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Thou Art the Way A cappella
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The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
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I'll Fly Away
I'll Fly Away
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Chorale 2 parties
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FACILE
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Musique Sacrée
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Albert E
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Tidda Durrogan
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I'll Fly Away
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Blokes Notes Music Director
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SheetMusicPlus
Choral Choir (TB) - Level 2 - SKU: A0.1132714 Composed by Albert E. Brumley. Arranged by Tidda Durrogan. A Cappella,Religious,Sacred,Spiritual. Octavo. ...
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Choral Choir (TB) - Level 2 - SKU: A0.1132714 Composed by Albert E. Brumley. Arranged by Tidda Durrogan. A Cappella,Religious,Sacred,Spiritual. Octavo. 2 pages. Blokes Notes Music Director #732903. Published by Blokes Notes Music Director (A0.1132714). An easy TBB acapella version of this classic southern gospel song, famed for its feature in the 2000 movie O Brother Where Art Thou? The close harmonies and hope-filled lyrics are why this song has been consistently popular for nearly a century. This is another arrangement written for and successfully performed by Blokes Notes, a non-auditioned community men’s acapella choir in Port Macquarie Australia, raising eyebrows since 2009.
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A Whitman Triptych: III. Facing West (Downloadable)
A Whitman Triptych: III. Facing West (Downloadable)
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David Conte
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A Whitman Triptych: III. Facin
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secul...
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Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 9 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8323-E. Published by E. C. Schirmer Music Company - Digital (MQ.8323-E). UPC: 600313483233. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. Facing West is drawn from the Children of Adam book from Walt Whitman's Leaves of Grass. The full title of the poem is Facing West From California's Shores. Though Whitman never visited California, his biographer Justin Kaplan made the insightful observation that he imagined California's shores to be the starting point for a journey through time and culture. Here was Walt, 'a child, very old,' facing home again, looking over to it, joyous, as after long travel, growth, and sleep, asking: 'But where is what I started for, so long ago?/And why is it yet unfound?' The invitation from the International Orange Chorale to compose a piece in honor of the 75th anniversary of the Golden Gate Bridge led me easily and naturally to this great poem. The tone of Facing West is rich and complex, and draws on one of Whitman's favorite themes of using travel to distant lands as a metaphor for spiritual development. In his poem, Whitman strikes notes of reflection, of longing for adventure, and ultimately ends with a question. The continuing relevance of this question is for me beautifully addressed by the contemporary American writer Edmund White in his 1980 book States of Desire. To paraphrase somewhat, White writes: California is where dreams may come true, and the problem it presents is whether, after all, we wanted these particular dreams to be fulfilled - or would we have preferred others? Did we know what price these dreams would exact? Did we anticipate the ways in which they would unsuit us for the business of daily life? Or should our notion of daily life itself be transformed? For Americans, California's coast is as far as one can go in establishing new roots and new ways of living. As a transplanted Midwesterner who has made California his home for nearly three decades, I experience the Golden Gate Bridge as a beautiful monument to the aspirations and dreams of a restless and inventive people, qualities that Whitman's poem captures perfectly. -David ConteDuration: 5:42
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Just The Way You Are
Just The Way You Are
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Piano, Voix et Guitare
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FACILE
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Bruno Mars
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Tabitha Beaven
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Just The Way You Are
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Tabitha Beaven
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1470292 By Bruno Mars. By Ari Levine, Bruno Mars, Khalil Walton, Khari Cain, and Philip Lawrence. Arranged ...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1470292 By Bruno Mars. By Ari Levine, Bruno Mars, Khalil Walton, Khari Cain, and Philip Lawrence. Arranged by Tabitha Beaven. A Cappella,Children,Instructional,Pop. Score. 6 pages. Tabitha Beaven #1048055. Published by Tabitha Beaven (A0.1470292). Part of a 'Pop Song Layer-Up' series - these arrangements are designed to be fun, warm-up songs for choirs, singing or vocal groups or a quick, easy-win fun filler song. A #PopSongLayerUp is designed to be experimented with, taking elements of a song and layering them to see what new harmonies and rhythms can be created. There are multiple ways it can be explored to build confidence, listening skills and focus. Vocal group leaders can experiment with dynamics, tempo, key changes, different genres/styles of singing using a familiar song as a foundation. Two versions have been provided, Version 1 shows each part stacked to play around with layering and Version 2 is a single part flow with four entry points and an optional finish section ('long-form round'). We know that rounds and partner songs provide great brain training and stretch for singers to concentrate on their part, understand where it fits into the whole and not be swayed by the multiple notes and rhythms moving around their line. A 'Key Chart' with chords / note range is provided in four different keys to help decide which is the most suitable for your vocal group and see if you need to drop an octave for lower voices. Although a starter structure is provided, group leaders are encouraged to mess around with it, try different layers together and have fun creating something new from something familiar. Huge scope for adding fun body percussion beats to keep time, or simple finger clicks. Most important is to have fun with a #PopSongLayerUp! And if you share your group on social media, please add the hashtags #PopSongLayerUp #PopRound and tag @tunefultabitha - would love to hear what you come up with! #PopSongLayerUp #PopRound #Round #PartnerSong #ListeningSkills #Concentration #BrainTraining #Synergy #Dynamics #VocalSkills #WarmUp #ChoirWarmUp.
$4.99 ≈
£3.73
Trebled Seas: A Sea Shanty Melody
Trebled Seas: A Sea Shanty Melody
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Chorale 3 parties
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INTERMÉDIAIRE
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Traditional
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Angelica Dunsavage
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Trebled Seas: A Sea Shanty Mel
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Canorous Music Publishing
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SheetMusicPlus
Choral Choir,Choral (SSA) - Level 3 - SKU: A0.1317505 Composed by Traditional. Arranged by Angelica Dunsavage. A Cappella,Contest,Festival,Instructional...
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Choral Choir,Choral (SSA) - Level 3 - SKU: A0.1317505 Composed by Traditional. Arranged by Angelica Dunsavage. A Cappella,Contest,Festival,Instructional,Traditional. 19 pages. Canorous Music Publishing #906169. Published by Canorous Music Publishing (A0.1317505). Trebled Seas combines three popular 19th-century sea shanties into an epic voyage on the high seas. Cape Cod Girls, originating from North America, is traditionally thought of as a short-drag shanty used in activities such as raising sails. Its lyrics vary from version to version between “heaveâ€, “haulâ€, and “bound†away, depending on the physical activity required. Jolly Sailor Bold first appears in a collection of sailing songs out of London, but has many similarities to the Irish ballad The Banks of Claudy. While not used as a working song, its minor tonality and association to sailing folklore makes for an interesting middle point along the journey. This setting contains a newly written verse warning of the dangers of sirens, mythical creatures known to sing to lure sailors to their doom. Lastly, Leave Her, Johnny is a pump shanty, usually one of the last activities done as a ship docks. In these types of pieces, sailors sing to complain about the rough conditions aboard, knowing they are soon to leave and will face no punishment. While sea shanties have been popular repertoire for tenor/bass ensembles, there has been a distinct lack of arranging for treble choirs. Historical research is discovering more and more evidence that while piracy and sailing was male-dominated, female captains like Anne Bonny, Mary Read, Zheng Yi Sao and others made their mark on the high seas. This piece is dedicated to the women that his-tory has forgotten.
$2.50 ≈
£1.87
Steal Away
Steal Away
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Chorale 3 parties
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INTERMÉDIAIRE
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Traditional
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Martin Neill
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Steal Away
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Martin Neill
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SheetMusicPlus
Choral Choir (3-Part) - Level 3 - SKU: A0.1240583 Composed by Traditional. Arranged by Martin Neill. A Cappella,Spiritual,Traditional. Octavo. 2 pages. ...
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Choral Choir (3-Part) - Level 3 - SKU: A0.1240583 Composed by Traditional. Arranged by Martin Neill. A Cappella,Spiritual,Traditional. Octavo. 2 pages. Martin Neill #835967. Published by Martin Neill (A0.1240583). This 3-part a cappella arrangement sounds impressive, but is aimed at choirs new to a cappella singing, as the parts move stepwise most of the time, making it easier to pitch.Martin Neill is a professional composer and arranger based in the UK. He has won many international composition competitions, and his music is published by Starshine, Chichester Music Press and others. His arrangements show great attention to detail, including phrasing, dynamics and fingering suggestions, which is why they are popular with tens of thousands of musicians around the globe.
$3.99 ≈
£2.98
Jesus Fought the Battle at Calvary (to the tune of "Joshua Fought the Battle of Jericho")
Jesus Fought the Battle at Calvary (to the tune of "Joshua Fought the Battle of Jericho")
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Chorale 3 parties
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INTERMÉDIAIRE/AVANCÉ
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Lyrics by K
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K
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Jesus Fought the Battle at Cal
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Kristopher James Murdock
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SheetMusicPlus
Choral Choir (SAB) - Level 4 - SKU: A0.893703 Composed by Lyrics by K.J. Murdock, music arranged from African American Spiritual. Arranged by K.J. Murdo...
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Choral Choir (SAB) - Level 4 - SKU: A0.893703 Composed by Lyrics by K.J. Murdock, music arranged from African American Spiritual. Arranged by K.J. Murdock. A Cappella,Blues,Christian,Easter,Gospel,Spiritual. Octavo. 7 pages. Kristopher James Murdock #3052979. Published by Kristopher James Murdock (A0.893703). Teachers and singers, do you need a fresh new song, with a new feel, based on a timeless classic?Church music leaders, are you looking for a unique way to share the faith, a change in style to draw attention to the Gospel in song?The new a capella Gospel song Jesus Fought the Battle at Calvary, to the tune of the familiar American Spiritual Joshua Fought the Battle of Jericho, solves both problems.The tune, with its lively blues chorus and solemn verses, is arranged from a Spiritual that emphasized the hope of an oppressed people to emerge triumphant one day, from slavery into a Promised Land of freedom, just like Moses and his successor Joshua in the days of old. These lyrics remind Christians of the belief that, by the Blood of Calvary, God's people of all races are spiritually triumphant over the ultimate foe, satan. Taking these contexts together, Jesus Fought the Battle at Calvary reminds us of a people who learned to look to God for victory and freedom, in both the spiritual and the natural realm. Jesus Fought the Battle at Calvary will be an inspiring addition to your repertoire, whether at Easter season or at any other time of year.Duration: approximately 1:53Uses: Church, school, etc.Rights: Feel free to sing this choral piece live without any additional charge beyond the price of sheet music, as long as no admission is charged in any non-academic setting other than a church fundraiser. For rights to charge admission in any other setting, or for any other rights such as copying or recording, please contact:
$1.99 ≈
£1.49
It's Christmastime (or Hear the Bells Ring)
It's Christmastime (or Hear the Bells Ring)
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Chorale SATB
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INTERMÉDIAIRE
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and large, Christmas music is
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Shaun Parry
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It's Christmastime
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MusicforMillions
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.935511 Composed by Shaun Parry. A Cappella,Christian,Christmas,Traditional. Octavo. 7 pages. MusicforMillions #...
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Choral Choir (Mixed) - Level 3 - SKU: A0.935511 Composed by Shaun Parry. A Cappella,Christian,Christmas,Traditional. Octavo. 7 pages. MusicforMillions #4994317. Published by MusicforMillions (A0.935511). Written in the style of classic Christmas carols with fun, memorable melody and lyrics, this new Christmas song will quickly become a part of everyone's caroling canon. By and large, Christmas music is either sacred or secular, about Jesus, Mary, the shepherds and angels or about presents and parties and Santa Claus. We live them both simultaneously. This carol represents that, with the first verse being a patter of excitement and the second more lyrical, focusing on the Advent of the Savior. Then, just as in life, they are sung together, complimenting each other. We end in unison with a glorious and memorable refrain Nativity mangers make friends out of strangers with peace on earth, good will to all men. * Bells/Chimes sound beautiful but it can also be performed with just piano and the voices singing the bell parts.* Perfect of school or church Christmas concerts or caroling. Also great for families around the fireplace or out Christmas caroling. * Written to be sung by two groups, however, there is a cut version (explained in print) that does not require splitting in two groups. It can be sung straight through without overlapping the verses. * Some harmony parts are indicated in the vocal line. Of course you can sing just the melody in unison all the way through, but there are ample opportunities to break out into fun 2,3 and (in some places) 4-part harmonies. Up to you. You can find me at @the_shaunparry or www.shaunparry.com
$3.99 ≈
£2.98
IT'S CHRISTMASTIME (a new trad. Christmas carol)
IT'S CHRISTMASTIME (a new trad. Christmas carol)
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Noël
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and large, Christmas music is
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Shaun Parry
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IT'S CHRISTMASTIME
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MusicforMillions
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.935513 Composed by Shaun Parry. A Cappella,Christian,Christmas,Traditional. Score. 7 pages. MusicforMillion...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.935513 Composed by Shaun Parry. A Cappella,Christian,Christmas,Traditional. Score. 7 pages. MusicforMillions #4995115. Published by MusicforMillions (A0.935513). Written in the style of classic Christmas carols with fun, memorable melody and lyrics, this new Christmas song will quickly become a part of your caroling tradition. By and large, Christmas music is either sacred or secular -- about Jesus, Mary, the shepherds and angels or about presents and parties and mistletoe. We live them both simultaneously. This carol represents that, with the first verse being a patter of Christmas excitement and the second more lyrical focusing on the advent of the Savior. Then, just as in life, they are sung together, complimenting each other. We end in unison with a glorious and memorable refrain Nativity mangers make friends out of strangers with peace on earth, good will to all men.This song has the potential to become a regular part of Christmas carol canon sung by millions around the world.* Perfect for school or church Christmas concerts. * Great for families around the fireplace or out caroling.* Bells/Chimes add a beautiful touch but it can also be performed with just piano and voices or even a capella. I have even enjoyed singing to guitar or ukulele.* Written to be sung by two groups, however, there is a cut version (explained in print) that does not require splitting. It can be sung straight through without overlapping the verses.* Some harmony parts are indicated in the vocal line. Of course you can sing the melody in unison all the way through, but there are ample opportunities to break out into fun 2,3 and (in some places) 4-part harmonies. Up to you.You can find me at @the_shaunparry or www.shaunparry.com
$3.99 ≈
£2.98
The Factory Girl SSA
The Factory Girl SSA
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Chorale 3 parties
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INTERMÉDIAIRE
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Traditional
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Maggi Warren
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The Factory Girl SSA
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Maggi's Music UK
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - SKU: A0.997176 Composed by Traditional. Arranged by Maggi Warren. A Cappella,Folk. Octavo. 7 pages. Maggi's Music UK #520...
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Choral Choir (SSA) - Level 3 - SKU: A0.997176 Composed by Traditional. Arranged by Maggi Warren. A Cappella,Folk. Octavo. 7 pages. Maggi's Music UK #5205365. Published by Maggi's Music UK (A0.997176). The Factory Girl SSA is an arrangement of a traditional folksong collected in 1906 and thought to be from Northern Ireland originally. It is a courtship story with ups and downs but has a joyous ending as the wedding bells ring. The simple original tune has been given a swaying accompaniment which reflects the moods of the verses. There is a flowing ‘a capella’ section in the middle. The Altos have two bars (only) of divisi in some backing ‘ooohs’.
$4.60 ≈
£3.44
His Eye Is On the Sparrow
His Eye Is On the Sparrow
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Chorale 3 parties
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INTERMÉDIAIRE
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Charles H
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Andrew H
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His Eye Is On the Sparrow
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Hale Publishing
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SheetMusicPlus
Choral Choir (SAB) - Level 3 - SKU: A0.1029924 Composed by Charles H. Gabriel, Civilla D. Martin. Arranged by Andrew H. Davis. A Cappella,Christian,Inst...
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Choral Choir (SAB) - Level 3 - SKU: A0.1029924 Composed by Charles H. Gabriel, Civilla D. Martin. Arranged by Andrew H. Davis. A Cappella,Christian,Instructional,Sacred,Spiritual,Standards. Octavo. 5 pages. Hale Publishing #5828723. Published by Hale Publishing (A0.1029924). This breathtaking hymn is arranged liberally for SSAB a cappella voices. Similarly to Steal Away, by the same composer, the tonal center remains relatively strong, making this a doable a cappella piece for a choir that is not specifically used to singing without accompaniment. The harmonies include lots of passing tones and complicated chords that will still challenge your more advanced choirs. A few solo opportunities also allow for showcasing your students as written, or to improvise. .
$40.00 ≈
£29.88
Jingle all the way for 4 violins
Jingle all the way for 4 violins
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Quatuor à cordes: 4 violons
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FACILE
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Noël
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James Pierpont
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Olivia Sparkhall
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Jingle all the way for 4 violi
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Olivia Sparkhall
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SheetMusicPlus
Small Ensemble,Strings Piano Accompaniment,Sleigh Bells,Violin - Level 2 - SKU: A0.988132 Composed by James Pierpont (1822-93). Arranged by Olivia Spark...
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Small Ensemble,Strings Piano Accompaniment,Sleigh Bells,Violin - Level 2 - SKU: A0.988132 Composed by James Pierpont (1822-93). Arranged by Olivia Sparkhall. Christmas,Contemporary. Score and parts. 11 pages. Olivia Sparkhall #6593375. Published by Olivia Sparkhall (A0.988132). About the piece‘Jingle all the way’ for violin ensemble, piano, and sleigh bells, is a light-hearted arrangement of Jingle Bells. A popular choice for school concerts, violins 2 and 3 are the most straight-forward, with violin 1 written for a more able player, and violin 4 containing some chromaticism which needs more awareness of semi-tone tuning. The recording is of a violin group of secondary school children (age 13-16) who are ABRSM Grade 3+. What do you get?Download includes full score and parts. About the arrangerOlivia Sparkhall studied composition at school with Derek Bourgeois and at Durham University with Paul Archbold, and has since received critical acclaim for her vocal music. She was short-listed in the Cappella Nova competition in 2018 for Dona Nobis Pacem and has received several commissions including for International Women’s Day services in 2018 (Lux Aeterna) and 2019 (Faith and Hope).Although primarily a composer of choral music, Olivia has written various pieces for cello and chamber ensemble, both for professionals and for children. These range from pieces for solo cello, cello duet, wind quintets and string ensembles, to a percussion piece for marimba and piano. Olivia is published by Encore Publications, Chichester Music Press, and within the Kassian Choral Series of Banks Music Publications both as composer, and as arranger and editor of choral music by women composers from the past. She is part of the series research and editorial team for the Multitude of Voyces CIC Sacred Music by Women Composers set of anthologies, as well as contributing original compositions and arrangements to each of the three volumes.
$4.99 ≈
£3.73
Didn't Leave Nobody But The Baby
Didn't Leave Nobody But The Baby
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Emmylou Harris, Alison Krauss
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Sheryl Neal
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Didn't Leave Nobody But The Ba
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Sheryl Neal
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SheetMusicPlus
Voice (SSAA) - Level 4 - SKU: A0.817077 By Emmylou Harris, Alison Krauss And Gillian Welch. By Alan Lomax, Gillian Welch, Mrs. Sidney Carter, and T-Bone...
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Voice (SSAA) - Level 4 - SKU: A0.817077 By Emmylou Harris, Alison Krauss And Gillian Welch. By Alan Lomax, Gillian Welch, Mrs. Sidney Carter, and T-Bone Burnett. Arranged by Sheryl Neal. A Cappella,Broadway,Folk,Musical/Show. Barbershop Quartet. 4 pages. Sheryl Neal #5722191. Published by Sheryl Neal (A0.817077). Voice, Choir, SA, SSAA, Voice, A Cappella, Barbershop, SSAA - Barbershop Harmony - Advanced Intermediate - . Barbershop arrangement of this traditional folk tune, featured in the hit movie, O Brother, Where Art Thou? Quartet pricing purchase includes 4 copies. Arranged in Barbershop style, with the melody in the treble clef, second voice from the top. This song will make a great addition to any performance! Simple, accessible arrangement. Quartet pricing includes permission to print a maximum of 4 copies. My name is Sheryl Neal, and I'm a singer, pianist, and a cappella arranger. See my website: www.arrangementsbysheryl.com. Please check out my other arrangements on SMP: Â Â Â https://www.sheetmusicplus.com/publishers/sheryl-neal/11193. Like my page on Facebook, Arrangements by Sheryl Neal. Questions or comments? Email me at ArrangementsbySheryl@gmail.com.
$18.99 ≈
£14.18
David W. Solomons - The Frostbound Wood for ATBB men's chorus a capella
David W. Solomons - The Frostbound Wood for ATBB men's chorus a capella
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Chorale SATB
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INTERMÉDIAIRE
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David Warin Solomons
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David W. Solomons - The Frostb
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.776016 Composed by David Warin Solomons. A Cappella,Christian,Christmas,Contemporary,Instructional,Sacred. Octa...
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Choral Choir (Mixed) - Level 3 - SKU: A0.776016 Composed by David Warin Solomons. A Cappella,Christian,Christmas,Contemporary,Instructional,Sacred. Octavo. 6 pages. Musik Fabrik Music Publishing #2036509. Published by Musik Fabrik Music Publishing (A0.776016). This setting for Christmas represents the cold of a Northern winter (the cruel wind blows) although of course the actual events took place in rather warmer climes. It also reflects much of the liturgical and popular symbolism of the Christmas season: robins, holly etc and it brings our thoughts towards the season of Easter with the blood of Good Friday. A robin brought some holly all covered with snow. The cruel wind blows. From each little berry fell drops of blood, Which covered the earth where the Virgin once stood. The cruel wind blows. Dark was the sky when Angels came to stay, They brought old lanterns to lead the way. The cruel wind blows. Candles brightly shine for all to see, They glow tonight through the ageing year. Tender are the lilies as soft as her gown And white are the ringlets that fall to the ground. Mary with her child upon this Winter night, She walked through the darkness with yellow candle light. North winds blow across the fields, But only one child continues to dream. The cruel wind blows The cruel wind blows. ©Tom Clarke Buying this file gives the right to print six copies of the music score.
$1.99 ≈
£1.49
In My Room
In My Room
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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The Beach Boys
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Donald A
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In My Room
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock...
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Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
$1.99 ≈
£1.49
a humble heart - SATB a cappella
a humble heart - SATB a cappella
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Chorale SATB
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INTERMÉDIAIRE
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Stella ter Hart
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a humble heart - SATB a cappel
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Stella ter Hart
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.890660 Composed by Stella ter Hart. A Cappella,Christian,Concert,Contemporary,Sacred. 8 pages. Stella ter...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.890660 Composed by Stella ter Hart. A Cappella,Christian,Concert,Contemporary,Sacred. 8 pages. Stella ter Hart #3575107. Published by Stella ter Hart (A0.890660). a humble heart is a gentle, retrospective anthem or sacred concert work for unaccompanied SATB choir. Even though the sopranos carry the melody, all other parts are beautiful and melodic. The music is carried forward with a caressing 3/4 feel, subtle word painting enhances the text and emotions are deep all the way through to the stirring closing AMEN. A definite new piece to include for any inspirational occasion !
$2.15 ≈
£1.61
Lorem Ipsum [mixed choir]
Lorem Ipsum [mixed choir]
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Chorale SATB
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Lorem Ipsum [mixed choir]
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Juan Maria Solare
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.596519 Composed by Juan MarÃa Solare. 20th Century,A Cappella,Contemporary,Latin,Multicultural,World. ...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.596519 Composed by Juan MarÃa Solare. 20th Century,A Cappella,Contemporary,Latin,Multicultural,World. 14 pages. Juan Maria Solare #3485699. Published by Juan Maria Solare (A0.596519). Juan MarÃa Solare Lorem ipsum for choir a cappella SATB Audio: https://soundcloud.com/juan-maria-solare/lorem-ipsum-choir-northern-spirit-solare Video: https://www.youtube.com/watch?v=4uyp8F6qTqw Lorem ipsum dolor sit amet, consectetur adipiscing elit, incididunt ut labore et dolore magna umbra. Nulla sed leo. Nullam sed purus. Nulla vitae diam sapien. Nulla gravida pretium magna. Tellus, ventus et ignis. Verbum sapientes defendit.   The Lorem ipsum is a text in pseudo-Latin, loosely inspired in a writing of Cicero[1] and that since the XVI century is used in publishing as filler text. Today it is used with a similar function, in electronic documents or web design. There are several versions of this text (of variable length), all them used to begin in the same way (Lorem ipsum … elit) but goon in different fashions. Therefore, I also invented part of the text, taking care of the metric, structural parallelisms and some hidden allusion to popular music (Tellus, ventus et ignis is Earth, Wind and Fire). The last sentence has even some sense: Verbum sapientes defendit means that the word defends to those who know. In the coda, since it is vocally much more practical to finish in m than in t, I changed the last word: dolor sit ipsum, what carries the existentialist message that pain is oneself.  Musically, the form is a rondo, with an obsessive refrain (based on the sentence we are commenting) which reappears without modifications.  This piece was composed in Bremen (Germany) on 18, 19 and 20 May 2015 (as if from a handbook: one day the text, the following day the music and on the third one big adjustements and the definitive precisions). Lorem ipsum is dedicated to Gonzalo MartÃn SaldÃvar. Premiere by the chamber choir Northern Spirit, conducted by Jaret Choolun, tenth year anniversary concert1 (19th November 2016) at the kleiner Saal of Die Glocke, Bremen, Germany. (https://www.northernspirit.de/kammerchor-bremen/jubilaeumskonzert-in-der-glocke/)First performance in Latin America: Coro Estable Municipal de Tandil, conducted by Annele Moroder, during the opening concert of the Third Argentine Choral Congress and the First Latin American Choral Congress (Choral Art and Identity) on May 24, 2018 (at 8:15 PM) at the Tandil Museum of Fine Arts, Argentina (https://www.youtube.com/watch?v=4uyp8F6qTqw). Juan MarÃa Solare [1] de Finnibus Bonorum et Malorum (On the Ends of Good and Evil), sections 1.10.32 and 1.10.33, written in the year 45 before Christ. This book -a treatise on ethic theory- was very popular during the Renaissance.
$5.00 ≈
£3.73
Light In The Hallway
Light In The Hallway
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Pentatonix
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James Haynor
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Light In The Hallway
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James Haynor
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.782259 By Pentatonix. By Audra Mae, Mitchell Grassi, and Scott Hoying. Arranged by James H...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.782259 By Pentatonix. By Audra Mae, Mitchell Grassi, and Scott Hoying. Arranged by James Haynor. A Cappella. Score and parts. 16 pages. James Haynor #4287159. Published by James Haynor (A0.782259). PTX baritone singer Scott Hoying paired up with bandmate Mitch Grassi and singer-songwriter Audra Mae to pen Light in the Hallway , inspired by the birth of his nephew. The group's bass singer Avi Kaplan sings the lead. Light in the Hallway is a beautiful piece sung a cappella. Scored here for Brass Quintet. Though scored for 2 Flugelhorns, trumpets may be substituted. The trombone takes the lead for the majority of the piece. Duration 3:58
$12.99 ≈
£9.70
I Want It That Way – TTBB and Solo Voice, a cappella
I Want It That Way – TTBB and Solo Voice, a cappella
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Chorale TTBB
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Rock Alternatif
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The Backstreet Boys
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Charles A
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I Want It That Way – TTBB an
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CG Publications
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SheetMusicPlus
By The Backstreet Boys. Arranged by Charles A. Gravenhorst. Score. 15 pages. Published by CG Publications ...
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By The Backstreet Boys. Arranged by Charles A. Gravenhorst. Score. 15 pages. Published by CG Publications
This well-known favorite from The Backstreet Boys is a challenging but truly impressive and crowd-pleasing selection arranged for Men?s a cappella voices, TTBB (divisi) and Solo voice, and may be sung with as few as five voices, though parts are written for seven voices plus Optional Beatboxer.
$2.99 ≈
£2.23
Indiana for Four Part A capella Men's Chorus (TTBB) from the musical "A Lucky Star"
Indiana for Four Part A capella Men's Chorus (TTBB) from the musical "A Lucky Star"
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Chorale TTBB
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INTERMÉDIAIRE
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James Nathaniel Holland
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Indiana for Four Part A capell
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James Nathaniel Holland
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.730509 Composed by James Nathaniel Holland. A Cappella,Broadway,Folk,Holiday,Musical/Show,Patriotic,Traditional....
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Choral Choir (TTBB) - Level 3 - SKU: A0.730509 Composed by James Nathaniel Holland. A Cappella,Broadway,Folk,Holiday,Musical/Show,Patriotic,Traditional. Octavo. 6 pages. James Nathaniel Holland #5991761. Published by James Nathaniel Holland (A0.730509). A hymn to home and the Hoosier state of Indiana from the 1920s musical, A Lucky Star, words and music by American composer (and Indiana native) James Nathaniel Holland. Arranged for four part a capella men's chorus with reduced piano for easy rehearsal. Tenor 1 and 2, Baritone, Bass choir.Lyrics:When I think of my home,There's no other place I see,Than that land with its broad rolling hills,And it's mist that creeps up,Every blue, warm summer night.That is home, no matter where, that's home to me.Seasons Spring, Summer, Fall, even Winter sings so brightlyWith your hills and your green fields of corn.In that way do not change, But keep faith as time passes,That to each and all that Hoosier State's sweet home. (The Hoosier State's my home!)Here's to you, Indiana,Though we change, my Indiana,You will always be that home sweet home to me! (My Indiana home.)Duration: 3:22 minutes.
$4.50 ≈
£3.36
'S trusaidh mi na coilleagan (The Cockle Gatherer)
'S trusaidh mi na coilleagan (The Cockle Gatherer)
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Chorale SATB
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FACILE
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Celtique/Irlandais
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Traditional Scots Gaelic
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Stephen Smith
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'S trusaidh mi na coilleagan
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Stephen Smith
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1354442 Composed by Traditional Scots Gaelic. Arranged by Stephen Smith. A Cappella,Celtic,Folk,Irish,Mul...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1354442 Composed by Traditional Scots Gaelic. Arranged by Stephen Smith. A Cappella,Celtic,Folk,Irish,Multicultural,Traditional,World. 1 pages. Stephen Smith #939143. Published by Stephen Smith (A0.1354442). It's not every day you sing about edible bivalves, but in this song you do! The arrangement is fun and easy, and was actually written with smaller and perhaps poorly balanced choirs in mind: there are never more than three parts to the harmony, so one of the four sections is always doubling one of the others, in a rotating fashion! The notes and rhythms are very straightforward, and although the Gaelic words are a bit tongue-twisting, a mere five bars' worth -- five short text fragments -- serve for the whole song, and a phonetic approximation of the pronunciation is provided. The piece is only about a minute long, so it makes a good encore, or a fast and flashy finale for a folksong set!
$1.99 ≈
£1.49
Uphill Heart - Score Only
Uphill Heart - Score Only
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Roy LaVern
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Uphill Heart - Score Only
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Roy LaVern
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SheetMusicPlus
Large Ensemble - Level 3 - SKU: A0.535366 By Roy LaVern. By Jacob Sumpter. A Cappella,Broadway,Contemporary,Folk,Musical/Show,Spiritual. Score and parts...
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Large Ensemble - Level 3 - SKU: A0.535366 By Roy LaVern. By Jacob Sumpter. A Cappella,Broadway,Contemporary,Folk,Musical/Show,Spiritual. Score and parts. 10 pages. Roy LaVern #145501. Published by Roy LaVern (A0.535366). Text from poem Alumnus Football by Grantland Rice You'll find the road is long and rough, with soft spots far apart, Where only those can make the grade who have the Uphill Heart. And when they stop you with a thud or halt you with a crack, Let Courage call the signals as you keep on coming back. Keep coming back, and though the world may romp across your spine, Let every game's end find you still upon the battling line; For when the One Great Scorer comes to mark against your name, He writes - not that you won or lost - but how you played the Game. I own the rights to the music / score, not the lyrics.
$9.99 ≈
£7.46
Poor Wayfaring Stranger
Poor Wayfaring Stranger
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Chorale SATB
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INTERMÉDIAIRE
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Unknown
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David Walker
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Poor Wayfaring Stranger
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Walker Press
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.799980 Composed by Unknown. Arranged by David Walker. A Cappella,Christian,Folk,Sacred. Octavo. 7 pages. Walker ...
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Choral Choir (SATB) - Level 3 - SKU: A0.799980 Composed by Unknown. Arranged by David Walker. A Cappella,Christian,Folk,Sacred. Octavo. 7 pages. Walker Press #5224083. Published by Walker Press (A0.799980). The first known publication of this was in 1858, although most folk music scholars date it much earlier. I've taken that version and start with the alto section; bass, soprano, and tenor come in with sustained harmony. The second verse weaves phrases and harmonies like an old quilt, and resolves in the third section with much of the 1858 shape note hymn embellished to drive home the melody. The piano accompaniment starts with basic chords and ends with a straight-forward statement of the four-part hymn. The third section can be sung a capella. Minimum purchase of 5 copies.
$2.25 ≈
£1.68
We Belong Together
We Belong Together
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Chorale SATB
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FACILE
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Vampire Weekend
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G
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We Belong Together
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G. M. Morley
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.500704 By Vampire Weekend. By Ezra Koenig and Rostam Batmanglij. Arranged by G. M. Morley. A Cappella,Contempora...
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Choral Choir (SATB) - Level 2 - SKU: A0.500704 By Vampire Weekend. By Ezra Koenig and Rostam Batmanglij. Arranged by G. M. Morley. A Cappella,Contemporary. Octavo. 10 pages. G. M. Morley #5044269. Published by G. M. Morley (A0.500704). This fun little love song comes from Vampire Weekend's fourth album, Father of the Bride, released in early 2019. The original is a duet featuring the female vocals of Danielle Haim.Writer, Ezra Koenig has said of the song I always wanted to do a song that was insanely simple, that was just listing things that go together... It's probably the most wholesome Vampire Weekend song.Although the simplicity of the original song remains, there are some challenging arpeggio's and runs for soprano and alto parts in the latter half of the piece.This version is suitable for weddings and pop or community choir performances.If you would like to contact me about this arrangement or would like to request something specific, please message me via my page: https://www.facebook.com/GMMorleyMusic/ If you perform this piece, I'd love to hear from you.
$3.50 ≈
£2.61
Hit The Road Jack
Hit The Road Jack
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Chorale SATB
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INTERMÉDIAIRE
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Percy Mayfield
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Erin Craig
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Hit The Road Jack
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Erin Craig
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.888138 Composed by Percy Mayfield. Arranged by Erin Craig. A Cappella. Octavo. 10 pages. Erin Craig #4569707. Pu...
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Choral Choir (SATB) - Level 3 - SKU: A0.888138 Composed by Percy Mayfield. Arranged by Erin Craig. A Cappella. Octavo. 10 pages. Erin Craig #4569707. Published by Erin Craig (A0.888138). This is a sassy, up-tempo a cappella arrangement of Ray Charles' hit song! It's voiced for SAATB, and can be performed by ensembles of any size, with or without amplification. This is a great piece to work on with a vocal jazz ensemble for swing syncopations and part independence. Bass singers have the opportunity to work on their walking bass and vocal percussion skills.Performance notes are included with suggestions on how to incorporate improvisation and how to approach ensemble diction in a stylistically appropriate way.Intermediate choirs who perform this piece unamplified will have equal success. The harmonies are simple and the vocal lines are intuitive which makes this a great piece in which to practice a cappella singing and intonation.A piano reduction is included for rehearsal purposes.This would be a great piece to start or end a set with!Duration: ~ 3'00 - up to 5'00 depending on length of improvisationsarranged by Erin Craig www.ErinCraig.ca
$3.50 ≈
£2.61
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Thou Art the Way A cappella
