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Until I See You Again
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Vous avez sélectionné:
Until I See You Again
Partitions à imprimer
18 partitions trouvées
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1
When Will I See Your Face Again
When Will I See Your Face Again
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Piano seul
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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When Will I See Your Face Agai
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.571970 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Holiday,Jazz,Wedding. Score...
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Piano Solo - Level 3 - SKU: A0.571970 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Holiday,Jazz,Wedding. Score. 4 pages. James M Stevens Music ASCAP #2165971. Published by James M Stevens Music ASCAP (A0.571970). Written on June 23, 2016, this is an original piano composition in a romantic style. The video contains pictures of my fiance and I on my recent trip to her sister's wedding in the Philippines and a simple gift to let her know I'm missing her until we meet again. Sorry for the too personal video, but you enjoy. James Michael Stevens is prolific composer residing in Nashville, TN. Follow Dr. Stevens' music on streaming services such as Spotify, Pandora, Apple, Amazon, and others.
$4.99 ≈
4.52€
Let's Be Friends Again (accompaniment and lead sheet)
Let's Be Friends Again (accompaniment and lead sheet)
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Piano, Voix et Guitare
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David Kai
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Let's Be Friends Again
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David Kai
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - SKU: A0.893850 Composed by David Kai. Children,Christian,Sacred. Score. 5 pages. David Kai #5322033. Published by David Kai (...
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Guitar,Piano,Vocal,Voice - SKU: A0.893850 Composed by David Kai. Children,Christian,Sacred. Score. 5 pages. David Kai #5322033. Published by David Kai (A0.893850). A fun duet on the subject of forgiveness. Scripture references: 1 John 4:20, Matthew 18:21-22With the purchase of this music, you may make copies of the lead sheet or lyrics for your church school or choir. Please report any congregational use to CCLI or One License.For more information, go to:www.sites.google.com/site/davidwkaismusic Let’s Be Friends Again by David Kai ©1997(A duet: Voice 1: regular font Voice 2: italics Both voices: bold)I’m sorry that I lost your ball, I’m sorry that I broke your pencil,Sorry we were both so angry, Let’s be friends again.I’m sorry that I called you names, I’m sorry I insulted your iguana,Sorry we were both so angry, Let’s be friends again. For God wants us to live, forgiving one another,It’s hard to love a God we can’t see if we can’t start by loving each other.I’m sorry that I spilled my drink On top of my new magazine!Sorry we were both so angry, Let’s be friends, until the end, Oh let’s be friends again.
$4.00 ≈
3.62€
Until I See You Again by Mark Schultz - Piano/Vocal/Chords, Singer Pro
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Piano, Voix
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Mark Schultz
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Until I See You Again
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Musicnotes
Performed by: Mark Schultz: Until I See You Again Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music ...
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Performed by: Mark Schultz: Until I See You Again Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Singer Pro;Piano/Vocal/Chords, instruments: Voice;Piano; 6 pages -- CCM~~Singer-Songwriter~~Christian
$5.50 ≈
4.98€
Until I See You Again (Ballad Version) by Mark Schultz - Piano/Vocal/Chords, Singer Pro
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Piano, Voix
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Mark Schultz
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Until I See You Again (Ballad
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Musicnotes
Performed by: Mark Schultz: Until I See You Again (Ballad Version) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable dig...
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Performed by: Mark Schultz: Until I See You Again (Ballad Version) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Singer Pro;Piano/Vocal/Chords, instruments: Voice;Piano; 7 pages -- CCM~~Singer-Songwriter~~Christian
$5.50 ≈
4.98€
I'll Never Fall In Love Again
I'll Never Fall In Love Again
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Dionne Warwick
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John Fries
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I'll Never Fall In Love Again
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.1403900 By Dionne Warwick. By Burt Bacharach and Hal David. Arranged by John Fries. 20th Century,Pop,Standards. Lead Sh...
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C Instrument - Level 4 - SKU: A0.1403900 By Dionne Warwick. By Burt Bacharach and Hal David. Arranged by John Fries. 20th Century,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #987069. Published by John Fries (A0.1403900). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. In the fall of 1968, Bacharach and David were in Boston for previews of Promises, Promises, the new musical for which producer David Merrick had asked if they would write the score, and Merrick realized, We're missing a song in the middle of the second act, and what we need is something the audience can whistle on their way out of the theater. But around this time, Bacharach was hospitalized with pneumonia and wasn't able to sit at a piano to write the music until after he was released. By that time Hal had already come up with the lyrics to 'I'll Never Fall in Love Again,' and my hospital stay had inspired him to write, 'What do you get when you kiss a girl? You get enough germs to catch pneumonia. After you do, she'll never phone you.' When he finally sat with the lyrics in front of him, he recalls, I wrote the melody for 'I'll Never Fall in Love Again' faster than I had ever written any song in my life..
$3.99 ≈
3.61€
Here Again
Here Again
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Guitare notes et tablatures
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INTERMÉDIAIRE/AVANCÉ
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Rush
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Dan Chernow
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Here Again
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Dan Chernow
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.1117264 By Rush. By Alex Lifeson and Geddy Lee Weinrib. Arranged by Dan Chernow. 20th Century,Contemporary,Pop,Rock. Guitar T...
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Guitar - Level 4 - SKU: A0.1117264 By Rush. By Alex Lifeson and Geddy Lee Weinrib. Arranged by Dan Chernow. 20th Century,Contemporary,Pop,Rock. Guitar Tab. 26 pages. Dan Chernow #718846. Published by Dan Chernow (A0.1117264). Meticulous note-for-note guitar transcription of the classic song by Rush. This is a wholly new and original transcription, done solely by Berklee graduate and guitar instructor Dan Chernow, and has never before been available until now. The longest song on Rush's first album. Basically unknown (even amongst many Rush fans) and hugely underrated, this 7.5 minute tune is a masterclass in young Lifeson's guitar arranging skills as well as as well as being a showcase for the more lyrical side of his early, bluesy style. There's some really masterful lead phrasing here, remarkable for a 21 year old. 'Here Again' truly contains one of his first of many great guitar solos he has given us over the years. Essential early Lifeson here, and I am very proud to present the guitar parts fully transcribed here for the first time with the painstaking note-for-note accuracy it deserves. SEE and HEAR this on YouTube! (link to full video included near bottom of pdf).
$7.49 ≈
6.78€
Jacques Leguerney: String Quartet in D for two violins, viola and cello
Jacques Leguerney: String Quartet in D for two violins, viola and cello
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Jacques Leguerney
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II. Intermezzo
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Jacques Leguerney: String Quar
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 pages. Musik Fabrik Music Publishing #3457403. Published by Musik Fabrik Music Publishing (A0.534402). Jacques Leguerney (1906-1997) composed two string quartets. The Premier Quatuor à cordes was composed in 1925 during Leguerneyâ??s private piano and composition study with French pianist Thérèse Cahen. His second quartet, subject of this publication by Musik Fabrik, was written between November 1947 and September 1948. The four movements are: I. Allegro moderato; II. Intermezzo; III. Scherzando; IV. Presto-Andantino. This work was, in part, Leguerneyâ??s response to the Premier Quatuor à cordes (inédit) by his colleague, Henri Sauguet. Leguerney stated in a personal interview with Patrick Choukroun (18 May 1989) that: â??I wrote it a bit in opposition to Sauguetâ??s Premier Quatuor. It seemed to me that his quartet was without interest: just scratchings! I wanted to express my way of looking at it from the classical viewpoint of the past: it is almost in the spirit of Mozart, except for the harmonic language, of course. In fact, I wanted to fight against everything that has been done to a quartet since Beethovenâ??s last ones.â? The premiere of the Quatuor à cordes en ré mineur was by the Quatuor Pro Arte at the Abbaye de Royaumont. Before this performance, Poulenc sent Leguerney the following note: â??Fortunate man for whom twelve strings are enough to charm people, I wish you good luck and respectfully embrace you.â? (Handwritten letter, Reims, 4 September 1959). Leguerney was appointed artistic director of the Lumen recording company in 1951, and remained in this position until 1959. He produced four recordings of his music, including the Quatuor Pro Arteâ??s recording of the Quatuor à cordes en ré mineur (1947-1948) (Lumen, LD 2.440, 1958). This disc won the Grand Prix du Disque de lâ??Académie Charles Cros on 13 March 1959. The Pro Arteâ??s members were Suzanne Plazonich, Violin I; Chantal Beylier, Violin II; Nicole Gendreau, Viola; and Micheline Burtin, Cello. Francis Poulenc wrote to Leguerney concerning this recording: â??It is very good Leguerney. Of course, frivolous as I am and shall always remain, it is the 2nd movement that I prefer. Between us, I am like you: I prefer the scherzos after the andantes; that way one is not forced to write a Finale allegro. Yours pleases me very much, in fact, so to my ears it is III-IV-I-II, in the order of pleasure.â? (Manuscript letter, Bagnols, 14 October 1959) The radio station France I broadcast the Quatuor with on 11 July 1959 on the program Schola of the series Concert de musique contemporaine, again with the Quatuor Pro Arte. An archive recording of this broadcast exists on magnetic tape. Critic Claude Rostand wrote: â??Jacques Leguerney does not seem to have looked for special innovations either in form or language. His basic thought seems especially to have written a quartet, that is to say on one hand to have used the four voices with elegance and originality, clarity and homogeneity (four-part writing seems to always have come naturally to him, even at the piano), and on the other hand to exploit all of the supple cushioning that can result from the caress of a bow on a string.â? Critic Emile Vuillermoz wrote: â??His only ambition is to expresses clear and affectionate melodic ideas, in a highly distinguished, elegant and refined language, meaning an homage, in the beginning of our century, to the trios of the greatest stylists of our time. In fact, it is from the vocabulary of Fauré, Debussy and Ravel that he takes his grammar and syntax and that with which he carries out with his this harmonic writing that is both supple and sparse, that is so congenial to the association of four string instruments. This quartet, whose first movement is of a rare perfection, is a delicate enchantment.â? The Musik Fabrik edition of the Quatuor à cordes en ré mineur is taken from a photocopy of the composerâ??s manuscript of the full score. We also had access to the quartet parts found in Leg.
$38.95 ≈
35.25€
As You Filled Bezalel
As You Filled Bezalel
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Piano, Voix
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FACILE
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Musique Sacrée
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Stephen R Dalrymple
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Stephen R Dalrymple
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As You Filled Bezalel
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Stephen R Dalrymple
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.818316 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Sacred...
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Piano,Vocal,Voice - Level 2 - SKU: A0.818316 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Sacred. Score. 3 pages. Stephen R Dalrymple #5828003. Published by Stephen R Dalrymple (A0.818316). As you Filled Bezalel © 2020 Stephen R. Dalrymple [copyright registered in Worthy Worship and 6 Other Unpublished Works] I Count it a Joy ♫ Original song by Stephen R Dalrymple ♫ Based on Exodus 35:30 ff ♫ The filling of the Holy Spirit was given long before Pentecost. The chief artisan of the Tabernacle, Bezalel was filled with the Holy Spirit in the Sinai desert. The indwelling of the Holy Spirit was not permanent until Pentecost, but the filling is seen throughout the pages of Scripture. ♫The filling of the Holy Spirit ought not be connected with one specific activity (such as the gift of tongues) but any activity that the Holy Spirit can use to accomplish bringing glory to God. Micah was filled with the Spirit of God when he prophesied against the leadership of Samaria and Jerusalem. Peter was filled with the Holy Spirit as he spoke to the pilgrims at Pentecost. Elizabeth was filled with the Holy Spirit as she greeted Mary, and of course Bezalel as he received knowledge and guidance to design and create the Tabernacle. ♫ I wrote this song in Haiti while meditating in Scripture and thinking about ministry. This song is short because I realized that it was better suited as a warmup for ministry than a congregational worship song. Whether on a concert stage or a church platform, it is so easy to get caught up during a performance and get sidetracked, concentrating on the the praise, recognition, acceptance from the audience that singing, playing and instrument, or preaching can bring. This song reminds me of my motive in sharing my gifts and the only method for my contribution to achieve lasting, eternal benefits. ♫ music © 2020 (copyright registered in Worthy Worship and 6 Other Unpublished Works ♫ recording ℗ 2020 Stephen R Dalrymple ♫ recording ℗ 2020 Stephen R Dalrymple ♫ presentation © 2020 Stephen R Dalrymple ♫ sequenced by the composer ♫ This .pdf file includes 1) labeled copies for up to 7 printed copies of the vocal with piano accompaniment and 2) vocal with piano accompaniment for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print.
$4.50 ≈
4.07€
Edwin Culver: a bridge a-way, exits within (for solo guitar)
Edwin Culver: a bridge a-way, exits within (for solo guitar)
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Edwin Culver
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Edwin Culver: a bridge a-way,
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Edwin Culver
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published ...
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Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99 ≈
10.85€
No Greater Love
No Greater Love
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David Kai
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David Kai
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No Greater Love
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David Kai
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SheetMusicPlus
Electric Bass Guitar,Piano Accompaniment - Level 3 - SKU: A0.1105110 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary. Full Per...
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Electric Bass Guitar,Piano Accompaniment - Level 3 - SKU: A0.1105110 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary. Full Performance. Duration 254. David Kai #708357. Published by David Kai (A0.1105110). A song for Good Friday. Scripture reference: John 15:13. No one has greater love than this, to lay down one’s life for one’s friends. NO GREATER LOVE words and music by David Kai ©1985 A chilly wind blows upon Calvary's hill, the sky is as dark as the night, the sweat and the blood trickle down to the ground, as the townspeople gaze at the sight, And the hands that once held the children near are nailed onto the tree, Why did you have to suffer that for me? They beat him until he could hardly stand, a crown of thorns pierced his head, and all of that time not a single word in his defense he said, And I stood within that angry crowd that jeered along the way, for I helped to put you on the cross that day. CHORUS For the man on the cross filled with sorrow and pain, will bring us to God once again, for no greater love has been shown since that day when the Saviour took our sins away. For all of my life your boundless love I want to get to know, 'though sometimes I've turned my back on you and I’ve heard the rooster crow, but then you've appeared just like a friend to guide my wandering way, no longer on the cross, you're here today. The Light of the World, the Bread of Life, the Son of God, Morning Star, my earthly mind can't comprehend all of the things you are, but even through glass that's dark and dim, my eyes can plainly see, you loved us so much you died to set us free. CHORUS For the man on the cross filled with sorrow and pain, will bring us to God once again, for no greater love has been shown since that day when the Savior took our sins away. No greater love, no there's no greater love, No greater love, no there's no greater love, There's no greater love than to lay down your life for a friend.
$1.99 ≈
1.80€
'Contrapunctus 10' By J.S.Bach BWV 1080 from 'The Art of the Fugue' for Woodwind Quartet.
'Contrapunctus 10' By J.S.Bach BWV 1080 from 'The Art of the Fugue' for Woodwind Quartet.
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Flûte, Hautbois, Clarinette, Basson
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Stephen Davies
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Saxophone versions).
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'Contrapunctus 10' By J.S.Bach
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Stephen Davies
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.891856 Composed by Johann Sebastian Bach. Arranged by Stephen Davies....
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.891856 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Concert. 19 pages. Stephen Davies #3465670. Published by Stephen Davies (A0.891856). Many scolarly, and some frankly impenetrable, analyses have been written on the subject of Contrapunctus 7, all available on the internet somewhere (mainly if you can't sleep!). So I would simply say that the motif throughout is stretched, further elongated, scrunched up, placed on different beats, played upsidedown, sideways, shortened, further shortened, over the bar, under the bar, off to the bar(!), and so on, it shouldn't work!! But of course it really does, really! I've known this piece for many years, but it was not until I began unravelling it for this arrangement that I must again doff my cap to old J.S. and his enduring genius!(See also Clarinet & Saxophone versions).
$1.99 ≈
1.80€
Everything for the Church Soloist-Digital Download
Everything for the Church Soloist-Digital Download
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Various Writers
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Everything for the Church Solo
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Hope Publishing - Digital
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SheetMusicPlus
Vocal, Solo Solo Voice - SKU: H1.804DP Arranged by Don Doig, Jack Schrader, and John F. Wilson. General Worship. Collection. 392 pages. Hope Publishing ...
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Vocal, Solo Solo Voice - SKU: H1.804DP Arranged by Don Doig, Jack Schrader, and John F. Wilson. General Worship. Collection. 392 pages. Hope Publishing - Digital #804DP. Published by Hope Publishing - Digital (H1.804DP). By Various Writers.140 Christian songs by Various Writers Contains over 140 songs including: Because He Lives, Communion Song, Great Is Thy Faithfulness, the Holy City, I Wonder as I Wander, Learning to Lean, Malotte's Lord's Prayer, Wedding Song, and The Palms. Contains over 140 songs including: Because He Lives, Communion Song, Great Is Thy Faithfulness, the Holy City, I Wonder as I Wander, Learning to Lean, Malotte's Lord's Prayer, Wedding Song, and The Palms.
Song List
: A Song About Me A Worthy Woman Above the Hills of Time All In The Name Of Jesus Alleluia (Schubert) Amazing Grace Because He Lives Because You Are God's Chosen Ones The Birthday of the King The Blood Will Never Lose Its Power The Body of Our Lord Born Again Bread Of The World In Mercy Broken Bridal Prayer Bring Back The Springtime Chosen of the Lord Christ Living Within You Clean Before My Lord Come, Praise the Lord! Communion Song Eternal Life Flee As A Bird For Those Tears I Died Gentle Like Jesus The Gift Of Love Give Me Jesus Give Them All To Jesus Grace Greater Than Our Sin Great Is Thy Faithfulness Have Thine Own Way, Lord! He Carried My Cross He Died for Me He Shall Feed His Flock He Turned The Water Into Wine He Was There All The Time He's a Wonderful Lord The Heavens Declare His Glory Help Us Accept Each Other Here's My Life Here's One His Eye Is On The Sparrow Ho! Everyone Who Is Thirsty The Holy City How Big Is God How Quiet Is the Night How Real! Hush Now I Am His And He Is Mine I Am the Vine I Am Willing, Lord I Heard About A Man I Just Came To Praise The Lord I Know Where I'm Going I Saw the Lord, and All Beside Was Darkness I Walked Today Where Jesus Walked I Want Jesus to Walk with Me I Wonder as I Wander I Wonder Why? If Jesus Had Not Come If My People Will Pray If with All Your Hearts If You Need a Helping Hand I'm Goin' Home In Jesus' Name In the Image of God Into My Heart It Was His Love It Won't Stop Ivory Palaces Jesus Is Lord Of All Jesus Revealed in Me Just A Closer Walk With Thee Just Because I Asked Lead Me To Calvary Learning to Learn Life Indeed Like A Child Little Baby Jesus Lonely Voices The Lord Is My Light Lord, Listen to Your Children Lord, Show the Way Lord, Take Control of Me The Lord's Prayer Love Came Down At Christmas Love Theme Love Was When Marvelous Mystery May the Mind of Christ Mirror More (Than You'll Ever Know) My Cup Overflows My Jesus, I Love Thee My Tribute The New 23rd New Wind Blowin' No One Ever Cared For Me Like Jesus No Power of My Own Nothing ... Everything O Father in Heaven O Glorious Love! O Holy Night O Lord Most Holy O Rest in the Lord O The Deep, Deep Love Of Jesus Of Love I Sing Oh, What Love! Open the Gates of the Temple The Palms Praise The Lord, He Never Changes Reach Out to Your Neighbor Ring The Bells Rise Again Savior, My Heart Is Thine Seek Ye First Shepherd Of Love Something Beautiful So Great Is His Mercy Spirit Of God Strength to My Soul Sweet Is the Name of Jesus Take God By the Hand Take My Life Ten Thousand Angels Thank You for These Gifts Thanks to God That Someday Is Now That's Why We Are Beautiful Then shall the righteous shine forth There's A Quiet Understanding They Led Him Away This Is My Commandment This Is The Time I Must Sing The Touch Of The Master's Hand The Twenty-Third Psalm (Malotte) Until Then Wedding Song Welcome Home, Children What God Hath Promised What Grace Is This! What Have They Done? Whither Thou Goest Who Are You to Disagree? Who Is This Boy? Who Shall Separate Us? Who Will Go? Worthy Is The Lamb Yes, God Is Real You're Something Special
$79.95 ≈
72.35€
Savin' Jeremiah - SATB Choir
Savin' Jeremiah - SATB Choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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a chariot of fire, But the pro
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Kevin G
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Savin' Jeremiah - SATB Choir
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1129659 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. 20th Century,Blues,Jazz,Religious,Spiritual. Octavo...
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Choral Choir (SATB) - Level 4 - SKU: A0.1129659 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. 20th Century,Blues,Jazz,Religious,Spiritual. Octavo. 14 pages. Kevin G. Pace #730069. Published by Kevin G. Pace (A0.1129659). A fun, jazzy, energetic choral composition telling the story of Ebed-Melech and how he saved the prophet Jeremiah. Music by Kevin G. Pace. Text by Kathryn W. Hales. Text: The Good Book says that Moses Was buried by the hand of God; And those bitten by fiery serpents Were healed by lookin’ at a rod. Elijah was taken up to heaven By a chariot of fire, But the prophet Jeremiah Was cast into a pit of mire. “Can’t you hear me, Lord?†Jeremiah is a’cryin’, “Wilt Thou deliver me? For I am surely dyin’.†The Lord touched the heart On one Ethiopian And says to Ebed-Melech, “Go and save my son.†That black man, he did hearken And went straight up to the king, “What you’ve done to Jeremiah Is a very wicked thing.†“Can’t you see his misery? Can’t you hear him cryin’? Let me deliver him, O King, For he is surely dyin’.†Then Zedekiah repented, Said, “Go get Jeremiah Out of that old dungeon Out of the pit of mire. Take thirty strong men with you Do not delay or wait, Bring the prophet up again Before it is too late.†Ebed went to the pit, Called down into the dark, “I’s a comin’ to save you, Now, oh man, take heart. The king has relented, But before we start, Put old rags beneath your arms, So the ropes won’t leave a mark. Poor Jeremiah was so weak, He’d almost lost all hope, The men did gently lift him up ‘Cause he couldn’t climb the rope. He was kept in prison, But now he had some food, Until the Babylonians came To seize the multitude. ‘Twas an Ethiopian that saved him, A servant to Judah’s King, Blessed be the name of Ebed-Melek For doin’ such brave things. The Lord uses many people From every tribe and race To be an instrument in His hands, An implement of His grace. “Repent all House of Judah,†Jeremiah kept on a’cryin’, “Turn unto the Lord again, Otherwise you’all be dyin’. His words come down through the years To the people of today, “Repent and turn back to the Lord, And walk His chosen Way.â€.
$1.99 ≈
1.80€
"Liebesschmerz Fuge" for piano Op. 95
"Liebesschmerz Fuge" for piano Op. 95
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Piano seul
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AVANCÉ
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Contemporain
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Gary Noland
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"Liebesschmerz Fuge"
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Freeland Publications
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.980449 Composed by Gary Noland. 20th Century,Concert,Contemporary. Score. 39 pages. Freeland Publications #3246459. Publi...
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Piano Solo - Level 5 - SKU: A0.980449 Composed by Gary Noland. 20th Century,Concert,Contemporary. Score. 39 pages. Freeland Publications #3246459. Published by Freeland Publications (A0.980449). Duration: ca. 15-20 minutes. Lush extended tonal language. Highly chromatic and contrapuntal. An innovative fugue unlike any other in the literature. This work was begun in 1981 and underwent revisions on and off for 28 years until it was finally completed in 2009. This piece is intended only for first-rate virtuoso pianists. Written comments: Gary, this is wonderful! I am a Bach freak ... clearly you are as well (meant as a big compliment smile emoticon ). Love the title too heart emoticon.-Kurt Werderman. Completely charming. I get the Liebes part, but the other half seems entirely too much tongue-in-cheek fun for Schmerz. smile emoticon You wrote a brilliant piece that sounds so spontaneous it is hard to believe it had such a long gestation period as 28 years.-Rodney Punt. Here is to me really deep music of very high quality. I listened three times. The fugue has the kind of complexity and positive ambiguity which awakens my curiosity to listen again and again. The episodes are for me personally something of the most beautiful modern music written for piano I remember just now.-Frank David. Here is a link to a MIDI realization thereof: https://www.youtube.com/watch?v=3MGGAgzu4Xk
$14.99 ≈
13.57€
Duplicitous Heart
Duplicitous Heart
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Piano seul
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AVANCÉ
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Contemporain
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Dakota Anthony
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Duplicitous Heart
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Dakota Anthony
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1015500 Composed by Dakota Anthony. Contemporary. Score. 13 pages. Dakota Anthony #4785575. Published by Dakota Anthony (...
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Piano Solo - Level 5 - SKU: A0.1015500 Composed by Dakota Anthony. Contemporary. Score. 13 pages. Dakota Anthony #4785575. Published by Dakota Anthony (A0.1015500). This is a 5-6 minute long piano solo piece that uses styles from blues, jazz, and contemporary genres. If you have questions please contact me at one of the following:Facebook page- https://www.facebook.com/dakanthony1Email- dakanthony1@gmail.comI write a poem for all of my songs. Hopefully it helps give a little meaning to its purpose!One songIt just takes one song to move myself to another world,And my heart beats faster.One songMakes me feel I can conquer every problem-All the world's disasters.One songIt makes my heart break and mend itself overAnd overAnd overUntil it's a whole new heartWith a whole new stature.One songI hear joy. I hear peace.But it's all for myself.It doesn't even matter.One songI don't know how to share what I hear.One songSo what I hear disappears.One songTurns to none, so I fear,And try to find another one songThat I can hold dear.One song,But it all happens again.One songBreaks a heart that's already bee mendedBy the first one song,And the heart's offended.Now there's two songs;The one song has ended.Two songs Clash and pretend thatTwo songsAre unique but they can't be - insteadTwo songsAffected the same heart.With two songsThe first's uniqueness is upended.Two songsSplit the heartHalf as powerfulAs the start,So I need another two one songsTo double the power.But the result is the same, And the dilution gets stronger.And what was difficult to share initiallyBecomes impossible because my heart isn't free.It's torn into a million piecesEach tied to a one song, each song with the thesisThat I want to share my songs to everyoneBecause of how it broke and mended my heart.But too many songs made my heart hardenedUntil the songs hardly affect a heart - just scar it.By the time I learn how to share any songThey'll all be goneJust the heart's shadow of what it longed to share.So I watch others to see if my one song was a myth.They all have one songs creating the semblance of mended heart.So my one song could only make another heart splitDiluting their one song to half as powerful as its start.
$7.99 ≈
7.23€
Tombland Fanfare
Tombland Fanfare
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Orchestre
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AVANCÉ
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Contemporain
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Eoin Buchanan
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Tombland Fanfare
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7plc Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1017072 Composed by Eoin Buchanan. Contemporary. Score and parts. 87 pages. 7plc Music #6079111. Published by 7plc Mu...
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Full Orchestra - Level 5 - SKU: A0.1017072 Composed by Eoin Buchanan. Contemporary. Score and parts. 87 pages. 7plc Music #6079111. Published by 7plc Music (A0.1017072). At the centre of the Norfolk city of Norwich lies Tombland. The name evokes thoughts of haunting, death and Black Plague burial pits. Actually Tombland simply means empty space and it was here that Norwich market was sited. Violence seems to have been a recurring theme in the history of Tombland. In 1549 Robert Kett led a rebellion against the enclosure of common land. After a fierce attack on Bishop Bridge, Kett and his band of followers gained access to the city and took the Mayor, Thomas Codd, prisoner. Having spent a number of years as a clergyman in the Diocese of Norwich, I can tell you that this area is very different nowadays. However, its Normal cathedral and older buildings still offer a sense of struggles past, present and future. Inspired by Ray Sampson’s book, Tombland, this original work for full orchestra uses harmonic and rhythmic dissonance to portray the violent and oppressive struggle between those with and ‘those without. The blacksmith’s anvil heralds village life with church bells sounding and flute introducing children playing in the village square. Very quickly the scene changes as Basses offer a deep threatening tone and slowly the rhythmic confusion builds to an eventual climax. Horns then introduce a quasi carillon Dies Irae theme and flutes and piccolo enter with a haunting bird call until low strings and Cor Anglais begin the build up to chaos once again. The work’s false, dying ending suddenly gives way to a sacred style chorale leading to the very abrupt Malcolm Arnold style ending.
$35.00 ≈
31.67€
Nights In White Satin
Nights In White Satin
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Piano, Voix
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FACILE
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Rock
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The Moody Blues
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Academia Unimusica
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Nights In White Satin
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Unimusic Academy
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.809438 By The Moody Blues. By Justin Hayward. Arranged by Academia Unimusica. Rock. Score. 3 pages. Unimusic Acade...
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Piano,Vocal,Voice - Level 2 - SKU: A0.809438 By The Moody Blues. By Justin Hayward. Arranged by Academia Unimusica. Rock. Score. 3 pages. Unimusic Academy (Academia Unimusica) #6265977. Published by Unimusic Academy (Academia Unimusica) (A0.809438). Nights in White Satin is a song by the Moody Blues, written and composed by Justin Hayward. It was first featured as the segment The Night on the album Days of Future Passed. When first released as a single in 1967, it reached number 19 on the UK Singles Chart and number 103 in the United States in 1968. It was the first significant chart entry by the band since Go Now and its recent lineup change, in which Denny Laine and Clint Warwick had resigned and both Hayward and John Lodge had joined. When reissued in 1972, in the United States the single hit number two for two weeks on the Billboard Hot 100 (behind I Can See Clearly Now by Johnny Nash) and hit number one on the Cash Box Top 100. It earned a gold certification for sales of over a million US copies (platinum certification was not instituted until 1976). It also hit number one in Canada. After two weeks at #2, it was replaced by I'd Love You to Want Me by Lobo. It reached its highest UK position this year at number 9. Although the song did not enter the official New Zealand chart, it reached #5 on the New Zealand Listener's chart compiled from the readers' votes in 1973.[4] The song enjoyed a recurring chart presence in the following decades. It charted again in the UK and Ireland in 1979 reaching #14 and #8, respectively. The song charted again in 2010, reaching number 51 in the British Official Singles Charts.[5] It has also been covered by numerous other artists, most notably Giorgio Moroder, Elkie Brooks, and Sandra.
$8.00 ≈
7.24€
Illumine le tenebre
Illumine le tenebre
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Chorale SATB
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AVANCÉ
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Sarah Labrie, Conductor - Cham
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Illumine le tenebre
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Mary Ellen Haupert
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.900166 By Sarah Labrie, Conductor - Chamber Choral Conducting Workshop, Sarteano, Italy. By Mary E...
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Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.900166 By Sarah Labrie, Conductor - Chamber Choral Conducting Workshop, Sarteano, Italy. By Mary Ellen Haupert. Easter,Sacred,Spiritual. 5 pages. Mary Ellen Haupert #3031789. Published by Mary Ellen Haupert (A0.900166). ILLUMINE LE TENEBRE (SSAATTBB) For Jean Saladino and the Viterbo University Concert Choir TRANSLATION of TEXT: Most High, glorious God, enlighten the darkness of my heart and give me true faith, certain hope and perfect charity, sense and knowledge, Lord, that I may carry out your holy and true command. Amen. - St. Francis of Assisi's Prayer before the Crucifix NOTES from the composer: One year ago, I had the privilege of participating in the Leadership Pilgrimage to Assisi and Rome (2011) sponsored by the Franciscan Sisters of Perpetual Adoration, Franciscan Healthcare, and Viterbo University. I carried with me, not only the responsibility of bringing back a hint of Francis’ lived experience to my students, but the desire to compose something wholly Franciscan. The San Damiano Cross is one of the most distinctive Franciscan images we have on campus. The gentle Jesus that hangs on this 12th-century icon will forever be linked to Francis’ dramatic step from citizen to sainthood-welcoming his earnest prayer to enlighten the darkness of his heart. The Basilica of Santa Chiara in Assisi holds both the San Damiano Cross and the remains of his confidante, St. Clare. It seemed a good place to start getting serious. Copying the prayer in at least six different languages, I tucked it away in my travel books, not digging it out again until the following summer (2012). The opening phrases in the piece came easily enough (Altissimo, glorioso Dio), but I stumbled through a handful of ideas before coming up with the mantra (illumine le tenebre…). It made sense that Francis would joyfully address God singing forte (Altissimo and Signore), while quietly chanting his humble prayers for faith, hope, charity, and knowledge. The friendship between Francis and Clare can’t be missed, not only in the intermingling of SATB voices, but in the setting of che faccia lo tuo santo e verace comadamento (that I may carry out your holy and true command). The phrase is sung only once by the women before the final return of the illumine chant (which is repeated throughout by the men). Maybe I chanced on weaving some of Clare’s courage with Francis’ persistence into Illumina le tenebre, all while trying to compose something wholly Franciscan?  ---Mary Ellen Haupert, October 2012. Â
$3.99 ≈
3.61€
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Until I See You Again
