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Three Pieces for Solo Saxophone
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Vous avez sélectionné:
Three Pieces for Solo Saxophone
Partitions à imprimer
50 partitions trouvées
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Three Pieces for Solo Saxophone
Three Pieces for Solo Saxophone
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Saxophone Alto
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INTERMÉDIAIRE/AVANCÉ
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Lansing R
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Three Pieces for Solo Saxophon
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ArrangeMe
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SheetMusicPlus
Alto Saxophone Solo - Level 4 - SKU: A0.1035861 Composed by Lansing R. Dimon. 20th Century,Contemporary,Folk,Traditional. Individual part. 6 pages. Arra...
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Alto Saxophone Solo - Level 4 - SKU: A0.1035861 Composed by Lansing R. Dimon. 20th Century,Contemporary,Folk,Traditional. Individual part. 6 pages. ArrangeMe #4369172. Published by ArrangeMe (A0.1035861). Three Pieces for Solo Saxophone is a triptych of pieces written in the style based on their title, and influenced by the styles implied by their titles. Movement I - Calliope refers to the circus organs and instruments found on steamboats during that era. Movement II, influenced by Mahler's use of 'Frere Jacques' his Symphony No. 1, movement II is a somber ballad, while Movement III - Rag is inspired by the ragtime style of the early 1900's. .
$7.50 ≈
6.92€
Ali Ben Sou Alle: Souvenirs d'Irelande for soprano saxophone and piano
Ali Ben Sou Alle: Souvenirs d'Irelande for soprano saxophone and piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs d'
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.533501 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 30 pages. Musik Fabr...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.533501 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #3001077. Published by Musik Fabrik Music Publishing (A0.533501). The work is divided into three large sections. An initial introduction and aria leads an Irish ballade The Last Rose of Summer which is then varied. The Valse Brillante which follows is interrupted by a reprise of the ballade before finishing with a brillant coda.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95 ≈
18.41€
Romances Sans Paroles Op. 17, No. 3 for Saxophone Quartet
Romances Sans Paroles Op. 17, No. 3 for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Gabriel Faure
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Diego Marani
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Romances Sans Paroles Op. 17,
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Diego Marani
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1437010 Composed by Gabriel ...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1437010 Composed by Gabriel Faure. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Wedding. 10 pages. Diego Marani #1017078. Published by Diego Marani (A0.1437010). The three romances without words, op. 17 by Gabriel Fauré are three pieces for solo piano. They are respectively dedicated to Madame Félix Lévy, Mademoiselle Laure de Leyritz and Madame Florent Saglio.This arrangement of the third romance - the most famous of the collection - for sax quartet (Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone) is suitable for any occasion: repertoire, classroom, recital, weddings or for a touching encore.
$9.99 ≈
9.22€
THREE NOCTURNES for Alto Saxophone and Piano
THREE NOCTURNES for Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Contemporain
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Erik Satie
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Steven Paxton
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THREE NOCTURNES for Alto Saxop
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Creative Spirit
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.1392517 Composed by Erik Satie. Arranged by Steven Paxton. 20th Century,Chamber,Classical. Score and part. 16 p...
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Alto Saxophone,Piano - Level 4 - SKU: A0.1392517 Composed by Erik Satie. Arranged by Steven Paxton. 20th Century,Chamber,Classical. Score and part. 16 pages. Creative Spirit #976036. Published by Creative Spirit (A0.1392517). The finest among Satie‘s final works for solo piano, here transcribed for alto saxophone and piano. This is finely structured, harmonically inventive, early 20th century modernism at its best, and these transcriptions capture Satie’s unique musical personality and sensibility. They will work well as individual pieces or as a group. More Satie transcriptions are available from Creative Spirit Music Publisher.TOTAL DURATION: about 8 minutes.
$20.00 ≈
18.46€
Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Pe...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516567. Published by jmsgu3 (A0.549639). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.co.
$24.95 ≈
23.03€
Beethoven: Adagio from Sonata Pathetique for Tenor Sax & Piano
Beethoven: Adagio from Sonata Pathetique for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549642 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic P...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549642 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516585. Published by jmsgu3 (A0.549642). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95 ≈
23.03€
Concerto for Soprano Saxophone
Concerto for Soprano Saxophone
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Saxophone Soprano et Piano
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AVANCÉ
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Contemporain
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Mark Engebretson
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Concerto for Soprano Saxophone
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Effiny Music
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SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - SKU: A0.1021992 Composed by Mark Engebretson. 20th Century,Contemporary. Score and part. 79 pages. Effiny Music #627...
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Piano,Soprano Saxophone - Level 5 - SKU: A0.1021992 Composed by Mark Engebretson. 20th Century,Contemporary. Score and part. 79 pages. Effiny Music #6273829. Published by Effiny Music (A0.1021992). The Concerto for Soprano Saxophone and Orchestra was composed in 2012 for saxophonist Susan Fancher. The project was supported by the North Carolina Arts Council, a division of the Department of Cultural Resources, with funding from the National Endowment for the Arts. Duration is 20:00 The work is in three movements, entitled Groove, Grace, and Burn. The first movement takes inspiration from electronic, pop and hip-hop worlds, and features a cadenza played over the top of looped orchestral parts. The second is fashioned as a highly ornamented jazz ballad. The third movement is a flashy tour-de-force that fully displays the technical virtuosity of the soloist. Overall, the Concerto continues my interest in developing pieces in close collaboration with stellar performers, so that the composition is imbued with aspects of the musicality, performance abilities and personality of the dedicatee. Susan Fancher gave the first performance on April 15, 2012 with conductor Ligia Amadio and the Symphonic Orchestra of the University of Sao Paulo in Sala Sao Paulo, Brazil.
$20.00 ≈
18.46€
Three Modern, Unaccompanied, Intermediate Saxophone Solos
Three Modern, Unaccompanied, Intermediate Saxophone Solos
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Saxophone Alto
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INTERMÉDIAIRE
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Phil Rawle
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Three Modern, Unaccompanied, I
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Phillip Rawle
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SheetMusicPlus
Alto Saxophone Solo - Level 3 - SKU: A0.1377678 Composed by Phil Rawle. Chamber,Contemporary,Jazz. Individual part. 3 pages. Phillip Rawle #962269. Publ...
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Alto Saxophone Solo - Level 3 - SKU: A0.1377678 Composed by Phil Rawle. Chamber,Contemporary,Jazz. Individual part. 3 pages. Phillip Rawle #962269. Published by Phillip Rawle (A0.1377678). Three very different unaccompanied pieces - Moderato, Allegretto and Allegro.Each piece has a different time signature and passes through many keys.These pieces are suitable for any member of the saxophone family.Not too difficult.
$6.00 ≈
5.54€
THREE SAX REPAINTINGS for saxophone & piano
THREE SAX REPAINTINGS for saxophone & piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Rainer Fabich
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THREE SAX REPAINTINGS for saxo
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Fajora Music
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SheetMusicPlus
Small Ensemble Alto Saxophone,Piano,Soprano Saxophone - Level 4 - SKU: A0.889792 Composed by Rainer Fabich. 20th Century,Contemporary. Score and parts. ...
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Small Ensemble Alto Saxophone,Piano,Soprano Saxophone - Level 4 - SKU: A0.889792 Composed by Rainer Fabich. 20th Century,Contemporary. Score and parts. 44 pages. Fajora Music #3481995. Published by Fajora Music (A0.889792). Three beautiful musical tableaux for saxophone and piano from the CDRAINER FABICH - SOP SAX TUNES:WATER VISIONS 2:32 FALLING ANGEL 2:33 WAVES 2:40 Sheet music (piano, soprano saxophone in Bb, alternatively alto sax in Eb or C part), 42 pages. The three musical pieces were originally composed for solo piano and recorded by the Munich concert pianist Prof. Michaela Pühn for the CD Piano Pur in the Great Concert Hall of the University of Music and Theater, Munich. Analogous to techniques of visual art was added at Three Sax Repaintings subsequently another solo voice. The soprano saxophone overpaints the piano part, so to speak, and places it in a new context. Music by the composer Rainer Fabich. Further information and audio samples at:www.rainer-fabich.de, www.fajora.com, itunes or amazon. ISBN: 9783746703237 Format: DIN A4 high Pages: 42
$19.95 ≈
18.41€
Paul Wehage: Ryoanji for contrabass or baritone saxophone in Eb and piano
Paul Wehage: Ryoanji for contrabass or baritone saxophone in Eb and piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Paul Wehage
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Paul Wehage: Ryoanji for contr
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Musik Fabrik Music Publishing
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.533522 Composed by Paul Wehage. Concert,Contemporary,Standards,World. Score and part. 27 pages. Musik Fabri...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.533522 Composed by Paul Wehage. Concert,Contemporary,Standards,World. Score and part. 27 pages. Musik Fabrik Music Publishing #3010455. Published by Musik Fabrik Music Publishing (A0.533522). Written for Jay C. Easton, this piece is named for the Japanese Zen Rock Garden in Kyoto, which uses 15 stones, but only 14 of them can ever been seen at one time. The work is in three large sections, played without pause: Prelude, Recitativo and Dance. Composer, conductor and saxophonist, Paul Wehage is a complete musican. After his studies at the University of Texas and at the Paris Conservatory (1st prize in Saxophone in 1990), he began his career as a concertiste, performing throughout Europe, Asia, and North America. Several generations of composers have wirtten pieces specially for him, from Jean Françaix to Carson Cooman. His own catalog of nearly a hundred works includes chamber works, works for solo instruments, vocal works, choral works and orchestral music. Since 1997, he has directed Music Fabrik Music Publishing where he has amassed a catalog of over a thousand titles; 
$19.95 ≈
18.41€
Romances Sans Paroles Op. 17, No. 3 for Soprano Saxophone and Piano
Romances Sans Paroles Op. 17, No. 3 for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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FACILE
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Gabriel Faure
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Diego Marani
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Romances Sans Paroles Op. 17,
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Diego Marani
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.1439527 Composed by Gabriel Faure. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.1439527 Composed by Gabriel Faure. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Wedding. Score and part. 6 pages. Diego Marani #1019537. Published by Diego Marani (A0.1439527). The three romances without words, op. 17 by Gabriel Fauré are three pieces for solo piano. They are respectively dedicated to Madame Félix Lévy, Mademoiselle Laure de Leyritz and Madame Florent Saglio.This arrangement of the third romance - the most famous of the collection - for soprano sax with piano accompaniment is suitable for any occasion: repertoire, classroom, recital, weddings or for a touching encore.
$8.99 ≈
8.30€
Romances Sans Paroles Op. 17, No. 3 for Alto Saxophone and Piano
Romances Sans Paroles Op. 17, No. 3 for Alto Saxophone and Piano
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Saxophone Alto et Piano
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FACILE
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Gabriel Faure
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Diego Marani
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Romances Sans Paroles Op. 17,
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Diego Marani
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1439452 Composed by Gabriel Faure. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,We...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1439452 Composed by Gabriel Faure. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Wedding. Score and part. 6 pages. Diego Marani #1019461. Published by Diego Marani (A0.1439452). The three romances without words, op. 17 by Gabriel Fauré are three pieces for solo piano. They are respectively dedicated to Madame Félix Lévy, Mademoiselle Laure de Leyritz and Madame Florent Saglio.This arrangement of the third romance - the most famous of the collection - for alto sax with piano accompaniment is suitable for any occasion: repertoire, classroom, recital, weddings or for a touching encore.
$8.99 ≈
8.30€
Ukrainian Folk Carol - Bb Saxophone and Piano (swing style!) by Chris Lawry and Keri Degg. Includes
Ukrainian Folk Carol - Bb Saxophone and Piano (swing style!) by Chris Lawry and Keri Degg. Includes
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Chris Lawry, Keri Degg
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Ukrainian Folk Carol - Bb Saxo
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Masquerade Music
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SheetMusicPlus
Instrumental Duet,Piano Piano,Tenor Saxophone - Level 4 - SKU: A0.761506 Composed by Chris Lawry, Keri Degg. Blues,Christmas,Jazz. Score and part. 7 pag...
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Instrumental Duet,Piano Piano,Tenor Saxophone - Level 4 - SKU: A0.761506 Composed by Chris Lawry, Keri Degg. Blues,Christmas,Jazz. Score and part. 7 pages. Masquerade Music #6052719. Published by Masquerade Music (A0.761506). Ukrainian Folk Carol (often known by another name however) for Bb saxophone and piano (or use the enhanced free demo/backing tracks via request after ordering - details are given on your printed sheet music) by UK composers Chris Lawry and Keri Degg. New for September 2020 this is a very fresh take on this traditional classic and has been launched into a crazy swing/groove style! It's a great showstopper and a real joy to play. The piece includes playful interplay and new original material/solo/s. Ukrainian Folk Carol is just one of five pieces from 'Christmas Jazz - Volume 2' Bb Saxophone (also available in Eb sax, Bb clarinet, and flute editions) which also includes; Deck the halls (Piazzolla-inspired style), The Holly and the Ivy - a smooshy smooth jazz ballad with original solo/s, Away in a manger - again, a gentle smooth jazz style, and O Holy Night (which has cheeky interplay, yet sweeping original lines too).There is also a 'Christmas Jazz - Volume 1' collection by the same composers (which includes; God rest ye merry gentlemen, Silent night, The first nowell, Hark the herald, and I saw three ships - all of which are available on SMP, or search for Christmas Jazz volume 1 if you'd like to buy the collection at a bargain price).
$3.99 ≈
3.68€
O Holy Night - Bb Saxophone and Piano (funk/groove style) by Chris Lawry and Keri Degg. Includes FRE
O Holy Night - Bb Saxophone and Piano (funk/groove style) by Chris Lawry and Keri Degg. Includes FRE
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Noël
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Chris Lawry, Keri Degg
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O Holy Night - Bb Saxophone an
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Masquerade Music
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SheetMusicPlus
Instrumental Duet,Piano Piano,Tenor Saxophone - Level 3 - SKU: A0.761504 Composed by Chris Lawry, Keri Degg. Blues,Christmas,Jazz. Score and part. 9 pag...
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Instrumental Duet,Piano Piano,Tenor Saxophone - Level 3 - SKU: A0.761504 Composed by Chris Lawry, Keri Degg. Blues,Christmas,Jazz. Score and part. 9 pages. Masquerade Music #6052709. Published by Masquerade Music (A0.761504). O Holy Night for Bb saxophone and piano (or use the enhanced free demo/backing tracks via request after ordering - details are given on your printed sheet music) by UK composers Chris Lawry and Keri Degg. New for September 2020 this is a very fresh take on this traditional classic and has been launched into a cheeky funk/groove style! Optional slap tongue and growl is optional in two parts (but is entirely optional). The piece includes playful interplay and new original material. O Holy Night is just one of five pieces from 'Christmas Jazz - Volume 2' Bb Saxophone (also available in Eb sax, Bb clarinet, and flute editions) which also includes; Deck the halls (Piazzolla-inspired style), The Holly and the Ivy - a smooshy smooth jazz ballad with original solo/s, Away in a manger - again, a gentle smooth jazz style, and Ukrainian Folk Carol (often well known by another name ;) in a fast swung style.There is also a 'Christmas Jazz - Volume 1' collection by the same composers (which includes; God rest ye merry gentlemen, Silent night, The first nowell, Hark the herald, and I saw three ships - all of which are available on SMP, or search for Christmas Jazz volume 1 if you'd like to buy the collection at a bargain price).
$3.99 ≈
3.68€
O Holy Night - Eb Saxophone and Piano (funk/groove style) by Chris Lawry and Keri Degg. Includes FRE
O Holy Night - Eb Saxophone and Piano (funk/groove style) by Chris Lawry and Keri Degg. Includes FRE
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Noël
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Chris Lawry, Keri Degg
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O Holy Night - Eb Saxophone an
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Masquerade Music
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Piano - Level 3 - SKU: A0.761511 Composed by Chris Lawry, Keri Degg. Christmas,Jazz. Score and part. 9 pages. Mas...
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Instrumental Duet,Piano Alto Saxophone,Piano - Level 3 - SKU: A0.761511 Composed by Chris Lawry, Keri Degg. Christmas,Jazz. Score and part. 9 pages. Masquerade Music #6056683. Published by Masquerade Music (A0.761511). O Holy Night for Eb saxophone (Alto, or Baritone) and piano (or use the enhanced free demo/backing tracks via request after ordering - details are given on your printed sheet music) by UK composers Chris Lawry and Keri Degg. New for September 2020 this is a very fresh take on this traditional classic and has been launched into a cheeky funk/groove style! Optional slap tongue and growl is optional in two parts (but is entirely optional). The piece includes playful interplay and new original material. O Holy Night is just one of five pieces from 'Christmas Jazz - Volume 2' Eb Saxophone (also available in Bb sax, Bb clarinet, and flute editions) which also includes; Deck the halls (Piazzolla-inspired style), The Holly and the Ivy - a smooshy smooth jazz ballad with original solo/s, Away in a manger - again, a gentle smooth jazz style, and Ukrainian Folk Carol (often well known by another name ;) in a fast swung style.There is also a 'Christmas Jazz - Volume 1' collection by the same composers (which includes; God rest ye merry gentlemen, Silent night, The first nowell, Hark the herald, and I saw three ships - all of which are available on SMP, or search for Christmas Jazz volume 1 if you'd like to buy the collection at a bargain price).
$3.99 ≈
3.68€
Groove Zones Christmas! - Bb saxophone & audio tracks (included). 15 ALTERNATIVE Carols!
Groove Zones Christmas! - Bb saxophone & audio tracks (included). 15 ALTERNATIVE Carols!
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Saxophone (partie séparée)
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INTERMÉDIAIRE
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Noël
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Chris Lawry, Jack Lennon, and
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Groove Zones Christmas! - Bb s
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Masquerade Music
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SheetMusicPlus
Tenor Saxophone Solo - Level 3 - SKU: A0.1328094 Composed by Chris Lawry, Jack Lennon, and Keri Degg. Blues,Christian,Christmas,Holiday,Jazz. Individual...
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Tenor Saxophone Solo - Level 3 - SKU: A0.1328094 Composed by Chris Lawry, Jack Lennon, and Keri Degg. Blues,Christian,Christmas,Holiday,Jazz. Individual part. 38 pages. Masquerade Music #916084. Published by Masquerade Music (A0.1328094). Groove Zones Christmas! (for that alternative Christmas!) - Bb saxophone edition (tenor or soprano sax) published October 2023 by www.masquerade-music.com ... a journey on three levels and a collaboration of Keri Degg, Chris Lawry, and Jack Lennon. The  download includes superior quality full demonstration and accompaniment only audio tracks for all the pieces (street, town, and city variants) so 20 audio tracks in all. The audio downloads code is given in the publication.Groove Zones Christmas! (like the other titles in the Groove Zones series) are designed to grow with you as you explore from street (around grade 2-4) to town (around grade 3-5) and finally to the city (grade 5/6+) and embraces a more commercial saxophone sound that will be highly appealing and a great motivator for personal practice.The five pieces in the book (Jingle Bingle Bells, Carol from Sussex, In Dulci Jubilo, We Three Kings of Old London, and Deck the (Terry) Halls) each appear in the three difficulty levels (so really there are fifteen pieces in the book) and have been carefully notated/articulated to provide that authentic commercial sound (in many styles from Big Band, Metal/Rock, Jazz Waltz, Blues, and even Ska - think of the band Madness or The Specials and you're on the right wavelength!).Jingle Bingle Bells begins as a luscious ballad in a style inspired by some of our popular Crooners like Michael Buble (with regards to the other Crooner, the clue is in the title!) but soon launches into a joyous upbeat big band swing before finally returning from whence it came. You can almost see and smell the gently falling snow! The three versions are included: Jingle Bingle Bells (Street) - around grade 2-4, Jingle Bingle Bells (Town) - around grade 3-5, and Jingle Bingle Bells (City) - grade 5/6+Carol from Sussex is a Metal/Rock twisted arrangement of the original (Sussex Carol) and features the vocal talents of Mr Nick McCarthy with his fun interjections! This arrangement really romps along, though the Street edition is cleverly arranged to make the tune basically half the speed for lesser experienced players. Conjure up an idea of the mysterious Carol from Sussex as you enjoy this festive showpiece! The three versions are included: Carol from Sussex (Street) - around grade 2-4, Carol from Sussex (Town) - around grade 3-5, and Carol from Sussex (City) - grade 5/6+In Dulci Jubilo is a sweet and laid back number arranged in a Jazz Waltz style with oodles of space to soar on notes. Enjoy the little musical quotes at the end (how may Carols can you pick out?). The three versions are included: In Dulci Jubilo (Street) - around grade 2-4, In Dulci Jubilo (Town) - around grade 3-5, and In Dulci Jubilo (City) - grade 5/6+We Three Kings of Old London is a darker Cityscape in a Blues/alternative style. Full of sound effects such as the rumblings of the underground and an echoey sax down a deserted street (and do we hear Father Christmas somewhere in the distance?!) there are some really sleazy play offs between the sax and the guitar at the start and end (inspired perhaps 'Lily was Here' - Candy Dulfer and Dave Stewart). A really satisfying play! The three versions are included: We Three Kings of Old London (Street) - around grade 2-3, We Three Kings of Old London (Town) - around grade 3-5, and We Three Kings of Old London (City) - grade 5/6+.
$14.00 ≈
12.92€
Groove Zones Christmas! Eb saxophone & audio tracks (included). 5/15 ALTERNATIVE Carols!
Groove Zones Christmas! Eb saxophone & audio tracks (included). 5/15 ALTERNATIVE Carols!
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Saxophone Alto
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INTERMÉDIAIRE
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Noël
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Chris Lawry, Jack Lennon, and
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Groove Zones Christmas! Eb sax
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Masquerade Music
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SheetMusicPlus
Alto Saxophone Solo - Level 3 - SKU: A0.1324096 Composed by Chris Lawry, Jack Lennon, and Keri Degg. Blues,Christmas,Holiday,Jazz,Ska. Individual part. ...
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Alto Saxophone Solo - Level 3 - SKU: A0.1324096 Composed by Chris Lawry, Jack Lennon, and Keri Degg. Blues,Christmas,Holiday,Jazz,Ska. Individual part. 37 pages. Masquerade Music #912288. Published by Masquerade Music (A0.1324096). Groove Zones Christmas! (for that alternative Christmas!) - Eb saxophone edition (alto or baritone sax) published October 2023 by www.masquerade-music.com ... a journey on three levels and a collaboration of Keri Degg, Chris Lawry, and Jack Lennon. The download includes superior quality full demonstration and accompaniment only audio tracks for all the pieces (street, town, and city variants) so 20 audio tracks in all. The audio downloads code is given in the publication.Groove Zones Christmas! (like the other titles in the Groove Zones series) are designed to grow with you as you explore from street (around grade 2-4) to town (around grade 3-5) and finally to the city (grade 5/6+) and embraces a more commercial saxophone sound that will be highly appealing and a great motivator for personal practice.The five pieces in the book (Jingle Bingle Bells, Carol from Sussex, In Dulci Jubilo, We Three Kings of Old London, and Deck the (Terry) Halls) each appear in the three difficulty levels (so really there are fifteen pieces in the book) and have been carefully notated/articulated to provide that authentic commercial sound (in many styles from Big Band, Metal/Rock, Jazz Waltz, Blues, and even Ska - think of the band Madness or The Specials and you're on the right wavelength!). Jingle Bingle Bells begins as a luscious ballad in a style inspired by some of our popular Crooners like Michael Buble (with regards to the other Crooner, the clue is in the title!) but soon launches into a joyous upbeat big band swing before finally returning from whence it came. You can almost see and smell the gently falling snow! The three versions are included: Jingle Bingle Bells (Street) - around grade 2-4, Jingle Bingle Bells (Town) - around grade 3-5, and Jingle Bingle Bells (City) - grade 5/6+Carol from Sussex is a Metal/Rock twisted arrangement of the original (Sussex Carol) and features the vocal talents of Mr Nick McCarthy with his fun interjections! This arrangement really romps along, though the Street edition is cleverly arranged to make the tune basically half the speed for lesser experienced players. Conjure up an idea of the mysterious Carol from Sussex as you enjoy this festive showpiece! The three versions are included: Carol from Sussex (Street) - around grade 2-4, Carol from Sussex (Town) - around grade 3-5, and Carol from Sussex (City) - grade 5/6+In Dulci Jubilo is a sweet and laid back number arranged in a Jazz Waltz style with oodles of space to soar on notes. Enjoy the little musical quotes at the end (how may Carols can you pick out?). The three versions are included: In Dulci Jubilo (Street) - around grade 2-4, In Dulci Jubilo (Town) - around grade 3-5, and In Dulci Jubilo (City) - grade 5/6+We Three Kings of Old London is a darker Cityscape in a Blues/alternative style. Full of sound effects such as the rumblings of the underground and an echoey sax down a deserted street (and do we hear Father Christmas somewhere in the distance?!) there are some really sleazy play offs between the sax and the guitar at the start and end (inspired perhaps 'Lily was Here' - Candy Dulfer and Dave Stewart). A really satisfying play! The three versions are included: We Three Kings of Old London (Street) - around grade 2-3, We Three Kings of Old London (Town) - around grade 3-5, and We Three Kings of Old London (City) - grade 5/6+
$14.00 ≈
12.92€
Bach: Brandenburg Concerto No. 3 for Saxophone Choir
Bach: Brandenburg Concerto No. 3 for Saxophone Choir
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Ensemble de saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: Brandenburg Concerto No.
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jmsgu3
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SheetMusicPlus
Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone - Level 4 - SKU: A0.1402348 Composed by Johann S...
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Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone - Level 4 - SKU: A0.1402348 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standards,Traditional. 149 pages. Jmsgu3 #985560. Published by jmsgu3 (A0.1402348). Bach's Brandenburg Concerto No. 3 is significant for its composition and structure. It features nine solo strings divided into three groups of violins, violas, and cellos, showcasing a colorful instrumentation and demanding performance requirements. The concerto opens majestically with distinct groupings of soloists by instrument, maintaining these divisions throughout the movement with moments of independence for each soloist. The closing movement, a vigorous allegro, follows a similar pattern with the nine players divided by instrument. Additionally, the concerto includes a two-note adagio cadence where musicians were intended to improvise a link between the outer movements. This concerto is a prime example of the Baroque concerto style. It demonstrates Bach's mastery in creating intricate and harmonious compositions that challenge performers while showcasing the beauty of different instruments working together harmoniously.The historical context of Bach's Brandenburg Concertos is rooted in the Baroque era and Bach's circumstances. Composed around 1711-1720 and dedicated in 1721 to Christian Ludwig, the Margrave of Brandenburg, these concertos were a collection of six concerti grossi that showcased a balance between various groups of soloists and a small orchestra. Bach's decision to compile these concertos was influenced by his need for employment and his encounter with Christian Ludwig, who commissioned several works after being impressed by his performance in Berlin around 1719. Despite Bach's hopes for a position at the Brandenburg court, the Margrave did not pay for the work, possibly because the pieces were revisions of earlier compositions rather than new creations specifically for him. Moreover, the Brandenburg Concertos exemplify the concerto grosso genre popular during the Baroque era, featuring a more significant number of soloists than usual and expansive music that showcases a variety of instruments in different combinations. Bach's innovative use of instruments like trumpets, recorders, French horns, oboes, flutes, violino piccolo, violas da gamba, and harpsichord in these concertos highlights his creativity and mastery in composing intricate and diverse musical pieces. The historical significance lies in Bach's ability to blend different musical styles and forms while creating a set of concertos that music lovers cherish today.
$74.95 ≈
69.17€
The First Nowell (The First Noel) ; a shmooshy jazz arrangement with original solo for Bb Clarinet &
The First Nowell (The First Noel) ; a shmooshy jazz arrangement with original solo for Bb Clarinet &
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Clarinette et Piano
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FACILE
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Noël
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Chris Lawry Keri Degg
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The First Nowell
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Masquerade Music
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SheetMusicPlus
Clarinet,Piano - Level 2 - SKU: A0.761522 Composed by Chris Lawry Keri Degg. Christmas,Jazz. Score and part. 8 pages. Masquerade Music #6078517. Publish...
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Clarinet,Piano - Level 2 - SKU: A0.761522 Composed by Chris Lawry Keri Degg. Christmas,Jazz. Score and part. 8 pages. Masquerade Music #6078517. Published by Masquerade Music (A0.761522). A wonderfully sentimental arrangement for Bb Clarinet and Piano (which includes a section that is a beautiful original solo) that simply oozes Christmas/Holiday season). Expertly written by Composer/Pianist/Orchestrator Chris Lawry, and Keri Degg (Composer/Saxophonist/Clarinettist/Flautist) this is a very accessible piece (the clarinet part is around grade 3-4 standard; so easy enough to play with limited practice time!), but also lends itself to instrumental soloing/noodling if wished. This is one of five new Christmas pieces for 2018, and forms part of the 'Christmas Jazz Volume 1 - Clarinet edition' collection (also includes; Silent Night, Hark The Herald, God Rest Ye Merry Gentlemen, and I Saw Three Ships). Also available as separates (and as a collection) on Sheet Music Plus. The pieces are also available in Eb Saxophone, Flute, and Bb Saxophone variations. Contact us (details on the sheet music) to access your free demonstration, and backing tracks.
$3.99 ≈
3.68€
Ukrainian Folk Carol - Eb Saxophone and Piano (swing style!) by Chris Lawry and Keri Degg. Includes
Ukrainian Folk Carol - Eb Saxophone and Piano (swing style!) by Chris Lawry and Keri Degg. Includes
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Chris Lawry, Keri Degg
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Ukrainian Folk Carol - Eb Saxo
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Masquerade Music
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SheetMusicPlus
Composed by Chris Lawry, Keri Degg. Christmas, Jazz. Score and part. 7 pages. Masquerade Music #6056689. Published by Masquerade Music...
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Composed by Chris Lawry, Keri Degg. Christmas, Jazz. Score and part. 7 pages. Masquerade Music #6056689. Published by Masquerade Music
Ukrainian Folk Carol (often known by another name however) for Eb saxophone (Alto, or Baritone) and piano (or use the enhanced free demo/backing tracks via request after ordering - details are given on your printed sheet music) by UK composers Chris Lawry and Keri Degg.
New for September 2020 this is a very fresh take on this traditional classic and has been launched into a crazy swing/groove style! It\'s a great showstopper and a real joy to play. The piece includes playful interplay and new original material/solo/s.
Ukrainian Folk Carol is just one of five pieces from \'Christmas Jazz - Volume 2\' Eb Saxophone (also available in Bb sax, Bb clarinet, and flute editions) which also includes; Deck the halls (Piazzolla-inspired style), The Holly and the Ivy - a smooshy smooth jazz ballad with original solo/s, Away in a manger - again, a gentle smooth jazz style, and O Holy Night (which has cheeky interplay, yet sweeping original lines too).
There is also a \'Christmas Jazz - Volume 1\' collection by the same composers (which includes; God rest ye merry gentlemen, Silent night, The first nowell, Hark the herald, and I saw three ships - all of which are available on SMP, or search for Christmas Jazz volume 1 if you\'d like to buy the collection at a bargain price).
$3.99 ≈
3.68€
Bach: Brandenburg Concerto No. 3 for Saxophone Choir - Score Only
Bach: Brandenburg Concerto No. 3 for Saxophone Choir - Score Only
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Classique
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Johann Sebastian Bach
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James M
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Bach: Brandenburg Concerto No.
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.1401651 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standar...
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Woodwind Ensemble - Level 4 - SKU: A0.1401651 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standards,Traditional. 70 pages. Jmsgu3 #984834. Published by jmsgu3 (A0.1401651). Bach's Brandenburg Concerto No. 3 is significant for its composition and structure. It features nine solo strings divided into three groups of violins, violas, and cellos, showcasing a colorful instrumentation and demanding performance requirements. The concerto opens majestically with distinct groupings of soloists by instrument, maintaining these divisions throughout the movement with moments of independence for each soloist. The closing movement, a vigorous allegro, follows a similar pattern with the nine players divided by instrument. Additionally, the concerto includes a two-note adagio cadence where musicians were intended to improvise a link between the outer movements. This concerto is a prime example of the Baroque concerto style. It demonstrates Bach's mastery in creating intricate and harmonious compositions that challenge performers while showcasing the beauty of different instruments working together harmoniously.The historical context of Bach's Brandenburg Concertos is rooted in the Baroque era and Bach's circumstances. Composed around 1711-1720 and dedicated in 1721 to Christian Ludwig, the Margrave of Brandenburg, these concertos were a collection of six concerti grossi that showcased a balance between various groups of soloists and a small orchestra. Bach's decision to compile these concertos was influenced by his need for employment and his encounter with Christian Ludwig, who commissioned several works after being impressed by his performance in Berlin around 1719. Despite Bach's hopes for a position at the Brandenburg court, the Margrave did not pay for the work, possibly because the pieces were revisions of earlier compositions rather than new creations specifically for him. Moreover, the Brandenburg Concertos exemplify the concerto grosso genre popular during the Baroque era, featuring a more significant number of soloists than usual and expansive music that showcases a variety of instruments in different combinations. Bach's innovative use of instruments like trumpets, recorders, French horns, oboes, flutes, violino piccolo, violas da gamba, and harpsichord in these concertos highlights his creativity and mastery in composing intricate and diverse musical pieces. The historical significance lies in Bach's ability to blend different musical styles and forms while creating a set of concertos that music lovers cherish today.
$49.95 ≈
46.10€
'Changing Landscapes' suite for Eb or Bb saxophone & Piano by Emma Arandjelovi
'Changing Landscapes' suite for Eb or Bb saxophone & Piano by Emma Arandjelovi
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the end of the movement howeve
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Emma Arandjelović
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'Changing Landscapes' suite fo
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Masquerade Music
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SheetMusicPlus
Instrumental Solo,Piano,Saxophone - Level 4 - SKU: A0.761542 Composed by Emma Arandjelović. 20th Century,Contemporary,Film/TV,Multicultural,World. S...
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Instrumental Solo,Piano,Saxophone - Level 4 - SKU: A0.761542 Composed by Emma Arandjelović. 20th Century,Contemporary,Film/TV,Multicultural,World. Score and individual part. 39 pages. Masquerade Music #6120357. Published by Masquerade Music (A0.761542). Changing Landscapes for saxophone and piano was written by Scottish composer Emma Arandjelović and consists of three beautifully musically descriptive parts of a journey... It is aimed at saxophonists of around grade 4-6 level and is a refreshing addition to anyone's sheet music library.Two of the three pieces were recently chosen to be included on ABRSM's (The Associated Board of the Royal School of Music) Eb and Bb exam syllabus (from 2022 onwards). 'Leaving' as chosen for grade 7, and 'Changing Landscapes' for grade 6.Please view the YouTube video for the full suite. This PDF book comes with; Universal saxophone part (so playable on ANY saxophone), two piano accompaniment parts (one for Eb sax, the other for Bb sax) and full demonstration and accompaniment backing tracks (for both Eb, and Bb saxophones) which are available free of charge on request (see details on your sheet music after printing out). Leaving starts us on our travels, and you can feel the slightly optimistic viewpoint initially as the saxophone and piano playfully sing. A little later however it's as though doubts and anxieties have crept in... (included on Grade 7 ABRSM exams from 2022 onwards).Changing Landscapes (movement 2) propels us forward through twists and turns, almost as if the thoughts are in equal turmoil as the scenery that rushes by. By the end of the movement however, it's very much like these have been resolved, and a peace and newly found optimism is evident in the final movement. (included on Grade 6 ABRSM exams from 2022 onwards).Turning Point (movement 3) is both playful (with its 5/4 time signature) and full of hope as the future comes into view with fresh new beginnings.....
$12.50 ≈
11.54€
Watermelon Man for Clarinet Quintet & Opt. Drumset
Watermelon Man for Clarinet Quintet & Opt. Drumset
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE
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Jazz
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Qu
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Music for all Occasions
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SheetMusicPlus
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions ...
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.
A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.
The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.
Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B
Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.
On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.
This version was often featured on The Weather Channel's Local on the 8s segments.
The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.
A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99 ≈
13.83€
Three MORE Mozart Duets for Saxophone or Oboe (KV3, 4 and 6)
Three MORE Mozart Duets for Saxophone or Oboe (KV3, 4 and 6)
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Contemporain
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Chris Pence
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Three MORE Mozart Duets for Sa
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Austin Pence
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SheetMusicPlus
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Oboe,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.971465 Arranged by Chris Pence. Contempor...
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Oboe,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.971465 Arranged by Chris Pence. Contemporary. 3 pages. Austin Pence #6073081. Published by Austin Pence (A0.971465). These three simple Mozart minuets are suitable for ANY young saxophone or oboe duo looking to enhance their ability to play in a small ensemble. These arrangements are awesome for solo and ensemble, school events, and even weddings and receptions! Dynamics are included but not required. Please enjoy these lovely pieces from the mind of a young Mozart, now adapted for a duo of saxophones or clarinets! The sax part is also compatible with the clarinet or flute duos of the same name!
$1.99 ≈
1.84€
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Three Pieces for Solo Saxophone
