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Till the Ground
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The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
#
FACILE
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo &am
#
Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
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Till the Ground
Till the Ground
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Contemporain
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Catherine Ing
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Till the Ground
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Deusa Flauta Music
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SheetMusicPlus
Flute - SKU: A0.1070735 Composed by Catherine Ing. Contemporary. Full Performance. Duration 115. Deusa Flauta Music #6691941. Published by Deusa Flauta ...
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Flute - SKU: A0.1070735 Composed by Catherine Ing. Contemporary. Full Performance. Duration 115. Deusa Flauta Music #6691941. Published by Deusa Flauta Music (A0.1070735). Meditation for flute. Songs don't have to manifest complex ideas. Sometimes inspiration comes from the simplest things: a bird, the wind, an empty field. Thank you for your interest! If you’ve enjoyed this arrangement, or have any questions about this or any of our other arrangements, please contact us on Facebook or Twitter @deusaflauta, or at www.wordpress.com/page/deusaflauta.
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I Told The Brook
I Told The Brook
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Piano, Voix
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INTERMÉDIAIRE
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Marty Robbins
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Kim Kirkman
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I Told The Brook
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Kim Kirkman
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.779570 Composed by Marty Robbins. Arranged by Kim Kirkman. Contemporary. Score. 5 pages. Kim Kirkman #5320003. Pub...
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Piano,Vocal,Voice - Level 3 - SKU: A0.779570 Composed by Marty Robbins. Arranged by Kim Kirkman. Contemporary. Score. 5 pages. Kim Kirkman #5320003. Published by Kim Kirkman (A0.779570). I Told the Brook by Marty Robbins in G for alto/bass voice. Top note B naturalAlso sung by Billy ThorpeHas lovely 12/8 lilt in style of Unchained MelodyChords included.LyricsI told the brook that runs down through the valleyA secret my best friend never knew.The brook told the trees and the trees told the breeze,That I was in love with you. The trees told the flowers hiding there by the hilltop.The clouds told the moon that shone above.So angry yet blue when they found out that youAnd your heart had another love. The brook became angry and changed to a river,rushing so madly along.The soft summer breeze that played tag with the trees,became so wild and so strong. The bashful white flowers hiding there by the hilltop,Grew dark when the rain came pouring down.Their hearts couldn't hide all the tears that were cried,And had carpeted upon the ground. The storm has gone over, there'll be sunshine again.The chains that held me are now gone.The trees wave hello as I stand here below,And the brook sings the sweetest song. The bashful white flowers are again by the hill-top.The sun and the moon are still my friends.I promise there'll be no more heartaches for me,Till I fall in love again.
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I Told The Brook
I Told The Brook
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Piano, Voix
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INTERMÉDIAIRE
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Contemporain
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Marty Robbins
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Kim Kirkman
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I Told The Brook
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Kim Kirkman
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.779569 Composed by Marty Robbins. Arranged by Kim Kirkman. Contemporary. Score. 5 pages. Kim Kirkman #5320001. Pub...
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Piano,Vocal,Voice - Level 3 - SKU: A0.779569 Composed by Marty Robbins. Arranged by Kim Kirkman. Contemporary. Score. 5 pages. Kim Kirkman #5320001. Published by Kim Kirkman (A0.779569). I Told the Brook by Marty Robbins in D (top note F#)Also sung by Billy ThorpeHas lovely 12/8 lilt in style of Unchained MelodyChords included.LyricsI told the brook that runs down through the valleyA secret my best friend never knew.The brook told the trees and the trees told the breeze,That I was in love with you. The trees told the flowers hiding there by the hilltop.The clouds told the moon that shone above.So angry yet blue when they found out that youAnd your heart had another love. The brook became angry and changed to a river,rushing so madly along.The soft summer breeze that played tag with the trees,became so wild and so strong. The bashful white flowers hiding there by the hilltop,Grew dark when the rain came pouring down.Their hearts couldn't hide all the tears that were cried,And had carpeted upon the ground. The storm has gone over, there'll be sunshine again.The chains that held me are now gone.The trees wave hello as I stand here below,And the brook sings the sweetest song. The bashful white flowers are again by the hill-top.The sun and the moon are still my friends.I promise there'll be no more heartaches for me,Till I fall in love again.
$4.99 ≈
¥35.52
I Sit Here on the Barren Hill
I Sit Here on the Barren Hill
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Fiona Alice Hickie
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Fiona Alice Hickie
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I Sit Here on the Barren Hill
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Fiona Alice Hickie
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1419806 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. 21st ...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1419806 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. 21st Century,Chamber,Classical,Latin. 17 pages. Fiona Alice Hickie #1001228. Published by Fiona Alice Hickie (A0.1419806). A piece for brass quintet based on the poem by the same name. It is a slow piece is a South American style.Based on the poem: Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives. Dedicated to Ben van den Akker.
$13.99 ≈
¥99.57
I Sit Here On The Barren Hill
I Sit Here On The Barren Hill
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Piano, Voix
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FACILE
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Fiona Hickie
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I Sit Here On The Barren Hill
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Fiona Alice Hickie
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.738138 Composed by Fiona Hickie. Contemporary,Standards. Score. 7 pages. Fiona Alice Hickie #4853343. Published by...
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Piano,Vocal,Voice - Level 2 - SKU: A0.738138 Composed by Fiona Hickie. Contemporary,Standards. Score. 7 pages. Fiona Alice Hickie #4853343. Published by Fiona Alice Hickie (A0.738138). A song about loss of love and the devastation it causes to our lives. Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives.
$4.99 ≈
¥35.52
Mountain Goats And Other Creatures
Mountain Goats And Other Creatures
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Vessela Stoyanova
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Mountain Goats And Other Creat
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Vessela Stoyanova
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela St...
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String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela Stoyanova #798931. Published by Vessela Stoyanova (A0.1201464). “Mountain Goats and Other Creatures†was Commissioned by Rachel Jayson and the Lexington High School Symphony Orchestra.It was inspired by the folk music of my native land of Bulgaria, informed by my experience as a rock musician, reimagined through the lense of my place inside of a community of like-minded artists and musicians, where I have made my real home today. The first movement - Mountain Goats - is a sort of celebration of renewal, promise, and hope. It represents the tenacious will of grass growing through the snow of early spring, the powerful longing for human connection, the warmth of the sun against your skin on a bright chilly day. It carries both the pristine optimism of youth, and the nervous energy of trying something for the first time. The second movement - Samodivi - in contrast is dark, heavy and full of passion and desire. According to Balkan myths, Samodivi are gorgeous nymphs who live in the woods and often seduce men with their beautiful song and dance. They are feared and envied at the same time. The music of the second movement represents the mysterious dark forest at night - lower strings create the moss under your feet, higher strings use extended techniques to simulate the noise of branches clicking the wind, a few soloists represent different creatures - both real and imaginary - scurry through the woods above your head. Then you hear the lone song of a Samodiva in the distance, your heart is beating hard, your steps are leading you straight towards the call against your better judgement. It is the ancient story of fear and desire, of self control and complete abandon. You, the listener, become witness to a wild dance, fire in the woods, snakes in their long blond hairs, slender bodies dressed in white clouds dancing to an imaginary beat.  Then it all ends abruptly and you left to wonder: Was it real? Did I see it? Am I safe?The third and final movement of the piece is based on a popular rhythmic folk dance in Bulgaria called Kopanitsa, while the melody creates a fugue between the different voices of the orchestra. The Kids are the little of the mountain goats - free to frolic high above tree line, above any human traces, as close to the clouds as one can get and still be touching the ground below. They are carefree, daring, and somewhat naive, yet safe under the watchful gaze of their parent. The movements ends in cascading repetitions of a musical motif in 5/8 representing the relentless passing of time or at least our perception of it.
$100.00 ≈
¥711.75
The Leaves of the Fall
The Leaves of the Fall
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Chorale TTBB
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FACILE
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John van Gulik
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John van Gulik
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The Leaves of the Fall
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John van Gulik
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27 pages. John van Gulik #839583. Published by John van Gulik (A0.1244630). A moving remembrance of the young lives sacrificed in the First and Second World Wars defending our freedom. This is a setting to an original text by John van Gulik arranged for men's choir.The leaves on the ground are all broken and grayTheir color has gone taking glory awayOnset of winter will bury them allSuch is the season, the season of fall  Leaves of autumn, leaves of the fall  Millions of discarded parts of us all  Time will forget them, forget them it will  And yet they have fallen... The season of fallThe dead all all gone, we remember them stillLives given freely, buried under a hillResting in fields where the red poppies growMarkings are fading for those down belowCold sleeping life lays under the snowSlumbering gently while winter winds blowWaiting for springtime to finally comeMelting the cover, at last feel the sunVisions of future beyond paths of warHope that the world will see it no moreThe dead are not gone, just sleeping awayTo rise once again on that last dayLess now remembered except once a yearMemories are fading to soon disappearResting and waiting beneath the sodForgotten by living but still known to GodFor additional parts, accompaniment track, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.com.
$2.00 ≈
¥14.23
Deep Into The Ground
Deep Into The Ground
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Chorale TTBB
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INTERMÉDIAIRE
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Cast Of Billy Elliot - The Mus
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Matt Clifford Sharp
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Deep Into The Ground
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Matthew Sharp
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 3 - SKU: A0.1495648 By Cast Of Billy Elliot - The Musical. By Elton John and Lee Hall. Arranged by Matt Cliffo...
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Choral Choir,Choral (TTBB Chorus) - Level 3 - SKU: A0.1495648 By Cast Of Billy Elliot - The Musical. By Elton John and Lee Hall. Arranged by Matt Clifford Sharp. Broadway,Musical/Show. 7 pages. Matthew Sharp #1072171. Published by Matthew Sharp (A0.1495648). From the musical production of Billy Elliot. This has a simple, evocative melody in which Billy's Father expresses his painfully sad life story, whilst still harbouring a deep, emotional connection to his community and home. The opening acapella solo is very effective, though can easily be given to a whole section if required. It's a simple arrangement where all parts get some melody and the tenors only go up to Eb. Your lower basses will enjoy the optional 8vb on the final line!A VOCAL SCORE AND FULL SET OF REHEARSAL TRACKS IS AVAILABLE FOR FREE.Contact: msharp93@live.co.uk www.matthewsharppianist.com
$2.99 ≈
¥21.28
Polly Put The Kettle On
Polly Put The Kettle On
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Orchestre à Cordes
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FACILE
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Enfant
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Mother Goose
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Polly Put The Kettle On
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GuarrineMusic
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.785975 Composed by Mother Goose. Arranged by Adapted and arranged by Andrew R. Guarrine. Children. Score and parts....
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String Orchestra - Level 2 - SKU: A0.785975 Composed by Mother Goose. Arranged by Adapted and arranged by Andrew R. Guarrine. Children. Score and parts. 9 pages. GuarrineMusic #4785543. Published by GuarrineMusic (A0.785975). Polly Put The Kettle On (3 part orchestra)  This adaptation of a Mother Goose melody focuses more on a light and bouncy style, unison passages (sometimes in octaves), dynamic contrasts and of course, still sounding like the nursery rhymes we used to sing on the playgrounds! In the key of G, a cut-time feel while still in 4/4, hooked bowings, L2 in Violin 1, 2nd finger in bass and H4 (C#) in ‘cello. Grade 1+/2 Â
$12.95 ≈
¥92.17
Now the Dove Flies
Now the Dove Flies
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Christian contemporain
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Musique Sacrée
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Connie Pwll Walck Tyler
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Now the Dove Flies
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Connie Tyler
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SheetMusicPlus
Small Ensemble Flute,Piano,Voice - Level 3 - SKU: A0.1008082 Composed by Connie Pwll Walck Tyler. Contemporary,Sacred. Score and parts. 14 pages. Connie...
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Small Ensemble Flute,Piano,Voice - Level 3 - SKU: A0.1008082 Composed by Connie Pwll Walck Tyler. Contemporary,Sacred. Score and parts. 14 pages. Connie Tyler #4607671. Published by Connie Tyler (A0.1008082). This piece, for soprano and alto duet with piano and flute, speaks of the persistence of the dove, the peace maker, faced with war, famine, poverty, etc. It was written when the United States went to war with Afghanistan and Representative Barbara Lee stood up and was the lone voice against war. Although the piece is secular, the use of the symbol of the dove would work well in religious services.The piece involves a two against three rhythm which suggests the difficulties the dove faces flying for peace against the overwhelming odds of war. The .mp3 file is computer generated with choral oohs for the voices. The words are:Now the dove flies, sails the war-torn skies,feels the wind rip through her wings.Tossed and turned now, cries of war howl,tear-ing through her, and she still sings. Sings to march-ers on crowd-ed streetssing-ing songs of love and songs of peace.Tips her wings to those who dare stand tall,speak re-sound-ing no's in hal-lowed halls. They say that that sin means to miss the mark.I have so man-y times aimed in the dark.We fail in lit-tle ways, be-tray our friends.It was-n't planned that way.Dis-trac-tion leads to e-vil ends. The sha-dow fear clouds our at-ten-tion.Mind falls a-stray in-to dis-sen-sion. Ig-no rance can twist the dartand then it falls far from the mark. Na-tions, too, a-stray our free-doms bend‘til some have bombed away all chance at friends. We see glo-ry mag-ni-fied.Shout our prais-es to the to the skies.Build our mon-u-ments to our wars,for-get-ting the needs of of weak and poor. And still the dove flies while the earth criespol-lu-ted with more de-bris of war.Child-ren sick now, soldiers cry foul!Dove is weep-ing and yet she hums. Hums to child-ren who diede-spite moth-ers' deep cries.Sings to young who march to war,de-spite fa-thers' out-raged roars.Wings o-ver fa-mine and drought,pol-lu-ted wa-ter, pol-lu-ted ground.Folds us un-der her down-y breast.Warms us in her gen tle nest. Yes, the dove flies. Sails the wa- torn skies.Feels the wind rip through her wings.Tossed and turned now cries of war howltear-ing through her and yet,and yet she sings. For more information or possible revisions contact Connie Pwll Walck Tyler at connie@deephum.com. You can also find out more about her work at www.deephum.com. The words are:
$8.00 ≈
¥56.94
Over the River and Through the Woods
Over the River and Through the Woods
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Ensemble de cuivres
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INTERMÉDIAIRE
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Unknown
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F
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Over the River and Through the
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808680 Composed by Unknown. Arranged by F. Leslie Smith. Christmas,Folk,Holiday. Score and parts. 30 pages. Sweetwate...
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Brass Ensemble - Level 3 - SKU: A0.808680 Composed by Unknown. Arranged by F. Leslie Smith. Christmas,Folk,Holiday. Score and parts. 30 pages. Sweetwater Brass Press #3377131. Published by Sweetwater Brass Press (A0.808680).     First published in Flowers for Children, Volume 2 in 1844, Lydia Maria Child’s poem, The New-England Boy's Song about Thanksgiving Day, describes a sleigh trip to Grandfather’s house to commemorate the national day of thanks and the anticipation of the tasty food that will be consumed in celebration thereof. Why were they in a sleigh in a New England late November? Because the Little Ice Age was still extant in the early 19th Century and there was snow on the ground! Later, maybe in the 1870s, the poem was set to a tune, the composer of which is unknown. As years passed, the words were changed to Grandmother’s house, the song was adapted to a Christmas carol and the title changed to the first line of the poem, Over the River and Through the Woods.
$6.30 ≈
¥44.84
Carols from Around the World Volume 1
Carols from Around the World Volume 1
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Harpe
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INTERMÉDIAIRE
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Celtique/Irlandais
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Folklorique/Traditionel
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Ray Pool
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Carols from Around the World V
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Afghan Press Music for the Harp
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SheetMusicPlus
Harp - Intermediate - Digital Download Arranged by Ray Pool. General Worship, World, Folk, Celtic, Christmas. 30 pages. Published by Afghan Press Mus...
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Harp - Intermediate - Digital Download Arranged by Ray Pool. General Worship, World, Folk, Celtic, Christmas. 30 pages. Published by Afghan Press Music for the Harp
A collection of ten Christmas carols from five nationalities: Austria, Czechoslovakia, England, Ireland and Poland, playable on pedal or lever harp with accidentals clearly marked for levers and/or pedals. Modulations and interludes are included for smooth transitions between pieces. A set of lead sheets is included at the end of the collection which are marked with rehearsal letter indications, repeat signs for multiple verses, interludes and modulations.
Titles: Still, Still, Still, Come, All Ye Shepherds, Rocking, Away in a Manger (Wm James Kirkpatrick melody - this is the melody the Mormon Tabernacle Choir does, sometimes known as the 3rd version), In the Bleak Midwinter, The Holly and the Ivy, The Snow Lay on the Ground, Infant Holy, Infant Lowly, Lullaby, Jesus, O Come Rejoicing.
$20.00 ≈
¥142.35
Larry Williams Compositions- The Guitar Book
Larry Williams Compositions- The Guitar Book
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Larry Williams
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Larry Williams Compositions- T
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Larry Andrew Williams
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Pu...
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Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00 ≈
¥142.35
Till There Was You
Till There Was You
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Rock
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The Beatles
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Debra E
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Till There Was You
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Standard Time
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.761769 By The Beatles. By Meredith Willson. Arranged by Debra E. Stempien & Gregory H. Turner. Broadway,Jazz,Latin,Music...
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Flute,Piano - Level 3 - SKU: A0.761769 By The Beatles. By Meredith Willson. Arranged by Debra E. Stempien & Gregory H. Turner. Broadway,Jazz,Latin,Musical/Show,Pop,Rock. Score and part. 4 pages. Standard Time #6351605. Published by Standard Time (A0.761769). This classic song from the Broadway show, The Music Man, is arranged for flute and piano in a Bossanova style. The piano part features jazz voicings and a composed solo on the melody with flute backgrounds.. Please note that the recording features the alto sax version of this arrangement.
$7.99 ≈
¥56.87
Till There Was You
Till There Was You
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Clarinette et Piano
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INTERMÉDIAIRE
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Rock
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The Beatles
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Debra E
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Till There Was You
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Standard Time
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.761768 By The Beatles. By Meredith Willson. Arranged by Debra E. Stempien & Gregory H. Turner. Broadway,Jazz,Latin,Mu...
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Clarinet,Piano - Level 3 - SKU: A0.761768 By The Beatles. By Meredith Willson. Arranged by Debra E. Stempien & Gregory H. Turner. Broadway,Jazz,Latin,Musical/Show,Pop,Rock. Score and part. 9 pages. Standard Time #6351603. Published by Standard Time (A0.761768). This classic song from the Broadway show, The Music Man, is arranged for B-flat clarinet and piano in a Bossanova style. The piano part features jazz voicings and a composed solo on the melody with clarinet backgrounds.. Please note that the recording features the alto sax version of this arrangement.
$7.99 ≈
¥56.87
Till There Was You
Till There Was You
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Alto, Piano
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INTERMÉDIAIRE
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Rock
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The Beatles
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Debra E
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Till There Was You
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Standard Time
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.761773 By The Beatles. By Meredith Willson. Arranged by Debra E. Stempien & Gregory H. Turner. Broadway,Jazz,Latin,Music...
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Piano,Viola - Level 3 - SKU: A0.761773 By The Beatles. By Meredith Willson. Arranged by Debra E. Stempien & Gregory H. Turner. Broadway,Jazz,Latin,Musical/Show,Pop,Rock. Score and part. 9 pages. Standard Time #6351613. Published by Standard Time (A0.761773). This classic song from the Broadway show, The Music Man, is arranged for viola and piano in a Bossanova style. The piano part features jazz voicings and a composed solo on the melody with viola backgrounds.. Please note that the recording features the alto sax version of this arrangement.
$7.99 ≈
¥56.87
Till There Was You
Till There Was You
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Trompette
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INTERMÉDIAIRE
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Rock
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The Beatles
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Debra E
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Till There Was You
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Standard Time
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SheetMusicPlus
Piano,Trumpet - Level 3 - SKU: A0.761772 By The Beatles. By Meredith Willson. Arranged by Debra E. Stempien & Gregory H. Turner. Broadway,Jazz,Latin,Mus...
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Piano,Trumpet - Level 3 - SKU: A0.761772 By The Beatles. By Meredith Willson. Arranged by Debra E. Stempien & Gregory H. Turner. Broadway,Jazz,Latin,Musical/Show,Pop,Rock. Score and part. 9 pages. Standard Time #6351611. Published by Standard Time (A0.761772). This classic song from the Broadway show, The Music Man, is arranged for trumpet or flugelhorn and piano in a Bossanova style. The piano part features jazz voicings and a composed solo on the melody with trumpet/flugelhorn backgrounds.. Please note that the recording features the alto sax version of this arrangement.
$7.99 ≈
¥56.87
Till There Was You
Till There Was You
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Rock
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The Beatles
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Debra E
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Till There Was You
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Standard Time
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.761770 By The Beatles. By Meredith Willson. Arranged by Debra E. Stempien & Gregory H. Turner. Broadway,Jazz...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.761770 By The Beatles. By Meredith Willson. Arranged by Debra E. Stempien & Gregory H. Turner. Broadway,Jazz,Latin,Musical/Show,Pop,Rock. Score and part. 9 pages. Standard Time #6351607. Published by Standard Time (A0.761770). This classic song from the Broadway show, The Music Man, is arranged for soprano sax and piano in a Bossanova style. The piano part features jazz voicings and a composed solo on the melody with soprano sax backgrounds.. Please note that the recording features the alto sax version of this arrangement.
$7.99 ≈
¥56.87
Till There Was You
Till There Was You
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Rock
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The Beatles
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Debra E
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Till There Was You
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Standard Time
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.761771 By The Beatles. By Meredith Willson. Arranged by Debra E. Stempien & Gregory H. Turner. Broadway,Jazz,L...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.761771 By The Beatles. By Meredith Willson. Arranged by Debra E. Stempien & Gregory H. Turner. Broadway,Jazz,Latin,Musical/Show,Pop,Rock. Score and part. 9 pages. Standard Time #6351609. Published by Standard Time (A0.761771). This classic song from the Broadway show, The Music Man, is arranged for tenor sax and piano in a Bossanova style. The piano part features jazz voicings and a composed solo on the melody with tenor sax backgrounds.. Please note that the recording features the alto sax version of this arrangement.
$7.99 ≈
¥56.87
Till There Was You
Till There Was You
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Violon et Piano
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INTERMÉDIAIRE
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Rock
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The Beatles
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Debra E
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Till There Was You
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Standard Time
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.761774 By The Beatles. By Meredith Willson. Arranged by Debra E. Stempien & Gregory H. Turner. Broadway,Jazz,Latin,Musi...
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Piano,Violin - Level 3 - SKU: A0.761774 By The Beatles. By Meredith Willson. Arranged by Debra E. Stempien & Gregory H. Turner. Broadway,Jazz,Latin,Musical/Show,Pop,Rock. 9 pages. Standard Time #6351615. Published by Standard Time (A0.761774). This classic song from the Broadway show, The Music Man, is arranged for violin and piano in a Bossanova style. The piano part features jazz voicings and a composed solo on the melody with violin backgrounds.. Please note that the recording features the alto sax version of this arrangement.
$7.99 ≈
¥56.87
Till There Was You
Till There Was You
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Rock
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The Beatles
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Gregory H
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Till There Was You
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Standard Time
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.761767 By The Beatles. By Meredith Willson. Arranged by Gregory H. Turner, Debra E. Stempien. Broadway,Jazz,Lat...
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Alto Saxophone,Piano - Level 3 - SKU: A0.761767 By The Beatles. By Meredith Willson. Arranged by Gregory H. Turner, Debra E. Stempien. Broadway,Jazz,Latin,Musical/Show,Pop,Rock. Score and part. 9 pages. Standard Time #6349913. Published by Standard Time (A0.761767). This classic song from the Broadway show, The Music Man, is arranged for alto sax and piano in a Bossanova style. The piano part features jazz voicings and a composed solo on the melody with alto sax backgrounds.
$7.99 ≈
¥56.87
In the sweat
In the sweat
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Clavecin
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DÉBUTANT
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Edigles Guedes
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In the sweat
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Edigles Guedes
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SheetMusicPlus
Harpsichord - Level 1 - SKU: A0.1109641 Composed by Edigles Guedes. Christian,Classical,Contemporary,Praise & Worship,Spiritual. Score. 3 pages. Edigles...
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Harpsichord - Level 1 - SKU: A0.1109641 Composed by Edigles Guedes. Christian,Classical,Contemporary,Praise & Worship,Spiritual. Score. 3 pages. Edigles Guedes #712002. Published by Edigles Guedes (A0.1109641). This song is a study in Classical music. It is ideal for easy level harpsichord students. Inspired by the Bible verse: “In the sweat of thy face shalt thou eat bread, till thou return unto the ground; for out of it wast thou taken: for dust thou art, and unto dust shalt thou return.†(Genesis 3:19 – KJV) Duration of work: 1:55 min.
$3.99 ≈
¥28.40
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Till the Ground
