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Vous avez sélectionné:
Two Sides To Every Story
Partitions à imprimer
9 partitions trouvées
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1
Two Sides To Every Story
Two Sides To Every Story
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Piano seul
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AVANCÉ
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Chris Coster
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Two Sides To Every Story
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Sheet Music Plus.com/costermusicpress
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1024261 Composed by Chris Coster. Contemporary. Score. 9 pages. Sheet Music Plus.com/costermusicpress #5742469. Published...
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Piano Solo - Level 5 - SKU: A0.1024261 Composed by Chris Coster. Contemporary. Score. 9 pages. Sheet Music Plus.com/costermusicpress #5742469. Published by Sheet Music Plus.com/costermusicpress (A0.1024261). Two Sides to Every Story is an original composition that was written for Wheaton College. The piece is based off of the idea that two different individuals are talking about the same experience, but from their own perspective. There is a lot of unique melodic and harmonic colors that are implemented into the piece. Throughout the process of writing this piece, I learned to not be afraid of risks and to explore new types of colors that I am less comfortable with. It is my honor to share with you my new composition. .
$2.99 ≈
2.71€
A Little Bit Me, A Little Bit You
A Little Bit Me, A Little Bit You
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Piano Facile
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FACILE
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The Monkees
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Steve Katz
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A Little Bit Me, A Little Bit
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Steve Katz
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1475534 By The Monkees. By Neil Diamond. Arranged by Steve Katz. 20th Century,Pop,Rock. Score. 3 pages. Steve Katz #10530...
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Easy Piano - Level 2 - SKU: A0.1475534 By The Monkees. By Neil Diamond. Arranged by Steve Katz. 20th Century,Pop,Rock. Score. 3 pages. Steve Katz #1053088. Published by Steve Katz (A0.1475534). A happy and upbeat song about relationships. Two sides to every story. The importance of compromise.
$4.99 ≈
4.52€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.62€
Two Sides To Every Story
Two Sides To Every Story
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Guitare notes et tablatures
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Metal/Hard Rock
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Joe Satriani
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Pop
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Two Sides To Every Story
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Joe Satriani. Metal; Pop; Rock. Guitar TAB. 6 pages. Published by Hal Leonard - Digital Sheet Music...
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By Joe Satriani. Metal; Pop; Rock. Guitar TAB. 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.52€
Tor Erik Hermansen: Two Sides To Every Story for guitar
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Paroles et Accords
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INTERMÉDIAIRE
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Rock
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Tor Erik Hermansen
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Virtualsheetmusic
Instantly printable sheet music by Ben Folds Five for guitar (chords) of MEDIUM skill level. / pop,rock
Instantly printable sheet music by Ben Folds Five for guitar (chords) of MEDIUM skill level. / pop,rock
$4.97 ≈
4.50€
Joe Satriani: Two Sides To Every Story for guitar
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Rock
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Joe Satriani
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Virtualsheetmusic
Instantly printable sheet music by Joe Satriani for guitar (tablature) of MEDIUM skill level. / metal,pop,rock
Instantly printable sheet music by Joe Satriani for guitar (tablature) of MEDIUM skill level. / metal,pop,rock
$6.97 ≈
6.32€
Two Sides To Every Story
Two Sides To Every Story
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Paroles et Accords
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Rock
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Five
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Two Sides To Every Story
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Five. Pop; Rock. GTRCHD. 3 pages. Published by Hal Leonard - Digital Sheet Music...
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By Five. Pop; Rock. GTRCHD. 3 pages. Published by Hal Leonard - Digital Sheet Music
$1.99 ≈
1.80€
Walk In the Light
Walk In the Light
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Chorale 3 parties
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Noël
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Lani Smith
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Walk In the Light
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
SAB choir - SKU: LX.65-1896L A Christmas Celebration. Composed by Lani Smith. Choral Cantatas. Christmas. 68 pages. Lorenz Publishing - Digital S...
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SAB choir - SKU: LX.65-1896L A Christmas Celebration. Composed by Lani Smith. Choral Cantatas. Christmas. 68 pages. Lorenz Publishing - Digital Sheet Music #e65/1896L. Published by Lorenz Publishing - Digital Sheet Music (LX.65-1896L). UPC: 000308045123.Christ has long been associated with the concept of light. Besides, such biblical references to him as the Lord is my light, thy light is come,ö and the light of the world, John refers specifically to Christ as the true Light, which lighteth every man that cometh into the world.ö This cantata seeks to explore that facet of the Christmas story, bringing into focus the events as they occurred in reference to the many instances of light surrounding the miracle of the holy birth. Niel Lorenz's unique concept and narration (not to mention two well-wrought lyrics!) is supported by Lani Smith's sensitive settings and arrangements. May you, through this cantata, re-experience the light-filled joy of the birth of our Lord and Savior, Jesus Christ!
$9.95 ≈
9.02€
Bridges, Op. 136 (for Brass Quintet and Chimes)
Bridges, Op. 136 (for Brass Quintet and Chimes)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Bridges, Op. 136
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - Level 4 - SKU: A0.1489487 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Historic,Multicultural,World. 28 pages. Http...
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Brass Quintet - Level 4 - SKU: A0.1489487 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Historic,Multicultural,World. 28 pages. Https://gildedmusicpress.com/ #1066350. Published by https://gildedmusicpress.com/ (A0.1489487). One of my last assignments as an Air Force musician before being stationed in Japan was to perform music in support of the 50th commemoration of what has become known in America as “Vietnam Memorial Day.” It is observed on March 29 every year, the date when the last U.S. troops withdrew from Vietnam in 1973. After the memorable ceremony in 2023, I lingered to talk with those mature veterans and to hear some of their experiences. It was a strange feeling when I told them that my first assignment at my new duty station in Japan would be a series of cultural exchange performances in Vietnam. What a somber generational bridge.I was only in Japan for a matter of days, including some intense rehearsals, before Pacific Brass (the brass quintet from the U.S. Air Force Band of the Pacific) packed up and headed to Hanoi to start our brief musical outreach in three cities. My reflections were sobering as I contrasted my military service in Vietnam with the veterans whom I had just honored three months prior. During some off-duty time, all five of the Pacific Brass military musicians found our way to the well-known Hòa Ló Prison, infamously known as the “Hanoi Hilton.” Indeed, how vastly different was my brief military service in Vietnam!To the Vietnamese people, the “American War,” as they call it, is ancient history. They are extremely forward-thinking, putting those dark years far from them, looking to the bright future that is theirs. What an educational bridge of paradigms. Although it was important for us as U.S. Servicemembers to witness the Hòa Ló Prison firsthand, our lot was to experience the beautiful present-day Vietnam with its rich culture of food, street shops, temples, dance, music, and other wonders that awed us all—including gongs!Our trombone player purchased a gong in a shop that sold little else besides gongs of all sizes and pitches. That struck me as quintessentially Vietnamese, and the sights and sounds of that modest shop lingered in my imagination. As we absorbed the extraordinary majesty of the Temple of Literature in Hanoi, ideas for this musical composition started to formulate as a bridge connecting American musical culture with Vietnamese traditional gongs. For practicality in both notation and live performance, I scored the consort of 18 glorious “gongs” in my head for orchestral tubular bells. It is a passionate hope that someday in a video presentation, a masterful cultural bridge of the two diverse countries will be crafted. Better yet, what an experience it would be to have a legitimate gong consort perform live with Pacific Brass!The year of our visit, as we were coached many times by the Embassy’s Attaché, was a milestone landmark between the two nations, worthy of praise and celebration: the ten-year anniversary of the U.S.-Vietnam Comprehensive Partnership, signed by Presidents Obama and Sang in July 2013. This bilateral relationship has bridged both nations’ commitment to economic engagement, cultural exchange, tourism, education, and human rights. This composition is in celebration of this Comprehensive Partnership and a gift to the wonderful people of Vietnam. May this music contribute to a continuing growth of positive relations bridging the two nations.
$24.95 ≈
22.61€
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