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Three East Tales
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Vous avez sélectionné:
Three East Tales
Partitions à imprimer
10 partitions trouvées
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1
Three East Tales
Three East Tales
#
Violon, Guitare (duo)
#
Atanas Ourkouzounov
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Three East Tales
#
Les Editions Doberman-Yppan
#
SheetMusicPlus
By Atanas Ourkouzounov (1970-). For guitar and violin. Level 4. 18 pages. Published by Les Editions Doberman-Yppan (digital) ...
(+)
By Atanas Ourkouzounov (1970-). For guitar and violin. Level 4. 18 pages. Published by Les Editions Doberman-Yppan (digital)
$12.95 ≈
11.96€
84 Nursery Rhymes from Around the World (Easy Piano Solo)
84 Nursery Rhymes from Around the World (Easy Piano Solo)
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Piano Facile
#
DÉBUTANT
#
Enfant
#
Bobby Cyr - Piano Notion
#
84 Nursery Rhymes from Around
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Piano Notion
#
SheetMusicPlus
Piano Solo, Easy Piano - Easy/Beginner - Digital Download Arranged by Bobby Cyr - Piano Notion. Children's Music, Children's Musicals, Fairy ...
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Piano Solo, Easy Piano - Easy/Beginner - Digital Download Arranged by Bobby Cyr - Piano Notion. Children's Music, Children's Musicals, Fairy Tales, Anniversary, Birthday. Individual Part, Piano Reduction. 95 pages. Published by Piano Notion
Simplified Nursery Rhymes for piano solo that your kid can play.
The best way to learn how to read music.
Arranged by Bobby Cyr - Piano Notion
84 Nursery Rhymes from Around the World
À la claire fontaine
À la volette
A Tisket A Tasket
Ah ! Mon beau château
Aiken Drum
Alouette
Arroz con leche
Au clair de la lune
BINGO
Bye, Baby Bunting
C?est la mère Michel
Cadet Rousselle
Cerné oci jdete spat
Cinco pollitos
Dans la forêt lointaine
Dansons la capucine
Debajo de un botón
Dodo l'enfant do
Dodo ti pitit manman
Donkey, I Beg You
El elefante trompita
Fais dodo
Frère Jacques
Good King Wenceslas
Hänschen klein
Happy Birthday
Hickory Dickory Dock
Hot Cross Buns
Hush Little Baby
Il pleut, il pleut bergère
I'm a Little Teapot
Itsy Bitsy Spider
J'ai du bon tabac
Jimmy Crack Corn
Kuckuck
Lavender?s Blue Dilly Dilly
Le bon roi Dagobert
Little Robin Redbreast
London Bridge
Los pollitos dicen pío pío
Lundi matin
Mariposita
Mary Had A Little Lamb
Meunier tu dors
Mi barba tiene tres pelos
Michael Finnegan
Michael Row the Boat Ashore
Miss Polly Had A Dolly
Oats Peas Beans and...
Oh du lieber Augustin
Old MacDonald
Open Shut
Oranges and Lemons
Osito de peluche
Pat-a-Cake
Patico patico color de café
Pirouette cacahuète
Pop Goes The Weasel
Pretty Little Dutch Girl
Rain Rain Go Away
Rock-a-Bye Baby
Row, Row, Row Your Boat
Saco una manito
Sakura Sakura
Savez-vous planter les choux ?
Shortnin? Bread
Skip to My Lou
Sur le pont d'Avignon
Tengo una muñeca vestida de azul
The Farmer in the Dell
The Muffin Man
The Noble Duke of York
This Old Man
Three Blind Mice
Tommy Thumb's Song
Tres gatitos
Twinkle Twinkle Little Star
Un, deux, trois nous irons au bois
Un elefante se balanceaba
Un éléphant ça trompe
Una vez pesqué un pececito
V?là l'bon vent
Wheels On The Bus
Yankee Doodle
$19.99 ≈
18.47€
Of Roses and Lilies
Of Roses and Lilies
#
Orchestre à Cordes
#
AVANCÉ
#
Sarah Wallin Huff
#
Of Roses and Lilies
#
Novel Soundtrax
#
SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.800323 Composed by Sarah Wallin Huff. 20th Century,Contemporary,Spiritual. Score and Parts. 88 pages. Novel Soundtr...
(+)
String Orchestra - Level 5 - SKU: A0.800323 Composed by Sarah Wallin Huff. 20th Century,Contemporary,Spiritual. Score and Parts. 88 pages. Novel Soundtrax #2035933. Published by Novel Soundtrax (A0.800323). Completed in 2013, this work is A Romantic Expression Based on King Solomon's Song of Songs. Flirting with musical and dramatic elements from Medieval Europe to the ancient Middle East and Ancient Greek Theatre, Of Roses and Lilies features the solo soprano in the role of The Woman; she expresses her love, devotion, and delight toward her Lover while the Daughters of Jerusalem - as with that of the collective commentary of a Greek chorus - listen and engage with The Woman in her tales touting the glories of her Beloved. The work is in three major sections after the expressive and fluid introduction: the first in A Minor, introducing the characters and their vivd emotions; the second in A Major, during which The Woman shares a tale of her Lover calling her to escape with him into the night... For the winter is past and the rain gone... -when for a moment she hesitates, she wonders if she is too late, only to find that he is still there waiting for her, encouraging her with the sweet words of his continued adoration toward her; the third section returns to the original themes in A Minor, yet gains an expression of great power and fervency as The Woman's love for her Beloved utterly transforms her.
$75.00 ≈
69.29€
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
#
Saxophone Alto et Piano
#
AVANCÉ
#
Classique
#
Contemporain
#
Nikolay Andreyevich Rimsky-Kor
#
James M
#
Korsakov: Flight of the Bumble
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Roma...
(+)
Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. ÂÂ
$32.95 ≈
30.44€
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
#
Saxophone Soprano et Piano
#
AVANCÉ
#
Classique
#
Contemporain
#
Nikolay Andreyevich Rimsky-Kor
#
James M
#
Korsakov: Flight of the Bumble
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,R...
(+)
Piano,Soprano Saxophone - Level 5 - SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. ÂÂ
$32.95 ≈
30.44€
Korsakov: Flight of the Bumblebee for Viola & Piano
Korsakov: Flight of the Bumblebee for Viola & Piano
#
Alto, Piano
#
AVANCÉ
#
Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Piano,Viola - Level 5 - SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. ÂÂ
$32.95 ≈
30.44€
Re-flect
Re-flect
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Carlos Pellicer
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Re-flect
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Carlos Pellicer
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SheetMusicPlus
Percussion Ensemble Bells,Bongos,Crotales,Drum Set,Multi-Percussion - Level 4 - SKU: A0.782930 By Carlos Pellicer. By Carlos Pellicer. Contemporary,Cont...
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Percussion Ensemble Bells,Bongos,Crotales,Drum Set,Multi-Percussion - Level 4 - SKU: A0.782930 By Carlos Pellicer. By Carlos Pellicer. Contemporary,Contest,Festival,Instructional,Multicultural,World. Score and parts. 67 pages. Carlos Pellicer #390338. Published by Carlos Pellicer (A0.782930). RE-FLECT, for quartet percussion Full set (score+parts) Duration | 10:45 Level | advanced Re-flect is a proposal for four percussionists in which the acoustic and spatial factor is very important. The title of the work is the key to understanding these aspects and also how most of the musical discourse is fed. Re-flect means reflection, and in this sense the work is built from an axis of symmetry on which the first two percussionists reflect on the third and fourth respectively in terms of rhythms and sounds. Also, taking the title as a reference, the importance of the only tuned sound in the entire work is very evident: the RE note. From this sound, and only with this sound of a certain height, a sound game with different heights is created that is intended to envelop the stage. Last but not least, the two letters RE, have an important personal meaning for the author: the work is dedicated to Esaú Borredá (Madrid Symphony Orchestra soloist) and Raúl Benavent (RTVE Orchestra soloist), friends of the author. The game with the two initials of their names (RE) is evident. Subtlety, precision and strength are the three qualities of these great musicians that they try to reflect in the work.
$49.90 ≈
46.10€
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Three East Tales
