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Thou art gone awa
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Vous avez sélectionné:
Thou art gone awa
Partitions à imprimer
34 partitions trouvées
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26
Thou art gone awa'. A Scotch Ballad
Thou art gone awa'. A Scotch Ballad
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Piano, Voix
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Mr
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Thou art gone awa'. A Scotch B
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.16960 Arranged by Mr. B. Carr. Courtship & love, Fraud, Emotion--pain. Lester S. Levy Collection. 2 pages. Published by Johns ...
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Piano and voice - SKU: LV.16960 Arranged by Mr. B. Carr. Courtship & love, Fraud, Emotion--pain. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.16960). Thou art gone awa'. A Scotch Ballad. Arranged for the Piano Forte or Harp by Mr. B. Carr. Published [1820?] by T. Carr in Baltimore. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Courtship & love, Fraud, Emotion--pain. First line reads Thou art gone awa thou art gone awa thou art gone awa from me Mary.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
$8.28
Shenandoah / He's Gone Away
Shenandoah / He's Gone Away
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Chorale 3 parties
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Mark Hayes
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Recorded Acc. Available.
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Shenandoah / He's Gone Away
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chorus - SKU: AX.00-PO-0002902 Shenandoah / He's Gone Away - SAB. Arranged by Mark Hayes. Secular Choral. 13 pages. Alfred Music - Digital Sheet ...
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Chorus - SKU: AX.00-PO-0002902 Shenandoah / He's Gone Away - SAB. Arranged by Mark Hayes. Secular Choral. 13 pages. Alfred Music - Digital Sheet Music #00-PO-0002902. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002902). UPC: 038081212081.A breathtaking combination of two simple folks songs. Mark Hayes has a tremendous gift for bringing the best qualities out of a simple musical idea. His artistic treatment of these two standards from the folk song repertoire will raise your choir to a new level of excellence. Harmonically rich and opulently expressive. The flowing sixteenth notes in the piano accompaniment paint a clear picture of a rolling river in Shenandoah, and the multi-metered setting of He's Gone Away augments the melody into a form that would surely draw you back ten thousand miles. Stunning when performed with live woodwinds and percussion, or the gorgeous SoundTrax.Inst. Parts Available (choral); Recorded Acc. Available.
$2.95 ≈
$4.08
Shenandoah / He's Gone Away
Shenandoah / He's Gone Away
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Chorale SATB
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Mark Hayes
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Recorded Acc. Available.
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Shenandoah / He's Gone Away
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chorus - SKU: AX.00-PO-0002901 Shenandoah / He's Gone Away - SATB. Arranged by Mark Hayes. Secular Choral. 13 pages. Alfred Music - Digital Sheet...
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Chorus - SKU: AX.00-PO-0002901 Shenandoah / He's Gone Away - SATB. Arranged by Mark Hayes. Secular Choral. 13 pages. Alfred Music - Digital Sheet Music #00-PO-0002901. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002901). UPC: 038081212074.A breathtaking combination of two simple folks songs. Mark Hayes has a tremendous gift for bringing the best qualities out of a simple musical idea. His artistic treatment of these two standards from the folk song repertoire will raise your choir to a new level of excellence. Harmonically rich and opulently expressive. The flowing sixteenth notes in the piano accompaniment paint a clear picture of a rolling river in Shenandoah, and the multi-metered setting of He's Gone Away augments the melody into a form that would surely draw you back ten thousand miles. Stunning when performed with live woodwinds and percussion, or the gorgeous SoundTrax.Inst. Parts Available (choral); Recorded Acc. Available.
$2.95 ≈
$4.08
August 27 - Gone Without a Trace
August 27 - Gone Without a Trace
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Piano seul
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FACILE
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Contemporain
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The Awakened Soul
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August 27 - Gone Without a Tra
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The Awakened Soul
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1303984 By The Awakened Soul. By Aporosa Malo. 21st Century,Contemporary,Film/TV,New Age,Video Game. Score. 2 pages. The ...
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Piano Solo - Level 2 - SKU: A0.1303984 By The Awakened Soul. By Aporosa Malo. 21st Century,Contemporary,Film/TV,New Age,Video Game. Score. 2 pages. The Awakened Soul #893539. Published by The Awakened Soul (A0.1303984). This piece was composed of daily word prompts over the course of the month. These pieces originated as piano improvisations but then were programmed into Sibelius to be composed and arranged.This piece is designed to capture the prompt/feeling of the title mentioned as it is designed for casual enjoyment or to be improvised upon.Website: https://awakenedsoulproductions.comFollow Awakened Soul Productions (Business) on…Linktre: https://linktr.ee/awakenedsoulproductionsInstagram: https://www.instagram.com/awakenedsoulproductionsFollow The Awakened Soul (Artist/Composer) on…Spotify: https://open.spotify.com/track/7D74a97OGlvKKSB70yXYfe?si=de2b89d5435749aeInstagram: https://www.instagram.com/7he4wak3nd5ou1/.
$10.00 ≈
$13.82
Dishes, Dolls, Dresses and Dreams
Dishes, Dolls, Dresses and Dreams
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Chorale 3 parties
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FACILE
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Deborah Johnson
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Deborah Johnson
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Barnes &
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Dishes, Dolls, Dresses and Dre
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Deborah Johnson
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SheetMusicPlus
Choral Choir,Choral,SSA Chorus - Level 2 - SKU: A0.1422372 Composed by Deborah Johnson. Arranged by Deborah Johnson. Broadway,Contest,Festival,Historic,...
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Choral Choir,Choral,SSA Chorus - Level 2 - SKU: A0.1422372 Composed by Deborah Johnson. Arranged by Deborah Johnson. Broadway,Contest,Festival,Historic,Musical/Show,Opera,Romantic Period. 19 pages. Deborah Johnson #1003714. Published by Deborah Johnson (A0.1422372). With a charming message evoking nostalgia for days gone by, 'Dishes, Dolls, Dresses and Dreams' is an enchanting song crafted for solos and chorus. Its whimsical melody and heartfelt lyrics transport listeners to a bygone era filled with innocence and wonder. Originally written for a musical, this versatile composition can stand alone as a captivating musical selection or be enhanced with the addition of dance, adding visual depth to its already enchanting narrative. Furthermore, its adaptable nature allows for easy dramatization, making it suitable for theatrical performances. For those seeking versatility, the song offers the flexibility to be shortened after measure 117 without compromising its impact, ensuring it can be tailored to fit various performance contexts and preferences. Sheet music, including vocal lead sheet score is 19 pages including cover. Instrumental accompaniment track also available for download. Range is G below middle C to high C, which occurs once very quickly.Written and arranged by Deborah Johnson, first written to be included in the musical TSARINA. (http://TsarinaTheMusical.com) DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded dozens of albums, written 3 original musicals and has appeared on many stages around the country and world. She also appeared with the headliner piano/vocal duo Double Grande. Her internationally released books have garnered great reviews (on Amazon & Barnes & Noble) Deborah’s songs have also been up for multiple Grammy Awards. Music and Lyrics by Deborah Johnson. Basic production and piano tracking by Deborah. Additional production & keyboards: Richard Callaci, guitars Jack Majdecki. Additional vocals: Deborah Johnson, Joyce Anderson, Micah Pearsal, Lori Donato, Melanie Smith. Recorded at DJWorks Studios & Callaci Studios. https://DJWorksMusic.com Books & Products: https://goalsforyourlife.com/goal-setting-products Twitter: @DJWorksMusic; LinkedIn: https://www.linkedin.com/in/deborahjjohnson/ Follow on Facebook: http://on.fb.me/14hfyhf For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com, https://goalsforyourlife.com/ or https://DeborahJohnsonSpeaker.com
$8.99 ≈
$12.43
A thousand years in Your sight are like a day that has just gone by
A thousand years in Your sight are like a day that has just gone by
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Musique Sacrée
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Shiu yu chuen
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A thousand years in Your sight
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Shiu yu chuen
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SheetMusicPlus
Small Ensemble Flute,Piano,Voice - Level 1 - SKU: A0.1021722 Composed by Shiu yu chuen. Christian,Holiday,Praise & Worship,Sacred. Score and parts. 13 p...
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Small Ensemble Flute,Piano,Voice - Level 1 - SKU: A0.1021722 Composed by Shiu yu chuen. Christian,Holiday,Praise & Worship,Sacred. Score and parts. 13 pages. Shiu yu chuen #6208721. Published by Shiu yu chuen (A0.1021722). Yet You sweep people away in the sleep of death- they are like the new grass of the morning
$2.00 ≈
$2.76
I Travel On for SAB choir
I Travel On for SAB choir
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Chorale 3 parties
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Christian contemporain
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Musique Sacrée
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Tara Islas
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I Travel On for SAB choir
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Tara Islas
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SheetMusicPlus
Choral Choir (SAB) - SKU: A0.840521 Composed by Tara Islas. Contemporary,Sacred. Octavo. 10 pages. Tara Islas #6857613. Published by Tara Islas (A0.8405...
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Choral Choir (SAB) - SKU: A0.840521 Composed by Tara Islas. Contemporary,Sacred. Octavo. 10 pages. Tara Islas #6857613. Published by Tara Islas (A0.840521). This choral piece was written and dedicated to the loss of a partner, best friend or anyone who has had a profound loss in their lives. The lyrics were adapted from the poem To Those Whom I Love (Anonymous) Questions or comments? We're here to help! taraislasmusic@gmail.com Lyrics: When I am gone, please let me go I have so many things to see, although, You must not shed too many tears, I plea But thankful for those years you've given me. I gave my love, and you can guess How much you've given me in happiness I thank you for the love each have shown But now it is time I travelled on. I travel on, I travel on, but my love for you will carry on. I travel on, I travel on alone, I won't be far away. So grieve a while, grieve you must Then let your grief be comforted by trust It is only for a while that we must part So treasure memories in your heart. I travel on, I travel on, but my love for you will carry on. I travel on, then when you come this way alone, I'll greet you and say welcome home.
$1.99 ≈
$2.75
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
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Ensemble de Tubas
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INTERMÉDIAIRE
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Jazz
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Glenn Miller
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Keith Terrett
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Moonlight Serenade for Tuba Qu
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Music for all Occasions
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SheetMusicPlus
Tuba, Euphonium, Tuba Quintet - Intermediate - Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set ...
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Tuba, Euphonium, Tuba Quintet - Intermediate - Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Moonlight Serenade" arranged here for Tuba Quintet, is an American popular song composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when first released in May 1939 as an instrumental arrangement and was adopted as Miller?s signature tune. In 1991, Miller?s recording of "Moonlight Serenade" was inducted into the Grammy Hall of Fame.
The song, recorded on April 4, 1939 on RCA Bluebird, was a Top Ten hit on the U.S. pop charts in 1939, reaching number three on the Billboard charts, where it stayed for fifteen weeks. It was the number 5 top pop hit of 1939 in the Billboard year-end tally. Glenn Miller had five records in the top 20 songs of 1939 on Billboard′s list.
In the UK, "Moonlight Serenade" was released as the A-side of a 78 on His Master?s Voice, with "American Patrol" as the B-side. The recording reached number twelve in the UK in March 1954, staying on the chart for one week. In a medley with "Little Brown Jug" and "In the Mood", "Moonlight Serenade" reached number thirteen on the UK charts in January 1976, in a chart run of eight weeks.
The recording was also issued as a V-Disc, No. 39A, in November 1943.
The recording used a clarinet-led saxophone section, which is widely considered[citation needed] the classic Glenn Miller style. Miller studied the Schillinger technique with Joseph Schillinger, who is credited with helping Miller create the "Miller sound", and under whose tutelage he himself composed "Moonlight Serenade".
The song evolved from a 1935 version entitled "Now I Lay Me Down to Weep", with music by Glenn Miller and lyrics by Eddie Heyman to a version called "Gone with the Dawn" with lyrics by George Simon, and "The Wind in the Trees" with lyrics by Mitchell Parish. In his biography of Glenn Miller, George T. Simon recounted how vocalist Al Bowlly of the Ray Noble Orchestra sang him the Eddie Heyman lyrics to the Glenn Miller music of "Now I Lay Me Down to Weep" in 1935. The Noble Orchestra never recorded the song. Finally it ended up as "Moonlight Serenade" because Robbins Music bought the music and learned that Miller was recording a cover of "Sunrise Serenade", a Frankie Carle associated song, for RCA Victor. They thought "Moonlight" would be a natural association for "Sunrise".
"Now I Lay Me Down to Weep" was composed in 1935 with lyrics by Eddie Heyman and music by Glenn Miller. After "Moonlight Serenade", originally released solely as an instrumental, became a smash hit in 1939, Mitchell Parish wrote new lyrics for the music under that title.
A notable vocal version can be found on Frank Sinatra?s Moonlight Sinatra released in 1965, which also contains "Moon Love", "Moonlight Becomes You", and "Oh, You Crazy Moon", which were recorded by Glenn Miller and his Orchestra. "Moonlight Serenade" can also be found on Nothing But the Best, a 2008 Frank Sinatra greatest hits compilation by Reprise, on My Way: The Best of Frank Sinatra from 1997 by Warner Bros., and the Frank Sinatra compilation Greatest Love Songs from 2002. Frank Sinatra also released the song as part of an 7" EP 33RPM single in 1966, Reprise SR1018. The song also appeared on the 2015 centennial collection Ultimate Sinatra. In 1939, Count Basie and His Orchestra recorded one of the earliest versions to feature the lyrics added by Mitchell Parish which was released as a 78 single, Vocalion 5036.
"Moonlight Serenade" has been covered by Barry Manilow, Carly Simon, The Airmen of Note of the U.S. Air Force with Air Force Strings, Charlie Haden, Marc Reift, Chet Baker with The Mariachi Brass in 1966, Santo and Johnny, Thelma Houston, Carol Burnett, Toots Thielemans, Deodato, who reached number 18 on the Billboard Easy Listening Chart, Count Basie and his Orchestra with vocals by Helen Humes in 1939, Benny Goodman and his Orchestra, Cab Calloway, The Modernaires, Gene Krupa and his Orchestra, Freddy Martin and his Orchestra, Bert Kaempfert, Ray Conniff, Mina, Dick Todd on RCA Bluebird, Geoff Love and His Orchestra, Lloyd Gregory on solo guitar, Dick Hyman, Maxwell Davis and his Orchestra, Tony Evans, Los Indios Tabajaras, David Rose, Richard Himber, Fi Dells Quartet, Waikikis, The Universal-International Orchestra conducted by Joseph Gershenson, Oleg Lundstrom, Charlie Byrd, Taco, Alix Combelle, Richard Vaughn, Lisa Ono, Eddie Maynard, Simone Kopmajer, Hamburg Philharmonia, Frankie Capp, Dave, Robert Banks Trio, Karel Vlach, Transatlantic Swing Band, the Frankie Condon Orchestra, The Romantic Strings, Paul Mauriat, Tommy Leonetti, Johnny Desmond, the Boston Pops under Arthur Fiedler, John Williams, and Keith Lockhart, Charlie Calello Orchestra, J.P. Torres and the Cuban All Stars, Tex Beneke and His Orchestra, the Manhattan Jazz Orchestra, Urbie Green, Bob Mintzer, Laura Fygi, Max Greger, Mario Pezzotta and His Orchestra, 101 Strings, Andrs Ramiro and His Orchestra, The Hiltonaires, Big Warsaw Band, Pep Poblet, Ray Anthony, Cheryl Bentyne, jazz trumpeter Bobby Hackett in 1965, The 12 Cellists of the Berlin Philharmonic, Joe Loss, Ted Heath, Lawrence Welk, Henry Mancini, James Last, Michael Maxwell and His Orchestra, John Blair, Ray Eberle, Enoch Light, Modern Folk Quartet, Buddy Emmons on steel guitar, The Rivieras, a 1950s Doo Wop group whose recording reached number 47 on the pop charts in 1959, Tuxedo Junction, Yasuko Agawa, George Melachrino, German bandleader Kurt Edelhagen, Ella Fitzgerald, Oscar Rabin, Henry Jerome and his Orchestra as a 45 single, Decca 25545, Kurt Elling, Syd Lawrence, The Ventures, Archie Bleyer, Mantovani, Bobby Vinton, who reached number 97 on the Billboard Hot 100 in 1976, and the rock band Chicago as a 1995 3 inch CD single in Japan and on the big band album Night & Day Big Band.
Jazz critic Gary Giddins wrote about the song?s impact and legacy; "Miller exuded little warmth on or off the bandstand, but once the band struck up its theme, audiences were done for: throats clutched, eyes softened. Can any other record match ?Moonlight Serenade? for its ability to induce a Pavlovian slobber in so many for so long?" (The New Yorker, May 24, 2004).
"Moonlight Serenade" released as V-Disc 39A, VP 75, Theme Song, by the U.S. War Department in November 1943. In November 1939, Miller had a 15-minute radio series on CBS called Moonlight Serenade that ran three times a week, Tuesdays, Wednesdays, and Thursdays at 10:00 PM Eastern Time (shifting to 7:15 PM in May 1942), until September 1942, sponsored by Chesterfield.
Wartime release:
The 1939 RCA Victor studio recording of "Moonlight Serenade" was released by the U.S. War Department as V-Disc 39A, VP 75, Theme Song, in November, 1943. The recording was also released on the Navy V-Disc No. 160A. A V-Disc test pressing of a recording of the song from November 17, 1945 by the AAF Band was made but the disc was not issued. A new recording by Glenn Miller with the American Band of the Allied Expeditionary Forces was broadcast to Germany in 1944 on the radio program The Wehrmacht Hour.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$12.99 ≈
$17.95
A Semita in Umbra
A Semita in Umbra
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Violoncelle (partie séparée)
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AVANCÉ
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Mena Williams
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A Semita in Umbra
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Mena C. Williams
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SheetMusicPlus
Cello Solo - Level 5 - SKU: A0.1256030 Composed by Mena Williams. 21st Century,Classical. Individual part. 4 pages. Mena C. Williams #849498. Published ...
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Cello Solo - Level 5 - SKU: A0.1256030 Composed by Mena Williams. 21st Century,Classical. Individual part. 4 pages. Mena C. Williams #849498. Published by Mena C. Williams (A0.1256030). Duration: 00:03:01A Semita in Umbra is Latin for A Shadow's Path. When listening to this piece I imagine how a  shadow traipse behind it's person; and how it'll disappear in an instant when the light has gone. This piece make me think of Peter Pan's shadow specifcally trying to remove himself from the boy,  and tip toe away into the night. Although the audience may think that Peter Pan's shadow should have a more light-hearted tune. I think the opposite, I like to think of it has more of a lament; Peter Pan's  shadow has tried countless times to escape and has never succeeded. The shadow  has lost count of how many times he's tried to set himself free, and is rapidly losing hope.  All he can do for some resemblance of freedom is fade away when light is no longer around.
$2.50 ≈
$3.46
My Immortal
My Immortal
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Violoncelle (partie séparée)
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DÉBUTANT
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Evanescence
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Josiel Oliveira
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My Immortal
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M das Melodias
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SheetMusicPlus
Cello Solo - Level 1 - SKU: A0.1014843 By Evanescence. By Amy Lee, Ben Moody, and David Hodges. Arranged by Josiel Oliveira. Multicultural,Pop,Rock,Worl...
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Cello Solo - Level 1 - SKU: A0.1014843 By Evanescence. By Amy Lee, Ben Moody, and David Hodges. Arranged by Josiel Oliveira. Multicultural,Pop,Rock,World. Individual part. 1 pages. M das Melodias #619479. Published by M das Melodias (A0.1014843). Sheet music for Cello My Immortal by Evanescence. Easy sheet music. #myimmortal #evanescence #sheetmusic hit song #cello I'm so tired of being here Suppressed by all my childish fears And if you have to leave, I wish that you would just leave 'Cause your presence still lingers here And it won't leave me alone These wounds won't seem to heal This pain is just too real There's just too much that time cannot erase When you cried I'd wipe away all of your tears When you'd scream I'd fight away all of your fears And I held your hand through all of these years But you still have all of me You used to captivate me by your resonating light Now I'm bound by the life you've left behind Your face it haunts my once pleasant dreams Your voice it chased away all the sanity in me These wounds won't seem to heal This pain is just too real There's just too much that time cannot erase When you cried I'd wipe away all of your tears When you'd scream I'd fight away all of your fears And I held your hand through all of these years But you still have all of me I've tried so hard to tell myself that you're gone But though you're still with me I've been alone all along When you cried I'd wipe away all of your tears When you'd scream I'd fight away all of your fears And I held your hand through all of these years But you still have all of me.
$4.99 ≈
$6.90
My Immortal
My Immortal
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Saxophone (partie séparée)
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DÉBUTANT
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Evanescence
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Josiel Oliveira
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My Immortal
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M das Melodias
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SheetMusicPlus
Tenor Saxophone Solo - Level 1 - SKU: A0.1014861 By Evanescence. By Amy Lee, Ben Moody, and David Hodges. Arranged by Josiel Oliveira. Multicultural,Pop...
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Tenor Saxophone Solo - Level 1 - SKU: A0.1014861 By Evanescence. By Amy Lee, Ben Moody, and David Hodges. Arranged by Josiel Oliveira. Multicultural,Pop,Rock,World. Individual part. 1 pages. M das Melodias #619513. Published by M das Melodias (A0.1014861). Sheet music for Tenor Saxophone My Immortal by Evanescence. Easy sheet music. #myimmortal #evanescence #sheetmusic hit song #saxophone #tenorsaxophone #tenorsax I'm so tired of being here Suppressed by all my childish fears And if you have to leave, I wish that you would just leave 'Cause your presence still lingers here And it won't leave me alone These wounds won't seem to heal This pain is just too real There's just too much that time cannot erase When you cried I'd wipe away all of your tears When you'd scream I'd fight away all of your fears And I held your hand through all of these years But you still have all of me You used to captivate me by your resonating light Now I'm bound by the life you've left behind Your face it haunts my once pleasant dreams Your voice it chased away all the sanity in me These wounds won't seem to heal This pain is just too real There's just too much that time cannot erase When you cried I'd wipe away all of your tears When you'd scream I'd fight away all of your fears And I held your hand through all of these years But you still have all of me I've tried so hard to tell myself that you're gone But though you're still with me I've been alone all along When you cried I'd wipe away all of your tears When you'd scream I'd fight away all of your fears And I held your hand through all of these years But you still have all of me.
$4.99 ≈
$6.90
My Immortal
My Immortal
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Saxophone (partie séparée)
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DÉBUTANT
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Evanescence
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Josiel Oliveira
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My Immortal
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M das Melodias
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SheetMusicPlus
Soprano Saxophone Solo - Level 1 - SKU: A0.1014860 By Evanescence. By Amy Lee, Ben Moody, and David Hodges. Arranged by Josiel Oliveira. Multicultural,P...
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Soprano Saxophone Solo - Level 1 - SKU: A0.1014860 By Evanescence. By Amy Lee, Ben Moody, and David Hodges. Arranged by Josiel Oliveira. Multicultural,Pop,Rock,World. Individual part. 1 pages. M das Melodias #619487. Published by M das Melodias (A0.1014860). Sheet music for Soprano Saxophone My Immortal by Evanescence. Easy sheet music. #myimmortal #evanescence #sheetmusic hit song #saxophone #sopranosaxophone I'm so tired of being here Suppressed by all my childish fears And if you have to leave, I wish that you would just leave 'Cause your presence still lingers here And it won't leave me alone These wounds won't seem to heal This pain is just too real There's just too much that time cannot erase When you cried I'd wipe away all of your tears When you'd scream I'd fight away all of your fears And I held your hand through all of these years But you still have all of me You used to captivate me by your resonating light Now I'm bound by the life you've left behind Your face it haunts my once pleasant dreams Your voice it chased away all the sanity in me These wounds won't seem to heal This pain is just too real There's just too much that time cannot erase When you cried I'd wipe away all of your tears When you'd scream I'd fight away all of your fears And I held your hand through all of these years But you still have all of me I've tried so hard to tell myself that you're gone But though you're still with me I've been alone all along When you cried I'd wipe away all of your tears When you'd scream I'd fight away all of your fears And I held your hand through all of these years But you still have all of me.
$4.99 ≈
$6.90
Trapped
Trapped
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Scott Custer Jr
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being used for my kindness
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Trapped
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Scott Custer Jr
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Publ...
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Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Published by Scott Custer Jr (A0.1153691). My first complete concert band piece. It's been in the works for about 3 months. The early drafts of this piece were written in April/May and were then left to collect dust for months. I wrote it to experiment with melodic/harmonic minor scales and did not intend to finish the piece. Around the same time I wrote the early drafts of the piece, my high school band director asked if I wanted to write a piece for the concert band. I agreed and spent months working on different pieces of music, completing none of them. Around late October I stumbled across this looking through old pieces of music for some new ideas. I listened through it 3 or 4 times and decided to continue the piece. After spending roughly two months finishing the draft, and another month revising and adding parts, I had finally finished Trapped. When I started working on this piece with the intention of finishing it, I was at a difficult point in my life. I had recently come home from my rookie season of drum corps and was still transitioning back to the real world. The freedom of tour had been taken away from me, I had mentally matured a lot during the summer. While only 17 I felt like I was stuck with a bunch of kids. I had spent all summer with friends much older than me, learning a lot from them and taking inspiration from them in many ways. When I started this piece, I was conflicted with many thoughts and emotions. I was still under the impression that my peers in the music program hated me because of some of my actions last year. The girl from home I had been talking with all summer while I was gone, and hoped to start a relationship with, lied to me while I was gone about many things, causing me to remove them from my life. The last year and a half have involved many events like losing my best friend of 5 years because of, what I consider, an overreaction on my part; being used for my kindness; lied to; having secrets about me revealed behind my back by those I trusted; being a therapy friend; constant overthinking; as well as toxic friendships I didn’t want to leave because I gave them the benefit of the doubt. I felt trapped. I had spent so long trying to improve myself to become who I am today, and I still felt like crap. Even though I knew and promised myself I wouldn’t follow through, I was battling suicidal thoughts and I was in a severely depressive episode of my life. I wrote this piece to express the feeling of overthinking, being trapped in your mind, and the road to recovery. The constant back-and-forth battles with yourself, unsure of where to go and what to do next; feeling trapped. I hope that this piece connects and resonates with those of you in a similar position to what I was in, and I promise there is a way out and that life does get better. And with that, I present to you, Trapped.
$25.00 ≈
$34.55
His Memory
His Memory
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Robert Daniel
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His Memory
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RDMusicStudios
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.1261681 Composed by Robert Daniel. Broadway,Classical,Film/TV,Musical/Show. 25 pages. RDMusicStudios #854759. Published...
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Piano,Violin - Level 4 - SKU: A0.1261681 Composed by Robert Daniel. Broadway,Classical,Film/TV,Musical/Show. 25 pages. RDMusicStudios #854759. Published by RDMusicStudios (A0.1261681). On April 19, 2019, I started writing my first composition, His Memory, on my first album, Show Your Pride. The Show Your Pride album was influenced by my best friend, Nigel Shelby, who tragically passed away by suicide after experiencing bullying for being outed as gay. It has been a few years since his death turned a national spotlight on the issue of LGBTQIA+ mental health and bullying. He was 15 years old at the time of his passing. I feel like I've been stabbed in the heart when I found he was gone. It was the first time I had lost anybody that I was close to. I was in a lot of pain at the time. Losing my best friend is one of the most difficult and heartbreaking experiences I have had in my life. This album is telling a coming-out story about a bisexual musician going on a self-discovery journey to find his true authentic self. I first met Nigel in mid-2018 when I was nervous, struggling with depression, and coming out as bisexual, so I gathered enough strength and confidence to come out to him. He's very kind and supportive of me. He was brave enough to come out to me as well. He has been a really good friend and my spirit guide as long as I've known him. He was understanding, thoughtful, and had a maturity about him that I admired. I feel happy and honored to have known him and had the best friends with him. I truly believe he is watching over me every day. In this inspirational, heartbreaking piece, His Memory, I will share a coming-out story about two boys who came out to each other, spending their friendship together until one of them passes away. This piece is based on a true story of how I coped with grief, dealing with depression about my best friend's passing, and how I found happiness within myself after his memorial service. It drew inspiration from many compositions and soundtracks, including Where The Sky Has No Stars by Katahj Copley, Lose You Now by Lindsey Stirling (feat. Mako), You Will Be Found from Dear Evan Hansen by Benj Pasek & Justin Paul, April Sky by Lin Chin Cheng, and Avatar The Last Airbender by Jeremy Zuckerman. These compositions I mentioned express hope and spark memories of lost loved ones. This piece is in 3 Acts: Friendship, I Lost You. and His Memory Lives On. Each one was inspired by actual events. Act I: Friendship Act II: I Lost You Act III: His Memory Lives On While you are listening to this piece, I want you to think about someone you love who is no longer with you. If you're one of those people who lost someone special to you, I am so sorry for your loss. Just know that you are not alone. Don't try to run and hide from your grief. Whatever your grief experience, it's important to be patient with yourself and allow the process to naturally unfold. You will grieve for as long as you need to, but you are a strong person and will find your way through this. Life is so precious. Cherish every moment with your loved ones. Coming out is one of the most difficult things a person can do, but if you are having difficulty or are unsure about it, just know that there are people out there who do love you for who you are. Learn to embrace your authentic self. Don't let your sexual orientation define who you are. The right people will accept you and those are the only people who matter. Be yourself, be happy, and do what you feel. Don't care so much about what others think and enjoy your life! Keep following your heart and don't be afraid to stand out!
$24.00 ≈
$33.17
Dishes, Dolls, Dresses and Dreams-Instrumental Accompaniment track
Dishes, Dolls, Dresses and Dreams-Instrumental Accompaniment track
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Deborah Johnson
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Deborah Johnson
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Barnes &
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Dishes, Dolls, Dresses and Dre
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Deborah Johnson
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SheetMusicPlus
Drum Set,Guitar Accompaniment,Keyboard Accompaniment,Synth String Reduction - Level 2 - SKU: A0.1422373 Composed by Deborah Johnson. Arranged by Deborah...
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Drum Set,Guitar Accompaniment,Keyboard Accompaniment,Synth String Reduction - Level 2 - SKU: A0.1422373 Composed by Deborah Johnson. Arranged by Deborah Johnson. Broadway,Contest,Festival,Historic,Musical/Show,Opera,Romantic Period. Accompaniment. Duration 354. Deborah Johnson #1003715. Published by Deborah Johnson (A0.1422373). With a charming message evoking nostalgia for days gone by, 'Dishes, Dolls, Dresses and Dreams' is an enchanting song crafted for solos and chorus. Its whimsical melody and heartfelt lyrics transport listeners to a bygone era filled with innocence and wonder. Originally written for a musical, this versatile composition can stand alone as a captivating musical selection or be enhanced with the addition of dance, adding visual depth to its already enchanting narrative. Furthermore, its adaptable nature allows for easy dramatization, making it suitable for theatrical performances. For those seeking versatility, the song offers the flexibility to be shortened after measure 117 without compromising its impact, ensuring it can be tailored to fit various performance contexts and preferences. This is the instrumental accompaniment track for performance. Sheet music, including vocal lead sheet score is also available and is 19 pages including cover. Range is G below middle C to high C, which occurs once very quickly. Written and arranged by Deborah Johnson, first written to be included in the musical TSARINA. (http://TsarinaTheMusical.com) DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded dozens of albums, written 3 original musicals and has appeared on many stages around the country and world. She also appeared with the headliner piano/vocal duo Double Grande. Her internationally released books have garnered great reviews (on Amazon & Barnes & Noble) Deborah’s songs have also been up for multiple Grammy Awards. Music and Lyrics by Deborah Johnson. Basic production and piano tracking by Deborah. Additional production & keyboards: Richard Callaci, guitars Jack Majdecki. Additional vocals: Deborah Johnson, Joyce Anderson, Micah Pearsal, Lori Donato, Melanie Smith. Recorded at DJWorks Studios & Callaci Studios. https://DJWorksMusic.com Books & Products: https://goalsforyourlife.com/goal-setting-products Twitter: @DJWorksMusic; LinkedIn: https://www.linkedin.com/in/deborahjjohnson/ Follow on Facebook: http://on.fb.me/14hfyhf For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com, https://goalsforyourlife.com/ or https://DeborahJohnsonSpeaker.com Video here: https://youtu.be/uQcUdXwCA0w
$8.99 ≈
$12.43
When the World Drops In to Town
When the World Drops In to Town
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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David Kai
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When the World Drops In to Tow
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David Kai
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.893864 Composed by David Kai. Celtic,Folk,Pop. Score. 5 pages. David Kai #6100233. Published by David Kai (...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.893864 Composed by David Kai. Celtic,Folk,Pop. Score. 5 pages. David Kai #6100233. Published by David Kai (A0.893864). A song celebrating the people of Gander, Newfoundland & Labrador in Canada who helped close to 7,000 stranded airline passengers after September 11, 2001. The story of Gander and the surrounding towns has been immortalized in the Broadway show, Come From Away. The song is written in a Celtic/Newfoundland style. This song is dedicated to my spouse Marly's parents, Isaac and Sybil who were a part of the crew who helped the plane people in Gander through their involvement in the Anglican church. WHEN THE WORLD DROPS IN TO TOWN Words and music by David Kai ©2020 On the 11th of September, in a quiet little town In a place that they call Newfoundland, all the planes were coming down Just how many were arriving, it was hard to know or tell In a quiet town in Newfoundland on the day the towers fell. With ten thousand waiting on the ground, seven thousand on their way The schools and halls and churches were preparing for their stay And not only in Gander, but in places all around ‘Cause you’ve got to pull together when the world drops into town. Chorus: So raise a glass to them, let’s sing a song to cheer For all the workers, cooks and clerks, for all the volunteers Who showed such kindness, who stepped up when chips were down ‘Cause you’ve got to pull together when the world drops into town All the stores they opened up their doors, the supplies, how fast they flew! Take it all to help the plane people, it’s the least that we can do! Aunt Winnie baked two dozen of her partridgeberry pies She said, I think those plane people will be in for some surprise! So the people were all settled, and much to their delight There were home-cooked meals and showers in homes, even trips to see the sights Though they came from countries ‘round the world, they did seem to all fit in And in kitchen parties here and there, new found friends were being screeched in. Chorus: Soon the skies, they were reopened, just a week and they were gone Though the planes took off into the skies all the memories lingered on For what they all remember, and what’s talked of to this day Is how townsfolk cared for people who had come from far away. So let’s sing and let’s be thankful, for each and every one Who showed us how to live together in the year two-thousand one, Let’s celebrate their kindness, for we never will forget, That in Newfoundland a stranger’s just a friend you haven’t met. Chorus:
$3.00 ≈
$4.15
When the World Drops In to Town
When the World Drops In to Town
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David Kai
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David Kai
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When the World Drops In to Tow
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David Kai
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SheetMusicPlus
Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar,Violin - Level 3 - SKU: A0.1105258 By David Kai. By David Kai. Arranged by David Kai. Ce...
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Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar,Violin - Level 3 - SKU: A0.1105258 By David Kai. By David Kai. Arranged by David Kai. Celtic,Country,Folk,Irish. Full Performance. Duration 233. David Kai #708518. Published by David Kai (A0.1105258). A song celebrating the people of Gander, Newfoundland & Labrador in Canada who helped close to 7,000 stranded airline passengers after September 11, 2001. The story of Gander and the surrounding towns has been immortalized in the Broadway show, Come From Away. The song is written in a Celtic/Newfoundland style. This song features the use of an Ugly Stick, a traditional Newfoundland percussion instrument. WHEN THE WORLD DROPS IN TO TOWN Words and music by David Kai ©2020 On the 11th of September, in a quiet little town In a place that they call Newfoundland, all the planes were coming down Just how many were arriving, it was hard to know or tell In a quiet town in Newfoundland on the day the towers fell. With ten thousand waiting on the ground, seven thousand on their way The schools and halls and churches were preparing for their stay And not only in Gander, but in places all around ‘Cause you’ve got to pull together when the world drops into town. Chorus: So raise a glass to them, let’s sing a song to cheer For all the workers, cooks and clerks, for all the volunteers Who showed such kindness, who stepped up when chips were down ‘Cause you’ve got to pull together when the world drops into town All the stores they opened up their doors, the supplies, how fast they flew! “Take it all to help the plane people, it’s the least that we can do!†Aunt Winnie baked two dozen of her partridgeberry pies She said, “I think those plane people will be in for some surprise!†So the people were all settled, and much to their delight There were home-cooked meals and showers in homes, even trips to see the sights Though they came from countries ‘round the world, they did seem to all fit in And in kitchen parties here and there, new found friends were being screeched in. Chorus: Soon the skies, they were reopened, just a week and they were gone Though the planes took off into the skies all the memories lingered on For what they all remember, and what’s talked of to this day Is how townsfolk cared for people who had come from far away. So let’s sing and let’s be thankful, for each and every one Who showed us how to live together in the year two-thousand one, Let’s celebrate their kindness, for we never will forget, That in Newfoundland a stranger’s just a friend you haven’t met. Chorus:.
$1.99 ≈
$2.75
Duo for Cello and Viola
Duo for Cello and Viola
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Alto, Violoncelle (duo)
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AVANCÉ
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Contemporain
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Patrick Prejean
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Duo for Cello and Viola
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Patrick Prejean
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Viola - Level 5 - SKU: A0.1184237 Composed by Patrick Prejean. Classical,Contemporary. Score and parts. 23 pag...
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Instrumental Duet Cello,Instrumental Duet,Viola - Level 5 - SKU: A0.1184237 Composed by Patrick Prejean. Classical,Contemporary. Score and parts. 23 pages. Patrick Prejean #783953. Published by Patrick Prejean (A0.1184237). There are no titles for this piece. I - Reminiscent of Ravel's Sonata for Violin and Cello, the eerie colors provide no warmth. Instead it is ice cold as one stands over a polar plateau alone.II - A parody of Palladio. This movement isn't playful. It has a crass and strident force that drives it forward throughout. There is no melody to be found here.III - This movement is about pain and agony. There is only grey and all other colors have gone away and disappeared. What sense of progress is lost, and we find ourselves looking for anything to latch onto to. Do we truly find it though?
$35.00 ≈
$48.38
Mysterious Moment for alto flute and string trio
Mysterious Moment for alto flute and string trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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Mysterious Moment for alto flu
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Wari...
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String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00 ≈
$11.06
Mysterious Moment for oboe and string trio
Mysterious Moment for oboe and string trio
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Contemporain
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David Warin Solomons
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Mysterious Moment for oboe and
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages....
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00 ≈
$11.06
Third Impromptu for Piano Solo (2022)
Third Impromptu for Piano Solo (2022)
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Piano seul
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AVANCÉ
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Moshe S
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Third Impromptu for Piano Solo
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ArtsAhimsa
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1253093 Composed by Moshe S. Knoll. 21st Century,Contemporary. Score. 16 pages. ArtsAhimsa #846839. Published by ArtsAhim...
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Piano Solo - Level 5 - SKU: A0.1253093 Composed by Moshe S. Knoll. 21st Century,Contemporary. Score. 16 pages. ArtsAhimsa #846839. Published by ArtsAhimsa (A0.1253093). This composition is written in honor of my mother, Sarah, who passed away on July 1st of 2019 after a long battlewith both idiopatic pulmonary fibrosis and congestive heart failure.The mood of the composition is predictably grim, somewhat in the Romantic tradition of Chopin and Liszt, although the musical idioms are more contemporary.The reason I am publishing it, is to supply an artistic composition that may serve as repertoire for solemnoccassions, and also as a tribute to my mother, who was instrumental in my becoming a musician.The middle section is more passionate, like a reminiscence of years gone by.I believe there is a niche for a composition like this, unfortunately.
$10.00 ≈
$13.82
I Sit Here on the Barren Hill
I Sit Here on the Barren Hill
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Fiona Alice Hickie
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Fiona Alice Hickie
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I Sit Here on the Barren Hill
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Fiona Alice Hickie
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1419806 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. 21st ...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1419806 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. 21st Century,Chamber,Classical,Latin. 17 pages. Fiona Alice Hickie #1001228. Published by Fiona Alice Hickie (A0.1419806). A piece for brass quintet based on the poem by the same name. It is a slow piece is a South American style.Based on the poem: Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives. Dedicated to Ben van den Akker.
$13.99 ≈
$19.34
I Sit Here On The Barren Hill
I Sit Here On The Barren Hill
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Piano, Voix
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FACILE
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Fiona Hickie
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I Sit Here On The Barren Hill
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Fiona Alice Hickie
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.738138 Composed by Fiona Hickie. Contemporary,Standards. Score. 7 pages. Fiona Alice Hickie #4853343. Published by...
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Piano,Vocal,Voice - Level 2 - SKU: A0.738138 Composed by Fiona Hickie. Contemporary,Standards. Score. 7 pages. Fiona Alice Hickie #4853343. Published by Fiona Alice Hickie (A0.738138). A song about loss of love and the devastation it causes to our lives. Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives.
$4.99 ≈
$6.90
Maneo for Brass Quintet
Maneo for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Melody Dawning
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Maneo for Brass Quintet
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Melody Dawning
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SheetMusicPlus
Brass Ensemble - SKU: A0.954085 Composed by Melody Dawning. Concert,Contemporary. Score and parts. 33 pages. Melody Dawning #3004801. Published by Melod...
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Brass Ensemble - SKU: A0.954085 Composed by Melody Dawning. Concert,Contemporary. Score and parts. 33 pages. Melody Dawning #3004801. Published by Melody Dawning (A0.954085). Maneo [pronounced MAH-nee-oh] is a Latin word meaning I remain or I await. The concept behind this piece is the process of waiting for and working toward the fulfillment of goals and dreams that seem far off, which requires both patience and persistence. The first movement, Patience, is painfully slow and full of dense, dissonant chords that avoid resolution. Although the melody wanders through several tonal centers, in many ways it feels as though it has not gone anywhere. However, as the movement progresses to a climax, the incessant tritone dissonance finally begins to dissolve. In the second movement, Persistence, the augmented triad dominates both harmonically and melodically for much of the piece, accompanied by relentless eighth-note motion. The main theme from the first movement appears first as an accompaniment figure, and later in a more prominent melodic role in combination with other motives used throughout the movement. A contrasting, dream-like middle section represents catching a glimpse of reaching the sought-after goal, and this theme returns towards the end in a triumphant finish. The two movements are played consecutively with no pause in between.
$25.00 ≈
$34.55
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Thou art gone awa
