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Toccata In B Flat Minor For Piano
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Vous avez sélectionné:
Toccata In B Flat Minor For Piano
Partitions à imprimer
4 partitions trouvées
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1
Toccata In B Flat Minor For Piano
Toccata In B Flat Minor For Piano
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Piano seul
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AVANCÉ
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Thomas R
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Toccata In B Flat Minor For Pi
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Thomas R. Schadl
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.912497 Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 9 pages. Thomas R. Schadl #3916...
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Piano Solo - Level 5 - SKU: A0.912497 Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 9 pages. Thomas R. Schadl #3916053. Published by Thomas R. Schadl (A0.912497). Toccata In B Flat Minor, by Thomas R. Schadl, explores rhythmic energy and lyricism. The exposition (bars 1-18) consists of the static rhythm, where the the first beat is accented. The melodic part of the exposition is lyrical and has syncopation that provide contrast to the driving rhythm. The transition exists from bar 19 to 56, but unlike the traditional sonata form where the transition moves on to the second theme in the exposition, the main theme re-appears briefly from bar 57 to 64 and then it moves on to the second theme (bars 65-100). Sonata form includes the development section that involves the working of a theme or themes that were stated in the exposition, but this work does not have a development part; so in its place is the transition that spans from bar 101 to 114, leading to the recapitulation (restatement of the first theme in the exposition). Following the restatement, the second theme comes in at bars 133 to 140 and is restated at bars 157 to 176; transition is inserted at bars 141 to 156. As the piece progresses toward the end, the fragmented portion of the second theme repeats with diminishing sound intensity, followed by a brief transition stated in the first few bars after measure 19. The piece ends with a loud B Flat, after a one bar rest. Anyone planning to analyse this composition will come to realize that since the development section does not exist, one may conclude that the work is composed in a modified sonata form. Toccata In B Flat Minor requires steady rhythmic sense, quick left-hand jump between bass notes to eighth-note passages in the second theme, and a good sense of rhythm when executing four eighth notes against triplets. Slow practice speed is advised in order to master the technical challenges. The piece is suitable for education and concert purposes, and may be performed in silent movies or stage shows.
$9.99 ≈
9.23€
Toccata
Toccata
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Clarinette et Piano
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INTERMÉDIAIRE
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Gaston Rolland
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Kaiserin Rebecca
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Toccata
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Kaiserin Rebecca
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1113684 Composed by Gaston Rolland. Arranged by Kaiserin Rebecca. Instructional,Pop. Score and part. 4 pages. ...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1113684 Composed by Gaston Rolland. Arranged by Kaiserin Rebecca. Instructional,Pop. Score and part. 4 pages. Kaiserin Rebecca #715575. Published by Kaiserin Rebecca (A0.1113684). For clarinet in B flat solo and piano accompaniment with chords. Key: G minor Duration: 2'45.
$8.99 ≈
8.31€
Pachelbel: Canon for Clarinet & Piano
Pachelbel: Canon for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Clarinet
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.548466 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jm...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.548466 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386285. Published by jmsgu3 (A0.548466). The famous Pachelbel Canon arranged for clarinet in Bb and piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works. .
$32.95 ≈
30.44€
Catch the Late Train
Catch the Late Train
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Jon Raybould
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Catch the Late Train
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Jon Raybould Music
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.1101424 Composed by Jon Raybould. Classical. Score and part. 10 pages. Jon Raybould Music #704814. Published by Jon Rayb...
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Flute,Piano - Level 3 - SKU: A0.1101424 Composed by Jon Raybould. Classical. Score and part. 10 pages. Jon Raybould Music #704814. Published by Jon Raybould Music (A0.1101424). All Aboard ....... - this is my new piece for flute and backing track. Get your tickets now and take your flute students (or yourself) a journey of a lifetime - through MINOR keys! Listen to the performance, and/or play along to the backing track. This is version 1, scheduled to visit the following keys: D minor to G minor, then G minor to C minor, then a middle section in F minor, leading to C minor - then C minor to F minor, then a whistle-stop tour of E flat minor, B flat minor, F minor, C minor, B flat major, and finally from D minor to G minor again! Free performance track and backing track can be downloaded from here: https://drive.google.com/drive/folders/19RQg0M2I-K03BuTk5bME3XmMkRFhdJuX?usp=sharing Further note to teachers - this would be a good way of practising double-tonguing - ignore the articulations and play it all staccato with T-K-T-K .... ... or even better, reverse double-tonguing (K-T-K-T) ... (that way you could re-name this piece Cutta-Cutta Catch The Late Train! to match my Tucca-Tucca-Toccata) ! Have fun!
$6.00 ≈
5.54€
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Toccata In B Flat Minor For Piano
