed the specific needs of his south-bay readership. Thinking myself clever, I thus entitled the piece South Bay Angle. Hertelandy would get his angle and Composers, Inc. would get its coverage. It didn’t work out that way. The piece was never performed; Hertelendy never got his angle; and Composers, Inc. never received a review from the San Jose Mercury News. Instead, twenty years later, I returned to South Bay Angle and rewrote it from the ground up. The piece is cast as a large-scale A-B-A form. The violin is a willing participant in the tango during the A sections, but a rather reluctant tangoista in the B section, during which it tries mightily to turn the music into a waltz. It does not succeed, and the piece ends as it began, in a blaze of rhythmic fury.
$28.00 ≈
25.78€
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