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Variations on a Baroque Melody solo cello part
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Vous avez sélectionné:
Variations on a Baroque Melody solo cello part
Partitions à imprimer
7 partitions trouvées
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1
Variations on a Baroque Melody-solo cello part
Variations on a Baroque Melody-solo cello part
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Joseph J
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Variations on a Baroque Melody
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Mountain Crest Music
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.947125 Composed by Joseph J. Phillips. Baroque. Score and parts. 2 pages. Mountain Crest Music #2005611. Published ...
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String Orchestra - Level 4 - SKU: A0.947125 Composed by Joseph J. Phillips. Baroque. Score and parts. 2 pages. Mountain Crest Music #2005611. Published by Mountain Crest Music (A0.947125). Feature any one of your string students as soloist on Variations on a Baroque Melody, as solo parts are included for each instrument. The theme is based on a movement from J.E. Galliard's Sonatas. A wide range of styles are featured in this work. Solo: Grade 5, Accompaniment: Grade 2.5 This is the solo cello part. You may chose either violin, viola, or cello to play the solo part.
$3.99 ≈
3.69€
Variations on a Baroque Melody-solo viola part
Variations on a Baroque Melody-solo viola part
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Joseph J
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Variations on a Baroque Melody
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Mountain Crest Music
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.947124 Composed by Joseph J. Phillips. Baroque. Score and parts. 2 pages. Mountain Crest Music #2005613. Published ...
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String Orchestra - Level 4 - SKU: A0.947124 Composed by Joseph J. Phillips. Baroque. Score and parts. 2 pages. Mountain Crest Music #2005613. Published by Mountain Crest Music (A0.947124). Feature any one of your string students as soloist on Variations on a Baroque Melody, as solo parts are included for each instrument. The theme is based on a movement from J.E. Galliard's Sonatas. A wide range of styles are featured in this work. Solo: Grade 5, Accompaniment: Grade 2.5 This is the solo viola part. You may chose either violin, viola, or cello to play the solo part.
$3.99 ≈
3.69€
Variations on a Baroque Melody-score
Variations on a Baroque Melody-score
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Joseph J
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Variations on a Baroque Melody
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Mountain Crest Music
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - SKU: A0.947118 Composed by Joseph J. Phillips. Contemporary. Score and parts. 1...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - SKU: A0.947118 Composed by Joseph J. Phillips. Contemporary. Score and parts. 12 pages. Mountain Crest Music #2003353. Published by Mountain Crest Music (A0.947118). Feature any one of your string students as soloist on Variations on a Baroque Melody, as solo parts are included for each instrument. The theme is based on a movement from J.E. Galliard's Sonatas. A wide range of styles are featured in this work. Solo: Grade 5, Accompaniment: Grade 2.5.
$6.00 ≈
5.56€
Bach: Wachet auf for Cello & Piano
Bach: Wachet auf for Cello & Piano
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Violoncelle, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Cello &am
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
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Cello,Piano - Level 2 - SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554481. Published by jmsgu3 (A0.549838). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95 ≈
23.10€
Ravel - Passacaglia for String Orchestra
Ravel - Passacaglia for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Maurice Ravel
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Adam Schreiber
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Ravel - Passacaglia for String
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Adam Schreiber Press, Inc.
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.992010 Composed by Maurice Ravel. Arranged by Adam Schreiber. 20th Century,Instructional,Standards. Score and parts...
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String Orchestra - Level 4 - SKU: A0.992010 Composed by Maurice Ravel. Arranged by Adam Schreiber. 20th Century,Instructional,Standards. Score and parts. 11 pages. Adam Schreiber Press, Inc. #3456055. Published by Adam Schreiber Press, Inc. (A0.992010). Ravel Piano Trio String Orchestra . The third, slow movement from Maurice Ravel's Piano Trio (1915) is titled Passacaille, the French equivalent to the Italian Passacaglia, an old Baroque theme and variations form built around a haunting bass melody that recurs through ever changing contexts as the texture builds and more dense harmonies are explored. Ravel's intuitive utilization of the piano's vast range and sonorous qualities have been fully realized and reimagined on a more grand, but equally intimate level for a full string orchestra with the use of a Violin and 'Cello soloists to recreate a chamber music experience that's striking to the ears of the listener. Difficulty: Intermediate-AdvancedPerfect for students and sounds great in churches/temples/places of worship.Duration: Aprox. 7 minThe score calls for at least 2 bass players, at least 4 cellist (including 1 solo cello), at least 4 violas, at least 4 second violins, and at least 4 first violins (including 1 solo violin).
$9.99 ≈
9.25€
Jesus Shall Reign Where'er the Sun
Jesus Shall Reign Where'er the Sun
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Piano seul
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AVANCÉ
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John Hatton
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Paul Thurmond
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Jesus Shall Reign Where'er the
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Th...
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Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99 ≈
4.62€
Joy To The World - Flex Orchestra
Joy To The World - Flex Orchestra
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having one or more instruments
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George Frederick Handel and An
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Kristin Campbell
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Joy To The World - Flex Orches
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Horsehair Music
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SheetMusicPlus
Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 2 - SKU: A0.596406 Composed by George Frederick Handel and Antonio Vivaldi. Arranged by Krist...
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Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 2 - SKU: A0.596406 Composed by George Frederick Handel and Antonio Vivaldi. Arranged by Kristin Campbell. Baroque,Christmas. 31 pages. Horsehair Music #6631151. Published by Horsehair Music (A0.596406). The Flex Orchestra arrangements are settings that can flex to your available instrumentation. This series was born out of a desire to have beginning players participate in worship and play along side more experienced players. These arrangements are written with a melody part in each stringed instrument's clef. The melody part is the same from instrument to instrument with slight variations in register. Along with the melody part is a harmony part or ensemble part for each instrument. Ensemble parts are unique to the specific instrument. The piano accompaniment is the glue that holds it all together. This arrangement can be played as a solo with accompaniment, or any combination duet, trio, quartet or quintet with piano accompaniment. By having one or more instruments play the melody part, and then add any other instrument on their ensemble part.      This arrangement for strings is easy uses 1st and 3rd position for the violin melody. Viola and cello melody parts are in first position. This setting mixes Vivalid's Gloria with Handel's Joy to the World. You will enjoy this lively and energetic setting of these well loved Christmas classics.
$9.99 ≈
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Variations on a Baroque Melody solo cello part
