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Three Engaged Men
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Vous avez sélectionné:
Three Engaged Men
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14 partitions trouvées
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1
Intermediate Music for Three Volume 2 - Part 2 Flute or Oboe or Violin #52221
Intermediate Music for Three Volume 2 - Part 2 Flute or Oboe or Violin #52221
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Various
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Daniel Kelley
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Intermediate Music for Three V
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Last Resort Music Publishing
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SheetMusicPlus
Alto Saxophone,Autoharp,B-Flat Clarinet,Baritone Saxophone,Bassoon,Cello,Flute,Oboe,Piano,Tenor Saxophone,Viola,Violin - SKU: A0.1255183 Composed by Var...
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Alto Saxophone,Autoharp,B-Flat Clarinet,Baritone Saxophone,Bassoon,Cello,Flute,Oboe,Piano,Tenor Saxophone,Viola,Violin - SKU: A0.1255183 Composed by Various. Arranged by Daniel Kelley. 19th Century,20th Century,Baroque,Classical,Instructional. 45 pages. Last Resort Music Publishing #848746. Published by Last Resort Music Publishing (A0.1255183). Intermediate Music for Three Volume 2 - Part 2 Flute or Oboe or Violin #52221Featuring works by Gounod, Rossini, Sousa, Mozart, Haydn, Dvorak and many more!  Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Three series. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played. Table of ContentsTango in D from Suite Espana, Op. 165 #2 (Albeniz) Minuet in D minor from The Anna Magdalena Bach Notebook (Bach) Minuet from the Anna Magdalena Bach Notebook (Bach) Musette from the Anna Magdalena Bach Notebook (Bach) Toreador Song from Carmen (Bizet) Hatikva based on an Eastern European Folk Tune (Cohen & Imber) Daisy Bell (A bicycle Built for Two) (Dacre) Funiculi Funicula (Denza) Songs My Mother Taught Me, Op. 55 #4 (Dvorak) Opening Chorus from H.M.S. Pinafore (Gilbert & Sullivan) When A Felon's Not Engaged in His Employment-Pirates of Penzance (Gilbert & Sullivan) Ballet from Faust (Gounod) Soldier's Chorus from Faust (Gounod) Peer Gynt Suite No. 1, Op. 46, 4 movements (Grieg)Andante from Symphony  #101 in D, The Clock (Haydn) Tarantella (Italian Traditional) Villa from The Merry Widow (Lehar) La Ci Darem La Mano from Don Giovanni (Mozart) Menuetto from Symphony  #40 in G Minor, K. 550 (Mozart) Minuet from Don Giovanni (Mozart) Minuet in F, K. 2 (Mozart) Waltzing Doll Poupee Valsante from 7 Marionettes, #2 (Poldini) William Tell Overture (Rossini) The Elephant from Carnival of the Animals (Saint-Saens) Semper Fidelis March (Sousa) Washington Post, The March (Sousa) Tritsch-Tratsch Polka, Op. 214 (Strauss) Light Calvary Overture (Suppe) Gavotte from the opera Mignon (Thomas) Trio Sonata in D, RV93 for lute & strings, 3 movements (Vivaldi) 52211 Part 1 Flute or Oboe or Violin52213 Part 1 Clarinet in Bb  52215 Part 1 Alto Sax in Eb  52221 Part 2 Flute or Oboe or Violin 52222 Part 2 Viola  52223 Part 2 Clarinet or Trumpet in Bb52225 Part 2 Tenor Sax in Bb52231 Part 3 Cello or Bassoon 52233 Part 3 Bass Clarinet in Bb 52235 Part 3 Baritone Sax in Eb52240 Keyboard or Guitar52299 Score (Parts 1-3 in C) Published by Last Resort Music www.lastresortmusic.com
$20.00 ≈
¥141.67
Intermediate Music for Three, Volume 2, Part 3 Cello or Bassoon
Intermediate Music for Three, Volume 2, Part 3 Cello or Bassoon
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Daniel Kelley
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Daniel Kelley
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Intermediate Music for Three,
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Last Resort Music Publishing
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SheetMusicPlus
Bassoon,Cello - Level 3 - SKU: A0.1110212 By Daniel Kelley. By Various. Arranged by Daniel Kelley. 19th Century,20th Century,Baroque,Classical,Instructi...
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Bassoon,Cello - Level 3 - SKU: A0.1110212 By Daniel Kelley. By Various. Arranged by Daniel Kelley. 19th Century,20th Century,Baroque,Classical,Instructional. 46 pages. Last Resort Music Publishing #712547. Published by Last Resort Music Publishing (A0.1110212). 52231 Part 3 Cello or Bassoon Featuring works by Gounod, Rossini, Sousa, Mozart, Haydn, Dvorak and many more! Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Three series. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played. Table of Contents Tango in D from Suite Espana, Op. 165 #2 (Albeniz) Minuet in D minor from The Anna Magdalena Bach Notebook (Bach) Minuet from the Anna Magdalena Bach Notebook (Bach) Musette from the Anna Magdalena Bach Notebook (Bach) Toreador Song from Carmen (Bizet) Hatikva based on an Eastern European Folk Tune (Cohen & Imber) Daisy Bell (A bicycle Built for Two) (Dacre) Funiculi Funicula (Denza) Songs My Mother Taught Me, Op. 55 #4 (Dvorak) Opening Chorus from H.M.S. Pinafore (Gilbert & Sullivan) When A Felon's Not Engaged in His Employment-Pirates of Penzance (Gilbert & Sullivan) Ballet from Faust (Gounod) Soldier's Chorus from Faust (Gounod) Peer Gynt Suite No. 1, Op. 46, 4 movements (Grieg) Andante from Symphony #101 in D, The Clock (Haydn) Tarantella (Italian Traditional) Villa from The Merry Widow (Lehar) La Ci Darem La Mano from Don Giovanni (Mozart) Menuetto from Symphony #40 in G Minor, K. 550 (Mozart) Minuet from Don Giovanni (Mozart) Minuet in F, K. 2 (Mozart) Waltzing Doll Poupee Valsante from 7 Marionettes, #2 (Poldini) William Tell Overture (Rossini) The Elephant from Carnival of the Animals (Saint-Saens) Semper Fidelis March (Sousa) Washington Post, The March (Sousa) Tritsch-Tratsch Polka, Op. 214 (Strauss) Light Calvary Overture (Suppe) Gavotte from the opera Mignon (Thomas) Trio Sonata in D, RV93 for lute & strings, 3 movements (Vivaldi) Create your own ensemble - List of Available Parts: 52211 Part 1 Flute or Oboe or Violin 52213 Part 1 Clarinet in Bb 52215 Part 1 Alto Sax in Eb 52221 Part 2 Flute or Oboe or Violin *DD 52222 Part 2 Viola 52223 Part 2 Clarinet or Trumpet in Bb 52225 Part 2 Tenor Sax in Bb 52231 Part 3 Cello or Bassoon *DD 52233 Part 3 Bass Clarinet in Bb 52235 Part 3 Baritone Sax in Eb 52240 Keyboard or Guitar 52299 Score (Parts 1-3 in C) All available on SheetMusicPlus and www.lastresortmusic.com Published by Last Resort Music Publishing www.lastresortmusic.com.
$20.00 ≈
¥141.67
Three Engaged Men
Three Engaged Men
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Mikis Theodorakis
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Tatiana Papageorgiou
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Three Engaged Men
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Schott Music - Digital
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SheetMusicPlus
From: Miscellaneous Songs. Composed by Mikis Theodorakis (1925-). Arranged by Tatiana Papageorgiou. This edition: Sheet music. Downloadable. Op. Vol. 1. Sc...
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From: Miscellaneous Songs. Composed by Mikis Theodorakis (1925-). Arranged by Tatiana Papageorgiou. This edition: Sheet music. Downloadable. Op. Vol. 1. Schott Music - Digital #Q11213. Published by Schott Music - Digital
$3.99 ≈
¥28.26
The Four Seasons - Concerto No. 1 In E Major, Op. 8, No. 1, RV 269 - "Spring" -allegro lead sheet
The Four Seasons - Concerto No. 1 In E Major, Op. 8, No. 1, RV 269 - "Spring" -allegro lead sheet
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Instruments en Do
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Classique
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Antonio Vivaldi
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Andre Maaker
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The Four Seasons - Concerto No
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SheetMusicHub
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SheetMusicPlus
C Instrument - SKU: A0.737424 Composed by Antonio Vivaldi. Arranged by Andre Maaker. Baroque,Classical. Lead Sheet / Fake Book. 4 pages. SheetMusicHub #...
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C Instrument - SKU: A0.737424 Composed by Antonio Vivaldi. Arranged by Andre Maaker. Baroque,Classical. Lead Sheet / Fake Book. 4 pages. SheetMusicHub #345590. Published by SheetMusicHub (A0.737424). This is a lead sheet style (melody/chords/form) notation of Allegro from The Spring / la Primavera by Antonio Vivaldi. Lead sheet by Andre Maaker. From Wikipedia: The Four Seasons (Italian: Le quattro stagioni) is a group of four violin concertos by Italian composer Antonio Vivaldi, each of which gives musical expression to a season of the year. These were composed around 1718−1720, when Vivaldi was the court chapel master in Mantua. They were published in 1725 in Amsterdam, together with eight additional concerti, as Il cimento dell'armonia e dell'inventione (The Contest Between Harmony and Invention). The Four Seasons is the best known of Vivaldi's works. Though three of the concerti are wholly original, the first, Spring, borrows patterns from a sinfonia in the first act of Vivaldi's contemporaneous opera Il Giustino. The inspiration for the concertos is not the countryside around Mantua, as initially supposed, where Vivaldi was living at the time, since according to Karl Heller they could have been written as early as 1716–1717, while Vivaldi was engaged with the court of Mantua only in 1718. They were a revolution in musical conception: in them Vivaldi represented flowing creeks, singing birds (of different species, each specifically characterized), a shepherd and his barking dog, buzzing flies, storms, drunken dancers, hunting parties from both the hunters' and the prey's point of view, frozen landscapes, and warm winter fires. #vivaldi #fourseasons #sheetmusic.
$4.00 ≈
¥28.33
String Quartet No. 2: Child's Play
String Quartet No. 2: Child's Play
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Robert M
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String Quartet No. 2: Child's
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Robert M. Greenberg
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.987857 Composed by Robert M. Greenberg. 20th Century. Score and parts. 121 pages. Robert M. Greenberg ...
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String Quartet String Quartet - Level 5 - SKU: A0.987857 Composed by Robert M. Greenberg. 20th Century. Score and parts. 121 pages. Robert M. Greenberg #115423. Published by Robert M. Greenberg (A0.987857). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 21 minutes Year of composition: 1988 Program Note: !. Games (fast) II. Intermezzo: Dreams of Gold (slow) III. Dances (very fast) Child's Play was completed in August, 1988. In no way does the title refer to the technical demands of the piece, which are considerable. Rather, it refers to the endlessly imaginative, energized, and constantly changing play that might be engaged in by four different, though like-minded children. Indeed, the inspiration for the quartet was my then two-year-old daughter Rachel, whose boundless energy and capacity for play I found (and still find) rather terrifying. Child's Play consists of three movements: Games (fast), Intermezzo: Sogni d'Oro (Dreams of Gold) (slow), and Dances (very fast). In Games, four energetic and well-rested players leap out of the starting blocks together and engage in sport of various kinds: running games, chasing games, teasing games, tag, echo games (Simon Says), races, and so forth, eventually returning to the unison from which they began. Intermezzo: Sogni d'Oro (Dreams of Gold) offers a quiet, episodic, dreamlike respite from the frenetic mood of Games. In Dances, the energized character of the first movement resumes, only faster. Dances is a perpetual motion movement in three parts, with a slower, more fragmented middle section sandwiched between a boisterous and frenzied dance of life. This movement ends much in the same way as the first movement began, bringing the circuit of the piece to a close. Child's Play was commissioned by, and is dedicated, with many thanks and great appreciation, to the Alexander String Quartet.
$36.00 ≈
¥255.01
Acute Suite No. 3
Acute Suite No. 3
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Contemporain
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Paul Burnell
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Acute Suite No. 3
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Paul Burnell
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.835753 Composed by Paul Burnell. Contemporary. Score and parts. 85 pages. Paul Burnell #3012355. Published by Paul Bu...
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Small Ensemble - Level 3 - SKU: A0.835753 Composed by Paul Burnell. Contemporary. Score and parts. 85 pages. Paul Burnell #3012355. Published by Paul Burnell (A0.835753). Includes score and parts in various transpositions.Like many of Burnell's compositions this piece is suitable for homogeneous ensembles and also for mixed ensembles comprising atypical instrumental combinations or numbers of instruments. The instrumentation is not specified. The score shows clefs for parts 1-3 that suggest a string trio, but other instrument combinations are possible. Parts are available in a variety of transpositions and clefs. Players may change parts between movements or, where a movement or section is out of range, they may be tacet. Non-stringed instruments should interpret technique markings such as the pizzicato indications with appropriate articulation. The keyboard may be a piano, or any other keyboard instrument such as harpsichord, toy piano, electric piano etc. adapting the playing style to interpret dynamics, note durations etc. where these are otherwise not possible to achieve. If there is more than one keyboard player, then the players may alternate or double-up to emphasise the harmonic and dynamic structures. The movement titles may suggest possible instrumentations. Movement I: Engaged. Duration 2:15 approx. Movement II: Tightened. Duration 1:30 approx. Movement III: Feathered. Duration 3:45 approx. Movement III: Tamped. Duration 2:40 approx.Programme Note:The movements that comprise the three Acute Suites were composed between 2010 and 2016 and each may be performed by a range of different instruments. The use of the word 'acute' refers to the relatively high pitch of the instrumental parts. Acute Suite No. 3 is for flexibly scored ensemble in four parts . The movement titles of the third suite – 'Engaged', 'Tightened', 'Feathered' and 'Tamped' - reflect the characters of the movements.
$3.99 ≈
¥28.26
God Only Knows
God Only Knows
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Chorale SSAA
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FACILE
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Rock
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The Beach Boys
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Helping You Harmonise
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God Only Knows
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 2 - SKU: A0.856153 By The Beach Boys. By Brian Wilson and Tony Asher. Arranged by Helping You Harmonise. Pop,Rock. Octavo. 2...
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Choral Choir (SSAA) - Level 2 - SKU: A0.856153 By The Beach Boys. By Brian Wilson and Tony Asher. Arranged by Helping You Harmonise. Pop,Rock. Octavo. 2 pages. Liz Garnett #3591543. Published by Liz Garnett (A0.856153). From the Pet Sounds album, this song sees the Beach Boys move from their happy-boppy-surfing persona into a more three-dimensional and emotionally engaged world. When it was first released it was much more successful in the UK than in America, though it has come to be recognised as a real landmark in twentieth-century popular music. The arrangement was commissioned to sing at a wedding.It is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written)Vocal Ranges:Tenor: F4 - E flat 5Lead: B flat - DBari: C4 - B flat 4Bass: E flat 3 - E flat4www.HelpingYouHarmonise.com
$2.99 ≈
¥21.18
Tristan und Isolde
Tristan und Isolde
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Classique
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Richard Wagner
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Tristan und Isolde
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Schott Music - Digital
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SheetMusicPlus
3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 · 1 - P. S. (Trgl. · Bck.) - Hfe. - Str. Auf der Bühne: Engl...
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3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 · 1 - P. S. (Trgl. · Bck.) - Hfe. - Str. Auf der Bühne: Engl. Hr. · 6 Hr. · 3 Trp. · 3 Pos. - SKU: S9.Q17773 Handlung in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 270' 0. Schott Music - Digital #Q17773. Published by Schott Music - Digital (S9.Q17773). German.An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner’s ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria: * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. * The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages (German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. TRISTAN UND ISOLDE Performance directions by the singer Ludwig Schnorr von Carolsfeld are incorporated in the vocal score from the Complete Edition’s Tristan und Isolde volume. He entered these directions into his own copy of the Tristan part which he used at the 1865 Munich premiere. Richard Wagner was deeply impressed by his interpretation of the title role. For the first time in a vocal score of Tristan und Isolde all cuts are incorporated—with the corresponding transitional bars—which Wagner himself made, and approved, in two cases, were actually declared by him to be final. These cuts strikingly document Wagner’s struggle with the final form of the work. For the first time in a single edition all of Wagner’s own suggestions for ossias are found; ossias which evolved from performances under his own direction. Egon Voss writes about this in his foreword to the vocal score: “Such ‘pointers’, as you might say, were current practice in the 19th century which Wagner, as the example shows, did not evade. He was enough of a practical man of the theatre to know that a badly sung top note is worse than doing without it. Wagner even tolerated the transposition of lengthier passages because he was less concerned with the letter of the score than with theatrical effectiveness. [...] The present vocal score goes beyond the Complete Edition [...] in that the ossias mentioned above are indicated in the vocal part itself, in small notes. They concern principally the role of Tristan, but also those of Isolde, Brangäne and Kurwenal. They rest in part on the Tristan edition within the Complete Edition but for the greater part go back to a source which could not be consulted for the Complete Edition because it was not yet accessible. This relates to a vocal score from the estate of the composer Peter Cornelius who was engaged by Wagner as repetiteur at the Vienna rehearsals in 1861-63. That the ossia bars go back to Wagner can be taken as certain, since in some places they are notated in his own hand.†(Egon Voss, quoted from the foreword to the vocal score) The transpositions mentioned by Egon Voss—two by Hans von Bülow for the revival of the work which he conducted in Munich in 1869 and the third suggested by Wagner himself in 1861—are printed in the appendix to the vocal score. The ossias, transpositions, and cuts are available for practical use in the theatre and in rehearsal. The cuts are also incorporated into the orchestral materials for Tristan und Isolde. This is also the case with ossias which affect the orchestral parts.2013 marks Wagner’s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holländer (1841) Der fliegende Holländer (1842-80) Tannhäuser Lohengrin Das Rheingold Die Walküre Siegfried Götterdämmerung Die Meistersinger von Nürnberg Parsifal.
$47.99 ≈
¥339.95
March of the Shadows
March of the Shadows
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Orchestre d'harmonie
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DÉBUTANT
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Martin J
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March of the Shadows
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 1 - SKU: IZ.CBS163-S Composed by Martin J. Wimmer. Score. 10 pages. Imagine Music - Digital #CBS163-S. Published by Imagine Music -...
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Concert band - Grade 1 - SKU: IZ.CBS163-S Composed by Martin J. Wimmer. Score. 10 pages. Imagine Music - Digital #CBS163-S. Published by Imagine Music - Digital (IZ.CBS163-S). 9 x 12 in inches.March of the Shadows is a Grade 1 1/2 work for second-year elementary band. As a veteran elementary band director,I am keenly aware of what students are able to accomplish at this level. March of the Shadows is a fun, slightlychallenging, and completely achievable work. It is a work that would be useful at the beginning of the school yearwhen it feels too summery to begin holiday music. March of the Shadows would be perfect for a Halloween orAutumn Concert.March of the Shadows begins with a whistle! It calls the show by announcing each new section of the piece. (Astudy of form.) It even reacts to a momentary modulation. The whistle part has all sorts of fun staging potential,including having it played by the director! The initial whistle is followed by a percussion introduction which sets thebeat. Seven percussion parts, three of them optional, have been included so that everyone in a large percussionsection will be kept engaged and out of trouble! The body of the work includes two alternating themes, one dark andshadowy in minor, the other bright, heroic and slightly syncopated in major. Every part gets the melody at somepoint, even the low brass and woodwinds! Ranges are all standard for early second-year band players, i.e. clarinetsdo not go over the break, trumpets do not go higher than middle line B, the snare drum part is sprinkled with basicrudiments such as flams and paradiddles. Even the horn gets a crack at the tune! Every part is fun, interesting andeducational.
$8.00 ≈
¥56.67
March of the Shadows
March of the Shadows
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Orchestre d'harmonie
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DÉBUTANT
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Martin J
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March of the Shadows
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 1 - SKU: IZ.CBS163 Composed by Martin J. Wimmer. Score and Parts. 26 pages. Imagine Music - Digital #CBS163. Published by Imagine M...
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Concert band - Grade 1 - SKU: IZ.CBS163 Composed by Martin J. Wimmer. Score and Parts. 26 pages. Imagine Music - Digital #CBS163. Published by Imagine Music - Digital (IZ.CBS163). 9 x 12 in inches.March of the Shadows is a Grade 1 1/2 work for second-year elementary band. As a veteran elementary band director,I am keenly aware of what students are able to accomplish at this level. March of the Shadows is a fun, slightlychallenging, and completely achievable work. It is a work that would be useful at the beginning of the school yearwhen it feels too summery to begin holiday music. March of the Shadows would be perfect for a Halloween orAutumn Concert.March of the Shadows begins with a whistle! It calls the show by announcing each new section of the piece. (Astudy of form.) It even reacts to a momentary modulation. The whistle part has all sorts of fun staging potential,including having it played by the director! The initial whistle is followed by a percussion introduction which sets thebeat. Seven percussion parts, three of them optional, have been included so that everyone in a large percussionsection will be kept engaged and out of trouble! The body of the work includes two alternating themes, one dark andshadowy in minor, the other bright, heroic and slightly syncopated in major. Every part gets the melody at somepoint, even the low brass and woodwinds! Ranges are all standard for early second-year band players, i.e. clarinetsdo not go over the break, trumpets do not go higher than middle line B, the snare drum part is sprinkled with basicrudiments such as flams and paradiddles. Even the horn gets a crack at the tune! Every part is fun, interesting andeducational.
$40.00 ≈
¥283.35
Byzantine Hymn: TI IPERMAHO
Byzantine Hymn: TI IPERMAHO
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Chorale SATB
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INTERMÉDIAIRE
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Classique
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Romanos o Melodos
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Marilena Zlatanou
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Byzantine Hymn: TI IPERMAHO
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Marilena Zlatanou
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1343535 Composed by Romanos o Melodos. Arranged by Marilena Zlatanou. Classical. 8 pages. Marilena Zlatan...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1343535 Composed by Romanos o Melodos. Arranged by Marilena Zlatanou. Classical. 8 pages. Marilena Zlatanou #929063. Published by Marilena Zlatanou (A0.1343535). BYZANTINE HYMN: TI IPERMAHO (To the defender army leader) arranged for SATB choir and pianoDuring a siege of Constantinople in the 6th cent., and while the regular army was engaged in fighting elsewhere, the city was attacked by Avars. The women, children and seniors left there fought as best they could, but finally realized that they had to give up. As a last resort, they carried the icon of Panayia (St. Mary, always referred to as all-holy in Greek), alongside the city walls, something that produced an unexpected effect: The besiegers left! For three days the citizens participated in liturgies addressed to Her, in a hymn called AKATHISTOS YMNOS (=Non-sitting Hymn), where this tropation is central, as it is most actively still used in the Greek Orthodox Church at many other relevant services. The first part is the original, in unison, or sung by a soloist. The piano part and the following choir arrangement are my contribution.duration: 3'33'' Phonetic transcription in the Latin alphabet is notated right below the original Greek text, English translation, and a key to Greek Pronunciation are provided on the title page. The mp3 file provided is exported from the sibelius file.For more information on the arranger, (member of TONO, the Norwegian copyright org.), please visit website www.zlatanou.netAs a Greek living in Norway for most of my adult life, and in my many years’ work as a conductor of a Norwegian choir specializing in Greek music (!), I have experienced the need to enrich the choir’s repertoire with both folk song- as well as other -arrangements of Greek music: This gave me the opportunity to share with our audiences some of the centuries-long musical heritage, as well as helping me make known to them some of the History behind the music of a country of such international historical influence in the past, and such a tourist magnet in our times.
$20.00 ≈
¥141.67
Tagoriana [recorder solo]
Tagoriana [recorder solo]
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Juan MarÃa Solare
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Tagoriana [recorder solo]
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Juan Maria Solare
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Recorder - Level 3 - SKU: A0.596499 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Standards,Worl...
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Instrumental Duet Flute,Instrumental Duet,Recorder - Level 3 - SKU: A0.596499 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Standards,World. Score and parts. 9 pages. Juan Maria Solare #3213415. Published by Juan Maria Solare (A0.596499). Tagoriana three pieces for recorder (or flute, or any melodic instrument) December 2016 - February 2017 I - Kailash, the witty cashier (2:45) II - We read the world wrong and say that it deceives us (3:15) III - Friendship is like fluorescence (1:20) Total Duration: 7:20 The titles are references to the life and writings of Rabindranath Tagore (1861-1941) I We had an old cashier, Kailash by name, who was like one of the family. He was a great wit, and would be constantly cracking jokes with everybody, old and young; recently married sons-in-law, new comers into the family circle, being his special butts. There was room for the suspicion that his humour had not deserted him even after death. Once my elders were engaged in an attempt to start a postal service with the other world by means of a planchette. At one of the sittings the pencil scrawled out the name of Kailash. He was asked as to the sort of life one led where he was. Not a bit of it, was the reply. Why should you get so cheap what I had to die to learn? Rabindranath Tagore: My Reminiscences | Chapter 2: Teaching Begins (1912) II We read the world wrong and say that it deceives us. Rabindranath Tagore: Stray Birds (1916) III The real friendship is like fluorescence, it shines better when everything has darken. Rabindranath Tagore (source unknown to the composer).Find the teaser of a piccolo version by Cecilia Piehl on YouTube:https://youtu.be/jCKO6WREb38If you prefer a hard copy (on paper) of these three pieces, head for Edition Tre Fontane, Münster (ETF 3085), 2020.https://edition-tre-fontane.de/produkt/solare-juan-maria-1966-tagoriana-etf-3085/#flute #Tagore #piccolo #sheetmusic #LatinAmericanMusic #flutemusic #flauta
$3.50 ≈
¥24.79
Prelude and Fugue XVI from The Well Tempered Clavier Book 1 (arranged for woodwind quintet)
Prelude and Fugue XVI from The Well Tempered Clavier Book 1 (arranged for woodwind quintet)
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Classique
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Johann Sebastian Bach
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Daniel Kaplan
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Prelude and Fugue XVI from The
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Daniel Kaplan
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute - Level 3 - SKU: A0.1418981 Composed by Johann Sebastian Bach. Arranged by Daniel...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute - Level 3 - SKU: A0.1418981 Composed by Johann Sebastian Bach. Arranged by Daniel Kaplan. Baroque,Chamber,Classical. 20 pages. Daniel Kaplan #1000428. Published by Daniel Kaplan (A0.1418981). Arrangement by Daniel Kaplan for woodwind quintet of Bach's Prelude and Fugue No. 16  in G minor from Book 1 of The Well Tempered Clavier. Kaplan fondly recalls interesting his young son in classical music by asking him to play the trills of this prelude while Kaplan played the rest of the notes in an impromptu, piano-three-hands arrangement. The fugue was analyzed in Kaplan's college counterpoint class as a quintessential example, exhibiting many of the standard fugal techniques in Bach's practice. Kaplan is engaged in a project to make classics from other genres available to woodwind players and has arranged several other great works for this ensemble, including many of his favorites from The Well Tempered Clavier (also available on this website). The woodwind quintet is especially well suited for contrapuntal music since the distinctive tone colors of the wind instruments bring out the contrapuntal lines and make them clearer to the listener.
$4.95 ≈
¥35.06
Worship Him
Worship Him
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Chorale SATB
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Luis Chris Medina
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The Mark of the Beast
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Worship Him
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Luis Chris Medina
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.912880 Composed by Luis Chris Medina. 20th Century,Sacred,Spiritual. Octavo. 62 pages. Luis Chris Medina #3376199. Publish...
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Choral Choir (SATB) - SKU: A0.912880 Composed by Luis Chris Medina. 20th Century,Sacred,Spiritual. Octavo. 62 pages. Luis Chris Medina #3376199. Published by Luis Chris Medina (A0.912880). Worship Him Is a trilogy choral work for SATB Piano/Bb Trumpet and Timpani based on the text from Revelation 14:7-12. This work has three movts, Worship Him, Babylon Is Fallen & The Mark of the Beast. This anthem would be fitting for any solemn or celebratory occasion. This work Can be perfomed individualy or in its entirety as a trilogy. The harmonic variations and dynamic counterpoint will keep both choir and audience engaged. The powerful text from Revelation is quite fitting for the prophetic times in which we are now living in. This work concludes triumphantly with the saints having victory through the faith of Jesus. This inspired work will truly share the blessed message from our dear Lord Jesus Christ. Enjoy this contemporary setting of Worship Him!Included in this download are SATB & piano parts/ Instrumental Parts/Director Choral Scores. The First Movt has been uploaded on Youtube. https://youtu.be/gUpu_80CKKQ.
$1.99 ≈
¥14.10
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Three Engaged Men
