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To Build a Home F Instrument
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Vous avez sélectionné:
To Build a Home F Instrument
Partitions à imprimer
7 partitions trouvées
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To Build a Home - F Instrument by The Cinematic Orchestra - Instrumental Solo
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Instruments en Fa
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The Cinematic Orchestra
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To Build a Home - F Instrument
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Musicnotes
Sheet Music for To Build a Home - F Instrument by The Cinematic Orchestra arranged for Instrumental Solo;Instrumental Part in Bb Major. Digital sheet music from...
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Sheet Music for To Build a Home - F Instrument by The Cinematic Orchestra arranged for Instrumental Solo;Instrumental Part in Bb Major. Digital sheet music from Musicnotes.
$2.99
To Build a Home - Bb Instrument by The Cinematic Orchestra - Instrumental Solo
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Instruments en Sib
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The Cinematic Orchestra
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To Build a Home - Bb Instrumen
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Musicnotes
Sheet Music for To Build a Home - Bb Instrument by The Cinematic Orchestra arranged for Instrumental Solo;Instrumental Part in F Major. Digital sheet music from...
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Sheet Music for To Build a Home - Bb Instrument by The Cinematic Orchestra arranged for Instrumental Solo;Instrumental Part in F Major. Digital sheet music from Musicnotes.
$2.99
In Michigan, My Dear Old Northern Home. Song
In Michigan, My Dear Old Northern Home. Song
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Piano, Voix
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Edith B
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Edith B
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In Michigan, My Dear Old North
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.8178 Composed by Edith B. Bates. Portraits, Stages (platforms), Gardens, Dwellings, Fountains, Stairways, Angels, Homesickness...
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Piano and voice - SKU: LV.8178 Composed by Edith B. Bates. Portraits, Stages (platforms), Gardens, Dwellings, Fountains, Stairways, Angels, Homesickness, Pride, Patriotism. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.8178). In Michigan, My Dear Old Northern Home. Song. By Edith B. Bates. Published 1911 by F.B. Haviland Publ. Co., New Zealand Building, Broadway & 37th St., [Supplement to the New York Tribune] in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Stages (platforms), Gardens, Dwellings, Fountains, Stairways, Angels, Homesickness, Pride, Patriotism. First line reads As I sit lonely dreaming by the fireside, I seem to see a vision of the past.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
The Complete Instrumentalist Book Two
The Complete Instrumentalist Book Two
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DaCapo Primary Music
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The Complete Instrumentalist B
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DaCapo Primary Music
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SheetMusicPlus
Level 4 - SKU: A0.1315421 By DaCapo Primary Music. By Carl Herring. Classical,Contemporary,Instructional,Multicultural,Traditional,World. Educational Me...
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Level 4 - SKU: A0.1315421 By DaCapo Primary Music. By Carl Herring. Classical,Contemporary,Instructional,Multicultural,Traditional,World. Educational Method. 106 pages. DaCapo Primary Music #904157. Published by DaCapo Primary Music (A0.1315421). This book contains 66 songs for the instrumentalistThe Complete Instrumentalist Two is the second book in a series for instrumental players, designed to help develop excellent musicianship.It is written in stick notation* with an additional five line stave so that pupils or teachers can write out the music in whichever clef or key they choose to use. The songs are grouped by the number of notes in the piece and are mostly diatonic with a few pentatonic and modal pieces.As with all of the DaCapo books it is left to the teachers to decide which section of the book to start with. Tempos and dynamic markings are also left to the teachers and pupils. We have suggested activities that can be applied to the entire repertoire and there are some extra ideas for specific pieces included on some pages, along with extra information for the pupil.In many instances the songs have been reworded as it was felt that the subject matter or use of language was a barrier for some pupils. There are a few pieces where this may still be true but we have decided against rewording because of the cultural or historical aspect of the song and the opportunity to educate children beyond the music (e.g. spirituals).Whilst every attempt has been made to source music in the public domain we would like to know if errors have been made. We hope that you enjoy the next step to becoming a Complete Instrumentalist.Jane Cutler Carl Herring 2012*stick notationThe purpose of stick notation is to build excellent inner hearing. You can't guess the intervals – they have to be known or learned via the solfa in order to hear the music from the page. Pupils can then translate and transfer this to their instrument and then onto a five-line stave.• We show the rhythm only - with solfa syllables under the relevant note• No note head used unless for a minim, dotted minim or semibreve• The home note or tonic of each piece is indicated by an emboldened solfa syllable e.g. d r m f s shows do as the tonic • Where notes fall under or above the home note or tonic, they are indicated thus: s, d’• A tick’( I ) has been used instead of bar lines.You can find more DaCapo pieces for young instrumentalists at DaCapo Music Shop
$7.99
Lollo
Lollo
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Elisabeth Naske
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Lollo
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Schott Music - Digital
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SheetMusicPlus
SKU: S9.Q42476 Eine Klanggeschichte zum aktiven Mitgestalten in Bild und Ton zum Thema Müll, Umweltschutz und Nachhaltigkeit für Kinder der 1. ...
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SKU: S9.Q42476 Eine Klanggeschichte zum aktiven Mitgestalten in Bild und Ton zum Thema Müll, Umweltschutz und Nachhaltigkeit für Kinder der 1. bis 4. Schulstufe. Composed by Elisabeth Naske. This edition: set of parts. Downloadable, Set of parts. Duration 90 minutes. Schott Music - Digital #Q42476. Published by Schott Music - Digital (S9.Q42476). German.A doll lying in the garbage – Lollo. Someone just threw it away. The doll finds other wounded dolls and toy animals and patches them up: Maxerl and his bad leg, the elephant and its broken trunk, and many others. Together they build a new home made from cardboard boxes. The story based on the children's book Lollo by Mira Lobe and Susi Weigel is performed by two musicians with voice and clarinet as well as by the children. The young visitors create their own instruments to be used in the performance and help to build Lollo's cardboard box town.B-Klar. (auch Bassklar.) - Perkussions- bzw. Weltmusikinstrumente (Schellenkranz für Fuß · Grille (Latin Percussion LP 634 Cricket) · Klangfrosch · Diverse Vogellaute (mindestens drei verschiedene) · Waldteufel · Autohupe · Fahrradklingel mit Metallschlägel) - Müllinstrumente (dünner Schlauch · Luftpolsterfolie · Plastik- oder Metallrohr · Sifflet).
$47.99
Brass Quintet - Three Pastoral Sketches
Brass Quintet - Three Pastoral Sketches
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Contemporain
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Servic...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
16 Favourite Hymns for Brass Quartet (Vol 2.)
16 Favourite Hymns for Brass Quartet (Vol 2.)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Musique Sacrée
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Various
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David McKeown
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16 Favourite Hymns for Brass Q
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David McKeown
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.587217 Composed by Various. Arranged by David McKeown. Christian,Praise & Worship,Sacred,Standards. Score and parts. ...
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Brass Ensemble - Level 3 - SKU: A0.587217 Composed by Various. Arranged by David McKeown. Christian,Praise & Worship,Sacred,Standards. Score and parts. 79 pages. David McKeown #3107993. Published by David McKeown (A0.587217). 16 Favourite Hymns for Brass Quartet (Vol 2.) is a collection of commonly performed traditional hymns. They are arranged primarily for two Trumpets, one Trombone and one Tuba, but the file also contains alternative/additional parts for Horn in F, Tenor Horn in Eb and Bass Trombone. The file contains the score plus the separate parts. 16 Favourite Hymns for Brass Quartet (Vol 2.) are fully compatible with the other Brass, Woodwind and String volumes in the series. Both the short audio sample and the linked youtube performance are from the Clarinet Quartet version of these arrangements. · There are also solo and duet versions available of the same hymns, in the same keys, so that no matter what instrument you play they will fit together. · This makes them ideal for building repertoire for church bands and other ensembles. · The keys chosen are the standard singing keys The hymns are in alphabetical order and are as follows · Hail to the Lord’s Anointed, (Ellacombe) · He who would Valiant Be, (Monk’s Gate) · Holiness by Faith in Jesus, (Rousseau) · How Sweet the Name, (Lloyd) · I Vow to Thee My Country, (Thaxted) · I Will Sing the Wondrous Story, (Hyfrodol) · Just a Closer Walk with Thee, (Closer Walk) · The King of Love, (Dominus Regit Me) · The Lord’s My Shepherd, (Crimond) · Love Divine, (Austrian Hymn, Haydn) · Nearer My God to Thee, (Bethany) · Oh Love that will not Let Me Go, (St Margaret) · Purer Yet Purer, (Lyndhurst) · Shall We Gather by the River, · There is a Green Hill, (Horsley) · When I Survey the Wondrous Cross, (Rockingham) Volume 1 contains another 16 hymns arranged in the same way and is available via my home page at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$11.50
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To Build a Home F Instrument
