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Vous avez sélectionné:
Variations on a Motive
Partitions à imprimer
27 partitions trouvées
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1
26
Variations on a Theme by Pachelbel
Variations on a Theme by Pachelbel
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Fiona Alice Hickie
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Fiona Alice Hickie
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Variations on a Theme by Pache
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Fiona Alice Hickie
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.1036690 By Fiona Alice Hickie. By Johann Pachelbel. Arranged by Fiona Alice Hickie. Classical,Jazz,Multicultural,Roc...
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Euphonium,Piano - Level 4 - SKU: A0.1036690 By Fiona Alice Hickie. By Johann Pachelbel. Arranged by Fiona Alice Hickie. Classical,Jazz,Multicultural,Rock,World. Score and part. 11 pages. Fiona Alice Hickie #641696. Published by Fiona Alice Hickie (A0.1036690). Variations for cello and piano based on Pachelbel's original theme. It includes: 1. Theme 2. Variation on a motive 3. Rock Ballad 4. Calypso 5. Ragtime.
$5.99 ≈
$8.17
Theme and Variations in B-flat Major
Theme and Variations in B-flat Major
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Eric Pearson
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Theme and Variations in B-flat
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Eric Pearson
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.927389 Composed by Eric Pearson. Contemporary. Score. 7 pages. Eric Pearson #3624841. Published by Eric Pearson (A0.92738...
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Piano Solo - Level 3 - SKU: A0.927389 Composed by Eric Pearson. Contemporary. Score. 7 pages. Eric Pearson #3624841. Published by Eric Pearson (A0.927389). A set of variations on a central motive. Includes the main theme and three (3) variations, all progressively faster and more varied than the last. Suitable for intermediate players.
$3.99 ≈
$5.44
Variations on a Theme by Pachelbel
Variations on a Theme by Pachelbel
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Piano seul
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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Fiona Alice Hickie
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Variations on a Theme by Pache
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Fiona Alice Hickie
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SheetMusicPlus
Instrumental Solo,Piano - Level 3 - SKU: A0.737808 Composed by Johann Pachelbel. Arranged by Fiona Alice Hickie. Baroque,Classical,Jazz,Multicultural,Po...
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Instrumental Solo,Piano - Level 3 - SKU: A0.737808 Composed by Johann Pachelbel. Arranged by Fiona Alice Hickie. Baroque,Classical,Jazz,Multicultural,Pop,World. Score and individual part. 14 pages. Fiona Alice Hickie #484271. Published by Fiona Alice Hickie (A0.737808). An arrangement of Pachelbel's theme for flute and piano. It includes: 1. Theme 2. Variation on a motive 3. Rock ballad 4. Calypso 5. Ragtime.
$5.00 ≈
$6.82
Variations on a Jewish Folk Theme, Op. 24
Variations on a Jewish Folk Theme, Op. 24
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Klezmer
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Mikhail Gnessin
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Variations on a Jewish Folk Th
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RÄ“sFacta Editions
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1329533 Composed by Mikhail Gnessin. 20th Century,Chamber,Classical,Jewish,Romantic...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1329533 Composed by Mikhail Gnessin. 20th Century,Chamber,Classical,Jewish,Romantic Period. 56 pages. RēsFacta Editions #917516. Published by RēsFacta Editions (A0.1329533). “Variations on a Jewish Folk Theme, Op. 24†is a compelling and expressive work for string quartet by Russian Jewish composer and teacher, Mikhail Gnessin. Completed in 1917, this piece showcases Gnessin's mastery in incorporating Jewish folk elements into classical music.  The work is structured around a central Jewish folk melody, which serves as the foundation for a series of variations. Each variation explores different musical elements such as rhythm, harmony, and instrumentation while maintaining the essence of the original theme. Gnessin skillfully weaves intricate and emotive melodies, allowing the listener to experience the rich cultural heritage of Jewish music within a classical framework.
$22.00 ≈
$29.99
Variations on a Motive
Variations on a Motive
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Nathalie Fortin
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Robert H
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Variations on a Motive
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Robert H. Davis
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1106714 By Nathalie Fortin. By Robert H. Davis. Arranged by Robert H. Davis. Classical. Score. 3 pages. Robert H. Davis #...
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Piano Solo - Level 4 - SKU: A0.1106714 By Nathalie Fortin. By Robert H. Davis. Arranged by Robert H. Davis. Classical. Score. 3 pages. Robert H. Davis #709651. Published by Robert H. Davis (A0.1106714). Classics style piano music.
$9.99 ≈
$13.62
J.S. Bach: Goldberg Variations, BWV 988: Var. 15 (as played by Víkingur Ólafsson) for piano
J.S. Bach: Goldberg Variations, BWV 988: Var. 15 (as played by Víkingur Ólafsson) for piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach and VÃ
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Flavio Regis Cunha
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J.S. Bach: Goldberg Variations
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1370523 By Johann Sebastian Bach and VÃkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. ...
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Piano Solo - Level 4 - SKU: A0.1370523 By Johann Sebastian Bach and VÃkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional. Score. 4 pages. Flavio Regis Cunha #954867. Published by Flavio Regis Cunha (A0.1370523). J.S. Bach: Goldberg Variations, BWV 988: Var. 15 (as played by VÃkingur Ólafsson) for pianoAdvanced Intermediate. Format: Concert, 9 x 12 inches. 3 pages. PLUS: Engraved and Published with Urtext Kapellmeister Music Fonts.🎹 Unlock the Soul of Bach's Masterpiece! 🎶Calling all piano enthusiasts and maestros alike! 🌟 Immerse yourself in the timeless beauty of J.S. Bach's Goldberg Variations, BWV 988: Var. 15, as played by the virtuoso VÃkingur Ólafsson. 🎵✨ Why You'll Love This Sheet Music:1ï¸âƒ£ **Masterful Interpretation:** VÃkingur Ólafsson's emotive rendition captured on sheet music for your piano pleasure.2ï¸âƒ£ **Precision in Every Note:** Meticulously transcribed to ensure an authentic and enriching musical experience.3ï¸âƒ£ **Express Your Artistry:** Whether you're a seasoned pianist or a budding artist, this sheet music lets you express your musical soul.🌈 Unleash Your Passion for Music:Transform your playing into a breathtaking journey. Feel the resonance of each note as you bring Bach's genius to life on your piano. 🚀🎠Limited-Time Offer:Order now and receive exclusive access to a video tutorial by VÃkingur Ólafsson himself, offering insights into the nuances of this captivating variation.👉 Don't miss out on this opportunity to elevate your musicality! Order your sheet music now and let the Goldberg Variations become a masterpiece under your fingertips. 🎹✨🌟 Elevate your artistry – Bach's Goldberg Variations, BWV 988: Var. 15 awaits you! 🌟Celebrated for his visionary interpretations of J.S. Bach, VÃkingur Ólafsson, one of the greatest pianists and musical minds of today, now embraces Bach’s monumental Goldberg Variations. Ólafsson devotes his entire next season to touring the work globally across six continents, while October 2023 marks the anticipated album release on Deutsche Grammophon. “I have dreamed of recording this work for 25 years,†says the Icelandic pianist. The album follows Ólafsson’s hugely successful DG recording of works by the composer, Johann Sebastian Bach (2018), which won BBC Music magazine’s Album of the Year, Opus Klassik’s Solo Recital award, numerous other recording of the year accolades and led to him being named Gramophone magazine’s Artist of the Year. Now Ólafsson brings his unique musical vision, and an affecting, meticulous recorded sound to Bach’s masterpiece. It marks the first time Ólafsson records a complete work and he begins with one of the most demanding in the piano repertoire. Ólafsson dedicates his 2023-24 season to a Goldberg Variations world tour, performing the work across six continents throughout the year. He brings Bach’s masterpiece to major concert halls including London’s Southbank Centre, New York’s Carnegie Hall, Wiener Konzerthaus, Philharmonie de Paris, Tokyo’s Suntory Hall, Philharmonie Berlin, Harpa Concert Hall, Sydney Opera House, LA’s Walt Disney Hall, Sala São Paulo, Shanghai Symphony Hall, Tonhalle Zurich, KKL Luzern, Alte Oper Frankfurt, Mupa Budapest and Teatro Colón, to name a few. “The Goldberg Variations contain some of the most virtuosic keyboard music ever written, some of the most astonishingly brilliant uses of counterpoint in the repertoire and countless instances of exalted poetry, abstract contemplation and deep pathos – all within immaculately shaped structures of formal perfection. In 30 variations, built on the humble harmonic framework of a simple, graceful aria, Bach turns limited material into boundless variety like no one before or since. He is the greatest keyboard virtuoso of his time.†comments VÃkingur Ólafsson.
$6.99 ≈
$9.53
Fantasie Variations on Mazurek Dabrowskiego
Fantasie Variations on Mazurek Dabrowskiego
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Fantasie Variations on Mazurek
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Sy Brandon
#
SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.755042 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 23 pages. Sy Brandon #3249479. Publis...
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Alto Saxophone,Piano - Level 4 - SKU: A0.755042 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 23 pages. Sy Brandon #3249479. Published by Sy Brandon (A0.755042). Fantasie Variation on Mazurek Dabrowskiego was commissioned in 2010 by David Wozniak. Wozniak suggested using the Polish National Anthem as the basis of a composition that can serve as a fiery opener to a concert. After a short introduction, the anthem is stated using a repetitive rhythmic motif in the piano. Variation one is a minor variant that has a chromatic obligato in the saxophone on the repeat. After a two measure interlude in 4/4 that breaks up the 3/4 meter of the mazurka, Variation two begins. This variation uses motives from the anthem to create a new saxophone melody. Variation three changes meter often and is more technical and angular. A repeat of the minor variant brings the first fast section to a close. After a transition to a slower tempo, a mysterious variation with sudden outbursts occurs. It uses a lot of feminine endings that are characteristic of some Polish music. The tempo slows once again before variation seven which is a lyrical and romantic treatment of motives from the anthem. The final fast section begins with a rhythmic 5/8 variation that changes to 6/8 for the second part of the anthem’s structure. An ornamental version of the anthem with the mazurka rhythm returns at the end before a rousing coda brings the work to a close. This composition is recorded by David Wozniak and Krista Wallace-Boaz on the Emeritus label American Fusion CD.
$9.99 ≈
$13.62
Goldberg Variations (EASY PIANO) Aria (BWV 988) [Johann Sebastian Bach]
Goldberg Variations (EASY PIANO) Aria (BWV 988) [Johann Sebastian Bach]
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Piano Facile
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FACILE
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Classique
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Johann Sebastian Bach
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Darek
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Goldberg Variations
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Darek
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1261978 Composed by Johann Sebastian Bach. Arranged by Darek. Baroque,Classical,Early Music. Score. 2 pages. Darek #85506...
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Easy Piano - Level 2 - SKU: A0.1261978 Composed by Johann Sebastian Bach. Arranged by Darek. Baroque,Classical,Early Music. Score. 2 pages. Darek #855063. Published by Darek (A0.1261978). Goldberg Variations (EASY PIANO) Aria (BWV 988) [Johann Sebastian Bach]Simplified arrangement for pianists of Goldberg Variations Aria (BWV 988) by Johann Sebastian Bach. Easy version for pianists | Easy piano arrangement. Included: Fingering, Dynamics, Articulations and video Youtube tutorial. Step into the enchanting world of Johann Sebastian Bach's Goldberg Variations Aria with my easy-level piano sheet music designed specifically for beginner pianists. Immerse yourself in the rich tapestry of melodic variations that have captivated audiences for centuries. This meticulously crafted sheet music includes helpful fingering suggestions, allowing you to navigate the piece with ease and confidence. Additionally, detailed articulation markings provide valuable insights into the expressive phrasing, enabling you to bring out the nuances and subtleties of the music. To enhance your performance, I have included precise dynamics markings that guide you in shaping the volume and intensity, giving your interpretation an authentic and emotive touch. These dynamic contrasts breathe life into the music, evoking a range of emotions. As an added bonus, this sheet music package includes a video YouTube tutorial, where you can watch and learn from an experienced pianist as they unravel the intricacies of the Goldberg Variations Aria. Gain valuable insights, tips, and techniques that will propel your playing to new heights. Indulge in the beauty of classical music from the Baroque era, as you unravel the elegance and sophistication of Bach's genius. With this Goldberg Variations Aria sheet music, beginners can embark on a musical journey that merges technical development with artistic expression. Unlock your potential, explore the profound world of Bach's compositions, and experience the joy of playing this timeless masterpiece on the piano. Elevate your skills, one note at a time. Keywords: Goldberg Variations Aria, Johann Sebastian Bach, sheet music, piano, easy level, beginner, fingering, articulation, dynamics, video tutorial, music, Baroque era, notes, pianists, classical music, variations, tutorial.
$4.00 ≈
$5.45
J.S. Bach Goldberg Variations, BWV 988 Var.13 (as played by Víkingur Ólafsson)
J.S. Bach Goldberg Variations, BWV 988 Var.13 (as played by Víkingur Ólafsson)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach and VÃ
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Flavio Regis Sudario Cunha
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J.S. Bach Goldberg Variations,
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1371229 By Johann Sebastian Bach and VÃkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Sudario...
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Piano Solo - Level 4 - SKU: A0.1371229 By Johann Sebastian Bach and VÃkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Sudario Cunha. Baroque,Classical,Contest,Festival,Instructional. Score. 5 pages. Flavio Regis Cunha #955480. Published by Flavio Regis Cunha (A0.1371229). J.S. Bach Goldberg Variations, BWV 988 Var.13 (as played by VÃkingur Ólafsson).🎹 **Embark on a Musical Odyssey: Bach's Goldberg Variations, Var. 13 Sheet Music** 🎼🌟 Calling all pianists, both aspiring and seasoned virtuosos! 🌟Unleash the power of emotion, the finesse of technique, and the sheer beauty of J.S. Bach's Goldberg Variations, Var. 13, as performed by the extraordinary VÃkingur Ólafsson. Elevate your playing to new heights with our meticulously curated sheet music.🔥 **Why Choose Our Sheet Music?**1ï¸âƒ£ **Expressive Notations:** Immerse yourself in the emotive world of Var. 13 with our meticulously transcribed sheet music, capturing every nuance and subtlety of VÃkingur Ólafsson's masterful interpretation.2ï¸âƒ£ **Artistry Unleashed:** This isn't just sheet music; it's a gateway to your artistic expression. Feel the music resonate through your fingers as you bring Bach's timeless masterpiece to life.3ï¸âƒ£ **Perfect for All Skill Levels:** Whether you're a professional seeking a fresh challenge or an enthusiast ready to explore Bach's genius, our sheet music is designed to inspire and challenge pianists of all levels.4ï¸âƒ£ **Exclusive Insights:** Gain access to exclusive insights into VÃkingur Ólafsson's approach to Var. 13. Learn from the master and infuse your performance with newfound depth.🌈 **Transform Your Playing Experience!**🎠**Limited-Time Bonus:** Order now and receive a complimentary digital booklet with behind-the-scenes anecdotes from VÃkingur Ólafsson himself, adding a personal touch to your musical journey.🚀 Elevate your piano repertoire with the Goldberg Variations, Var. 13. Let the music speak through you – order your sheet music today and step into the world of Bach's brilliance! 🌟🎶Let the music inspire, let your fingers dance – Bach's legacy awaits! 🎹✨.
$5.99 ≈
$8.17
Motive Motive
Motive Motive
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Batterie
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INTERMÉDIAIRE/AVANCÉ
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Cameron Duncan
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Motive Motive
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Cameron Duncan
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SheetMusicPlus
Drum Set,Drums - Level 4 - SKU: A0.919426 Composed by Cameron Duncan. Instructional,Multicultural,Pop,Rock,World. Score. 3 pages. Cameron Duncan #642302...
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Drum Set,Drums - Level 4 - SKU: A0.919426 Composed by Cameron Duncan. Instructional,Multicultural,Pop,Rock,World. Score. 3 pages. Cameron Duncan #6423025. Published by Cameron Duncan (A0.919426). Motive Motive follows a structure similar to a typical theme and variations, with the initial motive twisting and turning to develop into new material. I wanted to capture the feeling of a solo improvisation session, starting with one idea and letting the imagination run with it to explore other aspects of the idea. Pay less on my website!: cameronduncanmusic.comThis solo is for late intermediate to advanced drummers due to the independence and rhythmic challenges it poses.
$5.00 ≈
$6.82
Piano Sonata No. 1
Piano Sonata No. 1
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Piano seul
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Christian Martin
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Piano Sonata No. 1
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Lux Novus
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SheetMusicPlus
Piano Solo - SKU: A0.1022785 Composed by Christian Martin. 20th Century,Contemporary. Score. 22 pages. Lux Novus #3211699. Published by Lux Novus (A0.10...
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Piano Solo - SKU: A0.1022785 Composed by Christian Martin. 20th Century,Contemporary. Score. 22 pages. Lux Novus #3211699. Published by Lux Novus (A0.1022785). Piano Sonata No. 1 is built on only two short motives and is in three movement sonata form. The first motive is introduced right at the start after which it enters into a series of developmental variations. The second motive takes the foreground only once, briefly, in the first movement but becomes the main melody in the third movement. At the end of the piece you will see both motives fighting back and forth in staggered entrances eventually spinning seemingly out of control to a climactic finish.
$8.00 ≈
$10.91
Hommage an Ursula [piano solo]
Hommage an Ursula [piano solo]
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Piano seul
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AVANCÉ
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Juan MarÃa Solare
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thus, there are 25 sections
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Hommage an Ursula [piano solo]
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1335536 Composed by Juan MarÃa Solare. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. Score. 19 pa...
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Piano Solo - Level 5 - SKU: A0.1335536 Composed by Juan MarÃa Solare. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. Score. 19 pages. Juan Maria Solare #921371. Published by Juan Maria Solare (A0.1335536). Hommage to Ursula is a piano piece in memory of Ursula Görsch (1932-2023). The piece is based on the six sounding letters of her last name (GERSCH, where the O is omitted, the R represents RE - the D note in Spanish, Italian, or Turkish - and the S represents the E flat, 'Es' in German), as well as on the remaining six notes of the total chromatic scale (C#, F, F#, Ab, A, B). Both Pitch Class Sets are identical from an intervallic perspective - transposed by a tritone. Such coincidences confirm to me that I am on the right path, at least musically.The reference to Turkey is not coincidental, as Ursula taught in Istanbul for many years.The initial texture of the piece - a kind of toccata with many repeated notes - is a purely musical homage to Ursula: she used this texture in some passages of her compositions. Besides that, this piece contains no direct quotation from Ursula's music.The work Hommage an Ursula is based on a series of 12 notes. The original version (Prime) and the inverted version (Inversed) alternate. From these 24 versions of the series, 24 sections result. I add a final section based on the original series ('Das Ende im Anfange'*); thus, there are 25 sections.To order the 5 motivic elements, I generate a Latin square. The 5 elements do not rotate, but, in each of the 5 main sections, the initial motive is always the same (A), and the order of the other four (BCDE) changes, permutating according to the following Latin square:A BCDEA CEBDA DBECA EDCBA BCDEThis work can then be considered as a derivation of the 'theme and variations' structure, with the peculiarity that there are five sub-themes that are rearranged in each of the variations.This piece lasts about 11 minutes. The premiere, performed by the composer (that is, by myself), took place on November 26, 2023, at the Konzertsaal of the Hochschule für Künste in Bremen, during the concert 'Gedenkkonzert Ursula Görsch und Harald Kruse', as part of the 73rd Hausmusikwoche, organized by the DTKV (German Association of Sound Artists) in cooperation with the ABK (Circle of Composers in Bremen).This is not an easy piece to listen to. It is absolutely consistent but perhaps monotonous. During the premiere, the yawns of someone in the audience prompted me to briefly interrupt the performance to inform them that the end was near. After the concert, one of the organizers suggested to me that the piece was too 'anstrengend' (demanding, exhausting). It is up to the gentle pianists to risk experiencing the same as me.* 'Das Ende im Anfange' reads the legend that can be read in the circle of tonalities reproduced by Johann Friedrich Michael Wiedeburg in his treatise Der sich selbst informirende Clavierspieler (Leipzig and Halle, 1765-1775, Verlag der Buchhandlung des Waisenhauses).Juan MarÃa SolareBremen, September & December 2023.
$4.00 ≈
$5.45
Canoe for solo piano
Canoe for solo piano
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Piano seul
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AVANCÉ
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Adrienne Inglis
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Canoe for solo piano
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Adrienne Inglis
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1110965 Composed by Adrienne Inglis (ASCAP). 20th Century,Classical,Historic,Multicultural,World. Score. 24 pages. Adrien...
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Piano Solo - Level 5 - SKU: A0.1110965 Composed by Adrienne Inglis (ASCAP). 20th Century,Classical,Historic,Multicultural,World. Score. 24 pages. Adrienne Inglis (ASCAP) #713232. Published by Adrienne Inglis (ASCAP) (A0.1110965). Colorful, challenging piano solo traces an Ojibwe family’s harrowing journey by canoe down the Brule River and across Lake Superior to safety Canoe (2022) by Adrienne Inglis (ASCAP) For solo piano Duration 9:22 Difficulty 5 advanced Canoe (2022) by Adrienne Inglis (ASCAP), commissioned by Dr. Joseph Choi for solo piano, tells a harrowing story through music of the composer’s Ojibwe ancestor, Wabegiah, and her three young children. Wabegiah grew up at Upper Lake St. Croix in Wisconsin, married the French trader Mr. Couture, and had three children. Mr. Couture died suddenly just as the tensions with the Sioux became quite threatening. To protect her children from being killed by the Sioux, she took them on the long journey in a birch bark canoe down the Brule River and along the coast of Lake Superior all the way to Sault Ste. Marie. As you would expect, much of the music represents water, but it also captures moments during their flight. Loud dissonant chords mark Mr. Couture’s death and Wabegiah’s grief. The unsettling fear motive in Locrian mode predominates as they begin to flee. As they head away from danger, the courage theme follows them downstream. In a dissonant conversation with an Ojibwe man on the Brule River, he refused to give the hungry travelers food, but told them to continue to the river’s mouth to find Wabegiah’s aunt and uncle. The restful and nourishing family time on the shores of Lake Superior allows for variations on the family theme, playful, sleepy, and reflecting on the coming of autumn. With the courage theme as the subject, a fugue tracks their difficult passage across Lake Superior to the safety of Sault Ste. Marie. Recounted by Eliza Morrison, a daughter from Wabegiah’s second marriage, this journey took place in the early 1830s. The three children were born in 1828, 1829, and 1830. The youngest of the children was Angelique, the composer’s great great grandmother.
$9.99 ≈
$13.62
Divertimento for Saxophone Quartet
Divertimento for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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AVANCÉ
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Contemporain
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Sy Brandon
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Divertimento for Saxophone Qua
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Sy Brandon
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 5 - SKU: A0.755222 Composed by Sy Brandon. 20th Century,Contemporary. 95 pages. Sy Brandon #3418983. Publish...
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Saxophone Quartet,Woodwind Ensemble - Level 5 - SKU: A0.755222 Composed by Sy Brandon. 20th Century,Contemporary. 95 pages. Sy Brandon #3418983. Published by Sy Brandon (A0.755222). Divertimento is in three movements. The first movement Frolic has three main thematic ideas. The first contains dotted rhythms, staccato articulation, and meter change. The second thematic idea is related to the first in that it also uses dotted rhythms and meter change, but is more legato and begins with more sustained notes. The third thematic section is thinner in texture, more playful, and has a legato theme over a staccato background. The motivic material in each of these sections has similarities. Contrast is primarily obtained through change of style and mood. These thematic ideas develop throughout the movement by varying key, instrumentation, and melodic material. There are several sections of imitation that are very energetic. The second movement Ballad is lyrical at an Andante tempo. The form of the movement is through-composed as the motives develop into new variations instead of having clearly distinguished themes. There is however a recapitulation that brings the listen back to the opening material. The main motives that develop are a sixteenth note pattern that is arpeggiated and also stepwise, a dotted quarter and eighth note idea that is often on weak beats as well as appearing on strong beats, and scalewise eighth note lines. All of these interweave among the parts with frequent counterpoint and some imitation. The harmony is lush with seventh chords used frequently. The last movement Tarantella is in a lively tempo. The form of this movement is a large ABA(Scherzo, Trio, Scherzo). The A sections are in triple meter while the B section is in duple. The A section is in three parts, forming an ABA within the large A. The material for the first part is motivically derived. The first motive is a dotted eighth, sixteenth, eighth note followed by even eighth notes. The second motive is four chromatic sixteenth notes followed by an eighth note. This motive appears both ascending and descending. The B section within this large A consists of a slurred melodic line that has both stepwise motion and leaps. It is accompanied by staccato chromatic eighth notes. The large B section is folksong-like and is in a recognizable binary form that repeats in a new key. The large A serves as a recapitulation of the opening section and it ends lightly and playfully in keeping with the Divertimento title that means to divert or amuse.
$14.99 ≈
$20.44
Divertimento for Woodwind Quartet
Divertimento for Woodwind Quartet
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Flûte, Hautbois, Clarinette, Basson
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AVANCÉ
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Contemporain
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Sy Brandon
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Divertimento for Woodwind Quar
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Sy Brandon
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.755218 Composed by Sy Brandon. 20th Century,Contemporary. 93 pages. S...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.755218 Composed by Sy Brandon. 20th Century,Contemporary. 93 pages. Sy Brandon #3418979. Published by Sy Brandon (A0.755218). Divertimento is in three movements. The first movement Frolic has three main thematic ideas. The first contains dotted rhythms, staccato articulation, and meter change. The second thematic idea is related to the first in that it also uses dotted rhythms and meter change, but is more legato and begins with more sustained notes. The third thematic section is thinner in texture, more playful, and has a legato theme over a staccato background. The motivic material in each of these sections has similarities. Contrast is primarily obtained through change of style and mood. These thematic ideas develop throughout the movement by varying key, instrumentation, and melodic material. There are several sections of imitation that are very energetic. The second movement Ballad is lyrical at an Andante tempo. The form of the movement is through-composed as the motives develop into new variations instead of having clearly distinguished themes. There is however a recapitulation that brings the listen back to the opening material. The main motives that develop are a sixteenth note pattern that is arpeggiated and also stepwise, a dotted quarter and eighth note idea that is often on weak beats as well as appearing on strong beats, and scalewise eighth note lines. All of these interweave among the parts with frequent counterpoint and some imitation. The harmony is lush with seventh chords used frequently. The last movement Tarantella is in a lively tempo. The form of this movement is a large ABA(Scherzo, Trio, Scherzo). The A sections are in triple meter while the B section is in duple. The A section is in three parts, forming an ABA within the large A. The material for the first part is motivically derived. The first motive is a dotted eighth, sixteenth, eighth note followed by even eighth notes. The second motive is four chromatic sixteenth notes followed by an eighth note. This motive appears both ascending and descending. The B section within this large A consists of a slurred melodic line that has both stepwise motion and leaps. It is accompanied by staccato chromatic eighth notes. The large B section is folksong-like and is in a recognizable binary form that repeats in a new key. The large A serves as a recapitulation of the opening section and it ends lightly and playfully in keeping with the Divertimento title that means to divert or amuse.
$14.99 ≈
$20.44
Divertimento
Divertimento
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Sy Brandon
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Divertimento
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Imagine Music - Digital
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SheetMusicPlus
Oboe, clarinet, bassoon - SKU: IZ.BCMS171 Composed by Sy Brandon. BCMCC (Bassoon Chamber Music Composition Competition). Score and Parts. 69 pages. Imag...
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Oboe, clarinet, bassoon - SKU: IZ.BCMS171 Composed by Sy Brandon. BCMCC (Bassoon Chamber Music Composition Competition). Score and Parts. 69 pages. Imagine Music - Digital #BCMS171. Published by Imagine Music - Digital (IZ.BCMS171). 9 x 12 in inches.Divertimento is in three movements. The first movement, Frolic, has three main thematic ideas. The first contains dotted rhythms, staccato articulation, and meter change. The second thematic idea is related to the first in that it also uses dotted rhythms and meter change, but is more legato and begins with more sustained notes. The third thematic section is thinner in texture, more playful, and has a legato theme over a staccato background. The motivic material in each of these sections has similarities. Contrast is primarily obtained through change of style and mood. These thematic ideas develop throughout the movement by varying key, instrumentation, and melodic material. There are several sections of imitation that are very energetic.The second movement, Ballad, is lyrical at an Andante tempo. The form of the movement is through-composed as the motives develop into new variations instead of having clearly distinguished themes. There is however a recapitulation that brings the listen back to the opening material. The main motives that develop are a sixteenth note pattern that is arpeggiated and also stepwise, a dotted quarter and eighth note idea that is often on weak beats as well as appearing on strong beats, and scalewise eighth note lines.All of these interweave among the parts with frequent counterpoint and some imitation. The harmony is lush with seventh chords used frequently.The last movement, Tarantella, is in a lively tempo. The form of this movement is a large ABA(Scherzo, Trio, Scherzo). The A sections are in triple meter while the B section is in duple. The A section is in three parts, forming an ABA within the large A. The material for the first part is motivically derived. The first motive is a dotted eighth, sixteenth, eighth note followed by even eighth notes. The second motive is four chromatic sixteenth notes followed by an eighth note. This motive appears both ascending and descending. The B section within this large A consists of a slurred melodic line that has both stepwise motion and leaps. It is accompanied by staccato chromatic eighth notes. The large B section is folksong-like and is in a recognizable binary form that repeats in a new key. The large A serves as a recapitulation of the opening section and it ends lightly and playfully in keeping with the Divertimento title that means to divert or amuse.
$32.00 ≈
$43.63
Chromatic Prelude in B major
Chromatic Prelude in B major
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Piano seul
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AVANCÉ
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Christopher McWilliams
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Chromatic Prelude in B major
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Christopher McWilliams
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1008279 Composed by Christopher McWilliams. Baroque,Contemporary. Score. 6 pages. Christopher McWilliams #4632439. Publis...
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Piano Solo - Level 5 - SKU: A0.1008279 Composed by Christopher McWilliams. Baroque,Contemporary. Score. 6 pages. Christopher McWilliams #4632439. Published by Christopher McWilliams (A0.1008279). For the Prelude, I have incorporated variations of the iconic chord progression from Pachelbel's Canon in D major and took the liberty to quote three themes from other sources at three distinct points throughout. The first one marks the conclusion from the first movement of Vivaldi's Guitar Concerto in D major. The source for the second borrowed theme is unknown, and the third theme is derived from the song Somedays featured in Paul McCartney's 1997 album Flaming Pie. The main motive of the prelude is loosely based on a rhythmic figure found in a typical prelude by J.S. Bach. Although the harmony is largely diatonic, I have clearly marked key modulations that descend by chromatic steps during the episodes from B major to B major. .
$3.99 ≈
$5.44
Penta-Moods
Penta-Moods
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Liz Nedela
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One Piano Four Hands.
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Penta-Moods
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Liz Nedela
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 4 - SKU: A0.938013 Composed by Liz Nedela. 20th Century,Contemporary,Contest,Festival,Instructional,Multicul...
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Instrumental Duet Instrumental Duet - Level 4 - SKU: A0.938013 Composed by Liz Nedela. 20th Century,Contemporary,Contest,Festival,Instructional,Multicultural,World. Score and parts. 21 pages. Liz Nedela #5801577. Published by Liz Nedela (A0.938013). Variations on the Pentatonic; One Piano Four Hands. Using several pentatonic scales, the three movements (two are short, one is long) of this piece have many moods, as the title implies! l. Melody on the Miyako-bushi is slow and dreamy (altho, some pianists like to play it fast and dreamy).2.The Chase on the Man Gong is fast, as the primo and secondo chase each other! 3. Variations on the Blues Minor is the longest movement and has a lot going on with tempo changes, running up and town the piano, displacing accents, a dreamy Adagio, Allegro contrasts; and rhythmic motives and jazz harmonies get tossed back and forth in Primo and Secondo.This was a commission for the WSMTA Composer of the Year 2014; and it has a counterpart: the piano solo written for the Intermediate composers of WSMTA, which is listed elsewhere in this catalog.Have fun with this piece! -- while you learn about pentatonic scales in a very different way!
$12.00 ≈
$16.36
Now Let the Heavens Be Joyful (Provençal)
Now Let the Heavens Be Joyful (Provençal)
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Orgue
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INTERMÉDIAIRE
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Musique Sacrée
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Lynn L
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Lynn L
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Now Let the Heavens Be Joyful
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Lynn L. Petersen
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1197878 Composed by Lynn L. Petersen and Provençal Carol. Arranged by Lynn L. Petersen. Christian,Easter,Praise & Worship,R...
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Organ - Level 3 - SKU: A0.1197878 Composed by Lynn L. Petersen and Provençal Carol. Arranged by Lynn L. Petersen. Christian,Easter,Praise & Worship,Religious,Sacred. Score. 6 pages. Lynn L. Petersen #797042. Published by Lynn L. Petersen (A0.1197878). An organ arrangement of the Provençal tune used with the Easter text Now Let the Heavens Be Joyful. Suitable for worship or concert use during the Easter season. May function as prelude, postlude, hymn introduction or hymn accompaniment. Written on three staves with pedal; suitable for a 2-manual organ.The arrangement begins with an introduction based on tune motives, then three continuous variations of the tune follow, with an ending based on the refrain. The arrangement employs abundant harmonic variety and builds in intensity and texture from one variation to the next. In the first variation the melody is played in the right hand with left hand counterpoint and pedal accompaniment. In the second variation the melody is played in the left hand with fanfare motives in the right hand, and pedal is added on the refrain. The third variation employs full organ and thick chordal texture. The refrain is repeated at a slower tempo and earlier fanfare motives reappear to end the piece.
$5.00 ≈
$6.82
Adoring Praise: Two Hymn Settings
Adoring Praise: Two Hymn Settings
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Orgue
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Emma Lou Diemer
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Adoring Praise: Two Hymn Setti
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Organ - Medium to Moderately Difficult - SKU: MQ.10-569-E Composed by Emma Lou Diemer. Ascension, Feast of Corpus Christi. 24 pages. MorningStar Music P...
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Organ - Medium to Moderately Difficult - SKU: MQ.10-569-E Composed by Emma Lou Diemer. Ascension, Feast of Corpus Christi. 24 pages. MorningStar Music Publishers - Digital Sheet Music #10-569-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-569-E). Emma Lou Diemer is widely recognized as one of the leading women composers of the late 20th century. In this publication she applies her unique compositional style to two well-known hymns. LASST UNS ERFREUEN is a celebratory setting with a wide variety of harmonic colors. The work is a free setting of the hymn, with motives from it being used rather than complete statements.Her set of Variations on ADORO TE DEVOTE (ADORO TE/ADORO DEVOTE) is a meditative, expressive setting of the Benedictine plainsong. The variations vary from quiet to more intense, with the central variation a moving canon between the pedal and upper voice subsiding to a prayerful ending.
$15.00 ≈
$20.45
Four Episodes (for viola)
Four Episodes (for viola)
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Alto seul
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AVANCÉ
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Brandon Nelson
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Four Episodes
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Brandon Nelson
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SheetMusicPlus
Viola Solo - Level 5 - SKU: A0.912917 Composed by Brandon Nelson. Concert,Contemporary. Individual part. 7 pages. Brandon Nelson #1998627. Published by ...
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Viola Solo - Level 5 - SKU: A0.912917 Composed by Brandon Nelson. Concert,Contemporary. Individual part. 7 pages. Brandon Nelson #1998627. Published by Brandon Nelson (A0.912917). A set of intriguing, contrasting miniatures for unaccompanied viola. Aimed at higher level players, this piece is ideal for any concert or recital setting. The first in this set, from darkness, rising, is a lyric caprice which gradually moves from darker modes to brighter modes (locrian to lydian). The next selection, Eidólons, has a veiled, mysterious quality. In this piece, I explore variations based on rhythmic alteration. An eidólon is a spirit or phantasm; the term was a favorite of American poet Walt Whitman. The third entry, Homeostatic, is built upon a concept I refer to as biofeedback music. In this case, I took regularly-spaced readings of my pulse rate and blood oxygen saturation percentage and performed basic arithmetic operations on these figures, the results of which I used to determine a number of musical facets (most notably the essential constituents of the rhythmic gestures). The final piece, Sapta Bodhyanga, I built on a wedge concept (in this case, seven intervals, each becoming larger, ending with the octave). The number seven also features prominently in the design of the rhythmic motives (with chance procedures used in the deployment of these figures). Given the concentration on this number and the use of aleatoric methods, I titled this piece after the Zen Buddhist concept sapta-bodhyang, or seven degrees of enlightenment.
$8.99 ≈
$12.26
Four Episodes (solo tenor sax)
Four Episodes (solo tenor sax)
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Saxophone (partie séparée)
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AVANCÉ
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Brandon Nelson
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Four Episodes
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Brandon Nelson
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SheetMusicPlus
Tenor Saxophone Solo - Level 5 - SKU: A0.912916 Composed by Brandon Nelson. Concert,Contemporary. Individual part. 7 pages. Brandon Nelson #1998629. Pub...
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Tenor Saxophone Solo - Level 5 - SKU: A0.912916 Composed by Brandon Nelson. Concert,Contemporary. Individual part. 7 pages. Brandon Nelson #1998629. Published by Brandon Nelson (A0.912916). An ideal piece to showcase high level playing with intriguing, colorful music. Appropriate for any concert or recital setting. The first in this set, from darkness, rising, is a lyric caprice which gradually moves from darker modes to brighter modes (locrian to lydian). The next selection, Eidólons, has a veiled, mysterious quality. In this piece, I explore variations based on rhythmic alteration. An eidólon is a spirit or phantasm; the term was a favorite of American poet Walt Whitman. The third entry, Homeostatic, is built upon a concept I refer to as biofeedback music. In this case, I took regularly-spaced readings of my pulse rate and blood oxygen saturation percentage and performed basic arithmetic operations on these figures, the results of which I used to determine a number of musical facets (most notably the essential constituents of the rhythmic gestures). The final piece, Sapta Bodhyanga, I built on a wedge concept (in this case, seven intervals, each becoming larger, ending with the octave). The number seven also features prominently in the design of the rhythmic motives (with chance procedures used in the deployment of these figures). Given the concentration on this number and the use of aleatoric methods, I titled this piece after the Zen Buddhist concept sapta-bodhyang, or seven degrees of enlightenment. Learn more about me at bnelsonmusic.wordpress.com.
$8.99 ≈
$12.26
Stardust Inferno
Stardust Inferno
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Adam Grim
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Stardust Inferno
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Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.939373 Composed by Adam Grim. Concert,Pop,World. Score and parts. 38 pages. Adam B. Grim #5991851. Published by ...
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Percussion Ensemble - Level 4 - SKU: A0.939373 Composed by Adam Grim. Concert,Pop,World. Score and parts. 38 pages. Adam B. Grim #5991851. Published by Adam B. Grim (A0.939373). Stardust Inferno is a soca written for a steel band with the following instrumentation: Lead (Low C), Double Tenor, Double Seconds, Cello, Bass, and Drum Set. The motives found in this were written on a lead pan first, and then added variations and a solo section. The bass voices have a time to shine with their own melody, the double tenor and double seconds add harmony, and the drum set has group hits written in, rather than having a repeated pattern with slash notation on top. This was a fun piece to write, and is one of my favorites in my works for pan!
$30.00 ≈
$40.90
Objets Trouvés for flute and piano
Objets Trouvés for flute and piano
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Flûte traversière et Piano
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AVANCÉ
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Contemporain
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William Grosvenor Neil
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Objets Trouvés for flut
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TheComposerStudio.Com, LLC
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.980586 Composed by William Grosvenor Neil. Contemporary. Score and parts. 18 pages. ...
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.980586 Composed by William Grosvenor Neil. Contemporary. Score and parts. 18 pages. TheComposerStudio.Com, LLC #4579299. Published by TheComposerStudio.Com, LLC (A0.980586). Objets Trouvés (2019) (score and parts) This piece for flute and piano is dedicated to the silenced artists that perished during WWII and is inspired by two fragments that I found in the in the United States Holocaust Museum in Washington, D.C.: an ink drawing entitled A Brighter Future, by Bedrich Fritta, and a musical sketch of a twelve-tone row composed by the Moravian composer, Gideon Klein. I was captivated by the ink drawing with its clear expression of freedom and the still life that depicts a violin and musical manuscript containing a music motive in Ab major. The construction of my composition is largely derived from the dual tonal-atonal nature of the two motives as it drives forward in thematic variations expressing the conflicting emotions of hope and despair. WN The download contains the score and flute part. More information on this piece can be found at www.thecomposerstudio.com and www.williamneil.net The audio is from a concert performed at Viterbo University in La Crosse, WI performed by Jonathan Borja, flute and Mary Ellen Haupert, piano .
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$40.90
Potpourri sur un thème suisse
Potpourri sur un thème suisse
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Clarinette
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Classique
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Joseph Kuffner
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Potpourri sur un thème
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Schott Music - Digital
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SheetMusicPlus
Clarinet and piano - intermediate to advanced - SKU: S9.Q53271 „Alpenlied. Composed by Joseph Kuffner. Edited by Rainer Mohrs and Rudolf Ma...
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Clarinet and piano - intermediate to advanced - SKU: S9.Q53271 „Alpenlied. Composed by Joseph Kuffner. Edited by Rainer Mohrs and Rudolf Mauz. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 190. 20 pages. Schott Music - Digital #Q53271. Published by Schott Music - Digital (S9.Q53271). German • Danish.Joseph Küffner was born into a family of musicians in Würzburg. He learned to play several instruments including violin, flute, trombone, guitar and also clarinet. Küffner began working as a military musician in the Elector of Würzburg’s orchestra, moved to the court orchestra in the course of secularization (1806–1814) and later returned to military music in the Bavarian army. From 1825 Küffner worked as a teacher, composer and arranger in Würzburg. He composed symphonies, overtures, military and chamber music for wind instruments and strings with piano or guitar accompaniment. Schott also published his clarinet method ‘Principes Élémentaires de la Musique et Gamme de Clarinette suvis de 24 Duos instructifs (...) pour deux Clarinettes, op. 200‘. The Potpourri sur un thème suisse on a Swiss alpine melody was published in 1838 (plate number 2590). The theme is an old yodelling melody. A melodic introduction is followed by a theme and five variations. In the final Rondo, the triad motives of the opening are taken up again.
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Variations on a Motive
