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Two Serenades
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Vous avez sélectionné:
Two Serenades
Partitions à imprimer
11 partitions trouvées
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1
Two Serenades
Two Serenades
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Tuba et Piano
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Frank Gulino
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Two Serenades
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Cimarron Music Press
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SheetMusicPlus
By Frank Gulino. For Tuba Solo with Piano. Solo music. Solo part and piano score. Published by Cimarron Music Press ...
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By Frank Gulino. For Tuba Solo with Piano. Solo music. Solo part and piano score. Published by Cimarron Music Press
$18.00 ≈
16.13€
Brahms: Serenade No. 2 in A Op.16 Mvt. II Scherzo - symphonic wind dectet
Brahms: Serenade No. 2 in A Op.16 Mvt. II Scherzo - symphonic wind dectet
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Johannes Brahms
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Ray Thompson
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in C for movement II
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Brahms: Serenade No. 2 in A Op
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1488743 Composed by Johannes Brahms. Arranged by Ray Thompson. 19th Century,Romantic Pe...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1488743 Composed by Johannes Brahms. Arranged by Ray Thompson. 19th Century,Romantic Period. 20 pages. RayThompsonMusic #1065594. Published by RayThompsonMusic (A0.1488743). The two Serenades, Op. 11 and 16, represent early efforts by Johannes Brahms to write orchestral music. They both date from after the 1856 death of Robert Schumann when Brahms was residing in Detmold and had access to an orchestra.Brahms had a goal of reaching Ludwig van Beethoven's level in writing symphonies, and worked long and hard on his first symphony, completing it only in 1876 when he was 43 years old. As preliminary steps in composing for orchestra, he chose early on to write some lighter orchestral pieces, these Serenades.The second serenade was first sent to Clara Schumann, who was delighted by it. It was written in 1859 and dedicated to her.The first public performance, reportedly for full orchestra (version lost?), was in Hamburg on 10 February 1860.Brahms himself reworked the piece for piano 4 hands in 1875.The same year he revisited the orchestral version, this time for a small chamber orchestra.The new scoring was for :piccolo,2 flutes,2 oboes,2 clarinets (in A for movements I, IV, V; in C for movement II; and in B flat for movement III),2 bassoons, 2 horns, violas, cellos, and double basses.(omitting violins, brass, and percussion)The five movements take approximately thirty minutes to perform.Allegro moderato (A major)Scherzo. Vivace (C major) – Trio (F major) (This arrangement)Adagio non troppo (A minor, ends in A major with a Picardy third)Quasi menuetto (D major) – Trio (F♯ minor)Rondo. Allegro (A major)Arranged wind dectet/decet/double wind quintet and bass.Horns in C basso ( as in original) but alternative Horn in F parts provided.My clarinet parts are for Bb clarinets.
$14.95 ≈
13.39€
Serenade No. 2, Op. 11 for Piano and Strings
Serenade No. 2, Op. 11 for Piano and Strings
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Alexander Glazunov
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William J
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Serenade No. 2, Op. 11 for Pia
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Sigma Squared Music
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SheetMusicPlus
Piano Quintet,String Ensemble - Level 3 - SKU: A0.723619 Composed by Alexander Glazunov. Arranged by William J. Bullock. Concert,Graduation,Romantic Per...
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Piano Quintet,String Ensemble - Level 3 - SKU: A0.723619 Composed by Alexander Glazunov. Arranged by William J. Bullock. Concert,Graduation,Romantic Period. Score and parts. 26 pages. Sigma Squared Music #6744451. Published by Sigma Squared Music (A0.723619). Composed in 1884, this piece is the second of two serenades for orchestra written early in Glazunov's career. This arrangement by William Bullock for piano quintet captures the economical scoring of the original, and will make a delightful interlude at any recital or other performance.
$15.99 ≈
14.33€
Wolfgang Amadeus Mozart: Five Viennese Serenades K. 439b (COMPLETE) - two violins & cello
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Trio à Cordes: 2 violons, violoncelle
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Virtualsheetmusic
Instantly printable sheet music by Wolfgang Amadeus Mozart for two violins & cello of MEDIUM skill level. Contents: serenata / classical
Instantly printable sheet music by Wolfgang Amadeus Mozart for two violins & cello of MEDIUM skill level. Contents: serenata / classical
$19.99 ≈
17.91€
Eine Kleine Nachtmusik (Serenade in G) K 525
Eine Kleine Nachtmusik (Serenade in G) K 525
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Arte Nova Music Lab
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Eine Kleine Nachtmusik
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Arte Nova Music Lab
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.742450 Composed by Wolfgang Amadeus Mozart. Arranged by Arte Nova Music Lab. Classical,Concert,Standards. Score and...
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String Orchestra - Level 4 - SKU: A0.742450 Composed by Wolfgang Amadeus Mozart. Arranged by Arte Nova Music Lab. Classical,Concert,Standards. Score and parts. 75 pages. Arte Nova Music Lab #3878777. Published by Arte Nova Music Lab (A0.742450). Eine kleine Nachtmusik, (German: A Little Night Music) by name of Serenade No. 13 in G Major, K 525, serenade for two violins, viola, cello, and double bass by Wolfgang Amadeus Mozart, admired for its lively, joyful quality and its memorable melodies. The piece was completed on August 10, 1787, but was published posthumously. In present-day practice, it is typically performed in orchestral arrangement.Although it originally denoted an evening song for courtship, the term serenade by the late 18th century was used broadly to describe a chamber work intended for light entertainment on a social occasion. Serenades enjoyed great popularity in south-central Europe, particularly in Vienna, where Mozart spent the last decade of his life. At that time, it was customary for ensembles to perform serenades in Vienna’s parks and gardens, and the creation of such pieces became a lucrative source of income for composers.Taken from https://www.britannica.com/topic/Eine-kleine-Nachtmusik
$50.00 ≈
44.79€
Beethoven - March in Bb WoO29
Beethoven - March in Bb WoO29
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Classique
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Ludwig van Beethoven
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Ian D
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Beethoven - March in Bb WoO29
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Grumpy Mule Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.949114 Composed by Ludwig van Beethoven. Arranged by Ian D. Crew. Classical,Concert,Romantic Peri...
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Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.949114 Composed by Ludwig van Beethoven. Arranged by Ian D. Crew. Classical,Concert,Romantic Period,Standards. 7 pages. Grumpy Mule Music #4404364. Published by Grumpy Mule Music (A0.949114). This is a simple, straightforward arrangement for Wind Quintet, in a fairly easy key, that can be happily tackled by players with about a year's tuition behind them.When not composing all the mighty works for which he is known, Ludwig van Beethoven (1770 – 1827) also produced some great little potboilers for 'Harmonie', the German word denoting a small wind ensemble. 'Harmoniemusik' was usually played outdoors, and the music ranged from small forms, such as marches, polonaises, ecossaises and other dances, to multi-movement works such as the Serenades of Mozart and the great Octet in Eb major Op. 103 by Beethoven himself. This particular march was originally scored for the then traditional line-up of two clarinets, two bassoons and two horns.
$5.99 ≈
5.37€
Serenade No. 11
Serenade No. 11
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Classique
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Wolfgang Amadeus Mozart
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Stephen Levintow
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Serenade No. 11
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Cypress Publishing
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SheetMusicPlus
String Quintet Cello,Viola,Violin - Level 4 - SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classical. 69 pages. Cy...
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String Quintet Cello,Viola,Violin - Level 4 - SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classical. 69 pages. Cypress Publishing #1026899. Published by Cypress Publishing (A0.1447120). Soon after moving to Vienna in 1781, Mozart wrote what turned out to be his last, and finest, three serenades for wind ensemble. He himself arranged the one in c minor, Köchel 388, for string quintet (2 violins, 2 violas and cello), and that version is known as K. 406. Most of the serenade in B-Flat Major, K 361, sometimes called Gran Partita or Serenade for 13 Instruments, was also arranged for the same quintet combination, apparently by someone else, with the movements divided up between Quintets No. 6 and 7 in the second volume of the standard Peters Edition set of parts for Mozart’s string quintets. The remaining serenade, K. 375, is appearing in a string quintet arrangement for the first time that I know of. While it does not have the dramatic intensity of K. 388/406 or the grand sweep of K. 361, it is a worthy companion to the other two works. He composed it “carefully”, as he explained in a letter to his father, and the piece is full of striking details that show this. In the first movement, the second subject is surprisingly in a dark minor key, and the development is based on it. But it does not appear in the recapitulation, replaced instead by a new major key theme. The first of the two minuets also has a brooding trio in minor. The heart of the work is the Adagio, one of Mozart’s great slow movements, and it should be better known. The long-spun overlapping melodies work particularly well for strings. The finale starts as a conventional Rondo, but breaks off into an extended fugal section (again starting in a minor key!) that gives the movement weight and power beyond a typical formula rondo. This arrangement transposes the original E-Flat Major to D Major, to take advantage of string sonority while making some of the passage work lie better for the instruments. Score and parts follow the current convention of listing the composer’s middle name as Amadeus, even though he did not favor it: His only recorded use was a letter he signed Wolfgangus Amadeus Mozartus, clearly intended as a joke. He preferred the Italian or French versions, Amadeo or Amadé, of his German given name Gottlieb (which he also rarely if ever used). CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites.The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$15.00 ≈
13.44€
Pachelbel Canon in D for Mandolin
Pachelbel Canon in D for Mandolin
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Mandoline
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INTERMÉDIAIRE
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Classique
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FERNANDO LUIZ NEVES
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FERNANDO LUIZ NEVES
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Pachelbel Canon in D for Mando
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Fernando Neves
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SheetMusicPlus
Mandolin - Level 3 - SKU: A0.1265792 By FERNANDO LUIZ NEVES. By Johann Pachelbel. Arranged by FERNANDO LUIZ NEVES. Chamber,Classical,Film/TV,Multicultur...
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Mandolin - Level 3 - SKU: A0.1265792 By FERNANDO LUIZ NEVES. By Johann Pachelbel. Arranged by FERNANDO LUIZ NEVES. Chamber,Classical,Film/TV,Multicultural,Wedding,World. Score. 10 pages. Fernando Neves #858570. Published by Fernando Neves (A0.1265792). Canon in D by Johann Pachelbel is a beautiful and timeless piece of music that is perfect for a duet of mandolin and piano. This song is perfect for weddings, weddings aniversaries, serenades, shows, friends and family meetings or just to play for fun. This arrangement by Fernando Neves captures the essence of the original song while also making it accessible to players of all levels. The arrangement is in the key of D major and features a flowing melody on the mandolin that is accompanied by a simple but elegant harmony on the piano. Here are some additional details that could be included in the description:The piece is in the key of D major and is at a moderate tempo.The arrangement is for two players, one on mandolin and one on piano.The pdf file is 10 pages long and includes complete score and parts for mandolin and piano.The scores also include music notation with chords and tablature for mandolin.The piece is suitable for players of all levels.The piece is perfect for a classical recital or a casual performance.The arrangement was created by [your name], a mandolinist and pianist.
$17.97 ≈
16.10€
Deh Vieni Alla Finestra for Voice & 2 Guitars
Deh Vieni Alla Finestra for Voice & 2 Guitars
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Classique
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Wolfgang Amadeus Mozart
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Simon James
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Deh Vieni Alla Finestra for Vo
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DML
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SheetMusicPlus
Guitar,Medium-Low Voice - Level 3 - SKU: A0.1205814 Composed by Wolfgang Amadeus Mozart. Arranged by Simon James. Chamber,Classical,Opera. 11 pages. DML...
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Guitar,Medium-Low Voice - Level 3 - SKU: A0.1205814 Composed by Wolfgang Amadeus Mozart. Arranged by Simon James. Chamber,Classical,Opera. 11 pages. DML #803997. Published by DML (A0.1205814). This charming serenade is taken from Mozart’s opera Don Giovanni. Although originally a type of madrigal by the 18th century the term Canzonetta came to mean a song for voice and accompaniment, usually in a light secular style. The Canzonetta appears at the beginning of Act 2 of Don Giovanni. Wanting to seduce Donna Elvira's maid, and believing that she will trust him better if he appears in lower-class clothes, Don Giovanni orders Leporello to exchange cloak and hat with him. Leporello, posing as Don Giovanni, leads Donna Elvira away to keep her occupied while Don Giovanni serenades her maid with his mandolin - Deh, vieni alla finestra – Ah, come to the window.The original instrumentation was for mandolin and pizzicato strings and so transfers to two guitars very well. I have dropped the key from D to C as otherwise the baritone part is rather high and the key change makes it more comfortable. The guitar parts are not difficult but do need a really good sense of ensemble. I have altered the chord voicings occasionally to better suit the guitar and sometimes changed octave for guitar 1 which is essentially the mandolin part.
$5.99 ≈
5.37€
An Avaloch Divertimento
An Avaloch Divertimento
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brett L
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An Avaloch Divertimento
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Sonata Grendel Publishing
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Level 4 - SKU: A0.837511 Composed by Brett L. Wery. 20th Century,Concert,Contemporary. Scor...
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Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Level 4 - SKU: A0.837511 Composed by Brett L. Wery. 20th Century,Concert,Contemporary. Score and parts. 56 pages. Sonata Grendel Publishing #6599293. Published by Sonata Grendel Publishing (A0.837511). An Avaloch Divertimento was begun-in fact the first two movements were completed-at the Avaloch Farm Music Institute in New Hampshire. Avaloch or Abhlach, is from the old Irish word meaning, place of the apple trees. The sacred Isle of the Apple Trees, Avalon-where Arthur, King of the Britons, was taken to be healed of his dreadful wounds-takes its name from this ancient word. Avaloch Farm Music Institute (AFMI) in New Hampshire is also a magical place where chamber music groups come to work and create in an atmosphere free from the distractions of everyday life. In the summer of 2021 I had the pleasure and honor of being a resident of AFMI along with Areli Mendoza-Pannone, Robert Frazier, and Mark Evans as we work-shopped my song cycle, Quarry Songs. Areli, Bobby, and Mark had to go back to the real world half way through the residency, leaving me at AFMI to begin work on An Avaloch Divertimento. The first movement is an Aubade, which are traditionally morning love songs-as opposed to evening love songs or serenades. In the seventeenth century aubades became associated with instrumental works depicting sunrises. It is this sense of the word that is used here, complete with a bird-song oboe cadenza. Pippin takes its name from a variety of apple. While at AFMI I would take afternoon walks through the nearby apple orchard to beautiful Walker Pond. It was on one of these walks that I came up with the first draft of the tune used in the central fughetta of the movement. The word, pippin is also included in Carolyn Forché’s poem, The Museum of Stones, which I had set as the final movement of Quarry Songs. The final movement, Amhrán, means song in Irish and is a simple song form with three interwoven themes that emulate the Irish Bodhran (frame drum), fiddle, and singer. Many thanks to Board Chair, Alfred Tauber, Artistic Director, Deborah Sherr, and Operations Director, Hannah Landes and the whole AFMI staff for creating such a wonderful refuge for musicians to work, learn, and create. Learn about Avaloch Farm Music Institute at www.avalochfarmmusic.org. Learn about more compositions by Brett L. Wery at www.BRETTLWERY.com. Duration: 12 minutes
$25.55 ≈
22.89€
Hispanic-American Guitar
Hispanic-American Guitar
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Doug Back
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Hispanic-American Guitar
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SheetMusicPlus
Guitar (classical & fingerpicking) - Intermediate - Composed by Doug Back. All styles. E-book and online audio. 112 pages. Mel Bay Publications ...
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Guitar (classical & fingerpicking) - Intermediate - Composed by Doug Back. All styles. E-book and online audio. 112 pages. Mel Bay Publications - Digital Sheet Music #97100BCDEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610656139.
The guitar's entrance into American culture began in the early 1800s, introduced primarily by visiting and immigrant Spanish guitarists. Many of these newly arrived Spaniards exerted great influence on the guitar's development in 19th century America. The works in this book contain the compositions and arrangements of eight noted 19th century Hispanic American guitarist / composers with an emphasis on their works that reflect Latin themes or rhythms. Rounding out this anthology are dance forms such as the Habanera, Jota, Cachucha, Sevillano, Spanish Mazurka, and other Spanish dance related works along with extended concert pieces such as Theme and Variations, Serenades, Polonaises and a delightful arrangement of The Celebrated Spanish Retreat, a programmatic work with an unusual 'C' tuning and novel harmonic effects crafted to imitate the bugles, horns and drums as heard on the battlefield. The book features twenty-one solos and two duets which range in difficulty from easy to advanced. An extensive and well researched text along with photos and a companion recording by acclaimed guitarist/scholar Douglas Back help to make this a landmark book.
$19.99 ≈
17.91€
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Two Serenades
