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Two Part Invention No. 8
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Vous avez sélectionné:
Two Part Invention No. 8
Partitions à imprimer
19 partitions trouvées
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1
Bach: Two-Part Invention No.8 in F Major BWV 779 (music analysis)
Bach: Two-Part Invention No.8 in F Major BWV 779 (music analysis)
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Piano seul
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Masakazu YAMAMOTO
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Bach: Two-Part Invention No.8
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Motch Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1247259 Composed by Johann Sebastian Bach. Arranged by Masakazu YAMAMOTO. Baroque,Classical,Contest,Festival,Instructiona...
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Piano Solo - Level 3 - SKU: A0.1247259 Composed by Johann Sebastian Bach. Arranged by Masakazu YAMAMOTO. Baroque,Classical,Contest,Festival,Instructional,Religious. Score. 2 pages. Motch Music #841806. Published by Motch Music (A0.1247259). Music analysis of Two-Part Invention No. 8 composed by J.S. Bach.In this edition, composer Masakazu Yamamoto provides a detailed analysis of various aspects such as each phrase, harmony, and cadence, and analytical notes based on this analysis are written in various colors on the musical score. It is hoped that these annotations will be helpful for learning, whether in performance or composition.Analyses of all 15 pieces from the Two-Part Inventions series is available for purchase. [Sheet Music Plus / Sheet Music Direct] The complete set of all 15 pieces is available for purchase here.[Sheet Music Plus / Sheet Music Direct] Note:In this edition, Japanese-style harmony marks are used.----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english
$4.00
Two-part invention No. 8
Two-part invention No. 8
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Accordéon
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Francesco Calì
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Two-part invention No. 8
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Khalee Music
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SheetMusicPlus
Accordion - Level 3 - SKU: A0.1129277 Composed by Johann Sebastian Bach. Arranged by Francesco Calì. Classical. Score. 6 pages. Khalee Music #729793....
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Accordion - Level 3 - SKU: A0.1129277 Composed by Johann Sebastian Bach. Arranged by Francesco Calì. Classical. Score. 6 pages. Khalee Music #729793. Published by Khalee Music (A0.1129277). Immerse yourself in the magical universe of Johann Sebastian Bach's music! This unique adaptation of the Two-part invention No. 8 remains as faithful to the original as possible, transcribed for accordion with great dedication and expertise. We can finally find a rich catalogue of accurate readaptations of the most beautiful and renowned melodies transcribed for accordion by Francesco Calì.
$6.50
Two-Part Invention No. 8
Two-Part Invention No. 8
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2 Clarinettes (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Lori Archer Sutherland
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Two-Part Invention No. 8
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Lori Archer Sutherland
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SheetMusicPlus
Clarinet Duet Bass Clarinet - Level 4 - SKU: A0.764932 Composed by Johann Sebastian Bach. Arranged by Lori Archer Sutherland. Baroque,Standards. 2 score...
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Clarinet Duet Bass Clarinet - Level 4 - SKU: A0.764932 Composed by Johann Sebastian Bach. Arranged by Lori Archer Sutherland. Baroque,Standards. 2 scores. 7 pages. Lori Archer Sutherland #3927183. Published by Lori Archer Sutherland (A0.764932). Two copies of the score are included. Originally composed for keyboard, Bach’s two-part invention is available here for clarinet and bass clarinet duet. Low C bass is preferred, with optional notes for those with low E-flat instruments. Also offered as a set of four inventions.
$6.00
J.S. Bach: Three Part Invention No. 8 (Two C trumpets + tuba)
J.S. Bach: Three Part Invention No. 8 (Two C trumpets + tuba)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Betsy Bright
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J.S. Bach: Three Part Inventio
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Bright Music Company
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.964580 Composed by Johann Sebastian Bach. Arranged by Betsy Bright. Baroque,Concert,Sacred,Wedding. Score and parts. ...
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Brass Ensemble - Level 4 - SKU: A0.964580 Composed by Johann Sebastian Bach. Arranged by Betsy Bright. Baroque,Concert,Sacred,Wedding. Score and parts. 6 pages. Bright Music Company #6247273. Published by Bright Music Company (A0.964580). This short and energetic Bach 3 Part Invention makes a wonderful opener for a trio program. Scored for 2 C trumpets and tuba, every voice gets equal attention, but no one’s chops will get worn down at all.Duration: 1 minute
$7.00
2-Part Invention No. 8 in F major by J.S. BACH, BWV 779 for Solo Piano
2-Part Invention No. 8 in F major by J.S. BACH, BWV 779 for Solo Piano
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Piano seul
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Diamond S Music
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2-Part Invention No. 8 in F ma
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Diamond S Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.790129 Composed by Johann Sebastian Bach. Arranged by Diamond S Music. Baroque,Concert,Instructional. Score. 3 pages. Dia...
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Piano Solo - Level 3 - SKU: A0.790129 Composed by Johann Sebastian Bach. Arranged by Diamond S Music. Baroque,Concert,Instructional. Score. 3 pages. Diamond S Music #3664627. Published by Diamond S Music (A0.790129). 2-Part Invention No. 8 in F major by J.S. BACH, BWV 779 for Solo Piano. This is the original version of the beloved 15 2-Part Inventions by Johann Sebastian Bach. The Inventions is a collection of short pieces Bach wrote for the musical education of his young pupils. These are among the finest examples of artistic gems ever written for this purpose, and probably because of this, they became very popular among Bach's pupils and others ever since they were written. The work comprises fifteen two-part, each named 'inventio', and fifteen three-part pieces, named 'sinfonia'. These two groups of pieces are arranged in an identical fashion-in ascending order by key-so that there is little doubt that Bach's intention was to bring them together as a single work. This is also confirmed by the way they are carefully written in his autograph fair copy penned in 1723. On every facing page of an open volume each piece demonstrates the contrapuntal technique, while, at the same time, explores a wide range of musical expressions using various styles and developing the motives in a logical fashion. Other similar arrangements and selections from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$2.99
Invention No. 8, F Major for violin and cello
Invention No. 8, F Major for violin and cello
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Walter Carlos
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Klas Krantz
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Invention No. 8, F Major for v
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Amadeus Music
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.532491 By Walter Carlos. By Johann Sebastian Bach. Arranged by Klas Krantz. Baroque...
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.532491 By Walter Carlos. By Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score and parts. 3 pages. Amadeus Music #6322577. Published by Amadeus Music (A0.532491). The Inventions and Sinfonias BWV 772-801, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard compositions by J. S. Bach (1685-1750): 15 inventions, which are 2-part contrapuntal pieces, and 15 sinfonias, which are 3-part contrapuntal pieces. They were originally written as musical exercises for his students. The two groups of pieces are both arranged in order of ascending key, each group covering eight major and seven minor keys. The inventions were composed in Köthen (1717-23); the sinfonias, on the other hand, were probably not finished until the beginning of the Leipzig (1723-50) period.
$3.95
Invention No. 8 for guitar duet
Invention No. 8 for guitar duet
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2 Guitares (duo)
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Klas Krantz
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Invention No. 8 for guitar due
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Amadeus Music
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet - Level 5 - SKU: A0.532399 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Sco...
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Instrumental Duet Guitar,Instrumental Duet - Level 5 - SKU: A0.532399 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score and parts. 5 pages. Amadeus Music #6065481. Published by Amadeus Music (A0.532399). The Inventions and Sinfonias BWV 772-801, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard compositions by J. S. Bach (1685-1750): 15 inventions, which are 2-part contrapuntal pieces, and 15 sinfonias, which are 3-part contrapuntal pieces. They were originally written as musical exercises for his students. The two groups of pieces are both arranged in order of ascending key, each group covering eight major and seven minor keys. The inventions were composed in Köthen (1717-23); the sinfonias, on the other hand, were probably not finished until the beginning of the Leipzig (1723-50) period.
$3.95
Invention No. 8, F Minor for piano solo
Invention No. 8, F Minor for piano solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Klas Krantz
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Invention No. 8, F Minor for p
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Amadeus Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1131927 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score. 2 pages. Amadeus Music #732...
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Piano Solo - Level 4 - SKU: A0.1131927 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score. 2 pages. Amadeus Music #732162. Published by Amadeus Music (A0.1131927). The Inventions and Sinfonias BWV 772-801, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard compositions by J. S. Bach (1685-1750): 15 inventions, which are 2-part contrapuntal pieces, and 15 sinfonias, which are 3-part contrapuntal pieces. They were originally written as musical exercises for his students. The two groups of pieces are both arranged in order of ascending key, each group covering eight major and seven minor keys. The inventions were composed in Köthen (1717-23); the sinfonias, on the other hand, were probably not finished until the beginning of the Leipzig (1723-50) period.
$2.50
J.S.Bach:Two-Part Invention No.8
J.S.Bach:Two-Part Invention No.8
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Piano Facile
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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J.S.Bach:Two-Part Invention No
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Schuwenn Z.
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.975380 Composed by Johann Sebastian Bach. Baroque,Concert,Graduation. Score. 2 pages. Schuwenn Z. #6437987. Published by ...
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Piano Solo - Level 1 - SKU: A0.975380 Composed by Johann Sebastian Bach. Baroque,Concert,Graduation. Score. 2 pages. Schuwenn Z. #6437987. Published by Schuwenn Z. (A0.975380).
$1.99
Two Part Invention No. 8
Two Part Invention No. 8
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Marimba
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Classique
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Johann Sebastian Bach
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Harry Marvin, Jr
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Two Part Invention No. 8
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HaMaR Percussion - Digital
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SheetMusicPlus
By Johann Sebastian Bach (1685-1750). Arranged by Harry Marvin, Jr.. 2 players. For 2 marimbas. Moderate. Duration 1'. Published by HaMaR Percussion - Digital ...
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By Johann Sebastian Bach (1685-1750). Arranged by Harry Marvin, Jr.. 2 players. For 2 marimbas. Moderate. Duration 1'. Published by HaMaR Percussion - Digital
$1.99
Invention No. 2 in D minor for three voices
Invention No. 2 in D minor for three voices
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Piano seul
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INTERMÉDIAIRE
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Robert W
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Invention No. 2 in D minor for
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Padgett Music Llc
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1141383 Composed by Robert W. Padgett. Baroque,Classical,Contest,Festival,Instructional,Traditional. Score. 3 pages. Padg...
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Piano Solo - Level 3 - SKU: A0.1141383 Composed by Robert W. Padgett. Baroque,Classical,Contest,Festival,Instructional,Traditional. Score. 3 pages. Padgett Music Llc #741707. Published by Padgett Music Llc (A0.1141383). This three-part Invention No. 2 in D minor was composed in the summer of 1991. I shared it with my modal and tonal counterpoint instructor, Professor Richard Wilson, and he responded favorably to my venturesome modulations and use of the Neapolitan chord. Similar to my first invention in A minor, the motive is announced by the upper voice before it is restated an octave lower by the lower voice in bar 2 to form a stretto. In bar 3, the middle voice states the motive in the dominant key of A minor with the lower and upper voices playing the first and second countermotives respectively. An episode ensues and arrives at a half cadence in bar 8. The opening fragment of the motive is exploited in conjunction with a pedal tone and a variant of the second countermotive to navigate through a series of contrasting keys. At bar 14, the motive is reasserted in F-sharp minor layered over itself in stretto with a C-sharp pedal tone in bar 15. The voices from the episode in bars 5-8 are reshuffled in bars 18-21 as another exercise in invertible counterpoint. In measure 16, the motive and two countermotives are reprised in C-sharp minor, a half step below the tonic key. Starting in bar 18, the episode from bars 6-8 is reprised in F-sharp minor with the first and second countermotives exchanging positions. This is followed in bars 16-27 by a varied restatement of the episodic sequence from bars 8-17 that cadences in bar 27 before a restatement of the subject in bar 28 in G minor with slightly embellished countermotives. Bars 32-35 present a restatement of the episode from bars 5-8 with the motive relocated to the lower voice and the two countermotives in intimate proximity in the two upper voices. An unexpected descending scale in a series of compound harmonic 10ths forms an inversion of the second half of the motive and sets the stage for a perfect cadence to a Picardy Third in D major. After so many years, I remain especially pleased with the effect of that ending.
$3.99
Two Part Invention No. 8, BWV 779 by Willard Palmer - Instrumental Solo in F Major.
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Piano seul
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Willard Palmer
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Two Part Invention No. 8, BWV
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Musicnotes
Two Part Invention No. 8, BWV 779 Sheet Music by Willard Palmer - Piano Solo --
Two Part Invention No. 8, BWV 779 Sheet Music by Willard Palmer - Piano Solo --
$5.99
Two Part Invention No. 8, BWV 779 by Johann Sebastian Bach - Piano Solo
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Piano seul
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Johann Sebastian Bach
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Two Part Invention No. 8, BWV
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Musicnotes
Johann Sebastian Bach - Two Part Invention No. 8, BWV 779 Musicnotes Edition - instantly downloadable sheet music, scoring: Instrumental Solo, instruments: Pian...
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Johann Sebastian Bach - Two Part Invention No. 8, BWV 779 Musicnotes Edition - instantly downloadable sheet music, scoring: Instrumental Solo, instruments: Piano; 2 pages -- Baroque~~Classical~~Student
$4.99
Two Part Invention No. 8 by Johann Sebastian Bach - Instrumental Duet
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2 Marimbas
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Johann Sebastian Bach
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Two Part Invention No. 8
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Musicnotes
Johann Sebastian Bach - Two Part Invention No. 8 - for 2 Marimbas Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digi...
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Johann Sebastian Bach - Two Part Invention No. 8 - for 2 Marimbas Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Duet, instruments: Marimba 1;Marimba 2; 2 pages -- Baroque~~Classical~~Student
$5.25
Horn Sonata No. 1 (Complete)
Horn Sonata No. 1 (Complete)
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Cor
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AVANCÉ
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Mike Lyons
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Horn Sonata No. 1
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Publi...
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French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Published by Lyons Music Services (A0.767341). This is a brand new piece composed for French Horn without accompaniment. It has three movements all connected by the opening material of the first movement. I am publishing this piece as separate movements as well as a complete edition. 1st. Movement: The opening movement is marked andante. It opens with a repeated tonic followed by an arpeggiated 1/16th figure with a closing descending scale. These three ideas form the basic musical material for the whole sonata. Throughout the first movement these three ideas are transformed and manipulated, expanded and contracted while maintaining a clear musical structure (basically Ternary form). As with sonata form, the final reprise of the original ideas is transformed by their 'journey'. The style of the music is rather like a Bach partita for solo instrument. The movement takes the player through most of the horn's range, but does not require any extended techniques, so should be handleable by moderately skilled players. 2nd. Movement: This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to create a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the Più mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter until the ending at ppp. 3rd. Movement: This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc. I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still useful to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting horn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly. The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better. This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$18.00
Two-Part Invention No. 8 In F Major
Two-Part Invention No. 8 In F Major
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Piano seul
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Classique
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Johann Sebastian Bach
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Two-Part Invention No. 8 In F
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Johann Sebastian Bach. For piano. Classical. Piano. 2 pages. Published by Hal Leonard - Digital Sheet Music...
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By Johann Sebastian Bach. For piano. Classical. Piano. 2 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
Sinfoniae Metamorphose for Brass Quintet
Sinfoniae Metamorphose for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Contemporain
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Wolking, Henry
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Wolking, Henry
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Sinfoniae Metamorphose for Bra
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.792405 Composed by Wolking, Henry. Arranged by Wolking, Henry. 20th Century,Contemporary. Score and parts. 43 pages. ...
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Brass Ensemble - Level 5 - SKU: A0.792405 Composed by Wolking, Henry. Arranged by Wolking, Henry. 20th Century,Contemporary. Score and parts. 43 pages. Gordon Cherry #4820399. Published by Gordon Cherry (A0.792405). Sinfoniae Metamorphose are interpretations for Brass Quintet of J. S. Bach’s Two-Part Inventions No’s 4, 8, 1, 10 and 9. Though this is the preferred order for the work to be performed in its entirety, any single invention stands on its own, and may be played in any order the quintet chooses. For advanced performers, the total length of all 5 movements is about 8 minutes in length. The movements contain some jazz and traditional elements making for a great musical adventure for the performers and the audience. Instrumentation is for: 2 Trumpets in B-flat, Horn, Trombone and Tuba.
$27.50
Nineteen Skeletal Duets for Trombones
Nineteen Skeletal Duets for Trombones
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2 Trombones (duo)
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FACILE
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Jazz
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Gregory Fritze
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Nineteen Skeletal Duets for Tr
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Individual Part, Score. 44 pages. Published ...
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Individual Part, Score. 44 pages. Published by Musica Nova USA
Nineteen Skeletal Duets for Trombones is a set of duets of easy to moderately difficult specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for trombones for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Euphoniums are the same duets but in treble clef. Twenty-two Skeletal Duets for Hornsuses the first 19 of the trombone set with three additional duets added. Some of the trombone and horn duets are in the same key so they can be played together.
1. Cranium
This duet presents the cantabile ?singing? style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.
2. Stirrup
This duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo while the less skilled students work best in the slower tempos ? a common choice for all of the duets.
3. Humerus
This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.
4. Vertebra
This is in a ?rock? style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.
5. Axis
Legato scales and syncopated rhythms are the features of this duet. This is a good exercise for legato playing on trombone, especially when the legato tongue is needed versus when the trombonist does not need to tongue when moving across partials.
6. Tibia
This duet alternates in rock style and swing. Articulations and manipulation of ?swing? rhythms are important.
7. Clavicle
The key of A for this duet provides variation for the students.
8. Fibula nd
This duet uses the easiest of rhythms and range, especially for the 2
9. Scapula
This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many had never experienced this notation before.
10. Atlas ndThis is an Invention in the Bach style. This is probably the best duet to play when the 2 part is played by bass trombone.
(student) part.
11. Radius
This duet is in a ?Medium Swing? jazz style. Each part has a chance to play a little bit of a ?walking? bass line. Articulations and manipulation of ?swing? rhythms are important in this duet.
12. Femur
This duet works on double time and half time tempo changes.
13. Patella
This is another duet that includes graphic notation. In this duet ?Free rapid legato lines? are used.
14. Anvil
This gallop displays different types of articulation.
15. Hammer
This duet is in the style of a fanfare.
16. Rib
This duet is a melody, ?Magallon Blues?, that I originally composed when I taught at a summer music camp in Magallon, Spain. In that camp each of the students would practice playing a jazz solo. This duet also has jazz chord changes so you can add piano or guitar. The use of drums is also an added option.
17. Sacrum
This duet is a short arrangement of Mozart?s ?Eine Kleine Nachtmusic?.
18. Ulna
This duet is a short arrangement of the traditional Irish folk song ?Londonderry Air?, more commonly known as ?Danny Boy?.
19. Ilium
This duet is a short arrangement of the Beethoven?s song ?Ode to Joy? which represents the triumph of universal brotherhood against war and desperation.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest for Twenty Characteristic Etudes for Tuba, an award from The American Prize for his Petite Suite for Brass Quintet and others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.
His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00
Fifteen Safari Duets for Tubas
Fifteen Safari Duets for Tubas
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2 Tubas (duo)
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FACILE
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Jazz
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Gregory Fritze
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Fifteen Safari Duets for Tubas
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova US...
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova USA
Fifteen Safari Duets for Tubas was composed for playing duets with my tuba students. The fifteen duets are at different levels of difficulty and various styles so that we always had duets to play no matter what ability of student. There is something in each duet for students to learn from the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. They are all fun to play. Although for tubas, they may be played on any instrument.
In 1988 I spent a month in Kenya on safari and experiencing the African wildlife and culture, thus the inspiration for these duets that were composed soon after the trip in 1989 and 1990 and have been a regular part of my teaching ever since. Four of these duets are recorded on the compact disc ?Tuba Safari? (Troy 1173) on Albany Records.
1. Elephants at Stave
This duet presents the cantabile style studied for playing the tuba. I find that this duet helps the student much like the melodies of Borgodni etudes. There are more elephants in Tsavo than anywhere else in Kenya. It was not uncommon to see large families of thirty elephants at a time.
2. Gallop ? Thompson Gazelle at Amboseli
This duet provides an opportunity to read in a sharp key, D major, as well as basic rhythms and articulations. I find that the more advanced students can read in a faster tempo and other students can work in a slower tempo ? a common choice in all of the duets. Large herds of playful Thompson Gazelle were a usual occurrence in most of the game parks in Kenya.
3. Rhinos at Nairobi Game Park
This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. The rhinoceros is a very noble animal that can grow to more that 1,000 pounds and is known for its horn. The Nairobi game park is located just outside the city, giving a sense of surrealism to the panorama.
4. Giraffes at Nairobi Twiga Park
This is in a ?rock? style with syncopated rhythms and cantabile melodies. The Nairobi Twiga park is just outside the city and is the only place where one can feed the giraffes. Along with their long necks they have very long tongues.
5. Warthogs at Ngulia
Legato scales and syncopated rhythms are the features of this duet. Warthogs have tails that are held upright when they run.
6. Baboons at Kiliguni
This duets alternates in rock style and swing. Baboons are sometimes a problem because they will try to steal food from the tourists? tables. They will work together where one causes a diversion while the others steal.
7. Pastoral ? Cape Buffalo at Samburu
The key of A for this duet gives variation for the students. Cape Buffalo are in large herds on the savanna. The Samburu Lodge dining area was built next to a watering hole. At the beginning of breakfast there were no animals, but in fifteen minutes more than 500 cape buffalo were at the water hole.
8. Song - Hippos at Mzima Springs
This is the easiest of rhythms and range of the duets, especially for the 2nd(student) part. Hippopotamuses can grow up to 4,000 pounds and spend most of their time sleeping in the water during the day. At night they go on land to hunt.
9. Leopards at Kimana Lodge
This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many have never experienced this notation before. The leopard is a large predatory cat that usually hunts at night.
10. Colobus Monkeys at the Ark
This is an Invention in the Bach style. The Ark is a building that was built in 1969 at a watering hole for tourists to watch wildlife. The colobus monkey is black with white on its forearms and chest.
11. Zebra Migration at Masai Mara
This duet is in a ?Medium Swing? jazz style. The great migration between the Masai Mara and Serengeti involves about two million wildebeest, zebras and other animals every year. It is considered one of the most impressive natural events worldwide.
12. Ostrich at Samburu
This duet works on double time and half time. The ostrich is the largest bird in the world. In Samburu there was an ostrich that hung around the lodge, her name was Margaret. She was very friendly with everybody but she would steal your hat.
13. Cheetah at Voi
This is another duet that includes graphic notation. The cheetah can run up to 80 miles an hour when chasing after prey. When not hunting prey it often walks very slowly.
14. Gallop ? Gerenuk at Buffalo Springs
This gallop displays different types of articulation. The gerenuk is an antelope with a slightly extended neck so it can eat higher leaves from trees.
15. Lions at Mara Sopa
This duet is in the style of a fanfare. The lion is considered the king of the savanna.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.
His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00
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Two Part Invention No. 8
