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Twenty Three Viola
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Vous avez sélectionné:
Twenty Three Viola
Partitions à imprimer
17 partitions trouvées
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1
Three contemplations on Humans and Food, for flute, viola, cello and piano
Three contemplations on Humans and Food, for flute, viola, cello and piano
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Alto, Piano
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AVANCÉ
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Contemporain
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Brett Thompson
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Viola - Tamaris Pfifer
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Three contemplations on Humans
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Brett Thompson
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SheetMusicPlus
Small Ensemble Cello,Flute,Piano,Viola - Level 5 - SKU: A0.851499 Composed by Brett Thompson. Contemporary. Score and parts. 22 pages. Brett Thompson #1...
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Small Ensemble Cello,Flute,Piano,Viola - Level 5 - SKU: A0.851499 Composed by Brett Thompson. Contemporary. Score and parts. 22 pages. Brett Thompson #13905. Published by Brett Thompson (A0.851499). This work was commissioned by the Riverina Conservatorium of Music for the Riverina Composer’s Festival, 2010. The premiere was given therein by: Flute - Brett Thompson; Viola - Tamaris Pfifer; Cello - Damien Johnson; Piano - Kate Thompson. The three contemplations are impressions of homo sapiens’ preoccupation with food in three different historical epochs: 1. Hunter gather, 2. Domestic, and 3. Commercial. Duration: circa 8:00 min. If you would like to watch a full video preview, or prefer this product formatted for A4 paper size, please visit: http://www.fourandtwentymusic.com/pieces/three-contemplations-on-humans-and-food-brett-thompson/.
$12.99 ≈
11.70€
Nocturne Op. 9, No. 2 for Viola and Piano
Nocturne Op. 9, No. 2 for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Diego Marani
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Nocturne Op. 9, No. 2 for Viol
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Diego Marani
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.528414 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards....
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Piano,Viola - Level 3 - SKU: A0.528414 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 10 pages. Diego Marani #5983707. Published by Diego Marani (A0.528414). Chopin composed his best-known Nocturne in E-flat major, Op. 9, No. 2 when he was around twenty years old. This well-known nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. The A and B sections become increasingly ornamented with each recurrence. Nocturne in E-flat major opens with a legato melody, mostly played piano, containing graceful upward leaps which becomes increasingly wide as the line unfolds. This melody is heard again three times during the piece. With each repetition, it is varied by ever more elaborate decorative tones and trills.This arrangement for Viola with Piano Accompaniment reflects faithfully the original and includes two different keys: D Major and Eb Major.
$8.99 ≈
8.10€
Two Quartets for 2 violins, viola, and violoncello obbligato - Op. 12
Two Quartets for 2 violins, viola, and violoncello obbligato - Op. 12
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Justus Johann Friedrich Dotzau
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Michele Galvagno
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Two Quartets for 2 violins, vi
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1197314 Composed by Justus Johann Friedrich Dotzauer. Arranged by Michele Galvagno....
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1197314 Composed by Justus Johann Friedrich Dotzauer. Arranged by Michele Galvagno. 19th Century,Chamber,Classical,Instructional,Romantic Period. 164 pages. Artistic Score Engraving di Galvagno Michele #796478. Published by Artistic Score Engraving di Galvagno Michele (A0.1197314). Dotzauer’s first attempt at a major form of chamber music comes in 1810, with his Op. 12. This is a couple of quartets for two violins, viola, and violoncello obbligato. One may think these are ordinary string quartets, where the first violin has all the fun and the other three players share the remaining bits, but one would be gravely mistaken. The clue for this is the dedication by Dotzauer to his teacher, Bernhard Romberg. Then we have the word “obbligato†marking the prominence of the cello part over the others. They are entertaining pieces, about 25-minutes-long each, in four movements, and similar to Haydn in style. These are the first two of Dotzauer’s generous production of string quartets (more than twenty!). The first is in E-flat major, while the second is in G minor, a curious choice for sure. This edition comes in digital and print, both including the same material, a score and a set of four parts.
$49.00 ≈
44.13€
Three Times A Lady
Three Times A Lady
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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The Commodores
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Spence Bundy
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Three Times A Lady
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Spencer Bundy
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.837941 By The Commodores. By Lionel Richie. Arranged by Spence Bundy. 20th Century,...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.837941 By The Commodores. By Lionel Richie. Arranged by Spence Bundy. 20th Century,Pop,Rock. Score and parts. 17 pages. Spencer Bundy #6439091. Published by Spencer Bundy (A0.837941). This was The Commodores first No.1 hit, from August 1978. Lionel Ritchie, the lead singer & composer of the song, originally planned on pitching the song to Frank Sinatra, as he didn't feel it was a typical Commodores number. It went on to be a top five hit in over twenty five countries and is still popular today.
$12.99 ≈
11.70€
Twenty Christmas Carols for String Trio
Twenty Christmas Carols for String Trio
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Noël
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Various
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Steve Winstead
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Twenty Christmas Carols for St
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Sigma Squared Music
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.723576 Composed by Various. Arranged by Steve Winstead. Christian,Christmas,Sacred,Spiritual. Score and ...
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String Ensemble,String Trio - Level 3 - SKU: A0.723576 Composed by Various. Arranged by Steve Winstead. Christian,Christmas,Sacred,Spiritual. Score and parts. 43 pages. Sigma Squared Music #3629659. Published by Sigma Squared Music (A0.723576). These Twenty Christmas Carols are a fun-to-play collection of well-known Christmas and holiday songs arranged in a flexible style, with a traditional feel and contemporary flavor. Each song is fairly short, but can be repeated as many times through the verses as desired. An optional introduction is notated at the end of every song, which is especially useful when accompanying singers.All three parts are playable on violin. Part 3 is also provided for viola and for cello (one octave lower).The following carols are included in the collection:1. Angels We Have Heard on High2. Away in a Manger3. Deck the Halls4. The First Noel5. God Rest Ye, Merry Gentlemen6. Good King Wenceslas7. Hallelujah Chorus from The Messiah8. Hark! The Herald Angels Sing9. Jingle Bells10. Jolly Old Saint Nicholas11. Joy to the World12. O Come All Ye Faithful13. O Come, O Come Emmanuel14. O Holy Night15. O Little Town of Bethlehem16. O Tannenbaum17. Silent Night18. Wassail Song19. We Three Kings20. We Wish You a Merry Christmas.
$29.99 ≈
27.01€
Opus 115, Twenty-third Sonata for Piano Solo in D-do
Opus 115, Twenty-third Sonata for Piano Solo in D-do
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Piano seul
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AVANCÉ
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Henry Pool
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Second Movement - Israel
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Opus 115, Twenty-third Sonata
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Viola Editions
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.976278 Composed by Henry Pool. 20th Century,Contemporary. Score. 37 pages. Viola Editions #2917977. Published by Viola Ed...
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Piano Solo - Level 5 - SKU: A0.976278 Composed by Henry Pool. 20th Century,Contemporary. Score. 37 pages. Viola Editions #2917977. Published by Viola Editions (A0.976278). A wonderful sonata, which uses national songs from three different countries: First Movement - The Netherlands; Second Movement - Israel; Third movement - USA.
$5.55 ≈
5.00€
Twenty-One Christmas Carols for Violin Duet
Twenty-One Christmas Carols for Violin Duet
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2 Violons (duo)
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Noël
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Various
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Twenty-One Christmas Carols fo
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Sigma Squared Music
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SheetMusicPlus
Violin, String Duet, Violin Duet, Flexible String Duet - Intermediate - Digital Download Composed by Various. Arranged by Steve Winstead. Christian, ...
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Violin, String Duet, Violin Duet, Flexible String Duet - Intermediate - Digital Download Composed by Various. Arranged by Steve Winstead. Christian, Sacred, Christmas. Score. 14 pages. Published by Sigma Squared Music
These Twenty-One Christmas Carols are a fun-to-play collection of well-known Christmas and holiday songs arranged in a flexible style, with a traditional feel and contemporary flavor. Each song is fairly short, but can be repeated as many times through the verses as desired. An optional introduction is notated at the end of every song.
This book (223117) is suitable for two violins, and can also pair with other C instruments such asflute, oboe, or mallet percussion. It is compatible with the other string duet books in thisseries:
Twenty-One Christmas Carols for Flexible String Duet, Viola book (223118)
Twenty-One Christmas Carols for Flexible String Duet, Cello book (223119)
The following carols are included in the collection:
1. Angels We Have Heard on High
2. Away in a Manger
3. Carol of the Bells
4. Deck the Halls
5. The First Noel
6. God Rest Ye, Merry Gentlemen
7. Good King Wenceslas
8. Hallelujah Chorus from The Messiah
9. Hark! The Herald Angels Sing
10. Jingle Bells
11. Jolly Old Saint Nicholas
12. Joy to the World
13. O Come All Ye Faithful
14. O Come, O Come Emmanuel
15. O Holy Night
16. O Little Town of Bethlehem
17. O Tannenbaum
18. Silent Night
19. Wassail Song
20. We Three Kings
21. We Wish You a Merry Christmas.
$13.99 ≈
12.60€
Twenty-Three - Viola
Twenty-Three - Viola
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Alto (partie séparée)
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Musique Sacrée
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Twenty-Three - Viola
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Arranged by Tony Wood, Tony Wood, Steve Siler, Steve Siler, Phillip Keveren, Phillip Keveren, Scott Krippayne, and Scott Krippayne. Concert, Sacred. Choral Inst...
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Arranged by Tony Wood, Tony Wood, Steve Siler, Steve Siler, Phillip Keveren, Phillip Keveren, Scott Krippayne, and Scott Krippayne. Concert, Sacred. Choral Instrumental Pak. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.42482). - Choral Instrumental Pak - Concert,Sacred - Hal Leonard - Digital Sheet Music
$7.00 ≈
6.30€
String Quartet - William and Mary
String Quartet - William and Mary
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Mike Strand, ASCAP <
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Mike Strand
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String Quartet - William and M
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Michael M. Strand
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.970731 Composed by Mike Strand. Contemporary,Jazz,World. Score and parts. 36 pages. Michael M. Strand ...
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String Quartet String Quartet - Level 5 - SKU: A0.970731 Composed by Mike Strand. Contemporary,Jazz,World. Score and parts. 36 pages. Michael M. Strand #4837117. Published by Michael M. Strand (A0.970731). By Mike Strand, ASCAP I wrote this String Quartet in a composition class at the College of William and Mary in 2010. It is brief and rich with variety, and it involves a technique of mine called fracturing (see note* below). This causes the dissonance you'll hear in parts of this work.On one occasion, when I felt stressed, I enjoyed listening to Morton Feldman's String Quartet II (1983), which lasts about 6 hours. This quiet but lovely music soothed and pacified me. On the other hand, if you want something to energize and alert you in less than 11 minutes, this quartet may be for you -- whenever you acquire a recording of it by some lucky quartet ensemble. Have a cup of coffee with it, for insurance!In the meantime, enjoy the audio sample, Movement I of my quartet. This alone may suffice to get you going, in only two and a half minutes. String Quartet - William and Mary: Four movements, total time 10:45: I. Allegro moderato (2:32) A tango-like dance movement: Preface, Introduction, A, B, A’, C, Coda (two variations). II. Lento (2:44) Counting to twenty in 5-4, 4-4, and 12-8 time. 5-4 time predominates (five groups of four measures each), then 4-4 (two groups of five measures each) and 12-8 (one group of five measures). Throughout there are 72 counts per minute, with quarter notes counted in the 5-4 and 4-4 time signatures, and with dotted quarter notes counted in the 12-8 time signature. The five measures of 12-8 also introduce the theme for movement III.Fun with three different time signatures! III. Allegro (2:11) Variations on a Scottish-like folk tune and fragments of it. One variation is an example of tonal pointillism. The closing measures are an extended coda based on a transformed version of the original tune. IV. Swing (3:18) West Coast swing tempo for the Introduction and Part A; triple swing tempo for Part B. Note* on the fracturing technique This is my method to produce systematically new types of dissonance and corresponding modifications and resolutions. Fracturing consists of changing pitches in a melody or chord as follows: (a) Decide on the root note position within the staff or line of music. (b) Represent the applicable chord in half-step notation, with the root given the value 0. (c) Alternatively subtract and add a prescribed number of half steps from, and to, each successive number in the annotated chord (except for the root). (d) Use the new fractured annotation to define the new pitches. The actual or implied root of the chord (tonal center) remains unchanged. The resulting new chord or melody is thus related or resolvable to the parent tonal harmony or chord. Fracturing appears mainly in the first and third movements, with spare use in the second and fourth movements.
$7.00 ≈
6.30€
Fuga a tre (3 part fugue) for string trio
Fuga a tre (3 part fugue) for string trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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Joseph Dillon Ford
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Fuga a tre
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David Warin Solomons2
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.958467 Composed by Joseph Dillon Ford. 20th Century. Score and parts. 7 pages. David Warin Solomons2 #36...
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String Ensemble,String Trio - Level 3 - SKU: A0.958467 Composed by Joseph Dillon Ford. 20th Century. Score and parts. 7 pages. David Warin Solomons2 #3691565. Published by David Warin Solomons2 (A0.958467). The Fuga a tre voci was composed on 28 March 1976 not long before I moved from Miami to Cambridge to begin graduate study in music at Harvard. It remained an imperfect sketch in need of extensive revisions, and languished for a quarter-century in a manila file folder until I rediscovered it late in 2001 and was pleased to find that it was worth the trouble of resurrecting. This was no easy task, as it was my original intention to comply closely with eighteenth-century contrapuntal practices. Although I had written numerous polyphonic pieces in a similar style since 1976, none of these was a fugue. There was also the challenge of reconnecting with musical ideas I had originated at the age of twenty-four at a time in my life when I was rapidly approaching the age of fifty. Still, I persevered in my efforts to revive and improve this early polyphonic essay, and hope the performer and listener will be as pleased with the results as I am. This three-voice fugue can be performed by any instrument or combination of instruments, including the harpsichord.
$7.00 ≈
6.30€
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holid
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. Wit...
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Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99 ≈
9.00€
4 Arrangements
4 Arrangements
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Bernd Alois Zimmermann
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Bernd Alois Zimmermann
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4 Arrangements
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Schott Music - Digital
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SheetMusicPlus
Piano and string quintet (2 violins, viola, cello and double bass) - intermediate - SKU: S9.Q587769 For piano and string quintet. Composed by Ber...
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Piano and string quintet (2 violins, viola, cello and double bass) - intermediate - SKU: S9.Q587769 For piano and string quintet. Composed by Bernd Alois Zimmermann. Arranged by Bernd Alois Zimmermann. Downloadable, Score and parts. Duration 8 minutes. Schott Music - Digital #Q587769. Published by Schott Music - Digital (S9.Q587769). Until his appointment as composition teacher at the Musikhochschule of Cologne in 1957, Bernd Alois Zimmermann earned his living chiefly by arranging works of other composers for the radio. Vier Bearbeitungen (Four Arrangements) for the Ellegiers Sextet was written at the WDR in Cologne at that time. Zimmermann held the concertmaster Ellegiers in high esteem because of his profound musicality and arranged about twenty pieces for his ensemble between 1949 and 1952. The three Schubert arrangements ‘Sehnsuchtswalzer’, ‘Ländler’ and ‘Moments musicaux’, as well as ‘Träumerei’ from Kinderszenen Op. 15 by Robert Schumann show very clearly how popular these works were in the radio programme of the broad-casting station.
$24.99 ≈
22.51€
The Vampire: A Dramatic Theme
The Vampire: A Dramatic Theme
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Sol Paul Levy
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Eric J Roth
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The Vampire: A Dramatic Theme
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Eric J Roth
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 ...
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Solo Guitar - Level 4 - SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 pages. Eric J Roth #4593125. Published by Eric J Roth (A0.914739). 6 pages (2 pages of music) formatted for 8.5x11 printing.Sol Paul Levy, born in Chicago, Illinois in 1881, was a composer, arranger and performer of silent film music. He attended All Hallows College in Dublin, Ireland and served as first clarinetist in bands led by John Philip Sousa and Arthur Pryor. Levy led the foreign orchestrating department for Victor Records – which was the first music company to produce the disc record – and was a founder of Belwin Music. Levy compiled a series of photoplay cues for piano that was published in H.S. Gordon’s 1914 Motion Picture Collection. He also wrote songs, the most famous of which was That Naughty Waltz. Sol Paul Levy died in New York in 1920. During the Silent Film Era (1896-1936), showings usually featured live music, which helped to provide dramatic and emotional cues for the audience. The first public silent film shown in 1895 was accompanied by a guitarist. Soon after, films were commonly accompanied by either a pianist, organist, or chamber orchestra. Accompanists often improvised or compiled music from the classical, theatrical or popular repertories using a cue sheet identifying the effects or moods to be conveyed. While some films produced full scores or detailed cue sheets containing excerpts of music unique to that film, a repertoire of generic music soon developed to provide accompanists with music that they could adapt as needed. With titles such as Dramatic Conflict, Dramatic Tension, Heavy Mysterioso, and Weird Oriental Theme, Sol Paul Levy’s scores clearly served this purpose. The Vampire: A Dramatic Theme, composed in 1917, could have been easily adapted to any of the more than twenty films about vampires that appeared between 1909 and 1930. The score exists in three versions: one for small orchestra with piano conductor, one for chamber orchestra without piano, and one for chamber orchestra without timpani. Instruments included piano, flute, clarinet, two cornets, trombone, two timpani, two violins, viola, cello, and bass. Despite being composed for small orchestra, the piece, composed in A minor, is well suited to the guitar once instrumental and octave doublings are removed. While a solo guitar cannot produce the power and volume of a chamber orchestra, it certainly can evoke the intended mood. Except in a few instances owing to the limitations of the guitar, all original dynamic markings have been retained. All fingerings, of course, are editorial. Please note that some of the fingerings in the score may differ than those used in the linked YouTube Video.
$3.99 ≈
3.59€
What do they matter? (for medium-high voice and harp)
What do they matter? (for medium-high voice and harp)
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Contemporain
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Nicole Elyse DiPaolo
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What do they matter?
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Nicole Elyse DiPaolo
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SheetMusicPlus
Small Ensemble Harp,Voice - Level 5 - SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse...
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Small Ensemble Harp,Voice - Level 5 - SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse DiPaolo #3417119. Published by Nicole Elyse DiPaolo (A0.799604). This short song was composed in 2012 during my doctoral coursework at Indiana University's Jacobs School of Music. It was written for tenor, but given its accessible range (Db4 to G5 in the original key), it would work well for lighter voices in many fachs, including light lyric sopranos, baritones, and mezzos. The text, translated from a poem by Takuboku Ishikawa (1886-1912), is gender-neutral. This would be a great introduction to new music for an undergraduate singer with strong aural skills and a still-light voice (since young dramatics might overpower the harp).If you'd like to talk about commissioning a transposed score, please get in touch! Transposition options will be a bit more limited with the harp than with the piano, but I'm sure we could make something work.Poem text (in English translation, as it appears in the score)Setting sun, Drifting clouds, New moon, Evening twilight, What do they matter to me?Composer biography:Nicole Elyse DiPaolo is a versatile composer, teacher, collaborative pianist, and music theorist currently based in Bloomington, Indiana. Currently a PhD candidate in music theory at Indiana University, she recently completed a doctoral minor in composition, having studied with Claude Baker, Don Freund, P. Q. Phan, and David Schneider. She also holds a B.Mus. from the University of Michigan, where she studied composition with Bright Sheng and piano with Louis Nagel. Nicole's music has been heard across the world: along with numerous performances in the Midwest, her commissioned song settings of Muscogee poet laureate Alexander Posey's texts have been performed at Shorter College (GA) and Lincoln University (PA), and the Smithsonian Institution procured copies of two of these (Nature's Blessings and A Vision) to archive at the National Museum of the American Indian. Additionally, Nicole's viola duo Three Episodes was featured at Ball State University's 40th Annual New Music Festival in February 2010. Her early compositions have been garnering interest as well: music students in Kenya performed several of Nicole's such pieces in May 2013 through a pedagogical project spearheaded by IU faculty member Kimberly Carballo. Nicole's music also received its Mexican premiere in October 2013 with a performance of her Divertimento, written for the International String Quartet of Yucatán. In 2014, Nicole published a set of twenty short pedagogical pieces in uncommon keys, entitled Venturing Beyond, available on SheetMusicPlus. Also a sought-after teacher and adjudicator, Nicole frequently judges regional and divisional MTNA composition competitions at all levels, ranging from elementary to college-level Young Artists, and she also served as the composition department chair at Blue Lake Fine Arts Camp in 2014. For more on Nicole DiPaolo and her varied musical pursuits, visit her website at http://ndipaolo.musicaneo.com !
$5.99 ≈
5.39€
Swingin' in 2/4 You
Swingin' in 2/4 You
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Orchestre à Cordes
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DÉBUTANT
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Pop musique
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Ron Flintjer
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Swingin' in 2/4 You
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Ron Flintjer
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.1153129 Composed by Ron Flintjer. Pop. Score and parts. 10 pages. Ron Flintjer #753368. Published by Ron Flintjer (...
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String Orchestra - Level 1 - SKU: A0.1153129 Composed by Ron Flintjer. Pop. Score and parts. 10 pages. Ron Flintjer #753368. Published by Ron Flintjer (A0.1153129). Let this be your Elementary String Orchestra's first foray into the musical idiom of Swing! Coming of age in the 1940's, swing music was the most popular genre among America's teenagers, twenty-somethings, and those who were young at heart! They couldn't stop dancing when the orchestras of the time launched into one of these numbers! Written in 2/4 time, Swing'n' in Two is a lighthearted glimpse for your youngsters into the pop music of yesteryear. This chart has three part harmony, as the second violin and viola play the same part as do the cello and string bass. Your first violin is on his or her own! And take the tempo up , once they master it!
$14.00 ≈
12.61€
The Best Hymns of All Time (for Strings) Book 2
The Best Hymns of All Time (for Strings) Book 2
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Musique Sacrée
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Various
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Quartet, String Orchestra, Playable by any size string ensemble - Early Intermediate - Digital Download Composed by Various. Arranged by Colin...
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String Quartet, String Orchestra, Playable by any size string ensemble - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Praise & Worship, General Worship. Score, Set of Parts. 59 pages. Published by Colin Kirkpatrick Publications
The Best Hymns of All Time
Arranged for strings by Colin Kirkpatrick
Book 2
We?re really excited to present our collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of stringed instruments: string quartet or quintet or any size string ensemble. They are presented in a set of three books and include full four-part instrumental scores plus four separate parts for 1st violin, 2nd violin, viola and cello (and double bass). The double bass part is optional because it doubles the cello part an octave lower. There?s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. The piano part too means that you can use the arrangements as solos, duets or trios. To make the music accessible to less experienced players, the range of the notes has been kept fairly low so that many of the arrangements can be played in first position. However, to produce a brighter and richer sound, a few of the more experienced violinists could play an octave higher. You can hear this effect in the audio samples.
These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you?ll ever need. The scores and all the parts of Book 2 are contained in a single 59-page PDF file.
Book 2 contains the following twenty popular hymns: A Mighty Fortress is our God (Ein Feste Burg); Awake my Soul (Morning Hymn); All Creatures of our God and King (Lasst uns Erfreuen); All People that on Earth do Dwell (Old Hundredth); Angels we have Heard on High (Gloria); Be thou my Vision (Slane); Come Thou Font of Every Blessing (Nettleton); Eternal Father, Strong to Save (Melita); God moves in a Mysterious Way (London New); Glory to Thee, My God, This Night (Tallis Canon); How Sweet the Name of Jesus Sounds (St. Peter); Immortal, Invisible, God Only Wise (St. Denio); Onward, Christian Soldiers (St. Gertrude); Let us with a Gladsome Mind (Monkland)
Love Divine, All Loves Excelling (Beecher); Praise my Soul, the King of Heaven (Lauda Anima); The Day Thou Gavest (St. Clement); The King of Love my Shepherd is (St. Columba); We Plough the Fields and Scatter (Wir pflgen); Lead Us, Heavenly Father, Lead Us (Mannheim).
The audio samples include Angels we have Heard on High (Gloria); Be Thou my Vision (Slane) and Onward, Christian Soldiers (St. Gertrude). The music has been set in string-friendly keys so most of them are not compatible with the brass collection of the same name.
$25.99 ≈
23.41€
The Best Hymns of All Time (for Strings) Book 3
The Best Hymns of All Time (for Strings) Book 3
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Musique Sacrée
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Various
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Quartet, String Orchestra, Playable by any size string ensemble from quartet upwards - Early Intermediate - Digital Download Composed by Vario...
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String Quartet, String Orchestra, Playable by any size string ensemble from quartet upwards - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Praise & Worship, General Worship. Score, Set of Parts. 65 pages. Published by Colin Kirkpatrick Publications
The Best Hymns of All Time
Arranged for Strings by Colin Kirkpatrick
Book 3
We?re really excited to present the third and last book of our collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of stringed instruments: string quartet or quintet or any size string ensemble. They are presented in a set of three books and include full four-part instrumental scores plus four separate parts for 1st violin, 2nd violin, viola and cello (and double bass). The bass part is also optional because it doubles the cello part an octave lower. There?s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. The piano part too means that you can use the arrangements as solos, duets or trios. To make the music accessible to less experienced players, the range of the notes has been kept fairly low so that many of the arrangements can be played in first position. However, to produce a brighter and richer sound, a few of the more experienced violinists could play an octave higher. You can hear this effect in the audio samples.
These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you?ll ever need. The scores and all the parts of Book 2 are contained in a single 65-page PDF file.
Book 3 contains the following twenty popular hymns: All Hail the Power of Jesus? Name (Miles Lane); All things Bright and Beautiful (Bright and Beautiful); Alleluia, Sing to Jesus (Hyfrydol); Blessed Assurance (Assurance); Come, Ye Thankful People, Come (St George?s Windsor); Father, Hear the Prayer we Offer (Sussex & Gott Will's Machen); For the Beauty of the Earth (Dix); Glorious Things of Thee are Spoken (Austrian hymn); How Firm a Foundation (Foundation); Jesu, Lover of my Soul (Hollingside); Jesus Loves Me, This I Know (Jesus Loves Me); Joyful, Joyful, We Adore Thee (Hymn to Joy); Kum Ba Yah (Afro-American folksong); Mine Eyes have Seen the Glory (Battle Hymn of the Republic); O God, Our Help In Ages Past (St. Anne); Morning has Broken (Bunessan); Praise to the Lord the Almighty (Lob den Herren); Shall We Gather at the River? (Hanson Place); The God of Abraham Praise (Leoni); When Peace Like a River (Ville du Havre).
The audio samples include (1) All things Bright and Beautiful, (2) How Firm a Foundation, (3) Kum Ba Yah and (4) Morning has Broken. The music has been set in string-friendly keys so they are not compatible with the brass collection of the same name.
$25.99 ≈
23.41€
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