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Top Hat Blues Tenor Sax and Piano
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Vous avez sélectionné:
Top Hat Blues Tenor Sax and Piano
Partitions à imprimer
12 partitions trouvées
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1
Top Hat Blues - Tenor Sax and Piano
Top Hat Blues - Tenor Sax and Piano
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Jazz combo
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INTERMÉDIAIRE
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Charles E
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Top Hat Blues - Tenor Sax and
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Charles E. & Maria A. Davis
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SheetMusicPlus
Jazz Combo - Level 3 - SKU: A0.836610 Composed by Charles E. Davis. Blues,Instructional,Jazz,Standards. Score and parts. 9 pages. Charles E. & Maria A. ...
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Jazz Combo - Level 3 - SKU: A0.836610 Composed by Charles E. Davis. Blues,Instructional,Jazz,Standards. Score and parts. 9 pages. Charles E. & Maria A. Davis #3050025. Published by Charles E. & Maria A. Davis (A0.836610). This lively jazz/blues piece is written for Tenor Sax and Piano, but may also be performed by a jazz combo/ensemble as well. This piece makes a great recital piece, or may be played for other occasions as well. Package includes Tenor Sax and Piano parts.
$3.99 ≈
£3.05
Keep Your Lamps Trimmed And Burning (Tenor Saxophone and Piano)
Keep Your Lamps Trimmed And Burning (Tenor Saxophone and Piano)
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Saxophone Tenor et Piano
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FACILE
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Stephen DeCesare
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Stephen DeCesare
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Keep Your Lamps Trimmed And Bu
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Exultet Music
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.1271940 By Stephen DeCesare. By Spiritual. Arranged by Stephen DeCesare. Advent,Blues,Christian,Sacred,Spiritu...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.1271940 By Stephen DeCesare. By Spiritual. Arranged by Stephen DeCesare. Advent,Blues,Christian,Sacred,Spiritual. Score and part. 10 pages. Exultet Music #864292. Published by Exultet Music (A0.1271940). Traditional gospel blues song that alludes to the Parable of the Wise and Foolish Virgins has been freshly arranged for a Tenor Saxophone solo with Piano accompaniment.  Accessible and appropriate for any church or concert setting.  Used especially during Advent or the topic of the Second Coming.  An accompaniment track is also available.
$4.99 ≈
£3.81
Blues Mode: Piano Accompaniment
Blues Mode: Piano Accompaniment
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Piano (partie séparée)
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Rich Sigler
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Jazz
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Blues Mode: Piano Accompanimen
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017169_K Piano Accompaniment. Composed by Rich Sigler. Blues; Jazz; Swing. Part. 4 pages. Alfred Music - Digital S...
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Jazz Ensemble - SKU: AX.00-PC-0017169_K Piano Accompaniment. Composed by Rich Sigler. Blues; Jazz; Swing. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017169_K. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017169_K). UPC: 038081388762.This medium swing chart from a very creative writer approaches the blues with a 24-bar blues form that really makes it easy to hear and feel the blues chord progression. Features include written solos for tenor sax and trombone, backgrounds behind the soloists, a clever interlude section, and the lead trumpet part range to written F top line. A traditional yet hip-sounding swing chart! This title is available in SmartMusic.
$3.00 ≈
£2.29
The Tulip Ch'Boogie for Tenor and Saxophone Duet
The Tulip Ch'Boogie for Tenor and Saxophone Duet
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2 Saxophones (duo)
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INTERMÉDIAIRE
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David McKeown
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The Tulip Ch'Boogie for Tenor
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David McKeown
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SheetMusicPlus
Tenor Saxophone Duet Tenor Saxophone - Level 3 - SKU: A0.591359 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score. 3 pages. David McKeown #6...
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Tenor Saxophone Duet Tenor Saxophone - Level 3 - SKU: A0.591359 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score. 3 pages. David McKeown #6292213. Published by David McKeown (A0.591359). The Tulip Ch’Boogie is a fun and original duet written by David McKeown for two Tenor Saxophones. The Tulip Ch’Boogie is one in a series of ten Easter-themed duets each written in a different American dance style. Boogie originally referred to the piano style found in Southern State bars where the driving swung bass-line, often double in octaves, cut through the noise. These bass-line patterns were adapted by Big Bands in the ‘30s, and later by Jump bands like that of Louis Jordan. Later still Boogie was quickly incorporated into Rockabilly and Rock’n’Roll. The Tulip Ch’Boogie is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Tulip Ch’Boogie is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99 ≈
£2.28
The Tulip Ch'Boogie for Alto and Tenor Saxophone Duet
The Tulip Ch'Boogie for Alto and Tenor Saxophone Duet
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2 Saxophones (duo)
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INTERMÉDIAIRE
#
David McKeown
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The Tulip Ch'Boogie for Alto a
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David McKeown
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 3 - SKU: A0.591351 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Sc...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 3 - SKU: A0.591351 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6292191. Published by David McKeown (A0.591351). The Tulip Ch’Boogie is a fun and original duet written by David McKeown for one Alto and one Tenor Saxophone. The Tulip Ch’Boogie is one in a series of ten Easter-themed duets each written in a different American dance style. Boogie originally referred to the piano style found in Southern State bars where the driving swung bass-line, often double in octaves, cut through the noise. These bass-line patterns were adapted by Big Bands in the ‘30s, and later by Jump bands like that of Louis Jordan. Later still Boogie was quickly incorporated into Rockabilly and Rock’n’Roll. The Tulip Ch’Boogie is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Tulip Ch’Boogie is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99 ≈
£2.28
The Tulip Ch'Boogie for Clarinet and Tenor Saxophone Duet
The Tulip Ch'Boogie for Clarinet and Tenor Saxophone Duet
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Saxophone, Clarinette (duo)
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INTERMÉDIAIRE
#
David McKeown
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The Tulip Ch'Boogie for Clarin
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David McKeown
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Tenor Saxophone - Level 3 - SKU: A0.591333 Composed by David McKeown. Blues,Easter,Hip-Hop,Pop,R & B,Rock. ...
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Instrumental Duet Clarinet,Instrumental Duet,Tenor Saxophone - Level 3 - SKU: A0.591333 Composed by David McKeown. Blues,Easter,Hip-Hop,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6292149. Published by David McKeown (A0.591333). The Tulip Ch’Boogie is a fun and original duet written by David McKeown for one Clarinet and one Tenor Saxophone. The Tulip Ch’Boogie is one in a series of ten Easter-themed duets each written in a different American dance style. Boogie originally referred to the piano style found in Southern State bars where the driving swung bass-line, often double in octaves, cut through the noise. These bass-line patterns were adapted by Big Bands in the ‘30s, and later by Jump bands like that of Louis Jordan. Later still Boogie was quickly incorporated into Rockabilly and Rock’n’Roll. The Tulip Ch’Boogie is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Tulip Ch’Boogie is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99 ≈
£2.28
The Tulip Ch'Boogie for Trumpet and Tenor Saxophone Duet
The Tulip Ch'Boogie for Trumpet and Tenor Saxophone Duet
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Trompette, Saxophone (duo)
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INTERMÉDIAIRE
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David McKeown
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The Tulip Ch'Boogie for Trumpe
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Tenor Saxophone,Trumpet - Level 3 - SKU: A0.591360 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and...
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Instrumental Duet Instrumental Duet,Tenor Saxophone,Trumpet - Level 3 - SKU: A0.591360 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6292215. Published by David McKeown (A0.591360). The Tulip Ch’Boogie is a fun and original duet written by David McKeown for one Trumpet and one Tenor Saxophone. The Tulip Ch’Boogie is one in a series of ten Easter-themed duets each written in a different American dance style. Boogie originally referred to the piano style found in Southern State bars where the driving swung bass-line, often double in octaves, cut through the noise. These bass-line patterns were adapted by Big Bands in the ‘30s, and later by Jump bands like that of Louis Jordan. Later still Boogie was quickly incorporated into Rockabilly and Rock’n’Roll. The Tulip Ch’Boogie is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Tulip Ch’Boogie is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99 ≈
£2.28
Keep Your Lamps Trimmed And Burning (Duet for Soprano and Tenor Saxophone)
Keep Your Lamps Trimmed And Burning (Duet for Soprano and Tenor Saxophone)
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2 Saxophones (duo)
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FACILE
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Stephen DeCesare
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Stephen DeCesare
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Keep Your Lamps Trimmed And Bu
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Exultet Music
#
SheetMusicPlus
Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1271141 By Stephen DeCesare. By Spiritual. Arranged by Stephen DeCesare. Advent,Blues,Christian,Sa...
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Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1271141 By Stephen DeCesare. By Spiritual. Arranged by Stephen DeCesare. Advent,Blues,Christian,Sacred,Spiritual. Saxophone Duet. 14 pages. Exultet Music #863534. Published by Exultet Music (A0.1271141). Traditional gospel blues song that alludes to the Parable of the Wise and Foolish Virgins has been freshly arranged as a duet for a Soprano and Tenor Saxophone with Piano accompaniment.  Accessible and appropriate for any church or concert setting.  Used especially during Advent or the topic of the Second Coming.  An accompaniment track is also available.
$4.99 ≈
£3.81
PAPA'S FAMOUS DANCES PART 2
PAPA'S FAMOUS DANCES PART 2
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Joe Procopio
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PAPA'S FAMOUS DANCES PART 2
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JoeCopio Music LLC
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - SKU: A0.876455 Composed by Joe Proco...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - SKU: A0.876455 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 82 pages. JoeCopio Music LLC #53355. Published by JoeCopio Music LLC (A0.876455). PAPA’S FAMOUS DANCES - PART 2 Back to School 2015 From A Collection Of Six Dances As Combo Music EMMA’S BLUES JOEY’S READY WILSON’S BOOGIE WOOGIE PAPA’S FAMOUS DANCES PART 2 is a collection of 3 Dances as combo music composed and arranged by Joe Procopio for a small ensemble, band, stage band or combo with flexible instrumentation. These works may be performed with only two Saxes (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of the dances makes them unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, each dance has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. These works have been performed by College and High School students in many major concert events along the East Coast with great success. They are published separately and in sets PAPA’S FAMOUS DANCES Part 1 and PAPA’S FAMOUS DANCES Part 2 with each Part containing 3 Dances. I have adapted the audio here for synthesizer so that they may be previewed. The works are named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Department Cazenovia Central School NY Director Of Instrumental Music Chapel Hill/Carrboro City Schools NC Adjunct Professor Applied Music Cazenovia College, NY.
$9.99 ≈
£7.63
Ain't That A Lot Of Love
Ain't That A Lot Of Love
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Jazz combo
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INTERMÉDIAIRE
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Taj Mahal
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Nigel Hanley
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Ain't That A Lot Of Love
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Nigel Hanley Music
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SheetMusicPlus
Jazz Combo - Level 3 - SKU: A0.1369868 By Taj Mahal. By Homer Banks and Willia Dean Parker. Arranged by Nigel Hanley. Blues,Pop,R & B,Rock,Soul. 36 page...
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Jazz Combo - Level 3 - SKU: A0.1369868 By Taj Mahal. By Homer Banks and Willia Dean Parker. Arranged by Nigel Hanley. Blues,Pop,R & B,Rock,Soul. 36 pages. Nigel Hanley Music #954227. Published by Nigel Hanley Music (A0.1369868). * Key of Eb * male vocal - medium low range - top note DbThis chart is an 8 and 9 piece 60s soul band arrangement of 'Ain't That A Lot Of Love', a 1966 song written by Homer Banks and Willia Dean Parker.It is styled on the 1999 version recorded by Tom Jones and includes a 3 part horn section and a 4 part horn section. The piano part has cues for horns. The baritone part is a separate part and works with both horn sections.The instrumentation is:pianoguitarbassdrums-------trumpetalto saxtenor saxtrombone----------trumpettenor saxtrombone----------baritone sax-------------The complete mp3 track can be downloaded at  www.nigelhanleymusic.comOther keys and instrumentation available on request:  info@nigelhanley.comSuitable for: soul and rock bands with horns, cover bands, talent quests, cruise ship bands, high school & college bands, tribute shows.* 60s * 90s * soul * rock *
$29.99 ≈
£22.89
Ode To Billy Joe
Ode To Billy Joe
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Ensemble Jazz
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INTERMÉDIAIRE
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Bobby Gentry
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John Hoesly
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Ode To Billy Joe
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PRS&B
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1453562 By Bobby Gentry. By Bobbie Gentry. Arranged by John Hoesly. Blues,Jazz,Pop,Rock. 72 pages. PRS&B...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1453562 By Bobby Gentry. By Bobbie Gentry. Arranged by John Hoesly. Blues,Jazz,Pop,Rock. 72 pages. PRS&B #1032786. Published by PRS&B (A0.1453562). ODE TO BILLY JOE- Arrangement for Little Big Band/ Jazz Ensemble. Ode to Billie Joe is a haunting and enigmatic folk song written and performed by Bobbie Gentry. Released in 1967, the song quickly became a sensation, topping the charts and earning critical acclaim for its evocative storytelling and haunting melody. This is a Funky version of the 60’s hit. Difficulty: Intermediate. Little Big Band- The arrangement is playable with rhythm section (piano/guitar, bass, drums)and 3 to 6 horns. Horns in order of importance: 1st Trumpet (1st Part), Alto Saxophone (2nd Part), Trombone (3rd Part), Tenor Saxophone (4th Part), Baritone Saxophone (5th Part), 2nd Trumpet (6th Part). Includes an optional Vibraphone/Guitar part and alternate parts for the Baritone Saxophone (Trombone), the 2nd Trumpet (Alto Saxophone), and the Trombone (Tenor Saxophone).Also see: You’ve Lost That Lovin’ Feelin’, Stand By Me, Yesterday, All I Have To Do Is Dream, Killing Me Softly With His Song, Ease On Down The Road, Embraceable You, I’m Gonna Sit Right Down…, In The Mood, Jersey Bounce, Oh, Lady Be Good, Memories Of You, My Buckets Got A Hole In It, Ode To Billy Joe, Stride (based on a theme from Rhapsody In Blue), The Summer Knows, They Can’t Take That Away From Me, Where Or When. Arranged by John Hoesly.
$55.00 ≈
£41.98
Watermelon Man for Clarinet Quintet & Opt. Drumset
Watermelon Man for Clarinet Quintet & Opt. Drumset
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE
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Jazz
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Qu
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Music for all Occasions
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SheetMusicPlus
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions ...
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.
A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.
The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.
Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B
Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.
On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.
This version was often featured on The Weather Channel's Local on the 8s segments.
The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.
A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99 ≈
£11.44
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Top Hat Blues Tenor Sax and Piano
