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Transition II Part: Flute
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Vous avez sélectionné:
Transition II Part: Flute
Partitions à imprimer
11 partitions trouvées
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1
Transition II Part: Flute
Transition II Part: Flute
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Quintette de Flûte : 5 flûtes
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AVANCÉ
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Contemporain
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Steve Butler
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Transition II Part: Flute
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Steve Butler
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Flute - Level 5 - SKU: A0.1020554 Composed by Steve Butler. Contemporary. 2 pages. Steve Butler #4885033. Published b...
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Woodwind Ensemble,Woodwind Quintet Flute - Level 5 - SKU: A0.1020554 Composed by Steve Butler. Contemporary. 2 pages. Steve Butler #4885033. Published by Steve Butler (A0.1020554). See Transition I score for details.
$1.99 ≈
1.83€
Transition II: Part II of a 3 movement Woodwind Quintet
Transition II: Part II of a 3 movement Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Contemporain
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Steve Butler
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Transition II: Part II of a 3
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Steve Butler
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.1020547 Composed by Steve Butler. Contemporary. 8 pages. Steve Butler #4846913. Published by Stev...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.1020547 Composed by Steve Butler. Contemporary. 8 pages. Steve Butler #4846913. Published by Steve Butler (A0.1020547). An exciting new work for Woodwind Quintet, Transition, is a 3 movement piece guaranteed to entertain performers and audiences alike!
$1.99 ≈
1.83€
CPE Bach: Duetto Wq. 140 for Bass Flute Duo
CPE Bach: Duetto Wq. 140 for Bass Flute Duo
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2 Flûtes traversières (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Philipp Emanuel Bach
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James M
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CPE Bach: Duetto Wq. 140 for B
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bass Flute,Instrumental Duet - Level 4 - SKU: A0.551158 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James M. Guthri...
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Instrumental Duet Bass Flute,Instrumental Duet - Level 4 - SKU: A0.551158 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James M. Guthrie, ASCAP. Classical,Instructional,Standards,Wedding. Score and parts. 18 pages. Jmsgu3 #5001575. Published by jmsgu3 (A0.551158). Duration ca. 7:00Contents:I. AndanteII. AllegroIII. AllegrettoCarl Philipp Emanuel Bach (1714-1788) was an influential composer who worked during a time of transition between the Baroque and Classical styles of music. His personal approach, known as empfindsamer Stil or sensitive style, applied the principles of rhetoric and drama to musical structures. The duets composed by C.P.E. Bach are significant because they showcase his unique style and are considered to be some of his most important works. They are known for their unpredictability and expressive qualities, which were a departure from the style of his father, Johann Sebastian Bach.
$24.95 ≈
22.97€
CPE Bach: Duetto Wq. 140 for Alto Flute Duo
CPE Bach: Duetto Wq. 140 for Alto Flute Duo
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2 Flûtes traversières (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Philipp Emanuel Bach
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James M
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CPE Bach: Duetto Wq. 140 for A
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jmsgu3
#
SheetMusicPlus
Instrumental Duet Alto Flute,Instrumental Duet - Level 4 - SKU: A0.551159 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James M. Guthri...
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Instrumental Duet Alto Flute,Instrumental Duet - Level 4 - SKU: A0.551159 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James M. Guthrie, ASCAP. Classical,Instructional,Standards,Wedding. Score and parts. 18 pages. Jmsgu3 #5001589. Published by jmsgu3 (A0.551159). Duration ca. 7:00Contents:I. AndanteII. AllegroIII. AllegrettoCarl Philipp Emanuel Bach (1714-1788) was an influential composer who worked during a time of transition between the Baroque and Classical styles of music. His personal approach, known as empfindsamer Stil or sensitive style, applied the principles of rhetoric and drama to musical structures. The duets composed by C.P.E. Bach are significant because they showcase his unique style and are considered to be some of his most important works. They are known for their unpredictability and expressive qualities, which were a departure from the style of his father, Johann Sebastian Bach.
$24.95 ≈
22.97€
CPE Bach: Duetto Wq. 140 for Flute Duo
CPE Bach: Duetto Wq. 140 for Flute Duo
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2 Flûtes traversières (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Philipp Emanuel Bach
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James M
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CPE Bach: Duetto Wq. 140 for F
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.551157 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James M. Guthrie, ASCAP. Classical,Instructi...
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Woodwind Ensemble - Level 4 - SKU: A0.551157 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James M. Guthrie, ASCAP. Classical,Instructional,Standards,Wedding. 18 pages. Jmsgu3 #5001569. Published by jmsgu3 (A0.551157). Duration ca. 7:00Contents:I. AndanteII. AllegroIII. AllegrettoCarl Philipp Emanuel Bach (1714-1788) was an influential composer who worked during a time of transition between the Baroque and Classical styles of music. His personal approach, known as empfindsamer Stil or sensitive style, applied the principles of rhetoric and drama to musical structures. The duets composed by C.P.E. Bach are significant because they showcase his unique style and are considered to be some of his most important works. They are known for their unpredictability and expressive qualities, which were a departure from the style of his father, Johann Sebastian Bach.
$24.95 ≈
22.97€
CPE Bach: Duetto Wq. 140 for Alto & Bass Flutes
CPE Bach: Duetto Wq. 140 for Alto & Bass Flutes
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Classique
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Carl Philipp Emanuel Bach
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James M
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CPE Bach: Duetto Wq. 140 for A
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.551136 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James M. Guthrie, ASCAP. Classical,Instructi...
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Woodwind Ensemble - Level 4 - SKU: A0.551136 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James M. Guthrie, ASCAP. Classical,Instructional,Standards,Wedding. 18 pages. Jmsgu3 #4996717. Published by jmsgu3 (A0.551136). Score: 9 Pages, Duration ca. 7:00 Contents:I. AndanteII. AllegroIII. AllegrettoCarl Philipp Emanuel Bach (1714-1788) was an influential composer who worked during a time of transition between the Baroque and Classical styles of music. His personal approach, known as empfindsamer Stil or sensitive style, applied the principles of rhetoric and drama to musical structures. The duets composed by C.P.E. Bach are significant because they showcase his unique style and are considered to be some of his most important works. They are known for their unpredictability and expressive qualities, which were a departure from the style of his father, Johann Sebastian Bach.
$24.95 ≈
22.97€
Four Forces (Second movement) II. Weak Forces
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00 ≈
138.12€
Playing Outside the Lines, Volume II The Primary Color Palette: Single Ornaments for Irish Flute
Playing Outside the Lines, Volume II The Primary Color Palette: Single Ornaments for Irish Flute
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Flûte traversière
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DÉBUTANT
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Celtique/Irlandais
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Playing Outside the Lines, Vol
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Method. Celtic/Irish. Ebook and online audio. 129 pages. Mel Bay Publications - Digital Sheet Music #30874MEB. Published by Mel Bay Publications - Dig...
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Method. Celtic/Irish. Ebook and online audio. 129 pages. Mel Bay Publications - Digital Sheet Music #30874MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459455. 8.75x11.75 inches.
Volume II of Playing Outside the Lines is the second of a comprehensive four-part Irish flute method book series offering beginning to advanced Irish traditional flute instruction for Boehm and simple system flutists in graduated books, chapters, and exercises. Building on the foundation provided in Volume I and providing the framework for the remaining two volumes of the series, Volume II offers a detailed introduction to Irish traditional flute ornamentation. Volume II contains ornamentation fingering charts, 40 tune versions, 69 accompanying audio tracks, and nearly 200 exercises. Playing Outside the Lines is the first Irish flute method book series of its kind, containing more than 600 technical exercises, rich and nuanced discussions of Irish flute style and cultural context, previously undocumented techniques, side-by-side explanations for Boehm and simple system flutists (as well as information for musicians transitioning between the two instruments), audio excerpts, simple system flute care and purchasing information, and resources for further study. By the end of the four-part series, Boehm and simple system flutists of any background will have the tools necessary to play Irish music with a deep understanding of the tradition as well as with individual creativity. A fantastic bible of Irish flute playing. Harrison is a very meticulous and thorough author. Viviana Guzman, The Flute View Magazine An invaluable resource for any flutist. Brook Ferguson, Principal Flutist of the Colorado Symphony Orchestra Leslie Anne Harrisons Playing Outside the Lines is a marvelous gift to all interested in Irish music. Her clear and detailed writing is a huge boon to those embracing the traditional Irish flute and is truly enlightening to those (like me) who want to delve into this music while playing the Boehm flute. From tiniest detail to largest form, Leslie Anne Harrison is there every step of the way. Playing Outside the Lines is a major contribution to flute pedagogy. Robert Dick, Performer and Author of The Other Flute.
$19.99 ≈
18.41€
CPE Bach: Duetto Wq. 140 for Baritone Horn Duo
CPE Bach: Duetto Wq. 140 for Baritone Horn Duo
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Classique
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Carl Philipp Emanuel Bach
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James M
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CPE Bach: Duetto Wq. 140 for B
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jmsgu3
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SheetMusicPlus
Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - SKU: A0.552865 Composed by Carl Philipp Emanuel Bach. Arranged by James M. Gu...
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Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - SKU: A0.552865 Composed by Carl Philipp Emanuel Bach. Arranged by James M. Guthrie, ASCAP. Classical,Instructional,Standards,Wedding. Score and parts. 18 pages. Jmsgu3 #4999817. Published by jmsgu3 (A0.552865). Score: 9 Pages, Duration ca. 7:00 Contents:I. AndanteII. AllegroIII. AllegrettoCarl Philipp Emanuel Bach was a German composer and the second surviving son of Johann Sebastian Bach. He is considered to be one of the most important figures in the transition between the Baroque and Classical periods of music history. CPE Bach was known for his experimentation with form and harmony, as well as his use of Empfindsamkeit, a style of expression that conveys intense emotion.CPE Bach's works have been influential in the development of classical chamber music and duet writing. He wrote a large number of chamber works, including symphonies, concertos, sonatas, and string quartets. His duets for flute and keyboard, as well as his string duets, are especially well-known. He also wrote several works for two harpsichords, which were often performed by himself and his father. CPE Bach's chamber works often contain surprising harmonic changes and unexpected musical twists, which helped to shape the Classical style. His works also helped to bridge the gap between the Baroque and Classical periods, as his compositions often featured elements of both styles.CPE Bach's influence is still felt today, as many of his works are still regularly performed. His compositions are an important part of the classical repertoire, and his influence on classical chamber music and duet writing continues to be felt.
$27.95 ≈
25.74€
Four Forces (First movement) I. Strong Forces
Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00 ≈
276.24€
Poem 58
Poem 58
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Rock
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Chicago
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Patrick Sheehan
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Poem 58
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Patrick Sheehan
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.747848 By Chicago. By Robert Lamm. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 133 pages. Patrick Sheehan...
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Small Ensemble - Level 5 - SKU: A0.747848 By Chicago. By Robert Lamm. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 133 pages. Patrick Sheehan #4968503. Published by Patrick Sheehan (A0.747848). INSTRUMENTATION: Lead Vocal, Background Vocal I, Background Vocal II, Flute, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Electric Guitar I, Electric Guitar II, Bass, Drumset. Full score for rock band and set of parts included. All parts transcribed by ear from the original recording from Chicago Transit Authority released in 1969. The sixth track on the first album that the world had ever heard from the legendary rock supergroup CHICAGO. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$20.00 ≈
18.42€
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Transition II Part: Flute
