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Variations for Cello Piano
Non classifié
70
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Variations for Cello Piano
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Bach-Gounod: Ave Maria, Schwencke version for Cello & Piano
Bach-Gounod: Ave Maria, Schwencke version for Cello & Piano
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Violoncelle, Piano
#
FACILE
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwen
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jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.550915 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
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Cello,Piano - Level 2 - SKU: A0.550915 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888259. Published by jmsgu3 (A0.550915). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95 ≈
¥233.80
Ludwig van Beethoven: 12 Variations from a theme by Handel instantly for cello & piano
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Violoncelle, Piano
#
INTERMÉDIAIRE
#
Classique
#
Ludwig van Beethoven
#
Virtualsheetmusic
Instantly downloadable sheet music by Ludwig van Beethoven for cello & piano of EASY/MEDIUM skill level. / classical
Instantly downloadable sheet music by Ludwig van Beethoven for cello & piano of EASY/MEDIUM skill level. / classical
$6.99 ≈
¥49.60
Bach: Wachet auf for Cello & Piano
Bach: Wachet auf for Cello & Piano
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Violoncelle, Piano
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Cello &am
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jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
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Cello,Piano - Level 2 - SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554481. Published by jmsgu3 (A0.549838). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95 ≈
¥177.03
Peter Tchaikovsky: Variations on a Rococo Theme, Op.33 for cello & piano
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Violoncelle, Piano
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AVANCÉ
#
Classique
#
Peter Tchaikovsky
#
Virtualsheetmusic
Instantly downloadable sheet music by Pyotr Ilyich Tchaikovsky for cello & piano of HIGH skill level. Contents: opus 33, op. 33, rococo variations / classical...
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Instantly downloadable sheet music by Pyotr Ilyich Tchaikovsky for cello & piano of HIGH skill level. Contents: opus 33, op. 33, rococo variations / classical
$6.99 ≈
¥49.60
Amazing Grace (for Cello & Piano)
Amazing Grace (for Cello & Piano)
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Violoncelle, Piano
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DÉBUTANT
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Musique Sacrée
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Traditional American Melody
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Edna J
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Amazing Grace
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Bloom Musicnotes
#
SheetMusicPlus
late elementary cello & piano - Easy/Beginner - Digital Download Composed by Traditional American Melody. Arranged by Edna J. Bloom. Christian, G...
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late elementary cello & piano - Easy/Beginner - Digital Download Composed by Traditional American Melody. Arranged by Edna J. Bloom. Christian, Gospel, Sacred, General Worship, Funeral. Score. 4 pages. Published by Bloom Musicnotes
This cello & piano arrangement is designed for the success of novice collaborators or busy musicians. Each performer spends time with both the melody and tasteful accompaniment parts. Although elegantly simple, the music presents three variations to focus the mind on the message of this beloved hymn. Performance time is approximately 1:35.
$4.50 ≈
¥31.93
Christmas and Carols to download for cello & piano
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Violoncelle, Piano
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AVANCÉ
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Noël
#
Christmas and Carols to downlo
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Virtualsheetmusic
This is an exclusive arrangements for cello & piano of HIGH skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: christmas carols, jingle bells, o come all ye faithful, the first nowell, joy to the world, we wish you a mer...
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This is an exclusive arrangements for cello & piano of HIGH skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: christmas carols, jingle bells, o come all ye faithful, the first nowell, joy to the world, we wish you a merry christmas, the coventry carol, deck the halls, what child is this, o christmas tree, silent night, Greensleeves, greensleaves, carol of the bells, twinkle twinkle little star, jesu joy of man desiring, jesu joy of man desiring, green sleeves, greensleves, the first noel,adeste fedelis,adeste fidelis,adeste fideles,adeste fedeles,douce nuit, sainte nuit / christmas,winter,holiday,christian,inspirational,traditional,hymn,sacred,advent,carol,festival
$13.99 ≈
¥99.27
Turkish March by Beethoven for Cello and Piano
Turkish March by Beethoven for Cello and Piano
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Violoncelle, Piano
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FACILE
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.1239670 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part....
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Cello,Piano - Level 2 - SKU: A0.1239670 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 3 pages. Woods Only, Arrangements #835061. Published by Woods Only, Arrangements (A0.1239670). This arrangement adapted for violoncello and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions.Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$1.99 ≈
¥14.12
Amazing Grace for Cello & Piano Play-Along & Demonstration
Amazing Grace for Cello & Piano Play-Along & Demonstration
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Violoncelle, Piano
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Traditional American Melody
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Edna J
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piano
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Amazing Grace for Cello &
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Bloom Musicnotes
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SheetMusicPlus
Cello,Piano - SKU: A0.1070033 Composed by Traditional American Melody. Arranged by Edna J. Bloom. Christian,Contemporary,Folk,Sacred. Accompaniment. Dur...
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Cello,Piano - SKU: A0.1070033 Composed by Traditional American Melody. Arranged by Edna J. Bloom. Christian,Contemporary,Folk,Sacred. Accompaniment. Duration 94. Bloom Musicnotes #5214545. Published by Bloom Musicnotes (A0.1070033). This cello & piano arrangement is designed for the success of novice collaborators or busy musicians. Each performer spends time with both the melody and tasteful accompaniment parts. Although elegantly simple, the music presents three variations to focus the ear on the message of this beloved hymn. Performance time is approximately 1:35.
$2.99 ≈
¥21.22
Variations Eternelles (Cello & Piano Performance Recording)
Variations Eternelles (Cello & Piano Performance Recording)
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Violoncelle, Piano
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INTERMÉDIAIRE
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Paul Barker Music
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Paul Barker
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Variations Eternelles
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Paul Barker Music
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1305605 By Paul Barker Music. By Paul Barker. Arranged by Paul Barker. 20th Century,21st Century,Chamber,Contemporary,Co...
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Cello,Piano - Level 3 - SKU: A0.1305605 By Paul Barker Music. By Paul Barker. Arranged by Paul Barker. 20th Century,21st Century,Chamber,Contemporary,Contest,Festival. Full Performance. Duration 119. Paul Barker Music #895057. Published by Paul Barker Music (A0.1305605). Performance Recording MP3 for Variations Eternelles - Cello & Piano.Prepare to be captivated by the passionate sound of Variations Eternelles. This emotionally charged showcase for Cello and Piano is perfect for enthralling audiences at concerts, festivals, and recitals with its compelling melodic theme and rich harmony.Score and Parts are available here.Piano Accompaniment MP3 is available here.
$4.95 ≈
¥35.12
Variations Eternelles (Cello & Piano Accompaniment MP3)
Variations Eternelles (Cello & Piano Accompaniment MP3)
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Accompagnement Piano
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INTERMÉDIAIRE
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Paul Barker Barker
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Paul Barker
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Variations Eternelles
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Paul Barker Music
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SheetMusicPlus
Piano Accompaniment - Level 3 - SKU: A0.1305614 By Paul Barker Barker. By Paul Barker. Arranged by Paul Barker. 20th Century,21st Century,Chamber,Contem...
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Piano Accompaniment - Level 3 - SKU: A0.1305614 By Paul Barker Barker. By Paul Barker. Arranged by Paul Barker. 20th Century,21st Century,Chamber,Contemporary,Contest,Festival. Accompaniment. Duration 118. Paul Barker Music #895067. Published by Paul Barker Music (A0.1305614). Piano Accompaniment  MP3 for Variations Eternelles - Cello & Piano.Prepare to be captivated by the passionate sound of Variations Eternelles. This emotionally charged showcase for Cello and Piano is perfect for enthralling audiences at concerts, festivals, and recitals with its compelling melodic theme and rich harmony.Score and Parts are available here.Performance Recording MP3 is available here.
$4.95 ≈
¥35.12
Thème et variations for Cello and Piano op. 2 No 2
Thème et variations for Cello and Piano op. 2 No 2
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Iyad KANAAN
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Thème et variations for
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iyad kanaan
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.979724 Composed by Iyad KANAAN. Concert,Instructional,Romantic Period,Spiritual. Sco...
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Instrumental Duet Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.979724 Composed by Iyad KANAAN. Concert,Instructional,Romantic Period,Spiritual. Score and parts. 13 pages. Iyad kanaan #5362199. Published by iyad kanaan (A0.979724). This piece is inspired from the life of french none, Sainte Thérèse de l'enfant Jésus also known Thérèse de Lisieux. the theme and 4 variations reflects the five sisters Martin Thérèse and her sisters Pauline, Marie, Léonine and Céline. it was premiered in 2002 during the visitation of Ste Therese relics in Lebanon, and performed by Angela Hounanian (Cello) and Dolcy Lawoun (Piano), NDU productions.
$9.99 ≈
¥70.88
Maria durch ein Dornwald ging (Variations for cello and piano)
Maria durch ein Dornwald ging (Variations for cello and piano)
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Violoncelle, Piano
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INTERMÉDIAIRE
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Noël
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Traditional
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Thomas Groh
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Maria durch ein Dornwald ging
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Thomas Groh
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SheetMusicPlus
Instrumental Duet - Level 3 - SKU: A0.1277909 Composed by Traditional. Arranged by Thomas Groh. Advent,Christian,Christmas,Contemporary. 22 pages. Thoma...
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Instrumental Duet - Level 3 - SKU: A0.1277909 Composed by Traditional. Arranged by Thomas Groh. Advent,Christian,Christmas,Contemporary. 22 pages. Thomas Groh #869610. Published by Thomas Groh (A0.1277909). „Maria durch ein Dornwald ging“ (Mary walks amid the thorns) is a wonderful German Advent hymn originating from the Eichsfeld region north of Eisenach in Thuringia. Its quite simple yet expressive melody thrills me already for a while. As my daughter learned to play the flute a few years ago, I decided to compose some variations for flute and piano on this hymn (with a quite easy part notably for the flute). The first sketch of the variations comprised the theme and simple versions of variations no. 1, 2, 5, 8 and 9. In summer 2016, I revised the initial variations and added the other ones; in summer 2023, I adapted them to the instrumentation of cello and piano.
$15.00 ≈
¥106.43
Nimrod, from the Enigma Variations by Elgar, for Cello and Piano
Nimrod, from the Enigma Variations by Elgar, for Cello and Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Edward Elgar
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David McKeown
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Nimrod, from the Enigma Variat
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David McKeown
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.587737 Composed by Edward Elgar. Arranged by David McKeown. Concert,Contemporary,Romantic Period,Standards,Wedding. Scor...
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Cello,Piano - Level 3 - SKU: A0.587737 Composed by Edward Elgar. Arranged by David McKeown. Concert,Contemporary,Romantic Period,Standards,Wedding. Score and part. 5 pages. David McKeown #4833259. Published by David McKeown (A0.587737). Nimrod, is the ninth of the Enigma Variations composed by Edward Elgar in 1899. Here, the music is arranged for solo Cello and Piano, directly from the orchestral score. Elgar wrote fourteen variations on a theme, each one depicting close friends and family. Nimrod represents his publisher and friend Augustus Jaeger. The biblical character of Nimrod is described as a mighty hunter, and jaeger means hunter in German.The single pdf file contains both the piano score and a separate solo instrumental part.Musicians at an intermediate level and above will find this ideal for formal and informal performances. Both parts require dramatic dynamic contrasts and lyrical legato playing. The overall performance time is around three minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
¥32.64
Ten Green Bottles and Variations for Cello and Piano
Ten Green Bottles and Variations for Cello and Piano
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Violoncelle, Piano
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DÉBUTANT
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Traditional
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Tim Curd
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Ten Green Bottles and Variatio
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Tim Curd
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SheetMusicPlus
Cello,Piano - Level 1 - SKU: A0.717141 Composed by Traditional. Arranged by Tim Curd. Children,Folk. Score and part. 4 pages. Tim Curd #5806717. Publish...
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Cello,Piano - Level 1 - SKU: A0.717141 Composed by Traditional. Arranged by Tim Curd. Children,Folk. Score and part. 4 pages. Tim Curd #5806717. Published by Tim Curd (A0.717141). Ten Green Bottles and Variations for Cello and Piano.This popular children's song has been arranged with its theme followed by a simply decorated variation.Piano and solo part included.A piano accompaniment/backing track is available here:https://www.sheetmusicplus.com/title/ten-green-bottles-and-variation-for-cello-and-piano-piano-accom...
$3.99 ≈
¥28.31
Variations Eternelles (Cello & Piano)
Variations Eternelles (Cello & Piano)
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Violoncelle, Piano
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INTERMÉDIAIRE
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Paul Barker Music
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Paul Barker
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Variations Eternelles
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Paul Barker Music
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1305600 By Paul Barker Music. By Paul Barker. Arranged by Paul Barker. 20th Century,21st Century,Chamber,Contemporary,Co...
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Cello,Piano - Level 3 - SKU: A0.1305600 By Paul Barker Music. By Paul Barker. Arranged by Paul Barker. 20th Century,21st Century,Chamber,Contemporary,Contest,Festival. Score and part. 9 pages. Paul Barker Music #895052. Published by Paul Barker Music (A0.1305600). Prepare to be captivated by the passionate sound of Variations Eternelles. This emotionally charged showcase for Cello and Piano is perfect for enthralling audiences at concerts, festivals, and recitals with its compelling melodic theme and rich harmony.Piano Accompaniment MP3 is available from www.paulbarkermusic.com and here.Level: Intermediate (UK Grade 5+ and USA 2+)Duration: 2:10Occasion: Main Concerts - Festivals - Recitals - CompetitionsInstrumentation: Cello & PianoAlso available for other woodwind, brass, strings, guitars and piano solo.
$5.95 ≈
¥42.22
Sarie Marais variations for cello and piano
Sarie Marais variations for cello and piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Traditional
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Michael Hankinson
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Sarie Marais variations for ce
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Vista Music
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.899052 Composed by Traditional. Arranged by Michael Hankinson. Standards. Score and part. 10 pages. Vista Music #4405144...
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Cello,Piano - Level 3 - SKU: A0.899052 Composed by Traditional. Arranged by Michael Hankinson. Standards. Score and part. 10 pages. Vista Music #4405144. Published by Vista Music (A0.899052). An interesting set of moderately difficult variations for cello with piano accompaniment.
$3.99 ≈
¥28.31
Theme and Variations for Cello and Piano
Theme and Variations for Cello and Piano
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Alex Tinlin
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Alex Tinlin
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Theme and Variations for Cello
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Alex Tinlin
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.1220516 By Alex Tinlin. By Alex Tinlin. Arranged by Alex Tinlin. 20th Century,Chamber,Classical. Score and part. 10 page...
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Cello,Piano - Level 4 - SKU: A0.1220516 By Alex Tinlin. By Alex Tinlin. Arranged by Alex Tinlin. 20th Century,Chamber,Classical. Score and part. 10 pages. Alex Tinlin #816851. Published by Alex Tinlin (A0.1220516). Variations on an original theme, written for my mother - February 1996.
$4.99 ≈
¥35.41
Theme And Variations For Cello And Piano
Theme And Variations For Cello And Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Contemporain
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Kay Swift
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Theme And Variations For Cello
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The Kay Swift Trust
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1144804 Composed by Kay Swift. 20th Century,Classical. Score and part. 24 pages. The Kay Swift Trust #745123. Published ...
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Cello,Piano - Level 3 - SKU: A0.1144804 Composed by Kay Swift. 20th Century,Classical. Score and part. 24 pages. The Kay Swift Trust #745123. Published by The Kay Swift Trust (A0.1144804). Theme and four variations.
$9.99 ≈
¥70.88
180 Shift for piano trio
180 Shift for piano trio
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Piano Trio: piano, violon, violoncelle
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AVANCÉ
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Contemporain
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Robert M
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180 Shift for piano trio
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Robert M. Greenberg
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - SKU: A0.987846 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 69...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - SKU: A0.987846 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 69 pages. Robert M. Greenberg #90269. Published by Robert M. Greenberg (A0.987846). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: https://www.youtube.com/watch?v=dZvxnzZ1oA8 Duration: ca. 18 minutes Year of composition: 2013 Program Note: I. Elegy and Variations II. Song and Dance (Shake, Rattle and Roll) III. Re-Invention (Toccatissima) Aside from being an obvious (if hackneyed) reference to the commissioning ensemble, Trio 180, the title 180 Shift well describes the large-scale dramatic action of the piece: from beginning to end, it traverses an expressive distance of 180 degrees, from elegiac sorrow to hot-footed sizzle. 180 Shift is cast in three movements. Each movement is based on the same thematic material, although that material is transformed continuously across the span of the piece. Movement one, Elegy and Variations consists of a series of a theme, six free variations of the theme and a quiet intermezzo before the sixth and final variation. The movement is melancholy, reflective, and generally subdued in tone. Movement two, entitled Song and Dance (Shake, Rattle, and Roll) sees materials introduced in the Elegy transformed first into a introspective song and finally into a vigorous, gigue-like dance. The three parts of the movement are characterized, respectively, by shakes (tremolos), rattles (in the piano; we’ll know them when we hear them) and rolls (arpeggios). Movement three – Re-Invention (Toccatissima) is fast and virtuosic, a (mostly) two-part invention that sees the basic thematic material re-invented once again. 180 Shift is dedicated, with great affection and respect, to Trio 180: Ann Miller, Nina Flyer, and Sonia Leong.
$32.00 ≈
¥227.06
Variations on a Theme by Pachelbel
Variations on a Theme by Pachelbel
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Fiona Alice Hickie
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Fiona Alice Hickie
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Variations on a Theme by Pache
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Fiona Alice Hickie
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.1036690 By Fiona Alice Hickie. By Johann Pachelbel. Arranged by Fiona Alice Hickie. Classical,Jazz,Multicultural,Roc...
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Euphonium,Piano - Level 4 - SKU: A0.1036690 By Fiona Alice Hickie. By Johann Pachelbel. Arranged by Fiona Alice Hickie. Classical,Jazz,Multicultural,Rock,World. Score and part. 11 pages. Fiona Alice Hickie #641696. Published by Fiona Alice Hickie (A0.1036690). Variations for cello and piano based on Pachelbel's original theme. It includes: 1. Theme 2. Variation on a motive 3. Rock Ballad 4. Calypso 5. Ragtime.
$5.99 ≈
¥42.50
A Musical Odyssey for Cello & Piano - Piano Score Bk2 Levels 4-6 with Preparatory Exercises
A Musical Odyssey for Cello & Piano - Piano Score Bk2 Levels 4-6 with Preparatory Exercises
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Barbara Arens
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A Musical Odyssey for Cello &a
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Barbara Arens
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.1313360 Composed by Barbara Arens. Blues,Contemporary,Contest,Festival,Instructional,Jazz. Score and part. 60 pages. Bar...
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Cello,Piano - Level 4 - SKU: A0.1313360 Composed by Barbara Arens. Blues,Contemporary,Contest,Festival,Instructional,Jazz. Score and part. 60 pages. Barbara Arens #902115. Published by Barbara Arens (A0.1313360). The repertoire in Book II chosen by L.A. Cellist Wendy Velasco from the works of Barbara Arens moves beyond the first four positions and is intended for students in Suzuki levels 4-6. Technical challenges include: fast string crossings, the introduction of tenor and treble clefs, thumb position, big chords and asymmetrical rhythms. There are three jazzy pieces to develop a feel of swung eighth notes, along with racy pieces like 'Salamanca' and 'Rondo alla Tarantella', 'Twilight Tango', and, the composer's personal favourite:'Variations'. Â Each piece has preparation exercises by Wendy Velasco explaining how to approach the technical and musical challenges.Please note: this is the Piano Score. The Cello Part is available separately on Sheet Music Plus.
$18.50 ≈
¥131.27
Cello - "And Can It Be?" Theme and Variations
Cello - "And Can It Be?" Theme and Variations
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Violoncelle, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Cello - "And Can It Be?&q
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Dan Cutchen Music
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan C...
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Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00 ≈
¥42.57
CPE BACH: Sonata in E Minor WQ124 for Cello & Piano
CPE BACH: Sonata in E Minor WQ124 for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Philipp Emanuel Bach
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James Guthrie, ASCAP
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CPE BACH: Sonata in E Minor WQ
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.551524 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James Guthrie, ASCAP. Classical,Instructional,Stan...
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Cello,Piano - Level 4 - SKU: A0.551524 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James Guthrie, ASCAP. Classical,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5308721. Published by jmsgu3 (A0.551524). Sonata in E Minor. Duration: 7:151. Adagio2. Allegro3. Menuett & 2 VariationsCarl Philipp Emanuel Bach (1714-1788) was an influential composer who worked during a time of transition between the Baroque and Classical styles of music. His personal approach, known as empfindsamer Stil or sensitive style, applied the principles of rhetoric and drama to musical structures. The duets composed by C.P.E. Bach are significant because they showcase his unique style and are considered to be some of his most important works. They are known for their unpredictability and expressive qualities, which were a departure from the style of his father, Johann Sebastian Bach.
$24.95 ≈
¥177.03
Turkish March by Beethoven for Cello Duet
Turkish March by Beethoven for Cello Duet
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2 Violoncelles (duo)
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FACILE
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Cello Duet Cello - Level 2 - SKU: A0.1189328 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score. 6 p...
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Cello Duet Cello - Level 2 - SKU: A0.1189328 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score. 6 pages. Woods Only, Arrangements #788960. Published by Woods Only, Arrangements (A0.1189328). This arrangement adapted for violoncello duo was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions.Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$3.99 ≈
¥28.31
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Variations for Cello Piano
