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Victory Rag
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Vous avez sélectionné:
Victory Rag
Partitions à imprimer
46 partitions trouvées
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26
Victory Rag
Victory Rag
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James Scott
#
Judith Katz
#
Victory Rag
#
Judith Katz
#
SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.753780 Composed by James Scott. Arranged by Judith Katz. 20th Century,Ragtime. 7 pages. Judith Katz #22795. Publis...
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Woodwind Ensemble - Level 4 - SKU: A0.753780 Composed by James Scott. Arranged by Judith Katz. 20th Century,Ragtime. 7 pages. Judith Katz #22795. Published by Judith Katz (A0.753780). A flute choir arrangement of Victory Rag. This was originally written for piano by James Scott, one of the most popular rag time composers, second in popularity to Scott Joplin.
$20.99 ≈
18.82€
Victory Rag - Parts
Victory Rag - Parts
#
James Scott
#
Judith Katz
#
Victory Rag - Parts
#
Judith Katz
#
SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.753779 Composed by James Scott. Arranged by Judith Katz. 20th Century,Ragtime. 16 pages. Judith Katz #22801. Publi...
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Woodwind Ensemble - Level 4 - SKU: A0.753779 Composed by James Scott. Arranged by Judith Katz. 20th Century,Ragtime. 16 pages. Judith Katz #22801. Published by Judith Katz (A0.753779). A set of parts for the Judith Katz flute choir arrangement of Victory Rag.
$10.00 ≈
8.96€
Victory Ragtime
Victory Ragtime
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Ensemble de cuivres
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AVANCÉ
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Ragtime
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James Scott
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Glen D
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Victory Ragtime
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Glen D. Lienhart
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.840329 Composed by James Scott. Arranged by Glen D. Lienhart. Ragtime. Score and parts. 41 pages. Glen D. Lienhart #4...
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Brass Ensemble - Level 5 - SKU: A0.840329 Composed by James Scott. Arranged by Glen D. Lienhart. Ragtime. Score and parts. 41 pages. Glen D. Lienhart #4762125. Published by Glen D. Lienhart (A0.840329). Grade V brass or woodwind trio, with piano accompaniment. Includes several alternate parts.
$15.00 ≈
13.45€
Victory Ragtime
Victory Ragtime
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Ensemble de cuivres
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AVANCÉ
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James Scott
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Glen D
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Victory Ragtime
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Glen D. Lienhart
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.840381 Composed by James Scott. Arranged by Glen D. Lienhart. 20th Century,Folk,Ragtime. Score and parts. 29 pages. G...
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Brass Ensemble - Level 5 - SKU: A0.840381 Composed by James Scott. Arranged by Glen D. Lienhart. 20th Century,Folk,Ragtime. Score and parts. 29 pages. Glen D. Lienhart #6633509. Published by Glen D. Lienhart (A0.840381). Grade V Euphonium Trio arrangement with Piano Accompaniment. All parts are playable by trombones, bassoons, and cello. Includes alternate parts for euphonium T.C./Tenor Sax, F and Eb Horns, and baritone Saxophone.
$12.00 ≈
10.76€
Victory Ragtime
Victory Ragtime
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Ragtime
#
James Scott
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Glen D
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Victory Ragtime
#
Glen D. Lienhart
#
SheetMusicPlus
String Ensemble Cello,Piano,Viola,Violin - Level 5 - SKU: A0.840340 Composed by James Scott. Arranged by Glen D. Lienhart. Ragtime. Score and parts. 23 ...
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String Ensemble Cello,Piano,Viola,Violin - Level 5 - SKU: A0.840340 Composed by James Scott. Arranged by Glen D. Lienhart. Ragtime. Score and parts. 23 pages. Glen D. Lienhart #4838797. Published by Glen D. Lienhart (A0.840340). Grade V violin or string trio with piano accompaniment. Includes alternate parts for viola and cello.
$18.00 ≈
16.14€
Victory Ragtime
Victory Ragtime
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Quatuor à cordes: 2 violons, alto, violoncelle
#
AVANCÉ
#
Ragtime
#
James Scott
#
Glen D
#
Victory Ragtime
#
Glen D. Lienhart
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.840337 Composed by James Scott. Arranged by Glen D. Lienhart. Ragtime. Score and pa...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.840337 Composed by James Scott. Arranged by Glen D. Lienhart. Ragtime. Score and parts. 35 pages. Glen D. Lienhart #4822817. Published by Glen D. Lienhart (A0.840337). Grade V string trio with string orchestra. Can be played by 3 violins, 2 violins and viola, or violin, viola and cello.
$60.00 ≈
53.79€
God Hates Rags
God Hates Rags
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Piano seul
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J
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God Hates Rags
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J. Randolph Hall
#
SheetMusicPlus
Instrumental Solo,Piano and Keyboard - Interactive Download SKU: A0.482485 Composed by J. Randolph Hall. This edition: Interactive Download. World. Indiv...
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Instrumental Solo,Piano and Keyboard - Interactive Download SKU: A0.482485 Composed by J. Randolph Hall. This edition: Interactive Download. World. Individual part. 2 pages. Duration 96. Published by J. Randolph Hall (A0.482485). This is a ragtime piece that makes fun of the infamous Westboro Baptist Church slogan, God hates F**s. The introduction (section A) starts off with the congregation's own short song, God hates f**s. This is followed by the verse (section B) and refrain (section C) of the classic hymn, Faith is the Victory which WBC hijacked. The key changes and we go into Dies Irae or Day of Wrath (section D) as Phelps would talk about Hell as if he had )been born and raised there. Finally , the original key returns with the first song (section E). PLEASE READ & UNDERSTAND: I in NO form or fashion support nor condone most of Westboro Baptist Church's appalling behavior. THIS IS A SATIRE.
$4.00 ≈
3.59€
Decatur's Victory. A Favorite New Song
Decatur's Victory. A Favorite New Song
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Piano, Voix
#
W
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Decatur's Victory. A Favorite
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Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice - SKU: LV.21287 Composed by W. Strickland. War of 1812, Patriotism, Campaigns & battles, Seamen, Naval warfare. Lester S. Levy Collectio...
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Piano and voice - SKU: LV.21287 Composed by W. Strickland. War of 1812, Patriotism, Campaigns & battles, Seamen, Naval warfare. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.21287). Decatur's Victory. A Favorite New Song. Written by W. Strickland. Published [n.d.] by J. Wilson, No. 62 Broadway in New York. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include War of 1812, Patriotism, Campaigns & battles, Seamen, Naval warfare. First line reads On a cruize we set sail, with a prosperous gale, our hearts full of courage and true.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.37€
Lead Us On To Victory, sacred music for SATB choir
Lead Us On To Victory, sacred music for SATB choir
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Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Lead Us On To Victory, sacred
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Kevin G. Pace
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1368263 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sac...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1368263 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. 10 pages. Kevin G. Pace #952593. Published by Kevin G. Pace (A0.1368263). A bold, striking choral composition with music by Kevin G. Pace and text by Mark R. Fotheringham.Text:1. Through a troubled world we wander,Faced with sin on every side,But the banner which we followGives us courage to abide.We will honor our ExemplarAnd the path that He has shown,Never heeding any evil way.Thus may we be called His own.2. With our hands we'll help our neighbors.With our hearts we'll show His love.With our voices testifyingTruth revealed from up above.Thus our ranks will swell with soldiersAs we add more to our rolls.Armed with faith and love and sacrifice,We battle to win all souls.CHORUSFor the Lord, He is our Captain.We will e'er His servants be.He will lead us ever unto God,Lead on to victory.3. When at last the war is over,When the race has run its course,May we then return in honorTo the One who is our source.As we kneel before our CaptainTo be judged of all our deeds,He will honor all who served Him well,For all who are true He pleads.CHORUS.
$1.99 ≈
1.78€
Victory All the Time
Victory All the Time
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Words & Music: Lelia N
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Lyndell Leatherman
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some were not
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Victory All the Time
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Leatherman Music Services
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1407067 Composed by Words & Music: Lelia N. Morris. Arranged by Lyndell Leatherman. Christian,Religious,Sac...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1407067 Composed by Words & Music: Lelia N. Morris. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #989766. Published by Leatherman Music Services (A0.1407067). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos or duets.•Chord symbols included as a service to classical guitarists.•Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboards–for example, using the piano/strings setting•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I, available here: https://www.alfred.com/best-loved-hymns-i/p/98-FJH2023/************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$3.99 ≈
3.58€
Faith Is the Victory
Faith Is the Victory
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Southwest Baptist Church
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Lyndell Leatherman
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some were not
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Faith Is the Victory
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1399924 By Southwest Baptist Church. By Words: John H. Yates / Music: Ira D. Sankey. Arranged by Lyndell Le...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1399924 By Southwest Baptist Church. By Words: John H. Yates / Music: Ira D. Sankey. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #983150. Published by Leatherman Music Services (A0.1399924). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos or duets.•Chord symbols included as a service to classical guitarists.•Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboards–for example, using the piano/strings setting•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I, available here: https://www.alfred.com/best-loved-hymns-i/p/98-FJH2023/************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$3.99 ≈
3.58€
Am I a Soldier of the Cross
Am I a Soldier of the Cross
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Piano, Voix
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INTERMÉDIAIRE
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Musique Sacrée
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Everall A
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Am I a Soldier of the Cross
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Everall Aiken Peele
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.821571 Composed by Everall A. Peele. Christian,Sacred. Score. 2 pages. Everall Aiken Peele #3513761. Published by ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.821571 Composed by Everall A. Peele. Christian,Sacred. Score. 2 pages. Everall Aiken Peele #3513761. Published by Everall Aiken Peele (A0.821571). A new tune for a hymn by Isaac Watts. Suitable for Christian worship services as a congregational hymn or special music by a choir or worship team. Themes: Spiritual Warfare, Victory, Courage, Hope
$2.99 ≈
2.68€
Lua Branca - by Chiquinha Gonzaga - For Piano
Lua Branca - by Chiquinha Gonzaga - For Piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Idalmo Santos
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Idalmo Santos
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Lua Branca - by Chiquinha Gonz
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Idalmo Santos
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1083332 By Idalmo Santos. By Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. Latin,Multicultu...
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Piano Solo - Level 4 - SKU: A0.1083332 By Idalmo Santos. By Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. Latin,Multicultural,World. Score. 4 pages. Idalmo Santos #687534. Published by Idalmo Santos (A0.1083332). One of the most famous Brazilian songs and one of the best known compositions by Chiquinha Gonzaga, the modinha Lua branca has a history surrounded by mystery. It was written for the burleta Forrodobó, performed at Teatro São José in June 1912, as a modinha for the characters Sá Zeferina and Escandanhas, whose original verses maintain the caricature spirit of the play. In 1929, this romantic version appeared with the title Lua branca (White Moon), recorded by the singer Gastão Formenti, without the authorship of the verses and the new title being known to this day. Between the two versions, there was an arrangement on disc with the title Lua de fulgores by the singer R. Ricciardi, pseudonym of the paulista Paraguassu, but it was the version recorded by Gastão Formenti, accompanied on the piano by professor J. Otaviano, and the Irmãos Vitale edition with harmonization by the pianist that became famous. Chiquinha Gonzaga had to claim authorship of the modinha, denouncing plagiarism and obtaining victory through Sbat, an entity she founded. The original version was recorded as a comic scene by Pinto Filho and Maria Vidal, in 1930, with the title Sá Zeferina. Also the original melody with verses by Paulo César Pinheiro, entitled Serenata de uma mulher (A Woman's Serenade), was recorded by OlÃvia Hime in 1998. The version canonized as Lua branca has numerous phonograph records by singers and instrumentalists such as Paulo Tapajós, Paulo Fortes, Rosemary, Vânia Carvalho, Maria Bethânia, Verônica Sabino, Leila Pinheiro, Joana, Alessandra Maestrini, Antonio Adolfo, Eudóxia de Barros, Rosária Gatti, Marcus Vianna, Maria Teresa Madeira, and Leandro Braga.
$1.99 ≈
1.78€
No Longer At Ease for Euphonium Quartet
No Longer At Ease for Euphonium Quartet
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Matthew Nunes
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No Longer At Ease for Euphoniu
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Matthew Nunes Music
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SheetMusicPlus
Euphonium,Low Brass Quartet - Level 5 - SKU: A0.1259405 Composed by Matthew Nunes. 21st Century,Chamber,Contemporary. 33 pages. Matthew Nunes Music #852...
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Euphonium,Low Brass Quartet - Level 5 - SKU: A0.1259405 Composed by Matthew Nunes. 21st Century,Chamber,Contemporary. 33 pages. Matthew Nunes Music #852692. Published by Matthew Nunes Music (A0.1259405). Listen to this piece hereBuyer beware, these are the hardest euphonium parts I've written. Be sure to check out my first euphonium quartet Beacons (2014).No Longer at Ease is a stand-alone euphonium quartet inspired by Chinua Achebe’s 1960 novel of the same name. In Achebe’s novel a young man is sent to University by his village’s elders in the hopes he will return able to guide and protect his people through uncertain and unwanted colonialist developments. However, the man abandons their plans to pursue his own interests and faces the fallout of his actions upon his return home and in the volatile years to come. Reading such an affective work in the final semester of my Masters preparing to return home was timely and I have found the similarities between my life and Achebe’s art blurred. I began writing this work upon returning home to Niceville, Florida and realizing that both myself and the town I call home have changed drastically.     The piece begins with jarring sixteenth-notes derived from a rising arpeggiated-tetrachord. Ceaseless double tonguing, the lead in the fourth euphonium, and unsettling metric shifts combine for unique and frenetic effects. A yearning melody enters amidst this chaos and is a musical spelling of “homeâ€. The return and developments of the frenetic material culminates in a solo statement of this theme. The middle section represents the home of years past and features a uniquely Niceville quote with fragments of the Niceville High School fight song. These fragments make up each independent line and the music culminates in a triumphant victory. However, this victory is cut brief by the cutting sixteenth-note driven material from earlier. The finale is an exciting mockery of the “home†theme with interjections and exploitations of all previous themes. - Matthew NunesNiceville, June 2018.
$24.99 ≈
22.40€
The Abduction of Persephone (for String Orchestra)
The Abduction of Persephone (for String Orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Aaron Fonzi
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The Abduction of Persephone
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Aaron Fonzi
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #33678...
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String Orchestra - Level 3 - SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #3367893. Published by Aaron Fonzi (A0.998356). This piece tells the epic story of Hades' abduction of his niece, Persephone. According to the legend, Hades came up through a crack in the ground and snatched the girl while she was playing. In the Underworld, he tried to seduce her in a variety of ways, but to no avail. Finally, Hades is said to have tricked her into staying by offering her a tempting pomegranate. As Persephone ate 6 seeds, she was to stay in the Underworld for six months each year. It is said that while Persphone is in the Underworld, the plants wither and die, and when she comes back to the surface she brings rebirth to growing things. This piece begins with playful pizzicato lines that build upon each other. These represent Persphone at play, but forebodes the dark forces that are encircling her. When the orchestra goes to arco, Persphone is being dragged into the Underworld. A mournful violin solo signifies her arrival, but this mournful theme is quickly replace by the devious seductions of Hades in the form of a humorous waltz. Finally, Hades offers the pomegranate to Persephone and she eats 6 seeds (represented by the six beats of the B major chord in measures 76 and 77). The main theme then takes over once again, modulating to F# minor to represent Hades' victory. With relentless energy, catchy ostinati and opportunities to work on shifting, pizzicato and arco throughout, this piece will not dissapoint for audiences and students alike. A FEW NOTES: 1. I'd recommend rehearsing the rhythms of recurring ostinati together- first pizzicato then arco. You may get creative and incorporate scales with these rhythms. However you do it, it'll be important that each ostinato is played with precision and confidence. 2. Have fun with the waltz section! It's meant to portray the strange, whimsical nature of Hades' attempts to woo Persephone, so the awkwardness in delivery is encouraged! 3. All ritardandos should be exaggerated for the sake of drama. 4. Encourage your drumset player to explore different ways of accompanying the orchestra- the drumset part is a blueprint, not definitive instructions. 5. Be sure to practice shifting into 2nd position for the modulation. I hope you and your students have a great time putting this epic piece together! I had a ton of fun writing it! ~Aaron Fonzi
$20.00 ≈
17.93€
Piano Concerto No. 1 - Score Only
Piano Concerto No. 1 - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score O
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Mar...
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Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00 ≈
22.41€
Piano Concerto No. 1 - FIRST movement [score and parts]
Piano Concerto No. 1 - FIRST movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74...
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Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00 ≈
29.58€
Piano Concerto No. 1 - SECOND movement [score and parts]
Piano Concerto No. 1 - SECOND movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical...
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Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00 ≈
29.58€
Piano Concerto No. 1 - THIRD movement [score and parts]
Piano Concerto No. 1 - THIRD movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Mar...
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Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00 ≈
29.58€
Imperial Battle March (for Full Orchestra)
Imperial Battle March (for Full Orchestra)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Tito Abeleda
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Imperial Battle March
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Visionary Quest Records
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.984557 Composed by Tito Abeleda. Contemporary. Score and parts. 90 pages. Visionary Quest Records #5324517. Published...
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Full Orchestra - Level 4 - SKU: A0.984557 Composed by Tito Abeleda. Contemporary. Score and parts. 90 pages. Visionary Quest Records #5324517. Published by Visionary Quest Records (A0.984557). IMPERIAL BATTLE MARCH by Tito Abeleda (1964 - ) Score plus Parts = 87 Pages. INSTRUMENTATION: FlutenOboenClarinetnBassoonnHorn in F1nHorn in F2nHorn in F3nHorn in F4nTrumpet 1nTrumpet 2nTrumpet 3nTrombone 1nTrombone 2nTimpaninSnare DrumnBass DrumnCymbalsnRoto-tomsnTom-tomsnTaiko Drums (optional)n[No instrument (hidden)]nViolin InViolin IInViolanVioloncellonContrabassImperial Battle March captures the very essence of march to battle for the royal imperial army. This epic, cinematic song encapsulates courage, nobility, honor, boldness, triumph, and victory. As the hero from battle, march triumphantly to Imperial Battle March leading your soldiers to victory. As the superhero, soar into to save lives. As the athlete, cross the finish line to win the championship. (c) 2020 Tito Abeleda Contact: tito@visionaryquestrecords.comPRO: BMIFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$40.00 ≈
35.86€
Fanfare: "Grit" - Horn 2 in F
Fanfare: "Grit" - Horn 2 in F
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Cor
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AVANCÉ
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Benjamin Harry Sajo
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Fanfare: "Grit" - Ho
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018968 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #608661...
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French Horn Solo - Level 5 - SKU: A0.1018968 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6086619. Published by Benjamin Sajo (A0.1018968). Programme Notes: Fanfare: Grit evokes the brassy and rousing tropes of adventure movie soundtracks and Saturday morning cartoons, such as those written by John Williams, Shirley Walker, among others. Writing this piece was an escapade to my own musical roots for this was the first type of music I had been exposed to as a child: incidental music accompanying perilous quests, hairbreadth escapes, and other trials blocking the hero’s path to victory and redemption. I wanted to compose a piece that harkens back to the music that I first fell in love with, that opened up the gates of a legacy--symphonic classical music--that’s always been my solace in trying times. What is grit? Grit is the dirt between smiles and between barefoot toes. Grit is a hard-boiled detective. Grit is tilling the tough soil for the possibility of a beautiful blossoming of flowers. Grit is saying, See you soon, and making sure it happens. Grit is helping others when it’s hard to help yourself. Grit isn’t easy bravery, but the kind of courage you need to build up brick by brick. The obligatory synonyms: courage, bravery, pluck, mettle, and spirit. Finally, this composition, the fourth of my so-called Beethoven Episodes, was written to accompany Ludwig van Beethoven’s 4th Symphony. This work was written on his 250th anniversary, coincidentally during the Covid-19 Pandemic of 2020, and is the sum of my feelings wrought from that experience. Yet this work was completed on Canadian Thanksgiving, and is also an expression of all that I am grateful for, from the bottom of my heart.
$3.50 ≈
3.14€
Fanfare: "Grit" - Bassoon 1
Fanfare: "Grit" - Bassoon 1
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Basson
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AVANCÉ
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Benjamin Harry Sajo
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Fanfare: "Grit" - Ba
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Benjamin Sajo
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SheetMusicPlus
Bassoon Solo - Level 5 - SKU: A0.1018966 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6086607. P...
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Bassoon Solo - Level 5 - SKU: A0.1018966 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6086607. Published by Benjamin Sajo (A0.1018966). Programme Notes: Fanfare: Grit evokes the brassy and rousing tropes of adventure movie soundtracks and Saturday morning cartoons, such as those written by John Williams, Shirley Walker, among others. Writing this piece was an escapade to my own musical roots for this was the first type of music I had been exposed to as a child: incidental music accompanying perilous quests, hairbreadth escapes, and other trials blocking the hero’s path to victory and redemption. I wanted to compose a piece that harkens back to the music that I first fell in love with, that opened up the gates of a legacy--symphonic classical music--that’s always been my solace in trying times. What is grit? Grit is the dirt between smiles and between barefoot toes. Grit is a hard-boiled detective. Grit is tilling the tough soil for the possibility of a beautiful blossoming of flowers. Grit is saying, See you soon, and making sure it happens. Grit is helping others when it’s hard to help yourself. Grit isn’t easy bravery, but the kind of courage you need to build up brick by brick. The obligatory synonyms: courage, bravery, pluck, mettle, and spirit. Finally, this composition, the fourth of my so-called Beethoven Episodes, was written to accompany Ludwig van Beethoven’s 4th Symphony. This work was written on his 250th anniversary, coincidentally during the Covid-19 Pandemic of 2020, and is the sum of my feelings wrought from that experience. Yet this work was completed on Canadian Thanksgiving, and is also an expression of all that I am grateful for, from the bottom of my heart.
$3.50 ≈
3.14€
Fanfare: "Grit" - Horn 1 in F
Fanfare: "Grit" - Horn 1 in F
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Cor
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AVANCÉ
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Benjamin Harry Sajo
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Fanfare: "Grit" - Ho
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018970 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #608661...
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French Horn Solo - Level 5 - SKU: A0.1018970 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6086617. Published by Benjamin Sajo (A0.1018970). Programme Notes: Fanfare: Grit evokes the brassy and rousing tropes of adventure movie soundtracks and Saturday morning cartoons, such as those written by John Williams, Shirley Walker, among others. Writing this piece was an escapade to my own musical roots for this was the first type of music I had been exposed to as a child: incidental music accompanying perilous quests, hairbreadth escapes, and other trials blocking the hero’s path to victory and redemption. I wanted to compose a piece that harkens back to the music that I first fell in love with, that opened up the gates of a legacy--symphonic classical music--that’s always been my solace in trying times. What is grit? Grit is the dirt between smiles and between barefoot toes. Grit is a hard-boiled detective. Grit is tilling the tough soil for the possibility of a beautiful blossoming of flowers. Grit is saying, See you soon, and making sure it happens. Grit is helping others when it’s hard to help yourself. Grit isn’t easy bravery, but the kind of courage you need to build up brick by brick. The obligatory synonyms: courage, bravery, pluck, mettle, and spirit. Finally, this composition, the fourth of my so-called Beethoven Episodes, was written to accompany Ludwig van Beethoven’s 4th Symphony. This work was written on his 250th anniversary, coincidentally during the Covid-19 Pandemic of 2020, and is the sum of my feelings wrought from that experience. Yet this work was completed on Canadian Thanksgiving, and is also an expression of all that I am grateful for, from the bottom of my heart.
$3.50 ≈
3.14€
Fanfare: "Grit" - Horn 3 in F
Fanfare: "Grit" - Horn 3 in F
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Cor
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AVANCÉ
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Benjamin Harry Sajo
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Fanfare: "Grit" - Ho
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018969 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #608662...
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French Horn Solo - Level 5 - SKU: A0.1018969 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6086623. Published by Benjamin Sajo (A0.1018969). Programme Notes: Fanfare: Grit evokes the brassy and rousing tropes of adventure movie soundtracks and Saturday morning cartoons, such as those written by John Williams, Shirley Walker, among others. Writing this piece was an escapade to my own musical roots for this was the first type of music I had been exposed to as a child: incidental music accompanying perilous quests, hairbreadth escapes, and other trials blocking the hero’s path to victory and redemption. I wanted to compose a piece that harkens back to the music that I first fell in love with, that opened up the gates of a legacy--symphonic classical music--that’s always been my solace in trying times. What is grit? Grit is the dirt between smiles and between barefoot toes. Grit is a hard-boiled detective. Grit is tilling the tough soil for the possibility of a beautiful blossoming of flowers. Grit is saying, See you soon, and making sure it happens. Grit is helping others when it’s hard to help yourself. Grit isn’t easy bravery, but the kind of courage you need to build up brick by brick. The obligatory synonyms: courage, bravery, pluck, mettle, and spirit. Finally, this composition, the fourth of my so-called Beethoven Episodes, was written to accompany Ludwig van Beethoven’s 4th Symphony. This work was written on his 250th anniversary, coincidentally during the Covid-19 Pandemic of 2020, and is the sum of my feelings wrought from that experience. Yet this work was completed on Canadian Thanksgiving, and is also an expression of all that I am grateful for, from the bottom of my heart.
$3.50 ≈
3.14€
Fanfare: "Grit" - Flute 2
Fanfare: "Grit" - Flute 2
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Flûte traversière
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fanfare: "Grit" - Fl
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018961 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6086593. Pub...
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Flute Solo - Level 5 - SKU: A0.1018961 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6086593. Published by Benjamin Sajo (A0.1018961). Programme Notes: Fanfare: Grit evokes the brassy and rousing tropes of adventure movie soundtracks and Saturday morning cartoons, such as those written by John Williams, Shirley Walker, among others. Writing this piece was an escapade to my own musical roots for this was the first type of music I had been exposed to as a child: incidental music accompanying perilous quests, hairbreadth escapes, and other trials blocking the hero’s path to victory and redemption. I wanted to compose a piece that harkens back to the music that I first fell in love with, that opened up the gates of a legacy--symphonic classical music--that’s always been my solace in trying times. What is grit? Grit is the dirt between smiles and between barefoot toes. Grit is a hard-boiled detective. Grit is tilling the tough soil for the possibility of a beautiful blossoming of flowers. Grit is saying, See you soon, and making sure it happens. Grit is helping others when it’s hard to help yourself. Grit isn’t easy bravery, but the kind of courage you need to build up brick by brick. The obligatory synonyms: courage, bravery, pluck, mettle, and spirit. Finally, this composition, the fourth of my so-called Beethoven Episodes, was written to accompany Ludwig van Beethoven’s 4th Symphony. This work was written on his 250th anniversary, coincidentally during the Covid-19 Pandemic of 2020, and is the sum of my feelings wrought from that experience. Yet this work was completed on Canadian Thanksgiving, and is also an expression of all that I am grateful for, from the bottom of my heart.
$3.50 ≈
3.14€
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Victory Rag
