Tout le site ▾
Tout le site ▾
Partitions GRATUITES
Partitions LIVRES
Partitions NUMÉRIQUES
MATERIEL de Musique
Mon compte
(connectez-vous)
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites ▾
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
Chinois
Ethnique
Klezmer
Flamenco
Folk
Japonais
March
Medieval
Musette
Orientale
Pasodoble
Populaire Francais
Populaire Danse
Reggae
Swing
World / Bresil
World / Latino
APPRENTISSAGE:
Dictionnaires
Enfants
Etudes
Methodes
Musicologie
Partitions vierges
Theorie de la musique
Solfeges
Solfege rythmique
RELIGIEUX:
Chants Gregoriens
Christian
Eglise/Religion
Gospel
Hassidique
Israeli
Hymnes Africains
Mariage
Noël
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
TOP
|
TOP TELECHARGEMENTS
TOP 100 CLASSEMENT SOCIAL
COMPOSITEURS
|
Compositeurs membres
Compositeurs historiques
Tous les compositeurs
INSTRUMENTATIONS
|
SOLO
DUO
TRIO
QUATUOR
QUINTET
ENSEMBLE
TOUS
R. AVANCÉES
|
Partitions Numériques
ACCUEIL
|
NOUVEAUTÉS
|
PIANO
|
Partitions Piano
Piano seul
Piano, Voix, Guitare
Piano duo
Piano facile
Méthodes Piano
Méthodes
Etudes
Partitions Orgue
Orgue seul
Orgue duo
INSTRUMENTAL
|
Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
Vents
Flute
Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale ▾
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
Nouveautes
INSTRUMENTS
|
CLAVIERS
ACCORDEON
CLAVECIN
ORGUE
PIANO
GUITARES
GUITARE
BANJO
BASSE
DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
HAUTBOIS
SAXOPHONE
ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
COR
CORNET
EUPHONIUM
TROMBONE
TROMPETTE
TUBA
FOLK
BALALAIKA
BOUZOUKI
CHARANGO
CITHARE
DULCIMER
LUTH, THEORBE
MANDOLINE
PERCUSSIONS
BATTERIE
CLOCHES
MARIMBA
PERCUSSION
VIBRAPHONE
XYLOPHONE
AUTRES
AUTRES INSTRU…
FORMATION MUSICALE
LIVRES
PARTITIONS VIERGES
INSTRUMENTATIONS
|
GENRES
|
20eme siecle
Africain
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
SECTIONS
|
ARTISTES
EDITEURS
FORMATION MUSICALE
IDEES CADEAUX
LIVRES SUR LA MUSIQUE
PLAY-ALONG
R. AVANCÉE
Matériel de Musique ▾
STUDIO
|
SONO
|
ACCESSOIRES
|
ACCESSOIRES
|
CABLE
|
EFFET
|
FLIGHT
|
LOGICIEL
|
VIDEO
LUMIERE
|
DEEJAY
|
MICROPHONE
|
MARQUES
|
GUITARE
|
CLAVIER
|
PERCUSSION
|
VENT
|
NOËL
|
CORDES/TRAD.
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Trio Op. 21
Non classifié
14
Piano & claviers
Piano, Voix
36
Piano Trio: piano, violon, violoncelle
2
Guitares
Voix
Vents
3 Flûtes à bec (trio)
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Clarinette et Basson
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Hautbois, Basson
1
Ensemble De Flûte à bec
1
Flûte, Violon, Piano
1
3 Clarinettes (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Clarinettes, Basson
1
+ 6 instrumentations
Retracter
Cuivres
3 Trompettes (trio)
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Cordes
Trio à cordes: 3 violins
4
Violon
2
Quatuor à cordes: 2 violons, alto, violoncelle
2
Trio à Cordes: 2 violons, alto
2
Trio à Cordes: 2 violons, violoncelle
1
Violon, Alto (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Violon et Piano
1
+ 3 instrumentations
Retracter
Percussions & orchestre
Orchestre d'harmonie
1
Vibraphone (partie séparée)
1
Autres
Imprimer aprés achat
Accueil
Meilleures Ventes
Nouveautés
Vendeurs
Vendeurs
Européens
Chez Tomplay
Chez Quickpartitions
Chez Noviscore
Chez Profs-edition
Chez Note4piano
Américains
Chez Musicnotes
Chez Sheetmusicplus
Chez Virtualsheetmusic
Artistes Internationaux
Artistes Francophones
Top artistes
Top artistes
POP
Adele
Billie Eilish
Ed Sheeran
BTS
Coldplay
Pharrel Williams
Daft Punk
Avicii
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Beatles
NEW AGE / CONTEMPORAINS :
Ludovico Einaudi
Yiruma
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
FILMS
Lin-Manuel Miranda
Joe Hisaishi
Ennio Morricone
Yann Tiersen
John Williams
Howard Shore
Hans Zimmer
FRANÇAIS :
Slimane
Calogero
Clara Luciani
Vianney
Kendji Girac
Stromae
William Sheller
Georges Brassens
Claude Nougaro
Serge Gainsbourg
Jean Jacques Goldman
Artistes :
• Trio Los Panchos
• John Butler Trio [The]
PARTITIONS GRATUITES
185 000+ partitions
BOUTIQUE PARTITIONS
1 500 000+ acheter et livraison
PARTITIONS NUMÉRIQUES
2 000 000+ acheter et imprimer
MATERIEL DE MUSIQUE
Accessoires & Instruments
Partitions Numériques, Accès après l'Achat
Expédition postale
Téléchargement
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Meilleures ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Trio Op. 21
Partitions à imprimer
83 partitions trouvées
<
1
26
51
76
Filiberto Pierami: TRIO Op.114 (ES-21-088) - Score Only
Filiberto Pierami: TRIO Op.114 (ES-21-088) - Score Only
#
Trio à Cordes: violon, alto, violoncelle
#
AVANCÉ
#
Contemporain
#
Filiberto Pierami
#
Filiberto Pierami: TRIO Op.114
#
Sconfinarte
#
SheetMusicPlus
String Ensemble,String Trio - Level 5 - SKU: A0.1206977 Composed by Filiberto Pierami. Classical,Contemporary. 18 pages. Sconfinarte #805160. Published ...
(+)
String Ensemble,String Trio - Level 5 - SKU: A0.1206977 Composed by Filiberto Pierami. Classical,Contemporary. 18 pages. Sconfinarte #805160. Published by Sconfinarte (A0.1206977). TRIO Op.114 (ES-21-088)Organico: due Violini e Viola.
$20.00 ≈
18.48€
Beethoven, L., - Trio Op. 87 (Mvt. 1) for Violin, Viola and Cello
Beethoven, L., - Trio Op. 87 (Mvt. 1) for Violin, Viola and Cello
#
Trio à Cordes: 2 violons, alto
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Ludwig van Beethoven
#
Linda M
#
Beethoven, L., - Trio Op. 87
#
Linda M Scott
#
SheetMusicPlus
String Ensemble,String Trio Viola,Violin - Level 4 - SKU: A0.540438 Composed by Ludwig van Beethoven. Arranged by Linda M. Scott. Baroque. Score and par...
(+)
String Ensemble,String Trio Viola,Violin - Level 4 - SKU: A0.540438 Composed by Ludwig van Beethoven. Arranged by Linda M. Scott. Baroque. Score and parts. 21 pages. Linda M Scott #4287273. Published by Linda M Scott (A0.540438). Ludwig van Beethoven (1770 - 1827) was a German composer and pianist. He stands as one of the most famous and influential of all composers. This arrangement for violin, viola and cello is based on the first movement of his Trio in C, Op. 87 for Two Oboes and English Horn.
$5.99 ≈
5.53€
Trio D minor
Trio D minor
#
Flûte, Violoncelle, Piano (trio)
#
AVANCÉ
#
Classique
#
Felix Bartholdy Mendelssohn
#
Trio D minor
#
Musikverlag Zimmermann - Digital
#
SheetMusicPlus
Flute, cello and piano - advanced - SKU: S9.Q588130 (arrangement of the original violin part by the composer). Composed by Felix Bartholdy Mendel...
(+)
Flute, cello and piano - advanced - SKU: S9.Q588130 (arrangement of the original violin part by the composer). Composed by Felix Bartholdy Mendelssohn. Downloadable, Score and parts. Op. 49. Duration 53' 0. Musikverlag Zimmermann - Digital #Q588130. Published by Musikverlag Zimmermann - Digital (S9.Q588130). Key: D minor. German â?¢ English â?¢ French.This Trio op. 49 for violin, violoncello and piano was composed in 1839. In a letter dated March 21, 1840 to Ignaz Moscheles, Mendelssohn mentioned an inquiry by the publisher Ewer in London to arrange this trio for flute instead of violin. It is assumed that Mendelssohn either arranged the trio accordingly or at least authorised such an arrangement. Transforming the violin part into a flute part is quite astounding and was handled so freely and ingeniously in a variety of aspects that we can only assume that the composer himself could dare to come up with the solutions in question. Interesting information as to the history and development of this edition is given in the preface.
$22.99 ≈
21.24€
Beethoven, L. - Trio Op. 87 (Mvt. 1) for Two Violins and Cello
Beethoven, L. - Trio Op. 87 (Mvt. 1) for Two Violins and Cello
#
Trio à Cordes: 2 violons, violoncelle
#
AVANCÉ
#
Classique
#
Ludwig van Beethoven
#
Linda Scott
#
Beethoven, L. - Trio Op. 87
#
Linda M Scott
#
SheetMusicPlus
Composed by Ludwig van Beethoven (1770-1827). Arranged by Linda Scott. Classical. Score and parts. 21 pages. Linda M Scott #4286549. Published by Lind...
(+)
Composed by Ludwig van Beethoven (1770-1827). Arranged by Linda Scott. Classical. Score and parts. 21 pages. Linda M Scott #4286549. Published by Linda M Scott
$5.99 ≈
5.53€
Trio Op. 21
Trio Op. 21
#
Sergei Taneyev
#
Robert Rainford
#
Trio Op. 21
#
Forton Music - Digital
#
SheetMusicPlus
2 Fl. Afl. - Intermediate - SKU: F2.FM598 Composed by Sergei Taneyev. Arranged by Robert Rainford. Arranged for mixed flute trio. Score and parts. 43 pa...
(+)
2 Fl. Afl. - Intermediate - SKU: F2.FM598 Composed by Sergei Taneyev. Arranged by Robert Rainford. Arranged for mixed flute trio. Score and parts. 43 pages. Forton Music - Digital #FM598. Published by Forton Music - Digital (F2.FM598). ISBN 9790570484973.This trio, originally for two violins and viola, is cast in the standard four movement form. The first is busy and intricate, the second is the standard minuet and trio, the third is a lyrical slow movement, and the fourth is a lively finale. Taneyev's love of counterpoint is evident throughout the whole piece. The first flute part is complicated and needs nimble fingers, the lower parts are easier but still a challenge.
$15.95 ≈
14.74€
Corelli Trio Sonata Op 3 No 2.
Corelli Trio Sonata Op 3 No 2.
#
Trio à cordes: 3 violins
#
FACILE
#
Classique
#
A Corelli
#
Joe Williams
#
Corelli Trio Sonata Op 3 No 2.
#
Joe Williams
#
SheetMusicPlus
String Trio Violin - Level 2 - SKU: A0.1407125 Composed by A Corelli. Arranged by Joe Williams. Baroque,Classical. 21 pages. Joe Williams #989824. Publi...
(+)
String Trio Violin - Level 2 - SKU: A0.1407125 Composed by A Corelli. Arranged by Joe Williams. Baroque,Classical. 21 pages. Joe Williams #989824. Published by Joe Williams (A0.1407125). This trio sonata from Corelli Op 3 set was originally composed for recorders, but works equally well as a violin trio.
$6.99 ≈
6.46€
Beethoven, L. - Op. 87 Trio (Mvt. 1) for Three Violins
Beethoven, L. - Op. 87 Trio (Mvt. 1) for Three Violins
#
Trio à cordes: 3 violins
#
AVANCÉ
#
Classique
#
Ludwig van Beethoven
#
Linda M
#
Beethoven, L. - Op. 87 Trio
#
Linda M Scott
#
SheetMusicPlus
String Ensemble,String Trio Violin - Level 5 - SKU: A0.540435 Composed by Ludwig van Beethoven. Arranged by Linda M. Scott. Classical. Score and parts. ...
(+)
String Ensemble,String Trio Violin - Level 5 - SKU: A0.540435 Composed by Ludwig van Beethoven. Arranged by Linda M. Scott. Classical. Score and parts. 21 pages. Linda M Scott #4286543. Published by Linda M Scott (A0.540435). Ludwig van Beethoven (1770 - 1827) was a German composer and pianist. He stands as one of the most famous and influential of all composers. This arrangement for three violins is based on the first movement of his Trio in C, Op. 87 for Two Oboes and English Horn.
$5.99 ≈
5.53€
Beethoven, L. - Op. 87 Trio (Mvt. 1) for Two Violins and Viola
Beethoven, L. - Op. 87 Trio (Mvt. 1) for Two Violins and Viola
#
Trio à Cordes: 2 violons, alto
#
AVANCÉ
#
Classique
#
Ludwig van Beethoven
#
Linda M
#
Beethoven, L. - Op. 87 Trio
#
Linda M Scott
#
SheetMusicPlus
String Ensemble,String Trio Viola,Violin - Level 5 - SKU: A0.540437 Composed by Ludwig van Beethoven. Arranged by Linda M. Scott. Classical. Score and p...
(+)
String Ensemble,String Trio Viola,Violin - Level 5 - SKU: A0.540437 Composed by Ludwig van Beethoven. Arranged by Linda M. Scott. Classical. Score and parts. 21 pages. Linda M Scott #4286553. Published by Linda M Scott (A0.540437). Ludwig van Beethoven (1770 - 1827) was a German composer and pianist. He stands as one of the most famous and influential of all composers. This arrangement for two violins and viola is based on the first movement of his Trio in C, Op. 87 for Two Oboes and English Horn.
$5.99 ≈
5.53€
Trio Sonata Op 4 No 1
Trio Sonata Op 4 No 1
#
Trio à cordes: 3 violins
#
Classique
#
Arcangelo Corelli
#
Joe Williams
#
Trio Sonata Op 4 No 1
#
Joe Williams
#
SheetMusicPlus
String Trio Violin - SKU: A0.1407200 Composed by Arcangelo Corelli. Arranged by Joe Williams. Baroque,Classical. 21 pages. Joe Williams #989895. Publish...
(+)
String Trio Violin - SKU: A0.1407200 Composed by Arcangelo Corelli. Arranged by Joe Williams. Baroque,Classical. 21 pages. Joe Williams #989895. Published by Joe Williams (A0.1407200). This trio sonata, originally written for 2 violins and cello, works very well with 3 violins. Ideall for violin students to have something to work with together and improve ensemble playing.
$6.99 ≈
6.46€
Sonata No.8 Op.3
Sonata No.8 Op.3
#
3 Clarinettes (trio)
#
INTERMÉDIAIRE
#
Spence Bundy
#
Spence Bundy
#
Sonata No.8 Op.3
#
Spencer Bundy
#
SheetMusicPlus
Clarinet Trio,Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1220398 By Spence Bundy. By Arcangelo Corelli. Arranged by Spence Bundy. Baroque,Chamb...
(+)
Clarinet Trio,Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1220398 By Spence Bundy. By Arcangelo Corelli. Arranged by Spence Bundy. Baroque,Chamber. 21 pages. Spencer Bundy #816732. Published by Spencer Bundy (A0.1220398). This lovely piece is from Corelli's third set of twelve sonatas for string trio & continuo, originally published in 1689. Here transcribed for two clarinets & bass, it would be ideal for concerts but could equelly be enjoyed by any group playing together.
$4.50 ≈
4.16€
Sonata No.8 Op.3
Sonata No.8 Op.3
#
Hautbois, Clarinette, Basson (trio d'anches)
#
INTERMÉDIAIRE
#
Spence Bundy
#
Spence Bundy
#
Sonata No.8 Op.3
#
Spencer Bundy
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Oboe - Level 3 - SKU: A0.1217278 By Spence Bundy. By Arcangelo Corelli. Arranged by Spence Bundy. Baroq...
(+)
Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Oboe - Level 3 - SKU: A0.1217278 By Spence Bundy. By Arcangelo Corelli. Arranged by Spence Bundy. Baroque,Chamber. 21 pages. Spencer Bundy #813819. Published by Spencer Bundy (A0.1217278). This lovely piece is taken from Corelli's third set of twelve sonatas for string trio & and continuo, first published in 1689. They can still be enjoyed by performers and audiences every where. Ideal for concerts but also fun for any group to play.
$4.50 ≈
4.16€
Sonata No.8 Op.3
Sonata No.8 Op.3
#
Flûte, Hautbois, Clarinette (trio)
#
INTERMÉDIAIRE
#
Spence Bundy
#
Spence Bundy
#
Sonata No.8 Op.3
#
Spencer Bundy
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - SKU: A0.1221856 By Spence Bundy. By Arcangelo Corelli. Arranged by Spence Bundy. Baroque...
(+)
Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - SKU: A0.1221856 By Spence Bundy. By Arcangelo Corelli. Arranged by Spence Bundy. Baroque,Chamber. 21 pages. Spencer Bundy #818149. Published by Spencer Bundy (A0.1221856). This lovely piece is from Corelli's third set of twelve sonatas for string trio & continuo, first published in 1689. Ideal for any concert but could also be enjoyed by any group playing together.
$4.50 ≈
4.16€
Trio sonata Op.1, no.6 RV 62 (Arrangement for 3 recorders (AAB))
Trio sonata Op.1, no.6 RV 62 (Arrangement for 3 recorders (AAB))
#
3 Flûtes à bec (trio)
#
Classique
#
Antonio Vivaldi
#
Gil Garty
#
Trio sonata Op.1, no.6 RV 62
#
Gil Garty
#
SheetMusicPlus
Alto Recorder,Bass Recorder - SKU: A0.1311996 By Antonio Vivaldi. By Antonio Vivaldi. Arranged by Gil Garty. Baroque,Chamber,Early Music. Recorder Ensem...
(+)
Alto Recorder,Bass Recorder - SKU: A0.1311996 By Antonio Vivaldi. By Antonio Vivaldi. Arranged by Gil Garty. Baroque,Chamber,Early Music. Recorder Ensemble. 21 pages. Gil Garty #900890. Published by Gil Garty (A0.1311996). Originally for 2 violins and continuo. Arranged for 3 recorders (AAB).
$10.00 ≈
9.24€
Etude Op.10 No.3
Etude Op.10 No.3
#
Piano Trio: piano, violon, violoncelle
#
DÉBUTANT
#
Classique
#
Frederic Franois Chopin
#
Etude Op.10 No.3
#
SheetmusicLAB
#
SheetMusicPlus
Piano trio (Violin, Cello, Piano) - Primer Level - SKU: P5.CL-ROM-6389 Composed by Frederic Franois Chopin. Romantic Period. Score and Parts. 21 pages. ...
(+)
Piano trio (Violin, Cello, Piano) - Primer Level - SKU: P5.CL-ROM-6389 Composed by Frederic Franois Chopin. Romantic Period. Score and Parts. 21 pages. SheetmusicLAB #CL-ROM-6389. Published by SheetmusicLAB (P5.CL-ROM-6389). 8.3 x 11.7 inches.
$3.33 ≈
3.08€
Peer Gynt, Suite No.1 Op.46, Morning Mood
Peer Gynt, Suite No.1 Op.46, Morning Mood
#
Piano Trio: piano, violon, violoncelle
#
DÉBUTANT
#
Classique
#
Edvard Grieg
#
Peer Gynt, Suite No.1 Op.46, M
#
SheetmusicLAB
#
SheetMusicPlus
Piano trio (Violin, Cello, Piano) - Primer Level - SKU: P5.CL-ROM-2913 Composed by Edvard Grieg. Romantic Period. Score and Parts. 21 pages. SheetmusicL...
(+)
Piano trio (Violin, Cello, Piano) - Primer Level - SKU: P5.CL-ROM-2913 Composed by Edvard Grieg. Romantic Period. Score and Parts. 21 pages. SheetmusicLAB #CL-ROM-2913. Published by SheetmusicLAB (P5.CL-ROM-2913). 8.3 x 11.7 inches.
$2.67 ≈
2.47€
Saint-Saens Mazurka for Recorder Trio
Saint-Saens Mazurka for Recorder Trio
#
3 Flûtes à bec (trio)
#
FACILE
#
Classique
#
Camille Saint- Saens
#
Saint-Saens Mazurka for Record
#
JGJG Sheet Music LLC
#
SheetMusicPlus
Composed by Camille Saint- Saens (1835-1921). Arranged by James Grush. Romantic Period. Score, Set of Parts. 24 pages. Published by JGJG Sheet Music LL...
(+)
Composed by Camille Saint- Saens (1835-1921). Arranged by James Grush. Romantic Period. Score, Set of Parts. 24 pages. Published by JGJG Sheet Music LLC
Camille Saint-Saens composed his Mazurka in G minor (Op. 21) for solo piano. This piece has an engaging melody and rhythm, and includes a waltz section in G major. Arranged for ATB recorders. Clear score and individual parts; play with or without a conductor.
$12.00 ≈
11.09€
Trio in G Minor, Op. 21
Trio in G Minor, Op. 21
#
Ian Deterling
#
Trio in G Minor, Op. 21
#
Ian Deterling
#
SheetMusicPlus
Bass Clarinet,Bass Trombone,Bassoon,Euphonium,Flute,Oboe/English Horn,Saxophone,Trumpet - Level 5 - SKU: A0.1336654 Composed by Ian Deterling. 21st Cent...
(+)
Bass Clarinet,Bass Trombone,Bassoon,Euphonium,Flute,Oboe/English Horn,Saxophone,Trumpet - Level 5 - SKU: A0.1336654 Composed by Ian Deterling. 21st Century,Classical. 371 pages. Ian Deterling #922425. Published by Ian Deterling (A0.1336654). Carefully crafted melodies over lively dances showcase all three musicians in this five-movement trio. The mixing of references from various styles create a unique canvas that displays a wide range of emotion. Commissioned by The Oaks Trio: Suzanne Tirk, Richard Tirk, and Benjamin Yates.
$25.00 ≈
23.10€
Le Fuseau de ma Grand'mère, Op.21 (arr. for Trumpet Trio)
Le Fuseau de ma Grand'mère, Op.21 (arr. for Trumpet Trio)
#
3 Trompettes (trio)
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Eugène Dardet
#
Andrew Lamb
#
Le Fuseau de ma Grand'mère, O
#
Andrew Lamb
#
SheetMusicPlus
By Eugène Dardet. By Eugène Dardet. Arranged by Andrew Lamb. 19th Century, Chamber. 17 pages. Andrew Lamb #888422. Published by Andrew Lam...
(+)
By Eugène Dardet. By Eugène Dardet. Arranged by Andrew Lamb. 19th Century, Chamber. 17 pages. Andrew Lamb #888422. Published by Andrew Lamb
$4.00 ≈
3.70€
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 21, No. 3: Le Matin au bor
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.77€
Op. 21, No. 5: Feuilles qui chuchotez from Songs of Gouvy, V2 (Downloadable)
Op. 21, No. 5: Feuilles qui chuchotez from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 21, No. 5: Feuilles qui ch
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-23E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 9 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-23E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 9 pages. E. C. Schirmer Music Company - Digital #8492-23E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-23E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.77€
Op. 21, No. 4: Dans les bois from Songs of Gouvy, V2 (Downloadable)
Op. 21, No. 4: Dans les bois from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 21, No. 4: Dans les bois f
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-22E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-22E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-22E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-22E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.77€
Op. 21, No. 6: Amour brisé from Songs of Gouvy, V2 (Downloadable)
Op. 21, No. 6: Amour brisé from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 21, No. 6: Amour bris&eacu
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-24E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-24E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-24E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-24E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.77€
Op. 21, No. 2: Consolation from Songs of Gouvy, V2 (Downloadable)
Op. 21, No. 2: Consolation from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 21, No. 2: Consolation fro
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-20E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-20E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-20E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-20E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.77€
Op. 21, No. 1: À L’Absente from Songs of Gouvy, V2 (Downloadable)
Op. 21, No. 1: À L’Absente from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 21, No. 1: À L&rsqu
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-19E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-19E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-19E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-19E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.77€
Trio, Op.83, no.5 (arrangement for 3 alto recorders)
Trio, Op.83, no.5 (arrangement for 3 alto recorders)
#
Ensemble De Flûte à bec
#
Classique
#
James Hook
#
Gil Garty
#
Trio, Op.83, no.5
#
Gil Garty
#
SheetMusicPlus
Recorder - SKU: A0.756827 Composed by James Hook. Arranged by Gil Garty. Classical. Recorder Ensemble. 21 pages. Gil Garty #6688131. Published by Gil Ga...
(+)
Recorder - SKU: A0.756827 Composed by James Hook. Arranged by Gil Garty. Classical. Recorder Ensemble. 21 pages. Gil Garty #6688131. Published by Gil Garty (A0.756827). Originally for 3 flutes. Arranged for 3 alto recorders.
$10.00 ≈
9.24€
<
1
26
51
76