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Vous avez sélectionné:
They Don't Understand
Partitions à imprimer
155 partitions trouvées
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Pocket Piano Proficiency: the quickest way to understand and learn the skills you need
Pocket Piano Proficiency: the quickest way to understand and learn the skills you need
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Piano seul
#
Folklorique/Traditionel
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Dr
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Pocket Piano Proficiency: the
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Deborah Rambo Sinn at The Underground Conservatory
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SheetMusicPlus
Piano Solo - SKU: A0.1296630 Composed by Dr. Deborah Rambo Sinn, Author. Traditional. Score. 276 pages. Deborah Rambo Sinn at The Underground Conservato...
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Piano Solo - SKU: A0.1296630 Composed by Dr. Deborah Rambo Sinn, Author. Traditional. Score. 276 pages. Deborah Rambo Sinn at The Underground Conservatory #886807. Published by Deborah Rambo Sinn at The Underground Conservatory (A0.1296630). Finally, a piano skills book that you don't have to lug around! This 260+ page book fits on your phone or tablet and can be opened in any PDF reader, like Adobe Acrobat or forScore. Pocket Piano Proficiency: a revolutionary way to learn the skills you need offers basic piano skills in a new way. Author and veteran piano instructor Deborah Rambo Sinn wanted to find a solution for getting students to learn these solidly and efficiently–along with finding a way to combine this with developing excellent aural skills. Ultimately, she sought a way to quickly make these skills relevant to understanding larger concepts of music theory. Traditionally, it takes a long time of learning individual skills before a student can grasp how they all work together. Pocket Piano Proficiency flips this model, introducing tasks in chunks of like material. The circle of fifths appears from the first pages, demonstrating connections between keys from the start. The book’s pedagogical organization moves students from the easiest to more complex skills, allowing them to scaffold successfully from one chapter to the next. The eBook format allows for a new way of learning these skills that a black and white printed book does not afford. Each page contains several layers of helpful material that can be accessed by zooming in and out. Because only one level of information can be accessed at a time, students need to assimilate information from around the page to successfully complete each task (see video.) Additionally, the use of color cues for tasks further organizes each chapter. As an example, red is used for the simplest keys or most common concepts. Additionally, the use of color cues for tasks further organizes each chapter. As an example, red is used for the simplest keys or most common concepts.
$21.99 ≈
19.83€
What You Don't Know About Women
What You Don't Know About Women
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Voix duo, Piano
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AVANCÉ
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Cy Coleman
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W
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What You Don't Know About Wome
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Diamond S Music
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 5 - SKU: A0.790075 Composed by Cy Coleman. Arranged by W. Brent Sawyer. Contemporary. 10 pages. Diamond S Music #35...
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Piano,Voice Duet Piano,Voice - Level 5 - SKU: A0.790075 Composed by Cy Coleman. Arranged by W. Brent Sawyer. Contemporary. 10 pages. Diamond S Music #3561465. Published by Diamond S Music (A0.790075). WHAT YOU DON’T KNOW ABOUT WOMEN from the musical CITY OF ANGELS. MALE VOCAL DUET in the KEY of F with 17 piece Band accompaniment. This is the PIANO/VOCAL PART ONLY. Scored for: Reed 1 (Flute, Bb Clarinet, Alto Sax), Reed 2 (Bb Clarinet, Alto Sax), Reed 3 (Bb Clarinet, Tenor Sax), Reed 4 (Bass Clarinet, Bari Sax), Bb Trumpet 1 & 2, Horn in F, Bass Trombone, Piano, Synth, Violin 1 & 2, Cello, Acoustic Guitar, Double bass, Drum Set, Percussion. This is an exuberant jazzy song from the 1989 Broadway musical City Of Angels with music by the great Cy Coleman and Lyrics by David Zippel. This song, in a very jazzy style, was originally is a fun lament of two women about their men who won’t listen to them. This version is sung by men and causes the meaning to be slightly shifted so that the men say how they don’t understand the women and how they do the things mentioned in the song - Only the pronouns have been flipped from the original. This is in the style of the original Broadway arrangement and in the original Broadway key. This arrangement can also be purchased with just the RHYTHM PACK that contains the Piano/Vocal, Guitar, Bass, Drums Parts or just the PIANO/VOCAL part if you don’t need the full orchestration. This arrangement is also available in the original FEMALE version. Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$9.99 ≈
9.01€
What You Don't Know About Women
What You Don't Know About Women
#
Contemporain
#
Cy Coleman
#
W
#
What You Don't Know About Wome
#
Diamond S Music
#
SheetMusicPlus
Large Ensemble Double Bass,Drums,Guitar,High Voice,Low Voice,Piano Accompaniment - Level 5 - SKU: A0.790077 Composed by Cy Coleman. Arranged by W. Brent...
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Large Ensemble Double Bass,Drums,Guitar,High Voice,Low Voice,Piano Accompaniment - Level 5 - SKU: A0.790077 Composed by Cy Coleman. Arranged by W. Brent Sawyer. Contemporary. Score and parts. 16 pages. Diamond S Music #3561473. Published by Diamond S Music (A0.790077). WHAT YOU DON’T KNOW ABOUT WOMEN from the musical CITY OF ANGELS. MALE VOCAL DUET in the KEY of F with 17 piece Band accompaniment. This is the RHYTHM PACK - includes PIANO/VOCAL, GUITAR, BASS, DRUMS PARTS.) Scored for: Reed 1 (Flute, Bb Clarinet, Alto Sax), Reed 2 (Bb Clarinet, Alto Sax), Reed 3 (Bb Clarinet, Tenor Sax), Reed 4 (Bass Clarinet, Bari Sax), Bb Trumpet 1 & 2, Horn in F, Bass Trombone, Piano, Synth, Violin 1 & 2, Cello, Acoustic Guitar, Double bass, Drum Set, Percussion. This is an exuberant jazzy song from the 1989 Broadway musical City Of Angels with music by the great Cy Coleman and Lyrics by David Zippel. This song, in a very jazzy style, was originally is a fun lament of two women about their men who won’t listen to them. This version is sung by men and causes the meaning to be slightly shifted so that the men say how they don’t understand the women and how they do the things mentioned in the song - Only the pronouns have been flipped from the original. This is in the style of the original Broadway arrangement and in the original Broadway key. This arrangement can also be purchased with just the RHYTHM PACK that contains the Piano/Vocal, Guitar, Bass, Drums Parts or just the PIANO/VOCAL part if you don’t need the full orchestration. This arrangement is also available in the original FEMALE version. Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$19.99 ≈
18.03€
What You Don't Know About Women
What You Don't Know About Women
#
Contemporain
#
Cy Coleman
#
W
#
PARTS. 
#
What You Don't Know About Wome
#
Diamond S Music
#
SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Cello,Clarinet,Double Bass,Drums,Flute,Guitar,High Voice,Horn,Low Voice,Multi-Percussion,Piano Accompaniment,Te...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Cello,Clarinet,Double Bass,Drums,Flute,Guitar,High Voice,Horn,Low Voice,Multi-Percussion,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet,Violin - Level 5 - SKU: A0.790076 Composed by Cy Coleman. Arranged by W. Brent Sawyer. Contemporary. Score and parts. 57 pages. Diamond S Music #3561467. Published by Diamond S Music (A0.790076). WHAT YOU DON’T KNOW ABOUT WOMEN from the musical CITY OF ANGELS. MALE VOCAL DUET in the KEY of F with 17 piece Band accompaniment. FULL SCORE & PARTS. Scored for: Reed 1 (Flute, Bb Clarinet, Alto Sax), Reed 2 (Bb Clarinet, Alto Sax), Reed 3 (Bb Clarinet, Tenor Sax), Reed 4 (Bass Clarinet, Bari Sax), Bb Trumpet 1 & 2, Horn in F, Bass Trombone, Piano, Synth, Violin 1 & 2, Cello, Acoustic Guitar, Double bass, Drum Set, Percussion. This is an exuberant jazzy song from the 1989 Broadway musical City Of Angels with music by the great Cy Coleman and Lyrics by David Zippel. This song, in a very jazzy style, was originally is a fun lament of two women about their men who won’t listen to them. This version is sung by men and causes the meaning to be slightly shifted so that the men say how they don’t understand the women and how they do the things mentioned in the song - Only the pronouns have been flipped from the original. This is in the style of the original Broadway arrangement and in the original Broadway key. This arrangement can also be purchased with just the RHYTHM PACK that contains the Piano/Vocal, Guitar, Bass, Drums Parts or just the PIANO/VOCAL part if you don’t need the full orchestration. This arrangement is also available in the original FEMALE version. Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$49.99 ≈
45.09€
Op. 45, No. 15: À qui m’avez vous donné? from Songs of Gouvy, V2 (Downloadable)
Op. 45, No. 15: À qui m’avez vous donné? from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 15: À qui m
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-15E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 3 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-15E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 3 pages. E. C. Schirmer Music Company - Digital #8492-15E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-15E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.71€
They Don't Understand by Sawyer Brown - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Sawyer Brown
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They Don't Understand
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Musicnotes
Performed by: Sawyer Brown: They Don't Understand Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet m...
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Performed by: Sawyer Brown: They Don't Understand Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 4 pages -- Pop~~Country~~Country-Pop~~Contemporary Country
$5.50 ≈
4.96€
Another Brick In The Wall
Another Brick In The Wall
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Pink Floyd
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Harry O'Brien
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Another Brick In The Wall
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Harry O'Brien
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SheetMusicPlus
Guitar Ensemble - Level 3 - SKU: A0.1464400 By Pink Floyd. By Roger Waters. Arranged by Harry O'Brien. 20th Century,Pop,Rock. Score and Parts. 14 pages....
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Guitar Ensemble - Level 3 - SKU: A0.1464400 By Pink Floyd. By Roger Waters. Arranged by Harry O'Brien. 20th Century,Pop,Rock. Score and Parts. 14 pages. Harry O'Brien #1043124. Published by Harry O'Brien (A0.1464400). An Intermediate 4 piece guitar ensemble arrangement of Pink Floyd's hit song, Another Brick In The Wall (Part II). A fun way to engage a group of guitarists under the belief they don't need no education.The arrangement for 3 guitars and 1 bass creatively arranges the rock song into a small guitar ensemble, and can be played by either a quartet, or an ensemble with multiple players per part. It would suit a high school guitar ensemble or similar. Includes space for improvised soloing over a simple chord progression.Comes with Full Score and parts for the following instruments:Guitar IGuitar IIGuitar IIIElectric Bass (can be substituted by a fourth guitar)About the arranger:Harry O'Brien is an emerging composer, arranger, guitarist and music educator in Sydney, Australia. His rock/jazz performance background, orchestral and film composition studies at Sydney Conservatorium, along with being an experienced conductor/director of school-level concert bands and guitar ensembles, give him a highly versatile and distinct arranging sound, one which understands the role every instrument can play in a school band. Arrangements for professional orchestras have been performed in venues around Australia including the State Theatre and Her Majesty's Theatre Adelaide. Website: https://obrienharry08.wixsite.com/music
$40.00 ≈
36.08€
Aphelion
Aphelion
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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M
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Aphelion
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M.Y Owusu
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1205194 Composed by M.Y Owusu. Contemporary. Score. 3 pages. M.Y Owusu #803377. Published by M.Y Owusu (A0.1205194).
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Piano Solo - Level 3 - SKU: A0.1205194 Composed by M.Y Owusu. Contemporary. Score. 3 pages. M.Y Owusu #803377. Published by M.Y Owusu (A0.1205194). Aphelion is one of my few pieces that's meant to tell a story and it's not incredibly specific, but here is the story of Aphelion. However, the definition of aphelion first is incredibly important.aphelion (noun):the point in the orbit of a planet, asteroid, or comet at which it is furthest from the sun.And it's very important to know the definition of its absolute antonym: perihelion.perihelion (noun):the point in the orbit of a planet, asteroid, or comet at which it is closest to the sun.These are terms used in astronomy to describe a celestial object's extreme distance from the sun. I'm using this to describe a relationship between two people. The type of relationship does not matter, it is simply just a relationship. However, you perceive it: platonic, romantic, etc.That is up to your interpretation.Aphelion follows the story of two people, with the start of the piece not actually being the aphelion, but however the perihelion, starting in D Major.It highlights their relationship as perfect, well-rounded, and flawless relationship. Some may call it a honeymoon era/phase or just the possible closest two people could be, i.e the perihelion.Then the two slowly drift away, with a shift to B Minor and D Minor. Issues, flaws, and problems that weren't there before begin to appear. These issues are quickly shoved under the rug, and the two pretend that they are nonexistent. The piece shifts back to D major incredibly quickly, however, there is a slight sense of uneasiness within the piece that I intended to create as it goes through this relationship that is clearly rocky, but it isn't being addressed because neither are choosing to communicate these issues.Then, the mysterious part hits very quickly, this is the aphelion. following a D Minor chord progression, then a shift into D minor itself. This part is where the relationship issues reach a boiling point, neither can stand the other and any attempt to resolve the issues is essentially useless. They stay in a toxic relationship. However, it's labeled as mysterious because the future is an absolute mystery to the two. They don't know what will happen. Then, one confronts the other, they choose to genuinely communicate.It's where the shift back to D Major occurs. They finally come to an understanding. At this point, they can choose to stay in the relationship, and work on the issues, or come to an understanding that it might not work from here, because a relationship takes two. There is a sense of peace, they are finally at peace with one another and their situation. Life can continue moving on, and the piece ends on an A Major chord. This is because A Major can be interpreted as one finally becoming content.That is the story that I intended to tell by writing Aphelion.
$5.00 ≈
4.51€
The End Of The World
The End Of The World
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Skeeter Davis
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Timothy Stapay
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The End Of The World
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1200229 By Skeeter Davis. By Arthur Kent and Sylvia Dee. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Pop,Ro...
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Piano Solo - Level 4 - SKU: A0.1200229 By Skeeter Davis. By Arthur Kent and Sylvia Dee. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Pop,Rock,Standards. Score. 6 pages. Timothy Stapay #799031. Published by Timothy Stapay (A0.1200229). An arrangement of The End Of The World, a song covered by many famous artists. includingThe Carpenters; thanks to the phenomenal singing of Karen Carpenter. The End of the World was written by composer Arthur Kent and lyricist Sylvia Dee, who often worked as a team.The Carpenters (officially known as Carpenters were an American vocal and instrumental duo consisting of siblings Karen (1950–1983) and Richard Carpenter (born 1946). They produced a distinctive soft musical style, combining Karen's contralto vocals with Richard's harmonizing, arranging, and composition skills. During their 14-year career, the Carpenters recorded 10 albums along with many singles and several television specials. Karen possessed a powerful singing voice, and close miking brought out many nuances in her performances. Richard arranged their music to take advantage of this, though Karen had a three-octave vocal range. Richard's work with Karen was influenced by the music of Les Paul, whose overdubbing of the voice of wife and musical partner Mary Ford allowed her to be used as both the lead and harmony vocals.[6] By multi-tracking, Richard was able to use Karen and himself for the harmonies to back Karen's lead. The overdubbed background harmonies were distinctive to the Carpenters, but it was the soulful, engaging sound of Karen's lead voice that made them so recognizable. Record executive Mike Curb said it was Karen's voice that took the Carpenters above straight pop music into pop rock.  She was known as a one take wonder and could deliver a strong performance on the first attempt.Richard Carpenter was the creative force behind the Carpenters' sound. An accomplished keyboard player, composer and arranger, music critic Daniel Levitin called him one of the most gifted arrangers to emerge in popular music. The duo's smooth harmonies were not in step with contemporary music, which was dominated by heavy rock. Instead, the Carpenters strove for a rich and melodic sound, along the same vein as the Beach Boys and the Mamas & the Papas, but with greater fullness and orchestration including frequent use of small string and horn sections and introspective lyrics centred around relationships. Richard also admired the musicianship and arranging skills of Frank Zappa, and the two briefly met backstage at the Billboard Forum in 1975.End Of The World: Lyrics:Why does the sun go on shining?Why does the sea rush to shore?Don't they know it's the end of the world?'Cause you don't love me any moreWhy do the birds go on singing?Why do the stars glow above?Don't they know it's the end of the world?It ended when I lost your love[Bridge]I wake up in the morning and I wonderWhy everything's the same as it wasI can't understand, no, I can't understandHow life goes on the way it doesWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you said goodbyeWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you
$6.99 ≈
6.30€
Gangsta's Paradise
Gangsta's Paradise
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Basse electrique
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INTERMÉDIAIRE
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Coolio Featuring L
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Daniel Roberts
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Gangsta's Paradise
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Daniel P Roberts
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SheetMusicPlus
Bass Guitar - Level 3 - SKU: A0.1113598 By Coolio Featuring L.V. By Artis Ivey, Doug Rasheed, Larry Sanders, and Stevie Wonder. Arranged by Daniel Rober...
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Bass Guitar - Level 3 - SKU: A0.1113598 By Coolio Featuring L.V. By Artis Ivey, Doug Rasheed, Larry Sanders, and Stevie Wonder. Arranged by Daniel Roberts. 20th Century,Film/TV,Hip-Hop,Instructional,R & B. Score. 2 pages. Daniel P Roberts #715501. Published by Daniel P Roberts (A0.1113598). Bass line of Synth Bass arranged for 5-string Bass with TAB. Use octave pedal. As I walk through the valley of the shadow of death I take a look at my life and realize there's not much left 'Cause I've been blastin' and laughin' so long, that Even my mama thinks that my mind is gone But I ain't never crossed a man that didn't deserve it Me be treated like a punk, you know that's unheard of You better watch how you're talkin', and where you're walkin' Or you and your homies might be lined in chalk I really hate to trip but I gotta loc As they croak, I see myself in the pistol smoke, fool I'm the kinda G the little homies wanna be like On my knees in the night, sayin' prayers in the streetlight Been spendin' most their lives, livin' in the gangsta's paradise Been spendin' most their lives, livin' in the gangsta's paradise Keep spendin' most our lives, livin' in the gangsta's paradise Keep spendin' most our lives, livin' in the gangsta's paradise Look at the situation they got me facin' I can't live a normal life, I was raised by the street So I gotta be down with the hood team Too much television watchin' got me chasin' dreams I'm an educated fool with money on my mind Got my ten in my hand and a gleam in my eye I'm a loc'd out gangsta set trippin' banger And my homies is down so don't arouse my anger, fool Death ain't nothin' but a heartbeat away I'm livin' life, do or die, what can I say I'm 23 now, but will I live to see 24? The way things is going, I don't know Tell me why are we, so blind to see That the ones we hurt, are you and me? Been spendin' most their lives, livin' in the gangsta's paradise Been spendin' most their lives, livin' in the gangsta's paradise Keep spendin' most our lives, livin' in the gangsta's paradise Keep spendin' most our lives, livin' in the gangsta's paradise Power and the money, money and the power Minute after minute, hour after hour Everybody's runnin', but half of them ain't lookin' It's goin' on in the kitchen, but I don't know what's cookin' They say I gotta learn, but nobody's here to teach me If they can't understand it, how can they reach me I guess they can't, I guess they won't I guess they front, that's why I know my life is out of luck, fool Been spendin' most their lives, livin' in the gangsta's paradise Been spendin' most their lives, livin' in the gangsta's paradise Keep spendin' most our lives, livin' in the gangsta's paradise Keep spendin' most our lives, livin' in the gangsta's paradise Tell me why are we, so blind to see That the ones we hurt, are you and me? Tell me why are we, so blind to see That the ones we hurt, are you and me?
$4.99 ≈
4.50€
Everything for the Church Soloist-Digital Download
Everything for the Church Soloist-Digital Download
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Various Writers
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Everything for the Church Solo
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Hope Publishing - Digital
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SheetMusicPlus
Vocal, Solo Solo Voice - SKU: H1.804DP Arranged by Don Doig, Jack Schrader, and John F. Wilson. General Worship. Collection. 392 pages. Hope Publishing ...
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Vocal, Solo Solo Voice - SKU: H1.804DP Arranged by Don Doig, Jack Schrader, and John F. Wilson. General Worship. Collection. 392 pages. Hope Publishing - Digital #804DP. Published by Hope Publishing - Digital (H1.804DP). By Various Writers.140 Christian songs by Various Writers Contains over 140 songs including: Because He Lives, Communion Song, Great Is Thy Faithfulness, the Holy City, I Wonder as I Wander, Learning to Lean, Malotte's Lord's Prayer, Wedding Song, and The Palms. Contains over 140 songs including: Because He Lives, Communion Song, Great Is Thy Faithfulness, the Holy City, I Wonder as I Wander, Learning to Lean, Malotte's Lord's Prayer, Wedding Song, and The Palms.
Song List
: A Song About Me A Worthy Woman Above the Hills of Time All In The Name Of Jesus Alleluia (Schubert) Amazing Grace Because He Lives Because You Are God's Chosen Ones The Birthday of the King The Blood Will Never Lose Its Power The Body of Our Lord Born Again Bread Of The World In Mercy Broken Bridal Prayer Bring Back The Springtime Chosen of the Lord Christ Living Within You Clean Before My Lord Come, Praise the Lord! Communion Song Eternal Life Flee As A Bird For Those Tears I Died Gentle Like Jesus The Gift Of Love Give Me Jesus Give Them All To Jesus Grace Greater Than Our Sin Great Is Thy Faithfulness Have Thine Own Way, Lord! He Carried My Cross He Died for Me He Shall Feed His Flock He Turned The Water Into Wine He Was There All The Time He's a Wonderful Lord The Heavens Declare His Glory Help Us Accept Each Other Here's My Life Here's One His Eye Is On The Sparrow Ho! Everyone Who Is Thirsty The Holy City How Big Is God How Quiet Is the Night How Real! Hush Now I Am His And He Is Mine I Am the Vine I Am Willing, Lord I Heard About A Man I Just Came To Praise The Lord I Know Where I'm Going I Saw the Lord, and All Beside Was Darkness I Walked Today Where Jesus Walked I Want Jesus to Walk with Me I Wonder as I Wander I Wonder Why? If Jesus Had Not Come If My People Will Pray If with All Your Hearts If You Need a Helping Hand I'm Goin' Home In Jesus' Name In the Image of God Into My Heart It Was His Love It Won't Stop Ivory Palaces Jesus Is Lord Of All Jesus Revealed in Me Just A Closer Walk With Thee Just Because I Asked Lead Me To Calvary Learning to Learn Life Indeed Like A Child Little Baby Jesus Lonely Voices The Lord Is My Light Lord, Listen to Your Children Lord, Show the Way Lord, Take Control of Me The Lord's Prayer Love Came Down At Christmas Love Theme Love Was When Marvelous Mystery May the Mind of Christ Mirror More (Than You'll Ever Know) My Cup Overflows My Jesus, I Love Thee My Tribute The New 23rd New Wind Blowin' No One Ever Cared For Me Like Jesus No Power of My Own Nothing ... Everything O Father in Heaven O Glorious Love! O Holy Night O Lord Most Holy O Rest in the Lord O The Deep, Deep Love Of Jesus Of Love I Sing Oh, What Love! Open the Gates of the Temple The Palms Praise The Lord, He Never Changes Reach Out to Your Neighbor Ring The Bells Rise Again Savior, My Heart Is Thine Seek Ye First Shepherd Of Love Something Beautiful So Great Is His Mercy Spirit Of God Strength to My Soul Sweet Is the Name of Jesus Take God By the Hand Take My Life Ten Thousand Angels Thank You for These Gifts Thanks to God That Someday Is Now That's Why We Are Beautiful Then shall the righteous shine forth There's A Quiet Understanding They Led Him Away This Is My Commandment This Is The Time I Must Sing The Touch Of The Master's Hand The Twenty-Third Psalm (Malotte) Until Then Wedding Song Welcome Home, Children What God Hath Promised What Grace Is This! What Have They Done? Whither Thou Goest Who Are You to Disagree? Who Is This Boy? Who Shall Separate Us? Who Will Go? Worthy Is The Lamb Yes, God Is Real You're Something Special
$79.95 ≈
72.11€
Triad Chord Worksheet
Triad Chord Worksheet
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Guitare notes et tablatures
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DÉBUTANT
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Methodes
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Brian Streckfus
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Triad Chord Worksheet
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1175289 Composed by Brian Streckfus. Instructional. Guitar Tab. 5 pages. Brian Streckfus #774500. Published by Brian Streckfu...
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Guitar - Level 1 - SKU: A0.1175289 Composed by Brian Streckfus. Instructional. Guitar Tab. 5 pages. Brian Streckfus #774500. Published by Brian Streckfus (A0.1175289). Pages: 5 (84 chords to name)Objective:Instead of learning chords one by one, you instead learn how to build chords yourself. Also, this mindset helps in composing, because instead of seeing things as wrong chord versus correct chord, you simply see it as every harmony as a name. Like many things in life, theoritcal concepts can allow you to formulate thousands of outcomes in a single day. Tips:1. You start counting from 0 for this exercise if that makes any sense. Avoid the common fence post error by overcounting by 1. Other times you start counting from 1 in music is when talking about scale degrees. What is the distance from C to E? C(0) C#(1) D(2) D#(3) E(4).2. Use the chromatic scale at the top to help in counting.3. E# = F...Fb = E...B# = C...Cb = B...In otherwords, don't let strange enharmonics confuse you. Picture the black key sometimes missing between white keys on a piano in your mind if it helps. 4. Even though enharmonics like E# can seem confusing, they can actually add clarity sometimes because they cause the chord to stack perfectly in the sheet music and letter names. A# C# E#...versus...A# C# F...Sure, F is easier to understand in a part, but it actually makes the harmony harder to understand because not it looks like it isn't 3rds, even though it is.5. I included tab just to make this worksheet a little bit more interesting; however, the guitar chords that result are NOT practical. Voicings of common guitar chords are much more spread out, and often contain more duplicate letter names. Practical guitar chords is sort of a different conversation. I sort of did this intentionally to prove that perfectly stacked voicings do not work well on guitar. C E G Bb perfectly in order in harmony, sounds like it would be easy on guitar, but it is not.6. To make this more practical on guitar, I recommend building the chords yourself by simply knowing letter names well on guitar. The next time something asks for G major, don't just play a common voicing, actually find G B D randomly on the guitar neck. 7. Often the fifth of a chord is removed since it is the least important to invoking the flavor of the chord. This is especially true on guitar because we quickly run out of fingers and strings.8. The nature of the piano lends pianists to constantly seeing these distances on a linear plane. Conversely, guitar is a very murky instrument since the real distances of pitches is counterintuitive to arbitrary (usually) fret numbers! That is why many guitarists would benefit from thinking this way, instead of thinking of chords simply as shapes (which is also important for different reasons). In other words, try to build a chord on one string on guitar. It is impractical, but the half step distances required for chords will make much more sense.To Do:1. Slight differences in how the sheet look need to be made similiar.2. Remove green line.
$1.99 ≈
1.79€
Be Thou My Vision
Be Thou My Vision
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Grace Tuhy
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Grace Tuhy
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Be Thou My Vision
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Grace Tuhy
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1202528 Composed by Grace Tuhy. Arranged by Grace Tuhy. Christian,Praise & Worship,Religious. Score. 3 pages. Grace Tuhy ...
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Piano Solo - Level 4 - SKU: A0.1202528 Composed by Grace Tuhy. Arranged by Grace Tuhy. Christian,Praise & Worship,Religious. Score. 3 pages. Grace Tuhy #801268. Published by Grace Tuhy (A0.1202528). This arrangement of Be Thou My Vision is a reflection of our prayers. Sometimes our prayers are quiet and thoughtful, sometimes they are pleading, sometimes they are angry, and sometimes our prayers are simply tears running down our face. All prayers seem to end, though, with a peaceful and quiet note though that can only be given to us from God. Enjoy picking out these different types of prayer as you play through the arrangement. Tips for playing the arrangement:1. Play the first sample page before buying to be able to understand the feel of the arrangement.2. Read the hymn's original lyrics before playing through the arrangement. (Reading the lyrics will help you understand how the arrangement should be played)3. In the arrangement there are two key changes, so don't let that catch you off guard. 4. Use the damper pedal as you deem fit for the arrangement.5. Play with reflection of your own prayers in mind.
$4.99 ≈
4.50€
Edwin Culver: a bridge a-way, exits within (for solo guitar)
Edwin Culver: a bridge a-way, exits within (for solo guitar)
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Edwin Culver
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Edwin Culver: a bridge a-way,
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Edwin Culver
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published ...
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Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99 ≈
10.81€
Waltz No. 1 Opus 57
Waltz No. 1 Opus 57
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Guitare
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FACILE
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Mauro Giuliani
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Brian Streckfus
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Waltz No. 1 Opus 57
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1468989 Composed by Mauro Giuliani. Arranged by Brian Streckfus. 19th Century,Classical,Historic,Instructional. Individu...
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Solo Guitar - Level 2 - SKU: A0.1468989 Composed by Mauro Giuliani. Arranged by Brian Streckfus. 19th Century,Classical,Historic,Instructional. Individual part. 2 pages. Brian Streckfus #1047058. Published by Brian Streckfus (A0.1468989). This is more utilitarian than a creative arrangement, and by that I mean that this is designed to save you time fingering and analyzing, which is often the tedious stuff that hardly anyone would enjoy over actually playing the piece.The fingering numbers are truly fingering numbers so don't let the numbers confuse you on what pitch it is. These numbers are more difficult to understand than just fret numbers, but they are more professional. I have glissando markings, but they are to show pivot fingers and parallelisms rather than glissandos. Having chord names for classical music is unconventional, but that is part of what gives this arrangement its uniqueness. I'm not sure why classical sheet music doesn't; the chord names are extremely beneficial, and they technically stem from figured bass that composers like Bach would use. Sometimes it is tricky to give a measure a chord name though, since sometimes it is more of an implied harmony, or it's too vague, or it's too melodic. Features1. Fingerings added 2. Position markers added3. Chord names added4. Engraved for obvious phrases5. Composer indications added.
$1.99 ≈
1.79€
The Winner
The Winner
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Contemporain
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Andreas Kleinert
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The Winner
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Andreas Kleinert
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SheetMusicPlus
Small Ensemble - SKU: A0.1017906 Composed by Andreas Kleinert. Contemporary. Score and parts. 2 pages. Andreas Kleinert #6326291. Published by Andreas K...
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Small Ensemble - SKU: A0.1017906 Composed by Andreas Kleinert. Contemporary. Score and parts. 2 pages. Andreas Kleinert #6326291. Published by Andreas Kleinert (A0.1017906). Ein Ruf der Kinder aus unseren Familienferien: Auf den Ruf hin „Wer gehört oben ist! gab es einen Wettlauf die Treppe hoch. Genau aus diesem Ruf und der Situation entstand in meinem Kopf dieses Stück - voll guter Laune! Das Stück darf gern etwas wild gespielt werden, wie eben der Wettlauf unserer Kinder, als sie noch klein waren! Es hat, wie ich erst später sah, wieder nur die von mir so geliebten weißen Tasten. Und es kling trotzdem jazzig! Ich habe auch ein Big-Band-Arrangement mit Solos davon, die du hier in den Teilen B und C siehst.In our familiy holidays suddenly our children called: „Wer zuerst oben ist! (Who´s up first?)and there was a race upstairs! Right from this call and this situation this piece of music originated in my head – full of good mood! You may play this piece a bit wildly – just like the competition race of our children in the time when they were still small. As I noticed later, the piece has only white keys – and sounds jazzy nevertheless! The original version was a piece for big band with solos (look part B and C). The piece fits on two pages and has a rondo form as it is written above: Intro A B A C A. Sorry to say that my music program does not understand it, I don´t know why, but you`ll understand it, and this is the main thing! Have great fun with sports and games! And music! Das Stück passt gut auf zwei Seiten und ist auch in Rondoform, wie es darüber steht, leicht zu verstehen: Intro ABAC A. Leider versteht es mein Notensatzprogramm nicht, warum, weiß ich nicht. Aber du hast es verstanden, das ist die Hauptsache! Viel Spaß bei Sport und Spiel! Und der Musik!
$3.99 ≈
3.60€
A Whole New World (from 'Aladdin')
A Whole New World (from 'Aladdin')
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Jazz combo
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Peabo Bryson And Regina Belle
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Odd Helge Hveding
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A Whole New World
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oh2Musikk
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SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.1023975 By Peabo Bryson And Regina Belle. By Alan Menken. Arranged by Odd Helge Hveding. Film/TV. Score and parts. 27 pag...
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Jazz Combo - Level 4 - SKU: A0.1023975 By Peabo Bryson And Regina Belle. By Alan Menken. Arranged by Odd Helge Hveding. Film/TV. Score and parts. 27 pages. Oh2Musikk #3056155. Published by oh2Musikk (A0.1023975). How can your trombone quartet gain more audience? By playing with other people. You want your concerts to be well visited and to help you with that, I make arrangements (and compositions) for trombonequartet with guitar, piano, bass and drums. They also contain an optional bass-trombone/ tuba part and sometimes a solo part. This one contains a trombone solo part. This arrangement of A Whole New World, is scored for Solo Trombone in front of the ensemble mentioned above. There are two solo parts in the set. One high and and one low. You can combine those two if that makes you more comfortable. Durata: 3,5 minutes (approx.) The song itself is about Alladin taking Jasmine on a ride on the magic carpet. The lyrics are all about discovering what you didn’t know about and be grateful for all the adventures life gives. This makes it a perfect piece to play in a variety of places, like weddings, celebrations of any kind, graduations, not to mention many types of concerts. With a few adjustments you can also use parts of this arrangement and make it work. It’s most powerful when you use the whole band, but it still makes a lot of sense if you have to skip some of the parts. There are so many times I have had to skip a piece in a concert, using a not as good substitute, because we didn’t have the people to play it. In this series I have made it easier to still be able to play it, even if you don’t manage to cover every part. Check it out and you’ll understand. Do you want to know more about me and my music? Please feel free to contact me on facebook, google+, twitter or visit my website marketingmusicians.org
$13.99 ≈
12.62€
Clair de Lune (with piano fingering as needed)
Clair de Lune (with piano fingering as needed)
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Piano seul
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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Scott Camp
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Clair de Lune
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Scott Camp
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.553098 Composed by Claude Debussy. Arranged by Scott Camp. 20th Century,Concert,Graduation,Standards,Wedding. Score. 13 p...
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Piano Solo - Level 3 - SKU: A0.553098 Composed by Claude Debussy. Arranged by Scott Camp. 20th Century,Concert,Graduation,Standards,Wedding. Score. 13 pages. Scott Camp #3909193. Published by Scott Camp (A0.553098). Possibly the most beautiful piece of music ever.This edition presents Debussy's masterpiece with as close to 100% clarity as possible: no arrangement, no simplification, no abridgement, only solutions to the challenges of how to play this amazing masterpiece. In my experience, I would guess that Clair de lune has been the final, unfulfilled and unattained goal of piano students more than any other piece in music history.If you recognize the truth in this statement, you owe it to yourself to investigate this edition, in which for the first time, all of the technical challenges are clearly identified with their solutions. Playing a piece of music is not the same as mastering it. Surviving a performance is not the same as playing with confidence. There is no joy in being vulnerable to embarrassing mistakes. It is no way to live. You deserve a set of instructions (this edition) that enables you to master your performance, play with confidence and beauty, not an edition which blocks your access.Clair de Lune is so familiar that it is hard to appreciate just how revolutionary it (and Debussy) are. The word revolutionary is overused, so we fail to realize that Clair de Lune is difficult to play largely because it was difficult to notate. If the faculty of the Paris Conservatory didn't understand or appreciate Debussy, why would we expect the staff of a publishing company (as competent as they were) to understand the demands of his music. Debussy broke the boundaries of conventional piano notation. That means contradictions and ambiguity, which must be addressed.A note about fingering: where and why it is or is not presented. I've done my best to prepare an edition of this music that will enable the Intermediate Classical pianist to prepare and perform this masterpiece. My goal is to include information that the pianist needs, but does not already know. For Claire de Lune, some passages are dependent upon specific hand/fingering solutions, while other passages are either (1) equally playable with different fingering, or (2) only playable by what essentially becomes known as a self-evident solution. For example, m9-24, and m61-62, fall into this category. Octaves can only practically be played with fingers 1 and 5. I provide a lot of finger numbers, but that is not the same as creating an edition that can be played without significant staff reading. The premise is that an intermediate musician should have access to advanced material--that is a musician is motivated to play pieces one level more advanced. Attempting to bridge more than one level is not my goal.
$1.99 ≈
1.79€
Prelude 07 from Well-Tempered Clavier, Book 1 (Saxophone Quintet)
Prelude 07 from Well-Tempered Clavier, Book 1 (Saxophone Quintet)
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Quatuor de Saxophones: 4 saxophones
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Classique
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Johann Sebastian Bach
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Richard Byrnes
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Prelude 07 from Well-Tempered
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Richard Byrnes
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - SKU: A0.829904 Composed by Johann Sebastian Bac...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - SKU: A0.829904 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 18 pages. Richard Byrnes #2860087. Published by Richard Byrnes (A0.829904). The Well-Tempered Clavier has influenced many famous composers (Haydn, Mozart, Beethoven). Its variety of styles displays the amazing compositional technique of J. S. Bach. If you don’t know these, get acquainted. One of the parts in this arrangement expects the player to understand playing in the altissimo register. Since I use sampled sounds, please forgive their omission. You will notice that there are no dynamics offered. Rather find a dynamic level for your group where all of the parts are balanced equally. These pieces often use ornaments. The recording will demonstrate to you how they should sound.Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.In addition to many works by J.S. Bach, we offer works by Debussy, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$19.99 ≈
18.03€
Rondo Alla Turca (EASY PIANO) Sonata A-major No. 11, KV 331 [Wolfgang Amadeus Mozart]
Rondo Alla Turca (EASY PIANO) Sonata A-major No. 11, KV 331 [Wolfgang Amadeus Mozart]
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Piano Facile
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FACILE
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Classique
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Wolfgang Amadeus Mozart
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Darek
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Rondo Alla Turca
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Darek
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1258164 Composed by Wolfgang Amadeus Mozart. Arranged by Darek. Classical,March. Score. 1 pages. Darek #851410. Published...
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Easy Piano - Level 2 - SKU: A0.1258164 Composed by Wolfgang Amadeus Mozart. Arranged by Darek. Classical,March. Score. 1 pages. Darek #851410. Published by Darek (A0.1258164). Rondo Alla Turca (EASY PIANO) Sonata A-major No. 11, KV 331 [Wolfgang Amadeus Mozart]Simplified arrangement for pianists of Rondo Alla Turca (Turkish March / Turkish Rondo) from Sonata A-major No. 11, KV 331 by Wolfgang Amadeus Mozart. Easy version / Easy arrangement for pianists. Included: Fingering, Dynamics and video youtube tutorial. Â Unlock the magic of Mozart's Rondo Alla Turca (Turkish March / Turkish Rondo) from Sonata A-major No. 11, KV 331 with our delightful sheet music designed specifically for beginner pianists. Immerse yourself in the captivating melodies and invigorating rhythms of this timeless composition from the Classical era. Our meticulously crafted sheet music is tailored to provide a seamless learning experience for pianists at an easy level. It includes detailed fingering instructions, enabling you to achieve proper hand placement and effortless execution of each passage. With the help of our carefully annotated sheet music, you'll be able to navigate the piece with confidence and finesse. Immerse yourself in the world of dynamics and expressivity with our comprehensive notation of dynamics. Explore the nuances of soft and loud passages, allowing you to infuse your performance with emotion and musicality. Our sheet music empowers you to understand the composer's intentions and bring the composition to life. To further support your learning journey, we provide an invaluable YouTube tutorial alongside our sheet music. This video tutorial offers step-by-step guidance, allowing you to observe a seasoned pianist as they break down the intricacies of the piece. Learn valuable techniques, interpretive choices, and gain insights that will elevate your performance. Embrace the opportunity to learn and master one of Mozart's most cherished compositions, carefully arranged for beginner pianists. Our sheet music package offers a well-positioned entry point into the world of classical piano, allowing you to develop your skills and appreciation for this historical era. Don't miss out on the chance to enhance your musical repertoire with the elegance and charm of Mozart's Rondo Alla Turca. Dive into the enchanting melodies and rhythmic allure of this iconic piece, all while benefiting from our user-friendly sheet music that caters specifically to beginner pianists. Start your musical journey today and experience the joy of playing this timeless masterpiece.
$2.00 ≈
1.80€
Fugue 04 from Well-Tempered Clavier, Book 1 (Saxophone Choir)
Fugue 04 from Well-Tempered Clavier, Book 1 (Saxophone Choir)
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Ensemble de saxophones
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Classique
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Johann Sebastian Bach
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Richard Byrnes
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Fugue 04 from Well-Tempered Cl
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Richard Byrnes
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SheetMusicPlus
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - SKU: A0.829932 Composed by Johann Sebastian Bach. Arranged by Ri...
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - SKU: A0.829932 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 29 pages. Richard Byrnes #2860169. Published by Richard Byrnes (A0.829932). The Well-Tempered Clavier has influenced many famous composers (Haydn, Mozart, Beethoven). Its variety of styles displays the amazing compositional technique of J. S. Bach. If you don’t know these, get acquainted. One of the parts in this arrangement expects the player to understand playing in the altissimo register. Since I use sampled sounds, please forgive their omission. You will notice that there are no dynamics offered. Rather find a dynamic level for your group where all of the parts are balanced equally. These pieces often use ornaments. The recording will demonstrate to you how they should sound.Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble. The instrumentation is (2SSx,4ASx,2TSx,BiSx,BsSx).In addition to many works by J.S. Bach, we offer works by Debussy, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$29.99 ≈
27.05€
Op. 1, No. 6: Le Château dans la forêt from Songs of Gouvy, V2 (Downloadable)
Op. 1, No. 6: Le Château dans la forêt from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 6: Le Château
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-30E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-30E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-30E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-30E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.71€
Music Theory in the Real World
Music Theory in the Real World
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Théorie de la musique
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DÉBUTANT
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Michael Perlowin
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Music Theory in the Real World
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By Michael Perlowin. For All Instruments. All Styles. 48 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Michael Perlowin. For All Instruments. All Styles. 48 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609742409. In this book Mike Perlowin combines the practical experience of being a working musician in the fields of rock, blues, country, RandB, reggae, and bluegrass with the theoretical knowledge of an academic background to explain music theory in terms that any moderately accomplished musician can understand. Starting with the most basic of lessons, Perlowin clearly and concisely explains the tonal relationships between notes and how they form different types of scales and chords. Instead of using examples from unfamiliar classical music, this book uses well known tunes like Mary had a Little Lamb or Silent Night to illustrate theoretical principles. Rather than offering information on how to play a specific instrument, this book is designed for people who already play proficiently but don't understand music's underlying theoretical principles. Although the book is relatively short, it contains the equivalent of a year's worth of college level material, all made accessible to the average musician desiring a better understanding of music theory.
$12.99 ≈
11.72€
Angel Of Death
Angel Of Death
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Piano Facile
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DÉBUTANT
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Contemporain
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Hideki Sakamoto
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Fernando Ramos
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Angel Of Death
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Fernando Ramos
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.895226 Composed by Hideki Sakamoto. Arranged by Fernando Ramos. Contemporary. Score. 2 pages. Fernando Ramos #6575505. Pu...
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Piano Solo - Level 1 - SKU: A0.895226 Composed by Hideki Sakamoto. Arranged by Fernando Ramos. Contemporary. Score. 2 pages. Fernando Ramos #6575505. Published by Fernando Ramos (A0.895226). Hear it on YouTube:https://youtu.be/orjHaH77KzYLifelight (Super Smash Bros. Theme) - Late Beginner Piano Solo I make piano solo arrangements for my students of songs that they love! My goal is to create something that sounds beautiful as a standalone piece of music, but most importantly, that it actually makes pianistic sense. Sometimes I even hide exercises in the arrangements that I want a student to work on. All of my arrangements are usually made for a specific student, so the results will always vary.This arrangement was made for a late beginner student, Primary III, working on Level 1-2 of the Alfred's Masterwork Classics series. He loves his video games! As with many arrangements, I often simplify rhythms so that the melodies are more understandable to students. Then they completely ignore my simplified rhythm and play what they know by ear. I don't know why I continue underestimating them! So, I have kept a more complicated rhythm for this arrangement. The left hand is mostly blocked fifths with a few deviations for contrast. I recommend some use of pedal, but not necessary. When the main tune returns, left hand plays fifths in unison with melody--some exceptions. This keeps things very easy and even faster to learn.Pedal and fingering suggestions are included.
$4.99 ≈
4.50€
Piano Sonata No. 1 Movement 3 "Reflection of Passing"
Piano Sonata No. 1 Movement 3 "Reflection of Passing"
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Piano, Voix
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INTERMÉDIAIRE
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Samuel Warren Hatch
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Piano Sonata No. 1 Movement 3
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Samuel Warren Hatch
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1025435 Composed by Samuel Warren Hatch. 20th Century,Contemporary,Jazz. Score. 9 pages. Samuel Warren Hatch #4764...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1025435 Composed by Samuel Warren Hatch. 20th Century,Contemporary,Jazz. Score. 9 pages. Samuel Warren Hatch #4764165. Published by Samuel Warren Hatch (A0.1025435). Piano Sonata No. 1 in E Major is the first series of concert piano works by S. Warren Hatch, written during his undergraduate study at Campbell University. Each movement is distinct, in that each of them is composed in a different form, utilizes different key changes and scales, and takes influence from a different period in classical music. While there is no theme that connects them to one another, they are all in the key of E Major and consist mostly of a waltz-like feeling. III. A Reflection of Passing depicts the shifting aspects about death as a person matures. It’s a piece that came from a time of great loss and much grieving. It begins with an innocent, hopeful understanding of death, followed by a major tone shift, where there is an odd utilization of the piano: the performer sings into the piano while holding down the sustain pedal, which vibrates certain overtones, producing what sounds like a distant choir. The piece closes with a triumphant, hopeful melody, borrowed from a song written by S. Warren Hatch when he was in high school.Composer Notes- Be sure to ensure that the stage hands lift the piano lid before the sonata’s start, as the strings will need to be exposed in order for you to sing into the piano’s body during A Reflection of Passing. For that section (page 22) you will need to face and sing directly into the strings while holding down the sustain pedal for the entire page. If you are playing with the sheet music (don’t worry, I’m not shaming you) simply slide the music holder in order to expose the part of the strings that are closest to you. For this sonata, I encourage you to find your own voice in these pieces. Your own interpretation should align with how you most relate to the message/story they’re telling. This could be using the una corda (leftmost) pedal during lighter sections to further differentiate them, or having a heavier rubato to strengthen the impact of certain phrases. As long as you bring these pieces to life, then it has my stamp of approval.
$3.99 ≈
3.60€
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