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Vous avez sélectionné:
Through the Clouds
Partitions à imprimer
206 partitions trouvées
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The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
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Floating, Falling, Flying (parts for other instrumental combinations)
Floating, Falling, Flying (parts for other instrumental combinations)
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Brian Chung
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Floating, Falling, Flying
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Brian Chung Music
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SheetMusicPlus
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 4 - SKU: A0.1188952 Composed by Brian Chung. Contemporary,Film/TV,Thriller,Tradit...
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Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 4 - SKU: A0.1188952 Composed by Brian Chung. Contemporary,Film/TV,Thriller,Traditional. 9 pages. Brian Chung Music #788560. Published by Brian Chung Music (A0.1188952). Floating, Falling, Flying was originally written as trio for Oboe, Violin and Piano (#1284568 on Sheet Music Direct, #A0.1188926 on Sheet Music Plus). For those who have already purchased that original score, these supplemental parts will make possible the following instrumental combinations:Clarinet (for Oboe) creates a Clarinet/Violin/Piano trio.Clarinet (for Violin) creates an Oboe/Clarinet/Piano trio (heard on sample audio file).Flute (for Violin) creates an Oboe/Flute/Piano trio.The Piano part in the original score is unchanged for all combinations. For Flute/Clarinet/Piano, please purchase the separate version optimized for that instrumentation (#1288002 on Sheet Music Direct, #A0.1192373 on Sheet Music Plus). Composer's Commentary on YouTube:  https://youtu.be/7Isy0t6VzasSUMMARYHave you ever wondered what happens to balloons when they fly away? Floating, Falling, Flying depicts the odyssey of two balloons who find themselves suddenly and blissfully untethered.  It presents a musical narrative of their unpredictable journey through the skies, back to earth, and, eventually, into the stratosphere. The piece was commissioned by Music Teachers National Association for the 2022 National Conference.  It is a trio for oboe, violin and piano written for students at the intermediate to advanced-intermediate level.  Composed in three contiguous movements, it involves three characters – the balloons (portrayed by the oboe and violin) and the wind (represented by the piano).  In the opening movement (Floating), the balloons escape their moorings and ascend into free space, floating playfully among the clouds with the help of a gentle wind. But, as in life, journeys are not always peaceful.  The second movement (Falling) opens with a hint that something is not quite right.  Undaunted, the balloons continue their carefree ascent amid the ominous signs of an approaching storm.  The wind ultimately asserts its authority, pummeling the balloons back to earth.  As they lie helplessly on the ground, they assess each other’s condition and make feeble attempts to relaunch.  But, without wind, their situation seems hopeless.  In the final movement (Flying), hope is restored as a quiet breeze lifts the intrepid pair back into the air.  They resume their skyward adventure with renewed vigor and joy – dancing through the clouds and, ultimately, out of sight.Floating, Falling, Flying is an exciting and challenging piece for student concerts, recitals and Solo and Ensemble festivals.Brian Chung is a pianist, arranger, composer, conference speaker, former Senior Vice Present of Kawai America Corporation, and author or co-author of four books published by Alfred Music.  He was honored to participate in MTNA’s Collaborative Music Commissioning Project with this composition.
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Through the Clouds
Through the Clouds
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Orchestre d'harmonie
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DÉBUTANT
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Contemporain
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Nicholas R
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Through the Clouds
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CWJ Music House Publications
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1022538 Composed by Nicholas R. Greeson. 20th Century. Score and parts. 27 pages. CWJ Music House Publications #6326395...
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Concert Band - Level 1 - SKU: A0.1022538 Composed by Nicholas R. Greeson. 20th Century. Score and parts. 27 pages. CWJ Music House Publications #6326395. Published by CWJ Music House Publications (A0.1022538). Through the Clouds introduces band students in their first year of instruction to march form in an energetic work that will help your ensemble excel. It pays careful attention not only to instrument ranges, but also to ensemble coordination which can be challenging when there is limited rehearsal time. With tonal centers and g minor and B flat major the depth of this piece will broaden the experience of your students and impress your audiences. Break through with this exciting selection!
$40.00 ≈
36.31€
Mountain Goats And Other Creatures
Mountain Goats And Other Creatures
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Vessela Stoyanova
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Mountain Goats And Other Creat
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Vessela Stoyanova
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela St...
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String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela Stoyanova #798931. Published by Vessela Stoyanova (A0.1201464). “Mountain Goats and Other Creatures†was Commissioned by Rachel Jayson and the Lexington High School Symphony Orchestra.It was inspired by the folk music of my native land of Bulgaria, informed by my experience as a rock musician, reimagined through the lense of my place inside of a community of like-minded artists and musicians, where I have made my real home today. The first movement - Mountain Goats - is a sort of celebration of renewal, promise, and hope. It represents the tenacious will of grass growing through the snow of early spring, the powerful longing for human connection, the warmth of the sun against your skin on a bright chilly day. It carries both the pristine optimism of youth, and the nervous energy of trying something for the first time. The second movement - Samodivi - in contrast is dark, heavy and full of passion and desire. According to Balkan myths, Samodivi are gorgeous nymphs who live in the woods and often seduce men with their beautiful song and dance. They are feared and envied at the same time. The music of the second movement represents the mysterious dark forest at night - lower strings create the moss under your feet, higher strings use extended techniques to simulate the noise of branches clicking the wind, a few soloists represent different creatures - both real and imaginary - scurry through the woods above your head. Then you hear the lone song of a Samodiva in the distance, your heart is beating hard, your steps are leading you straight towards the call against your better judgement. It is the ancient story of fear and desire, of self control and complete abandon. You, the listener, become witness to a wild dance, fire in the woods, snakes in their long blond hairs, slender bodies dressed in white clouds dancing to an imaginary beat.  Then it all ends abruptly and you left to wonder: Was it real? Did I see it? Am I safe?The third and final movement of the piece is based on a popular rhythmic folk dance in Bulgaria called Kopanitsa, while the melody creates a fugue between the different voices of the orchestra. The Kids are the little of the mountain goats - free to frolic high above tree line, above any human traces, as close to the clouds as one can get and still be touching the ground below. They are carefree, daring, and somewhat naive, yet safe under the watchful gaze of their parent. The movements ends in cascading repetitions of a musical motif in 5/8 representing the relentless passing of time or at least our perception of it.
$100.00 ≈
90.78€
A soft journey through the clouds
A soft journey through the clouds
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Klender Carrenho Barbosa
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A soft journey through the clo
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Klender Carrenho Barbosa
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SheetMusicPlus
Small Ensemble Fiddle,Flute,Piano - Level 2 - SKU: A0.1495778 Composed by Klender Carrenho Barbosa. Classical,Singer/Songwriter,Spiritual. 5 pages. Klen...
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Small Ensemble Fiddle,Flute,Piano - Level 2 - SKU: A0.1495778 Composed by Klender Carrenho Barbosa. Classical,Singer/Songwriter,Spiritual. 5 pages. Klender Carrenho Barbosa #1072306. Published by Klender Carrenho Barbosa (A0.1495778). Travel through the soft clouds of the sky with this short but impressive song, composed for a trio of piano, violin and flute, but which can be adaptable to the musician's taste, depending on the instrument they wish to play.
$10.00 ≈
9.08€
WAYFARING STRANGER (Poor Wayfaring Stranger)
WAYFARING STRANGER (Poor Wayfaring Stranger)
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Chorale TTBB
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DÉBUTANT
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Unknown - traditional
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Paul A
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 p...
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Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59 ≈
4.17€
Beyond the Clouds. Song and Chorus
Beyond the Clouds. Song and Chorus
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Chorale SATB
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C
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C
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Beyond the Clouds. Song and Ch
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.565 Composed by C.A. White. Mothers & children, Families, Dreaming, Death, Drapery, Sadness. Lester S. ...
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Piano and voice (solo and SATB chorus) - SKU: LV.565 Composed by C.A. White. Mothers & children, Families, Dreaming, Death, Drapery, Sadness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.565). Beyond the Clouds. Song and Chorus. Words & Music By C.A. White. Published [n.d.] by White, Smith & Perry, 298 & 300 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Mothers & children, Families, Dreaming, Death, Drapery, Sadness. First line reads Mother, where is Minnie now, Minnie whom we loved so well.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.44€
Through the Clouds
Through the Clouds
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Jon Raybould
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Through the Clouds
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Jon Raybould Music
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.1036792 Composed by Jon Raybould. Classical,Praise & Worship,Spiritual. Score and part. 18 pages. Jon Raybould Music #64...
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Flute,Piano - Level 3 - SKU: A0.1036792 Composed by Jon Raybould. Classical,Praise & Worship,Spiritual. Score and part. 18 pages. Jon Raybould Music #641817. Published by Jon Raybould Music (A0.1036792). Float through the clouds to find your inner peace and tranquility ... this piece for 2 flutes and piano (or backing track) is slow, gentle and evolving - and the difficulty level is intermediate. FREE backing tracks (and performance tracks can be downloaded from here: https://drive.google.com/drive/folders/1j-KHW7Fg3SKxCeSejXNeJzNIokq4CmwA?usp=sharing ... or play along to the backing tracks on the YouTube video.
$6.00 ≈
5.45€
Through The Clouds (Original Piano)
Through The Clouds (Original Piano)
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Piano Facile
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INTERMÉDIAIRE
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Contemporain
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JUST!JOSH
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Through The Clouds
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JUST!JOSH
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SheetMusicPlus
Easy Piano - Level 3 - SKU: A0.1032911 Composed by JUST!JOSH. 20th Century,Contemporary. Score. 5 pages. JUST!JOSH #5791295. Published by JUST!JOSH (A0....
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Easy Piano - Level 3 - SKU: A0.1032911 Composed by JUST!JOSH. 20th Century,Contemporary. Score. 5 pages. JUST!JOSH #5791295. Published by JUST!JOSH (A0.1032911). OFFICIAL SHEET MUSIC for Through The Clouds by Young Composer JUST!JOSHMy Links:
$3.99 ≈
3.62€
I Told The Brook
I Told The Brook
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Piano, Voix
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INTERMÉDIAIRE
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Marty Robbins
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Kim Kirkman
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I Told The Brook
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Kim Kirkman
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.779570 Composed by Marty Robbins. Arranged by Kim Kirkman. Contemporary. Score. 5 pages. Kim Kirkman #5320003. Pub...
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Piano,Vocal,Voice - Level 3 - SKU: A0.779570 Composed by Marty Robbins. Arranged by Kim Kirkman. Contemporary. Score. 5 pages. Kim Kirkman #5320003. Published by Kim Kirkman (A0.779570). I Told the Brook by Marty Robbins in G for alto/bass voice. Top note B naturalAlso sung by Billy ThorpeHas lovely 12/8 lilt in style of Unchained MelodyChords included.LyricsI told the brook that runs down through the valleyA secret my best friend never knew.The brook told the trees and the trees told the breeze,That I was in love with you. The trees told the flowers hiding there by the hilltop.The clouds told the moon that shone above.So angry yet blue when they found out that youAnd your heart had another love. The brook became angry and changed to a river,rushing so madly along.The soft summer breeze that played tag with the trees,became so wild and so strong. The bashful white flowers hiding there by the hilltop,Grew dark when the rain came pouring down.Their hearts couldn't hide all the tears that were cried,And had carpeted upon the ground. The storm has gone over, there'll be sunshine again.The chains that held me are now gone.The trees wave hello as I stand here below,And the brook sings the sweetest song. The bashful white flowers are again by the hill-top.The sun and the moon are still my friends.I promise there'll be no more heartaches for me,Till I fall in love again.
$4.99 ≈
4.53€
I Told The Brook
I Told The Brook
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Piano, Voix
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INTERMÉDIAIRE
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Contemporain
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Marty Robbins
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Kim Kirkman
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I Told The Brook
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Kim Kirkman
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.779569 Composed by Marty Robbins. Arranged by Kim Kirkman. Contemporary. Score. 5 pages. Kim Kirkman #5320001. Pub...
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Piano,Vocal,Voice - Level 3 - SKU: A0.779569 Composed by Marty Robbins. Arranged by Kim Kirkman. Contemporary. Score. 5 pages. Kim Kirkman #5320001. Published by Kim Kirkman (A0.779569). I Told the Brook by Marty Robbins in D (top note F#)Also sung by Billy ThorpeHas lovely 12/8 lilt in style of Unchained MelodyChords included.LyricsI told the brook that runs down through the valleyA secret my best friend never knew.The brook told the trees and the trees told the breeze,That I was in love with you. The trees told the flowers hiding there by the hilltop.The clouds told the moon that shone above.So angry yet blue when they found out that youAnd your heart had another love. The brook became angry and changed to a river,rushing so madly along.The soft summer breeze that played tag with the trees,became so wild and so strong. The bashful white flowers hiding there by the hilltop,Grew dark when the rain came pouring down.Their hearts couldn't hide all the tears that were cried,And had carpeted upon the ground. The storm has gone over, there'll be sunshine again.The chains that held me are now gone.The trees wave hello as I stand here below,And the brook sings the sweetest song. The bashful white flowers are again by the hill-top.The sun and the moon are still my friends.I promise there'll be no more heartaches for me,Till I fall in love again.
$4.99 ≈
4.53€
Breaking Through the Clouds
Breaking Through the Clouds
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Ramseyer Radio Ministry
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J
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Breaking Through the Clouds
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J. Randolph Hall
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1477130 By Ramseyer Radio Ministry. By Phillip S. Kerr. Arranged by J. Randolph Hall....
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Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1477130 By Ramseyer Radio Ministry. By Phillip S. Kerr. Arranged by J. Randolph Hall. This edition: Interactive Download. Christian,Classical,Pop,Praise & Worship,Standards,World. 10 pages. Duration 94. J. Randolph Hall #wroy0tk75Ja7KMdjYmCiI. Published by J. Randolph Hall (A0.1477130). Key: Eb major.Kerr was an American evangelist, pianist, and hymnist in the early 20th Century. He was ordained by the Assemblies of God. The song is based on New Testament promises regarding Christ's return. Sections A and C are the verse. Sections B and D are the refrain. A modulation to a new key occurs towards the end of B section with the aid of an Italian augmented sixth chord. A descant by yours truly is added in section C.
$4.00 ≈
3.63€
Through the Clouds
Through the Clouds
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Piano seul
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INTERMÉDIAIRE
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Emily Wood
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eswoodmusic@gmail.com).
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Through the Clouds
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Emily Sue Wood
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.907118 Composed by Emily Wood. Concert,Contemporary,Instructional,Standards. Score. 3 pages. Emily Sue Wood #484977. Publ...
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Piano Solo - Level 3 - SKU: A0.907118 Composed by Emily Wood. Concert,Contemporary,Instructional,Standards. Score. 3 pages. Emily Sue Wood #484977. Published by Emily Sue Wood (A0.907118). This fluid, majestic piano solo is ideal for an intermediate pianist. The 7/8 meter and moderate tempo give the piece rhythmic drive without making it frantic. About two and a half minutes long, written in 2015. (Facebook: Music by Emily Wood; eswoodmusic@gmail.com).
$3.50 ≈
3.18€
Through Cloud
Through Cloud
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Piano seul
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FACILE
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New Age
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Contemporain
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Fiona Joy Hawkins
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Through Cloud
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fiona joy hawkins
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.518810 By Fiona Joy Hawkins. By Fiona Joy Hawkinbs. Classical,Contemporary,New Age. Score. 4 pages. Fiona joy hawkins #12...
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Piano Solo - Level 2 - SKU: A0.518810 By Fiona Joy Hawkins. By Fiona Joy Hawkinbs. Classical,Contemporary,New Age. Score. 4 pages. Fiona joy hawkins #129521. Published by fiona joy hawkins (A0.518810). A beautiful piano piece about a bird soaring through the clouds. Suitable for AMEB grades 3-5.
$5.40 ≈
4.90€
String Quartet No. 12 ... The Seasons (2010) full score
String Quartet No. 12 ... The Seasons (2010) full score
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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String Quartet No. 12 ... The
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.869207 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score...
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String Quartet String Quartet - Level 4 - SKU: A0.869207 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Summer: Cloudburst! Double rainbow … Trio 3). 48 pages. Thomas Oboe Lee #3905. Published by Thomas Oboe Lee (A0.869207). Program note: As indicated by the title, this is my twelfth string quartet. My very first work, Aperture (1974), was a string quartet. In between I wrote four (nos. 2 – 5) for the Kronos Quartet, one (no. 6) for the Manhattan String Quartet, one (no. 7) for the Lydian String Quartet, one (no. 8) for the Artaria String Quartet, two (nos. 9 - 10) for the Hawthorne String Quartet, and one (no. 11) for the Formosa Quartet. The number twelve immediately brought to mind the months of the year. But I thought a twelve-movement string quartet might be a bit excessive, and difficult to achieve in a coherent narrative arc. Most classical string quartets by Haydn, Mozart and Beethoven are in four movements. So why not the seasons, a movement for each: spring, summer, autumn, and winter. I am a huge fan of The Creation by Franz Joseph Haydn. Confession: I am a huge fan of anything by maestro Haydn. For inspiration and guidance, I went to Haydn’s other oratorio The Seasons. Armed with a Dover publication of the full score and a recording of the complete work by Sir Thomas Beecham on EMI Classics, I got down to work over the summer of 2010. String Quartet No. 12 … The Seasons, after Franz Joseph Haydn is in four movements, played without pause between movements. 1) Intro: Heavy snow … Spring: Crocuses blooming!!! 2) Summer: Cloudburst! Double rainbow … Trio 3) Autumn: La Caccia … Danza Rusticana … Trio 4) Intro: Heavy snow again … Winter: O Magnum Mysterium … Hail storm! The work begins with four descending chords, depicting the falling of snow. But it’s Spring and crocuses are seen peeping through the snow … Summer begins with cloudbursts, thunder, lightning and torrential rain. A double rainbow appears after the storm. The sun emerges from the clouds in the Trio section. It is a lovely day after all; but then the clouds return … La Caccia: men go hunting in the Autumn. Well, the men in Haydn’s days at least. Peasant ladies dance as they harvest in the fields. A hawk appears, soaring overhead in the Trio as the sun sets in an orange-red sky ... In Winter snow falls again; but it’s the season to celebrate the Nativity. Violin and viola chant O magnum mysterium … O Magnum Mysterium O great mystery Et admirabile sacramentum and wonderful sacrament Ut animalia viderent Dominum natum that animals should see the new-born Lord Jacentem in praesepio! lying in a manger! Beata Virgo, cujus viscera Blessed is the Virgin whose womb Meruerunt portare was worthy to bear Dominum Christum. Christ the Lord. Alleluia. Alleluia. A hailstorm wreaks havoc. Fine. Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/string-quartet-no-12-the-seasons-2010Video link: https://youtu.be/8seBbMtds84
$9.99 ≈
9.07€
Signs of the Times
Signs of the Times
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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BYU-I Wind Quintet
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Signs of the Times
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Ryan Terry
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1440107 By BYU-I Wind Quintet. By Ryan Terry. 21st Century,Chamb...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1440107 By BYU-I Wind Quintet. By Ryan Terry. 21st Century,Chamber,Christian,Contemporary,Religious. 14 pages. Ryan Terry #1020051. Published by Ryan Terry (A0.1440107). An original piece by composer and clarinetist Ryan Terry. This unstable, suspenseful work details the the prophesied disastrous signs that will precede Christ's Second Coming through the use of asymetrical time signatures, whereas Christ's depicted descent from the heavens is the only part of the piece in 4/4, arguably the most comforting time signature. In fact, the title, Signs of the Times, is actually a play on words of the term time signatures, which is the main gimmick of the piece. The subtitle of the piece is (Matthew 24:29-30) which reads:29 Immediately after the tribulation of those days shall the sun be darkened, and the moon shall not give her light, and the stars shall fall from heaven, and the powers of the heavens shall be shaken:30 And then shall appear the sign of the Son of man in heaven: and then shall all the tribes of the earth mourn, and they shall see the Son of man coming in the clouds of heaven with power and great glory.This piece was originally performed by the Wind Quintet at Brigham Young University-Idaho during the Fall 2023 semester, and has since been polished.Estimated duration of piece: 5 min, 55 secondsEmail me for the sheet music for the individual parts, or let me know if you're going to perform this piece!ryansterry2000@gmail.com.
$39.99 ≈
36.30€
After the Rain
After the Rain
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Piano seul
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INTERMÉDIAIRE
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Ryan Brechmacher
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After the Rain
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Ryan Brechmacher
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1347794 Composed by Ryan Brechmacher. 21st Century,Contemporary,Instructional. Score. 4 pages. Ryan Brechmacher #932605. ...
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Piano Solo - Level 3 - SKU: A0.1347794 Composed by Ryan Brechmacher. 21st Century,Contemporary,Instructional. Score. 4 pages. Ryan Brechmacher #932605. Published by Ryan Brechmacher (A0.1347794). With its syncopated rhythms and jazz-inspired harmonies, this piece was written to represent the feeling in the air after a summer thunderstorm. You know that energy you feel, with the thunder still rumbling in the distance and the puddles reflecting the sunlight that is peeking through the clouds and hopefully causing a rainbow? That's this piece.
$2.99 ≈
2.71€
I'll Wait 'Till the Clouds Roll by. Song and Chorus
I'll Wait 'Till the Clouds Roll by. Song and Chorus
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Chorale SATB
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H
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I'll Wait 'Till the Clouds Rol
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.10998 Composed by H.J. Fulmer. Love, Courtship, Farewells, Absences. Lester S. Levy Collection. 3 pages...
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Piano and voice (solo and SATB chorus) - SKU: LV.10998 Composed by H.J. Fulmer. Love, Courtship, Farewells, Absences. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10998). I'll Wait 'Till the Clouds Roll by. Song and Chorus. Reply to Wait 'Til the Clouds Roll by! The Canadian Musical Library. Words by J.T. Wood. Music by H.J. Fulmer. Published [n.d.] by in n.p. Composition of strophic with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Love, Courtship, Farewells, Absences. First line reads Willie, tho's sad our parting, I'll still be true to thee.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.44€
Chasing Storm Clouds
Chasing Storm Clouds
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Piano seul
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INTERMÉDIAIRE
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Stephanie Webster-Cheng
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Chasing Storm Clouds
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Stephanie Webster-Cheng
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1254880 Composed by Stephanie Webster-Cheng. 21st Century,Contemporary. Score. 5 pages. Stephanie Webster-Cheng #848467. ...
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Piano Solo - Level 3 - SKU: A0.1254880 Composed by Stephanie Webster-Cheng. 21st Century,Contemporary. Score. 5 pages. Stephanie Webster-Cheng #848467. Published by Stephanie Webster-Cheng (A0.1254880). I love watching a storm roll in over Lake Michigan. The clouds, a watercolor painting of blues and greys, stretch and shape-shift as they slowly advance toward the shore. Chasing Storm Clouds depicts the dramatic beauty of these clouds through a soaring right hand melody over a steady arpeggiated left hand. Like the morphing clouds, Section B introduces the melody with new Major harmonies before eventually returning to the minor key in an abbreviated A1 section, marked meno mosso.
$4.99 ≈
4.53€
Above the Clouds
Above the Clouds
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Piano seul
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INTERMÉDIAIRE
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New Age
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Contemporain
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Pam Asberry
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Above the Clouds
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Pamela C Asberry
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.904894 Composed by Pam Asberry. 20th Century,Concert,Contemporary,New Age. Score. 5 pages. Pamela C Asberry #4791213. Pub...
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Piano Solo - Level 3 - SKU: A0.904894 Composed by Pam Asberry. 20th Century,Concert,Contemporary,New Age. Score. 5 pages. Pamela C Asberry #4791213. Published by Pamela C Asberry (A0.904894). Above the Clouds was inspired by the profound tranquility experienced while gazing through the window of an airplane and the limitless potential suggested by the view. From the solo piano album The Presence of Wonder. The song begins with a hypnotic circular melody...then it breezes along joyously, like the proverbial burst of sunlight after the night is through. The light does a lively, hypnotic dance, creating a message that the darkness -beautiful though it is in its own way-only lasts for a spell before dissipating (Jonathan Widran, The JW Vibe). In Asberry’s music there is a gentle poetry that is simply irresistible (BT Fasmer, New Age Music Guide). Pam's music can be found on Amazon, iTunes, Spotify, Pandora, and elsewhere. For more information, visit www.pamasberry.com.
$5.95 ≈
5.40€
Wait Till the Clouds Roll By
Wait Till the Clouds Roll By
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Chorale SATB
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H
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Wait Till the Clouds Roll By
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.5091 Composed by H.J. Fulmer. Farewells, Sailors, Absences, Comfort, Homecomings. Lester S. Levy Collec...
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Piano and voice (solo and SATB chorus) - SKU: LV.5091 Composed by H.J. Fulmer. Farewells, Sailors, Absences, Comfort, Homecomings. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5091). Wait Till the Clouds Roll By. Words by J.T. Wood. Music by H.J. Fulmer. Published 1881 by T.B. Harms & Co., 819 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Farewells, Sailors, Absences, Comfort, Homecomings. First line reads Jenny, my own true loved one, I'm going far from thee.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.44€
A Ride Through the Countryside
A Ride Through the Countryside
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Piano seul
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INTERMÉDIAIRE
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Catherine Slack
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A Ride Through the Countryside
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Catherine Slack
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1032547 Composed by Catherine Slack. 20th Century,Concert,New Age. Score. 3 pages. Catherine Slack #4996309. Published by...
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Piano Solo - Level 3 - SKU: A0.1032547 Composed by Catherine Slack. 20th Century,Concert,New Age. Score. 3 pages. Catherine Slack #4996309. Published by Catherine Slack (A0.1032547). Peaceful and delightfula ride through countryside;rolling fields,roaming animals,beautiful like a flower –resting under wispy clouds. Not even a stormdisrupts the enchantmentof the peaceful countryside.
$2.99 ≈
2.71€
King Of The Clouds
King Of The Clouds
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Pop musique
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Future Of The Purple
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David Whitaker
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King Of The Clouds
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David Whitaker
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SheetMusicPlus
Alto Saxophone,Cello,Double Bass,Drums,Electric Bass Guitar,Electric Guitar,Horn,Piano,Synthesizer,Tenor Saxophone,Trombone,Trumpet,Viola,Violin,Voice - Level 3...
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Alto Saxophone,Cello,Double Bass,Drums,Electric Bass Guitar,Electric Guitar,Horn,Piano,Synthesizer,Tenor Saxophone,Trombone,Trumpet,Viola,Violin,Voice - Level 3 - SKU: A0.1454789 By Future Of The Purple. By Alexander Kresovich, Brendon Urie, Jacob Sinclair, Samuel Hollander, and Suzanne Shinn. Arranged by David Whitaker. Pop. 16 pages. David Whitaker #1033859. Published by David Whitaker (A0.1454789). King of the Clouds by Panic! At the Disco ft. Future of hte Purple. Parts included: Lead (Tenor), Lead (Baritone), Alto Sax, Tenor Sax, Horn in F, Trumpet in Bb, Trombone, Violin (2), Viola, Cello, String Bass, Electric Guitar (2), Bass Guitar, Piano (Organ), Hand Clap, and Drumset.This score is now available for purchase on SheetMusicPlus.com and/or SheetMusicDirect.com. Just search up “David Whitaker (Song Name)” and it will pop up. To view other arrangements, head over to our Youtube Channel “David Whitaker ICMFY”. There you can browse through all the music we currently have to offer. Thank you for your support and stay tuned for more coming soon!
$30.00 ≈
27.23€
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Through the Clouds
