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• Feeling [The]
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Vous avez sélectionné:
There's No Feeling
Partitions à imprimer
164 partitions trouvées
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151
When There's No End In Sight
When There's No End In Sight
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Piano, Voix
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INTERMÉDIAIRE
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Gospel Spirituel
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Musique Sacrée
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Bobby Mullins
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When There's No End In Sight
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Bobby Mullins
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.995206 Composed by Bobby Mullins. Christian,Gospel. Score. 6 pages. Bobby Mullins #4611357. Published by Bobby Mul...
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Piano,Vocal,Voice - Level 3 - SKU: A0.995206 Composed by Bobby Mullins. Christian,Gospel. Score. 6 pages. Bobby Mullins #4611357. Published by Bobby Mullins (A0.995206). Everyone experiences trials and difficulties and sometimes don't see a way out, feeling there's no end in sight. But, when there's no end in sight the Lord is there.
$4.99 ≈
4.49€
There's No Place Like Home
There's No Place Like Home
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Orchestre
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INTERMÉDIAIRE
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Glen Campbell
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Todd Sheehan
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There's No Place Like Home
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Todd Sheehan
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1267762 By Glen Campbell. By Gary Daniel Bruce and Sammy Cahn. Arranged by Todd Sheehan. Christmas,Country,Holiday,Po...
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Full Orchestra - Level 3 - SKU: A0.1267762 By Glen Campbell. By Gary Daniel Bruce and Sammy Cahn. Arranged by Todd Sheehan. Christmas,Country,Holiday,Pop,Traditional. Score and Parts. 57 pages. Todd Sheehan #860298. Published by Todd Sheehan (A0.1267762). A wonderful addition to your home Holiday orchestra concert!A full orchestra arrangement that appears on the 1968 Glen Campbell Christmas album That Christmas Feeling. New lyrics were written by Sammy Cahn to the traditional Home, Sweet Home for the album.Instrumentation: Â 2222 - 4231 - drs - 2perc - pf - str / Tenor soloist, optional SATB Chorus
$60.00 ≈
54.04€
Piano Sonata No. 1 Movement 2 "A Saunter"
Piano Sonata No. 1 Movement 2 "A Saunter"
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Piano seul
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DÉBUTANT
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Contemporain
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Samuel Warren Hatch
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Piano Sonata No. 1 Movement 2
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Samuel Warren Hatch
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1025432 Composed by Samuel Warren Hatch. 20th Century,Contemporary. Score. 5 pages. Samuel Warren Hatch #4764151. Publish...
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Piano Solo - Level 1 - SKU: A0.1025432 Composed by Samuel Warren Hatch. 20th Century,Contemporary. Score. 5 pages. Samuel Warren Hatch #4764151. Published by Samuel Warren Hatch (A0.1025432). Piano Sonata No. 1 in E Major is the first series of concert piano works by S. Warren Hatch, written during his undergraduate study at Campbell University. Each movement is distinct, in that each of them is composed in a different form, utilizes different key changes and scales, and takes influence from a different period in classical music. While there is no theme that connects them to one another, they are all in the key of E Major and consist mostly of a waltz-like feeling. II. A Saunter is a piano work based on the thoughts/feelings gained from a somber walk through a beautiful city. It embraces the duality of the abstract and the concrete, mirroring how a walk can be one admiring his/her surroundings and reflecting on life’s sufferings, simultaneously.
$3.99 ≈
3.59€
Beethoven • Moonlight Sonata | Piano Sonata No. 14 | easy piano sheet music
Beethoven • Moonlight Sonata | Piano Sonata No. 14 | easy piano sheet music
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Piano Facile
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FACILE
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Classique
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Ludwig van Beethoven
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Benzaiten Editions
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Beethoven • Moonlight Son
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Benzaiten Editions
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1445530 Composed by Ludwig van Beethoven. Arranged by Benzaiten Editions. 19th Century,Classical,Historic,Instructional,R...
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Easy Piano - Level 2 - SKU: A0.1445530 Composed by Ludwig van Beethoven. Arranged by Benzaiten Editions. 19th Century,Classical,Historic,Instructional,Romantic Period. Score. 2 pages. Benzaiten Editions #1025370. Published by Benzaiten Editions (A0.1445530). Hey there, music enthusiast! Ready to dive into the hauntingly beautiful melodies of Ludwig van Beethoven's timeless Moonlight Sonata? Let the magic unfold with our sheet music edition! 🎵Beethoven • Moonlight Sonata | Piano Sonata No. 14 | easy piano sheet music Our 'Moonlight Sonata' arrangement | Benzaiten Editions This shorter, easier version has been specially arranged to be beginner-friendly, making it accessible for new pianists while preserving its evocative beauty and mesmerizing melody.(The key was also changed from C#m to Am to make it easier.) About 'Moonlight Sonata' Moonlight Sonata by Ludwig van Beethoven is an iconic masterpiece from his Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2. Its evocative beauty and mesmerizing melody have made it a beloved favorite, embodying the emotional depth of Classical music.Often chosen for recitals and intimate performances, its ethereal harmonies evoke feelings of tranquility and introspection, touching hearts with its profound message of beauty and emotion.
$2.99 ≈
2.69€
Piano Sonata No. 1 Movement 3 "Reflection of Passing"
Piano Sonata No. 1 Movement 3 "Reflection of Passing"
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Piano, Voix
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INTERMÉDIAIRE
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Samuel Warren Hatch
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Piano Sonata No. 1 Movement 3
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Samuel Warren Hatch
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1025435 Composed by Samuel Warren Hatch. 20th Century,Contemporary,Jazz. Score. 9 pages. Samuel Warren Hatch #4764...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1025435 Composed by Samuel Warren Hatch. 20th Century,Contemporary,Jazz. Score. 9 pages. Samuel Warren Hatch #4764165. Published by Samuel Warren Hatch (A0.1025435). Piano Sonata No. 1 in E Major is the first series of concert piano works by S. Warren Hatch, written during his undergraduate study at Campbell University. Each movement is distinct, in that each of them is composed in a different form, utilizes different key changes and scales, and takes influence from a different period in classical music. While there is no theme that connects them to one another, they are all in the key of E Major and consist mostly of a waltz-like feeling. III. A Reflection of Passing depicts the shifting aspects about death as a person matures. It’s a piece that came from a time of great loss and much grieving. It begins with an innocent, hopeful understanding of death, followed by a major tone shift, where there is an odd utilization of the piano: the performer sings into the piano while holding down the sustain pedal, which vibrates certain overtones, producing what sounds like a distant choir. The piece closes with a triumphant, hopeful melody, borrowed from a song written by S. Warren Hatch when he was in high school.Composer Notes- Be sure to ensure that the stage hands lift the piano lid before the sonata’s start, as the strings will need to be exposed in order for you to sing into the piano’s body during A Reflection of Passing. For that section (page 22) you will need to face and sing directly into the strings while holding down the sustain pedal for the entire page. If you are playing with the sheet music (don’t worry, I’m not shaming you) simply slide the music holder in order to expose the part of the strings that are closest to you. For this sonata, I encourage you to find your own voice in these pieces. Your own interpretation should align with how you most relate to the message/story they’re telling. This could be using the una corda (leftmost) pedal during lighter sections to further differentiate them, or having a heavier rubato to strengthen the impact of certain phrases. As long as you bring these pieces to life, then it has my stamp of approval.
$3.99 ≈
3.59€
There's No Feeling
There's No Feeling
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Ligne De Mélodie, (Paroles) et Accords
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FACILE
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Contemporain
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Kare Ceberano
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Roy Todd around 2010, this pie
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Marco Polo C
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There's No Feeling
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MARCO POLO IGNACIO
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SheetMusicPlus
Instrumental Duet,Piano C Instrument - Level 2 - SKU: A0.880946 By Kare Ceberano. By Andrew Michael Wright, Andy Wright, and Catherine Yvette Ceberano. ...
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Instrumental Duet,Piano C Instrument - Level 2 - SKU: A0.880946 By Kare Ceberano. By Andrew Michael Wright, Andy Wright, and Catherine Yvette Ceberano. Arranged by Marco Polo C. Ignacio. Contemporary. Lead Sheet / Fake Book. 1 pages. MARCO POLO IGNACIO #6353393. Published by MARCO POLO IGNACIO (A0.880946). Composed by Roy Todd around 2010, this piece is an instrumental piece for piano and was slightly re-worked by the composer in 2020. An ideal entourage and bridal entrance.
$4.99 ≈
4.49€
A Woman's Work
A Woman's Work
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Voix Soprano, Piano
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Contemporain
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Abigail Gilson
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A Woman's Work
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Abigail Gilson
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.1024943 Composed by Abigail Gilson. Contemporary. 6 pages. Abigail Gilson #3675493. Published by Abigail Gilson (A0.1...
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Soprano voice,Vocal Solo - SKU: A0.1024943 Composed by Abigail Gilson. Contemporary. 6 pages. Abigail Gilson #3675493. Published by Abigail Gilson (A0.1024943). The final piece in the three-part song cycle, the young girl has grown up and has taken on the role of a woman. The piece itself is very slow moving, as the woman’s life has significantly slowed down, she’s no longer the young girl filled with hope, she knows what her duty is. The piano itself is always rising, sometimes in major thirds but then followed by clunky seconds and thirds. With a feeling of rush but also as if the whole piece is about to end and resolve, yet it continues in this cycle. Still, there’s reward in her work, a woman gets to see her child grow, and their dreams become her own. As any woman can tell you, there is a reward to being a good mother, wife, and woman. But it is only one that a woman can recognize.
$4.99 ≈
4.49€
Prelude in C Major, Op. 1, No. 1
Prelude in C Major, Op. 1, No. 1
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Michael Swedberg
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Prelude in C Major, Op. 1, No.
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1248121 By Michael Swedberg. By Terrence Niska. 21st Century,Classical. Score. 8 pages. Niska Music Publishing #842684. P...
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Piano Solo - Level 4 - SKU: A0.1248121 By Michael Swedberg. By Terrence Niska. 21st Century,Classical. Score. 8 pages. Niska Music Publishing #842684. Published by Niska Music Publishing (A0.1248121). This charming little prelude was not actually the first one I wrote for this collection, but rather a replacement for the original which felt out of place with the rest of the pieces. At first glance, it appears to be a study in thirds for the right hand while the left left hand keeps a steady underlying motion, but it is much more than that. There is a feeling of a journey, as though a leaf is floating down a stream. It starts out simple enough, with an air of peace and the image of sunlight on the water. There are moments when the trees block out the sun and the leaf goes in and out of the shimmering reflections, caught in the pull of the current, but nevertheless carried along without any concern as to where it is heading.The music takes on a minor feel as the leaf enters the rapids and is tossed about from whirlpool to whirlpool, nearly being submerged but always finding its way to the surface before finally breaking free and continuing it’s journey with the same sense of tranquility with which it began.
$3.99 ≈
3.59€
Piano Sonata No. 1 Movement 1 "Remembrance of a Dream"
Piano Sonata No. 1 Movement 1 "Remembrance of a Dream"
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Piano seul
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INTERMÉDIAIRE
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Samuel Warren Hatch
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Piano Sonata No. 1 Movement 1
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Samuel Warren Hatch
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1025433 Composed by Samuel Warren Hatch. 20th Century,Contemporary,Romantic Period. Score. 6 pages. Samuel Warren Hatch #...
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Piano Solo - Level 3 - SKU: A0.1025433 Composed by Samuel Warren Hatch. 20th Century,Contemporary,Romantic Period. Score. 6 pages. Samuel Warren Hatch #4764139. Published by Samuel Warren Hatch (A0.1025433). Piano Sonata No. 1 in E Major is the first series of concert piano works by S. Warren Hatch, written during his undergraduate study at Campbell University. Each movement is distinct, in that each of them is composed in a different form, utilizes different key changes and scales, and takes influence from a different period in classical music. While there is no theme that connects them to one another, they are all in the key of E Major and consist mostly of a waltz-like feeling. I. Remembrance of a Dream is the first movement, characterised by its sonata form and distinct, contrasting sections. The piece paints a story of dancing lovers before they are forced to give their final goodbyes.
$3.99 ≈
3.59€
There Were Two Men (Nathan the Prophet and King David) from "The Kings" - ACT 2:Song 7
There Were Two Men (Nathan the Prophet and King David) from "The Kings" - ACT 2:Song 7
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Chorale 2 parties
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INTERMÉDIAIRE
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McCorkle, Dennis F
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There Were Two Men
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Choral Choir (TB) - Level 3 - SKU: A0.784833 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Octavo. 24 pages. DF McCorkle ...
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Choral Choir (TB) - Level 3 - SKU: A0.784833 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Octavo. 24 pages. DF McCorkle Music and eBook Publications #11757. Published by DF McCorkle Music and eBook Publications (A0.784833). ACT TWO: Song 7. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 12:1-7… - And Yahweh sent Nathan to David. And he came unto him, and said unto him: ‘There were two men in one city: the one rich, and the other poor. 2 The rich man had exceeding many flocks and herds; 3 but the poor man had nothing save one little ewe lamb, which he had bought and reared; and it grew up together with him, and with his children; it did eat of his own morsel, and drank of his own cup, and lay in his bosom, and was unto him as a daughter. 4 And there came a traveler unto the rich man, and he spared to take of his own flock and of his own herd, to dress for the wayfaring man that was come unto him, but took the poor man’s lamb, and dressed it for the man that was come to him.’ 5 And David’s anger was greatly kindled against the man; and he said to Nathan: ‘As Yahweh lives, the man that hath done this deserves to die; 6 and he shall restore the lamb fourfold, because he did this thing, and because he had no pity.’ 7 And Nathan said to David: ‘You art the man.’…] The news is brought back to DAVID and BATHSHEBA. After an appropriate period of mourning, DAVID calls for BATHSHEBA and takes her as his wife and eventually gives birth to a son. DAVID in the meantime still conceals to himself the actions that precipitated URIAH’S death. NATHAN confronts DAVID about a rich man in the town who has stolen a lamb from a poor man. DAVID outraged at the injustice tells NATHAN that the man will die for his unfeeling actions. NATHAN then reveals that he (DAVID) is that man [There Were Two Men – Nathan and the Prophetess’]. Now at last the matter is exposed and David must face his actions. As NATHAN and the prophets leave, one of DAVID’S men comes in and tells him that his son has died. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99 ≈
2.69€
Korean Simple Suite No.2 (For Violin, Cello and Piano)
Korean Simple Suite No.2 (For Violin, Cello and Piano)
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Han-Ki Kim
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Korean Simple Suite No.2
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Han-Ki Kim
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SheetMusicPlus
Piano Trio - Level 4 - SKU: A0.511799 Composed by Han-Ki Kim. 20th Century,Contemporary,Instructional,Multicultural,Standards,World. 48 pages. Han-Ki Ki...
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Piano Trio - Level 4 - SKU: A0.511799 Composed by Han-Ki Kim. 20th Century,Contemporary,Instructional,Multicultural,Standards,World. 48 pages. Han-Ki Kim #6266419. Published by Han-Ki Kim (A0.511799). This Korean Simple Suite No.2 is consist of 5 movements.1. Prologue-–Ungki Dungki.2. Sound of Piri. 3. Cheerful Semachi.4. Meditation.5. Finale-Perpetuum-Mobile.All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La). 1st movement is express Delight feeling, the term “Ungki Dungki“ is a kind of slow Dance. And for 2nd movement, there is especially natural harmonics is used for special tone effect, to express Korean flute sound. and for 3rd movement, adapted Korean Traditional Semachi rhythm. 4th movement is composed for Meditation feeling, it is generally carm. For Finale, Perpetuum Mobile form is used, this movement is characterised by simple short theme and very fast tempo. Attached Music file is 1st movement, it's just for a reference.
$15.90 ≈
14.32€
Korean Simple Suite No.2 (For Viola and Piano)
Korean Simple Suite No.2 (For Viola and Piano)
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Alto, Piano
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INTERMÉDIAIRE
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Han-Ki Kim
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Korean Simple Suite No.2
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Han-Ki Kim
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.511727 Composed by Han-Ki Kim. 20th Century,Contemporary,Multicultural,Standards,World. Score and part. 33 pages. Han-Ki...
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Piano,Viola - Level 3 - SKU: A0.511727 Composed by Han-Ki Kim. 20th Century,Contemporary,Multicultural,Standards,World. Score and part. 33 pages. Han-Ki Kim #5207895. Published by Han-Ki Kim (A0.511727). This Korean Simple Suite No.2 is consist of 5 movements. 1. Prologue-–Ungki Dungki. 2. Sound of Piri. 3. Cheerful Semachi. 4. Meditation. 5. Finale-Perpetuum-Mobile.All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La). 1st movement is express Delight feeling, the term “Ungki Dungki“ is a kind of slow Dance. And for 2nd movement, there is especially natural harmonics is used for special tone effect, to express Korean flute sound. and for 3rd movement, adapted Korean Traditional Semachi rhythm. 4th movement is composed for Meditation feeling, it is generally carm. For Finale, Perpetuum Mobile form is used, this movement is characterised by simple short theme and very fast tempo. Attached music file is only 1st movement just for a reference.
$15.99 ≈
14.40€
Korean Simple Suite No.2 (For Flute and Piano)
Korean Simple Suite No.2 (For Flute and Piano)
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Flûte traversière et Piano
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AVANCÉ
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Han-Ki Kim
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Han-Ki Kim
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Korean Simple Suite No.2
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Han-Ki Kim
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SheetMusicPlus
Piano,Soprano Flute - Level 5 - SKU: A0.1206204 By Han-Ki Kim. By Traditional. Arranged by Han-Ki Kim. Classical,Instructional,Romantic Period,Standards...
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Piano,Soprano Flute - Level 5 - SKU: A0.1206204 By Han-Ki Kim. By Traditional. Arranged by Han-Ki Kim. Classical,Instructional,Romantic Period,Standards,Traditional. Score and part. 33 pages. Han-Ki Kim #804401. Published by Han-Ki Kim (A0.1206204). This Korean Simple Suite No.2 is consist of 5 movements.1. Prologue-–Ungki Dungki.2. Sound of Piri. 3. Cheerful Semachi.4. Meditation.5. Finale-Perpetuum-Mobile. All piece's main theme is generally based on Korean(Oriental) pentatonic tone(Do, Re, Mi, Sol, La). 1st movement is express Delight feeling, the term “Ungki Dungki“ is a kind of slow Dance. And for 2nd movement, there is especially natural harmonics is used for special tone effect, to express Korean flute sound. and for 3rd movement, adapted Korean Traditional Semachi rhythm. 4th movement is composed for Meditation feeling, it is generally carm.  For Finale, Perpetuum Mobile form is used, this movement is characterised by simple short theme and very fast tempo.
$15.99 ≈
14.40€
Korean Simple Suite No.2 (For Violin and Piano)
Korean Simple Suite No.2 (For Violin and Piano)
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Han-Ki Kim
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Korean Simple Suite No.2
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Han-Ki Kim
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.511718 Composed by Han-Ki Kim. Contemporary,Multicultural,Standards,World. 33 pages. Han-Ki Kim #4804791. Published by ...
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Piano,Violin - Level 4 - SKU: A0.511718 Composed by Han-Ki Kim. Contemporary,Multicultural,Standards,World. 33 pages. Han-Ki Kim #4804791. Published by Han-Ki Kim (A0.511718). This Korean Simple Suite No.2 is consist of 5 movements. 1. Prologue-–Ungki Dungki. 2. Sound of Piri. 3. Cheerful Semachi. 4. Meditation. 5. Finale-Perpetuum-Mobile. All piece's main theme is generally based on Korean(Oriental) pentatonic tone(Do, Re, Mi, Sol, La). 1st movement is express Delight feeling, the term “Ungki Dungki“ is a kind of slow Dance. And for 2nd movement, there is especially natural harmonics is used for special tone effect, to express Korean flute sound. and for 3rd movement, adapted Korean Traditional Semachi rhythm. 4th movement is composed for Meditation feeling, it is generally carm. For Finale, Perpetuum Mobile form is used, this movement is characterised by simple short theme and very fast tempo.
$15.99 ≈
14.40€
Korean Simple Suite No.2 (For String Quartet)
Korean Simple Suite No.2 (For String Quartet)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Han-Ki Kim
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Korean Simple Suite No.2
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Han-Ki Kim
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.511720 Composed by Han-Ki Kim. 20th Century,Contemporary,Instructional,Multicultural,Standards,World. ...
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String Quartet String Quartet - Level 3 - SKU: A0.511720 Composed by Han-Ki Kim. 20th Century,Contemporary,Instructional,Multicultural,Standards,World. 68 pages. Han-Ki Kim #4830787. Published by Han-Ki Kim (A0.511720). This Korean Simple Suite No.2 is consist of 5 movements. 1. Prologue-–Ungki Dungki. 2. Sound of Piri. 3. Cheerful Semachi. 4. Meditation. 5. Finale-Perpetuum-Mobile.  All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La). 1st movement is express Delight feeling, the term “Ungki Dungki“ is a kind of slow Dance. And for 2nd movement, there is especially natural harmonics is used for special tone effect, to express Korean flute sound. and for 3rd movement, adapted Korean Traditional Semachi rhythm. 4th movement is composed for Meditation feeling, it is generally carm. For Finale, Perpetuum Mobile form is used, this movement is characterised by simple short theme and very fast tempo. Attached music file is played by String Orchestra, 1st, 2nd, 3rd and just begining of 4th movement.Â
$18.99 ≈
17.10€
Korean Simple Suite No.2 (For String Orchestra)
Korean Simple Suite No.2 (For String Orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Han-Ki Kim
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Korean Simple Suite No.2
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Han-Ki Kim
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.511721 Composed by Han-Ki Kim. 20th Century,Contemporary,Folk,Multicultural,Standards,World. Score and Parts. 76 pa...
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String Orchestra - Level 4 - SKU: A0.511721 Composed by Han-Ki Kim. 20th Century,Contemporary,Folk,Multicultural,Standards,World. Score and Parts. 76 pages. Han-Ki Kim #4830791. Published by Han-Ki Kim (A0.511721). This Korean Simple Suite No.2 is consist of 5 movements. 1. Prologue-–Ungki Dungki. 2. Sound of Piri. 3. Cheerful Semachi. 4. Meditation. 5. Finale-Perpetuum-Mobile.  All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La). 1st movement is express Delight feeling, the term “Ungki Dungki“ is a kind of slow Dance. And for 2nd movement, there is especially natural harmonics is used for special tone effect, to express Korean flute sound. and for 3rd movement, adapted Korean Traditional Semachi rhythm. 4th movement is composed for Meditation feeling, it is generally carm. For Finale, Perpetuum Mobile form is used, this movement is characterised by simple short theme and very fast tempo. Attached music file is, 1st, 2nd, 3rd movement and just begining of 4th mov.
$32.00 ≈
28.82€
Korean Simple Suite No.1 (For Clarinet and Piano)
Korean Simple Suite No.1 (For Clarinet and Piano)
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Han-Ki Kim
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Korean Simple Suite No.1
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Han-Ki Kim
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SheetMusicPlus
Clarinet,Instrumental Duet,Piano - Level 4 - SKU: A0.511806 Composed by Han-Ki Kim. Contemporary,Multicultural,Romantic Period,Standards,World. 27 pages...
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Clarinet,Instrumental Duet,Piano - Level 4 - SKU: A0.511806 Composed by Han-Ki Kim. Contemporary,Multicultural,Romantic Period,Standards,World. 27 pages. Han-Ki Kim #6362061. Published by Han-Ki Kim (A0.511806). Korean Simple Suite No.1 For Clarinet(in B flat) and Piano is consist of 5 movements.All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La). Originaly, this piece was composed for Violin and Piano, and Dedicated to Andreas Buschatz, Concertmaster of Leipzig Gewandhaus Orchestra. All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La).1st movement(Prologue-Greeting) is just for a Greeting. And for 2nd movement(Oriental Flute), there is tried to express oriental flute's feeling, and for 3rd movement(Cheerfulness), adapted Korean Traditional rhythm, for example, such as Kutkuri Jajinmori. 4th movement(Sorrow) is major key, but it has a deep sorrow. For Finale(Festival), Rondo form is used, and Korean Traditional Children's song is adapted as main Theme.This music transcribed for Cello and Piano was a Competition Repertorie Requirement of Tennessee Cello Workshop(2021.2.26.-28), University of Tennessee, School of Music. Attached music file is recorded by Violin and Piano, it's just for a reference.
$14.99 ≈
13.50€
Korean Simple Suite No.1 (For Flute and Piano)
Korean Simple Suite No.1 (For Flute and Piano)
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Han-Ki Kim
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Korean Simple Suite No.1
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Han-Ki Kim
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Piano - Level 4 - SKU: A0.511807 Composed by Han-Ki Kim. Contemporary,Multicultural,Romantic Period,Standards,...
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 4 - SKU: A0.511807 Composed by Han-Ki Kim. Contemporary,Multicultural,Romantic Period,Standards,World. Score and parts. 27 pages. Han-Ki Kim #6362069. Published by Han-Ki Kim (A0.511807). Korean Simple Suite No.1 For Flute and Piano is consist of 5 movements.All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La). Originaly, this piece was composed for Violin and Piano, and Dedicated to Andreas Buschatz, Concertmaster of Leipzig Gewandhaus Orchestra.  All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La).1st movement(Prologue-Greeting) is just for a Greeting. And for 2nd movement(Oriental Flute), there is tried to express oriental flute's feeling, and for 3rd movement(Cheerfulness), adapted Korean Traditional rhythm, for example, such as Kutkuri Jajinmori. 4th movement(Sorrow) is major key, but it has a deep sorrow. For Finale(Festival), Rondo form is used, and Korean Traditional Children's song is adapted as main Theme. This music transcribed for Cello and Piano was a Competition Repertorie Requirement of Tennessee Cello Workshop(2021.2.26.-28), University of Tennessee, School of Music. Attached music file is recorded by Violin and Piano, it's just for a reference.
$14.99 ≈
13.50€
Korean Simple Suite No.1 (For Oboe and Piano)
Korean Simple Suite No.1 (For Oboe and Piano)
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Han-Ki Kim
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Korean Simple Suite No.1
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Han-Ki Kim
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Piano - Level 4 - SKU: A0.511809 Composed by Han-Ki Kim. Contemporary,Multicultural,Romantic Period,Standards,W...
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Instrumental Duet Instrumental Duet,Oboe,Piano - Level 4 - SKU: A0.511809 Composed by Han-Ki Kim. Contemporary,Multicultural,Romantic Period,Standards,World. Score and parts. 27 pages. Han-Ki Kim #6363729. Published by Han-Ki Kim (A0.511809). Korean Simple Suite No.1 For Oboe and Piano is consist of 5 movements.All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La). Originaly, this piece was composed for Violin and Piano, and Dedicated to Andreas Buschatz, Concertmaster of Leipzig Gewandhaus Orchestra. All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La).1st movement(Prologue-Greeting) is just for a Greeting. And for 2nd movement(Oriental Flute), there is tried to express oriental flute's feeling, and for 3rd movement(Cheerfulness), adapted Korean Traditional rhythm, for example, such as Kutkuri Jajinmori. 4th movement(Sorrow) is major key, but it has a deep sorrow. For Finale(Festival), Rondo form is used, and Korean Traditional Children's song is adapted as main Theme.This music transcribed for Cello and Piano was a Competition Repertorie Requirement of Tennessee Cello Workshop(2021.2.26.-28), University of Tennessee, School of Music. Attached music file is recorded by Violin and Piano, it's just for a reference.
$14.99 ≈
13.50€
SYMPHONY NO. 5 OP. 67, BEETHOVEN - ALLEGRO CON BRIO, String Quartet, Abridged, Intermediate Level fo
SYMPHONY NO. 5 OP. 67, BEETHOVEN - ALLEGRO CON BRIO, String Quartet, Abridged, Intermediate Level fo
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Sherry Lewis
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SYMPHONY NO. 5 OP. 67, BEETHOV
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Sherry Lewis Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.521482 Composed by Ludwig van Beethoven. Arranged by Sherry Lewis. Classical,Holida...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.521482 Composed by Ludwig van Beethoven. Arranged by Sherry Lewis. Classical,Holiday,Multicultural,Wedding,World. 25 pages. Sherry Lewis Publishing #6132895. Published by Sherry Lewis Publishing (A0.521482). Symphony No. 5, Mov. I, Allegro con brio (abridged), Beethoven, String Quartet of 2 violins, viola and celloScore: Score: 11 pagesThis was a really fun project. It's approx. 5 min. 30 seconds and I think that the cut I took after the repeat works really well. I think it's a fun listen too. I hope you like it! parts: 12 pages time: 5:30 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Thank you for your purchase!
$9.50 ≈
8.56€
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
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Mark O'Connor
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50 ≈
20.26€
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
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Mark O'Connor
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00 ≈
13.51€
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
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Mark O'Connor
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00 ≈
13.51€
Horn Sonata No. 1 (Complete)
Horn Sonata No. 1 (Complete)
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Cor
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AVANCÉ
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Mike Lyons
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Horn Sonata No. 1
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Publi...
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French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Published by Lyons Music Services (A0.767341). This is a brand new piece composed for French Horn without accompaniment. It has three movements all connected by the opening material of the first movement. I am publishing this piece as separate movements as well as a complete edition. 1st. Movement: The opening movement is marked andante. It opens with a repeated tonic followed by an arpeggiated 1/16th figure with a closing descending scale. These three ideas form the basic musical material for the whole sonata. Throughout the first movement these three ideas are transformed and manipulated, expanded and contracted while maintaining a clear musical structure (basically Ternary form). As with sonata form, the final reprise of the original ideas is transformed by their 'journey'. The style of the music is rather like a Bach partita for solo instrument. The movement takes the player through most of the horn's range, but does not require any extended techniques, so should be handleable by moderately skilled players. 2nd. Movement: This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to create a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the Più mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter until the ending at ppp. 3rd. Movement: This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc. I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still useful to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting horn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly. The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better. This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$18.00 ≈
16.21€
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