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Vivace For Violin And Horn
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Vous avez sélectionné:
Vivace For Violin And Horn
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1
Vivace For Violin And Horn
Vivace For Violin And Horn
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Luis Anjos Teixeira
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Vivace For Violin And Horn
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Luis Anjos Teixeira
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SheetMusicPlus
Small Ensemble Horn,Violin - Level 5 - SKU: A0.889418 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 14 pages. Luis Anjos Teixe...
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Small Ensemble Horn,Violin - Level 5 - SKU: A0.889418 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 14 pages. Luis Anjos Teixeira #3492583. Published by Luis Anjos Teixeira (A0.889418). Vivace For Violin And Hornfor the 2018 Chamber Music Contest Entry I was so impressed while listening to some of the wonderful recordings of Elmira Darvarova on the violin and Howard Wall on the Horn. It inspired me to finish a duet that toke birth back in the times when I started playing violin. Now after 40 years I guess it is ready!!! I am very grateful for their inspiration. It is dedicated to - „Elmira and Howard The piece requires high skilled and experienced artists. I have used some interpretation symbols to suggest an interpretation and of course I tried to manipulate the audio file. I did very little Bowing. I prefer to leave it to your own interpretation, creativity, or school demands or preferences. Feel free to experience your own bowing and interpretation. Remember that as an artist you can perform as it pleases you better. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus or anywhere else! Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever. Luis Anjos Teixeira
$12.44 ≈
11.14€
Concertino per Violino e Sedici Strumenti (2017)
Concertino per Violino e Sedici Strumenti (2017)
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Thomas Oboe Lee
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moderato, TRIO
2
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Concertino per Violino e Sedic
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Multi-Percussion,Oboe,Trombone,Trumpet,Violin - Level 4 - SKU: A0.869544 Composed by Thomas Oboe ...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Multi-Percussion,Oboe,Trombone,Trumpet,Violin - Level 4 - SKU: A0.869544 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 120 pages. Thomas Oboe Lee #3131035. Published by Thomas Oboe Lee (A0.869544). A couple of years I caught Eric Hewitt conducting Kurt Weill's Concerto, opus 12 for violin and wind orchestra, plus 4 double basses. Markus Placci was the soloist. I was so impressed by the work that I told Eric and Markus I want to write a similar work for them. The end result is my Concertino per Violino e Sedici Strumenti (2017).Kurt Weill's version has the following instruments.2 flutes1 oboe2 clarinets2 bassoons2 horns1 trumpettimpani3 percussions4 double bassesMine is a bit different:1 flute, doubling on piccolo1 oboe2 clarinets2 bassoons2 trumpets2 horns2 trombonesTimpani (3)Percussion (snare drum, 2 triangles)2 double bassesConcertino is in three movements.1. Introduction; moderato, TRIO2. Adagio3. Vivace, TRIOAudio link: https://thomasoboelee.bandcamp.com/album/concertino-per-violino-e-sedici-strumenti-2017Video link: https://youtu.be/uzaBA3FalGg
$9.99 ≈
8.95€
Concerto
Concerto
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Piano et Orchestre
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AVANCÉ
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Contemporain
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minut...
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Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
21.49€
TELEMANN: QUARTET IN G MAJOR TEV 43: G2 for flute, oboe, clarinet & bassoon
TELEMANN: QUARTET IN G MAJOR TEV 43: G2 for flute, oboe, clarinet & bassoon
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE/AVANCÉ
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Georg Philipp Telemann
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Pat Spence
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TELEMANN: QUARTET IN G MAJOR T
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Piper Publications
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.811818 Composed by Georg Philipp Telemann (1681 - 1767). Arranged by ...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.811818 Composed by Georg Philipp Telemann (1681 - 1767). Arranged by Pat Spence. Baroque,Concert,Holiday,Wedding. 40 pages. Piper Publications #6533127. Published by Piper Publications (A0.811818). This quartet is the second piece in the first of three sets of ‘Tafelmusik’ published in Hamburg by Telemann in 1763. The numbers of players required ranged from a single treble instrument with continuo (cello & harpsichord) to pairs of trumpets, horns and violins with string orchestra with continuo which provided the entertainment for the guests at the most important feasts.The quartet was originally written for flute, oboe, violin and continuo and has been arranged for flute, oboe, clarinet & bassoon. Some additional phrasings and dynamics have been added in parentheses ( ) or dashed lines and passages of music have been redistributed among the parts with some octave transposition to accommodate the range of the wind instruments.There are three movements: Largo - Allegro - Largo, Vivace - Moderato - Vivace & Grave - Vivace. The quartet is suitable for advanced intermediate players and above.The short Grave introduction to the final Vivace would have afforded the three treble instrument players a bar/measure each to perform a short improvised cadenza before the infectious romp of the final Vivace. (Rather like the present day introductions of the athletes before important competitions - the difference being that the 18th century musicians had already demonstrated their prowess.Telemann clearly had very talented musicians available and provided them with music which was enjoyable to play for an appreciative audience of patrons to enjoy.
$20.00 ≈
17.92€
Symphony No.1 "Forgotten Lands", Movement V. Adagio, Vivace
Symphony No.1 "Forgotten Lands", Movement V. Adagio, Vivace
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Doug Clyde
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SATB Choir. Score &
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Symphony No.1 "Forgotten
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ALBEDO MUSIC
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.713228 Composed by Doug Clyde. Contemporary. Score and parts. 40 pages. ALBEDO MUSIC #2551065. Published by ALBEDO MU...
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Full Orchestra - Level 4 - SKU: A0.713228 Composed by Doug Clyde. Contemporary. Score and parts. 40 pages. ALBEDO MUSIC #2551065. Published by ALBEDO MUSIC (A0.713228). Symphony No. 1 Forgotten Lands- Movement V. Adagio, Vivace (Full Orchestra): Doug Clyde. Song: Movement V. Adagio, Vivace. Album: Symphony No. 1. Artist: ALBEDO. Composer: Doug Clyde. © 2012 by ALBEDO MUSIC. AMSM61. The fifth movement of a five movement Symphony based on the music from Forgotten Lands. Full Orchestra & SATB Choir. Score & Parts- Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, English Horn, Clarinet in Bb 1, Clarinet in Bb 2, Bass Clarinet, Bassoon 1, Bassoon 2, Contrabassoon, Horn in F 1, Horn in F 3, Horn in F 2 & 4, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Trombone 1, Trombone 2 & Bass Trombone, Contrabass Trombone & Contrabass Tuba or Bass Tuba, Timpani, Percussion (Bass Drum, Snare Drum, Tam-Tam), Harp, Piano, Organ, Soprano, Alto, Tenor, Bass, Violin I, Violin II, Viola, Cello, Contrabass
$29.99 ≈
26.87€
Symphony No.1 "Forgotten Lands", Movement III. Vivace, Allegro
Symphony No.1 "Forgotten Lands", Movement III. Vivace, Allegro
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Doug Clyde
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Symphony No.1 "Forgotten
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ALBEDO MUSIC
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.712781 Composed by Doug Clyde. Contemporary. Score and parts. 79 pages. ALBEDO MUSIC #2551059. Published by ALBEDO MU...
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Full Orchestra - Level 4 - SKU: A0.712781 Composed by Doug Clyde. Contemporary. Score and parts. 79 pages. ALBEDO MUSIC #2551059. Published by ALBEDO MUSIC (A0.712781). Symphony No. 1 Forgotten Lands- Movement III. Vivace, Allegro (Full Orchestra): Doug Clyde. Song: Movement III. Vivace, Allegro. Album: Symphony No. 1. Artist: ALBEDO. Composer: Doug Clyde. © 2012 by ALBEDO MUSIC. AMSM59. The third movement of a five movement Symphony based on the music from Forgotten Lands. Full Orchestra. Score & Parts- Flute 1, Flute 2, Oboe 1, Oboe 2, English Horn, Clarinet in Bb 1, Clarinet in Bb 2, Bassoon 1, Bassoon 2, Contrabassoon, Horn in F 1 & 3, Horn in F 2 & 4, Trombone 1 & 2, Contrabass Tuba or Bass Tuba, Timpani, Percussion 1 (Bongo Drums, Conga Drum, Snare Drum, Wood Blocks), Percussion 2 (Tambourine, Bass Drum, Crash Cymbals, Tam-Tam), Glockenspiel, Xylophone, Violin I, Violin II, Viola, Cello, Contrabass.
$29.99 ≈
26.87€
Symphony No.1 "Forgotten Lands", Movement I. Allegro, Vivace
Symphony No.1 "Forgotten Lands", Movement I. Allegro, Vivace
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Doug Clyde
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Symphony No.1 "Forgotten
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ALBEDO MUSIC
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.712779 Composed by Doug Clyde. Contemporary. Score and parts. 137 pages. ALBEDO MUSIC #2551055. Published by ALBEDO M...
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Full Orchestra - Level 4 - SKU: A0.712779 Composed by Doug Clyde. Contemporary. Score and parts. 137 pages. ALBEDO MUSIC #2551055. Published by ALBEDO MUSIC (A0.712779). Symphony No. 1 Forgotten Lands- Movement I. Allegro, Vivace (Full Orchestra): Doug Clyde. Song: Movement I. Allegro, Vivace. Album: Symphony No. 1. Artist: ALBEDO. Composer: Doug Clyde. © 2012 by ALBEDO MUSIC. AMSM57. The first movement of a five movement Symphony based on the music from Forgotten Lands. Full Orchestra. Score & Parts- Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, English Horn, Clarinet in Bb 1, Clarinet in Bb 2, Bass Clarinet, Bassoon 1, Bassoon 2, Contrabassoon, Horn in F 1 & 3, Horn in F 2 & 4, Trumpet in Bb 1, Trumpet in Bb 2 & 3, Trombone 1 & 2, Bass Trombone, Contrabass Trombone, Contrabass Tuba or Bass Tuba, Timpani, Drum Set, Harp, Piano, Violin I, Violin II, Viola, Cello, Contrabass.
$29.99 ≈
26.87€
Corelli: Concerto Grosso Op.6 No.8 (Christmas Concerto) Mvt.IV Vivace - symphonic wind
Corelli: Concerto Grosso Op.6 No.8 (Christmas Concerto) Mvt.IV Vivace - symphonic wind
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Noël
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Arcangelo Corelli
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Ray Thompson
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Corelli: Concerto Grosso Op.6
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - SKU: A0.553802 Composed by Arcangelo Corelli. Arranged by Ray Thompson. Baroque,...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - SKU: A0.553802 Composed by Arcangelo Corelli. Arranged by Ray Thompson. Baroque,Christmas,Sacred. Score and parts. 13 pages. RayThompsonMusic #4744483. Published by RayThompsonMusic (A0.553802). Concerto grosso in G minor, Op. 6, No. 8 by Arcangelo Corelli, known commonly as the Christmas Concerto, was commissioned by Cardinal Pietro Ottoboni and published posthumously in 1714 as part of Corelli's Twelve concerti grossi, Op. 6. The concerto bears the inscription Fatto per la notte di Natale (made for the night of Christmas). Its composition date is uncertain, but there is a record of Corelli having performed a Christmas concerto in 1690 for the enjoyment of his new patron.The concerto is scored for an ensemble consisting of two concertino violins and cello, ripieno strings and continuo. The work is structured as a concerto da chiesa, in this case expanded from a typical four movement structure to six:This is mvt. 4 Vivace arranged double wind quintet and bass.Other mvts are available
$5.95 ≈
5.33€
Septet No.2 Op.21 (Romantic) for Wind and Strings
Septet No.2 Op.21 (Romantic) for Wind and Strings
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David Burndrett
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Septet No.2 Op.21
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David Burndrett
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Horn,Viola,Violin - Level 5 - SKU: A0.558747 Composed by David Burndrett. Blues,Contemporary,Romantic ...
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Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Horn,Viola,Violin - Level 5 - SKU: A0.558747 Composed by David Burndrett. Blues,Contemporary,Romantic Period. Score and parts. 63 pages. David Burndrett #4978389. Published by David Burndrett (A0.558747). I composed this septet between November 11th and 21st 2019.Movement 1.Adagio-AllegroMovement 2 .AdagioMovement 3. Allegro VivaceMovement 4. AndanteIt is scored for Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass.Duration is around 16 minutes.
$18.95 ≈
16.98€
Adagietto and Vivace for Orchestra
Adagietto and Vivace for Orchestra
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Orchestre
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Patrick Riley
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Adagietto and Vivace for Orche
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ASCAP-PDR Music-0075567
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SheetMusicPlus
Full Orchestra - SKU: A0.504328 Composed by Patrick Riley. Classical,Contemporary,Contest,Festival,Multicultural,Traditional,World. Score and parts. 117...
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Full Orchestra - SKU: A0.504328 Composed by Patrick Riley. Classical,Contemporary,Contest,Festival,Multicultural,Traditional,World. Score and parts. 117 pages. Published by ASCAP-PDR Music-0075567 (A0.504328). Instrumental (2 movements) with flute I & II, oboe I & II, clarinet in Bb I & II, bassoon I & II, horn I & II, horn III & IV, trumpet in Bb I, trumpet in Bb II, trumpet in Bb III, trombone I, trombone II, bass trombone, tuba, timpani, snare drum, percussion, piano, violin I, violin II, viola, cello, and contrabass. One merged pdf file download includes the full score and all parts. Performance time 00:09:30. MIDI recording available.
$39.99 ≈
35.83€
Gavotta from Sonata da Camera in F - Henry Thornowitz (Violin & Cello)
Gavotta from Sonata da Camera in F - Henry Thornowitz (Violin & Cello)
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE
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Classique
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Henry Thornowitz`
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Peet du Toit
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Gavotta from Sonata da Camera
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Peet du Toit
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - SKU: A0.802668 Composed by Henry Thornowitz`. Arranged by Peet du Toit. Baroque. Score and ...
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - SKU: A0.802668 Composed by Henry Thornowitz`. Arranged by Peet du Toit. Baroque. Score and parts. 2 pages. Peet du Toit #6333949. Published by Peet du Toit (A0.802668). This is an exciting piece for both players and all members of the audience to indulge in a very quick (vivace) peasant dance! Enjoy! .
$10.00 ≈
8.96€
Beethoven Symphony 1 Movement 4 for Brass Band
Beethoven Symphony 1 Movement 4 for Brass Band
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Classique
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Ludwig van Beethoven
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Mike Eades
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Beethoven Symphony 1 Movement
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Mike Eades
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.842367 Composed by Ludwig van Beethoven. Arranged by Mike Eades. Classical. Brass Band. 75 pages. Mike Eades #3475343. Published by Mike Eades (A0.842367). An arrangement for brass band of the last movement of symphony number 1.Beethoven's 1st symphony established Beethoven’s reputation as a major orchestral composer in Vienna. The symphony is dedicated to Baron Gottfried van Swieten, an early patron of the composer.This movement opens with an introduction consisting only of scale fragments played slowly by the first violins alone(here transcribed for the solo cornet) beginning on F and gradually adding more notes. After finally reaching an Eb, the real start of the finale Allegro molto e vivace begins.
$45.00 ≈
40.32€
Hans Dampf in allen Possen (Jack of all tricks) for flute, cor anglais and cello
Hans Dampf in allen Possen (Jack of all tricks) for flute, cor anglais and cello
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Traditional
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David Warin Solomons
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Hans Dampf in allen Possen
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,English Horn,Flute - Level 4 - SKU: A0.576337 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Folk,World. S...
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Small Ensemble Cello,English Horn,Flute - Level 4 - SKU: A0.576337 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Folk,World. Score and parts. 27 pages. David Warin Solomons #17625. Published by David Warin Solomons (A0.576337). Mixed trio version of my set of variations on traditional German and Alsacien folk songs. Part 1 - Hans Spielmann stimme deine Fiedel Part 2 [rehearsal mark A] - Hansel und Gretel and D'r Hans im Schnockeloch Part 3 [rehearsal mark B] - minor reprise of Hans Spielmann stimme deine Fiedel Part 4 [rehearsal mark C] - 3/4 Vivace - Hans Spielmann der hat eine einzige Kuh Part 5 [rehearsal mark D] - 3/4 vivace - Hans Naber ik heb et ju togebracht Part 6 [rehearsal mark E] - varied version of Hans Spielmann stimme deine Fiedel Part 7 [rehearsal mark F] - Hänschen klein with varied version of d'r Hans im Schnockeloch Part 8 [rehearsal mark G] - Another varied version of Hans Spielmann stimme deine Fiedel, with a very brief Hänschen klein reprise Hans Dampf in allen Strassen is a Jack of all trades, mine is up to tricks so I call it Hans Dampf in allen Possen The sound sample is an electronic preview The pdf file contains score and parts Versions are also available for string trio (2 violins and cello) and for brass trio (trumpet, trombone and tuba).
$10.00 ≈
8.96€
Nonet (2019) for chamber ensemble
Nonet (2019) for chamber ensemble
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Thomas Oboe Lee
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I said yes.  
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Nonet
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - SKU: A0.869619 Composed by Thomas Oboe Lee. 20th Century,Cont...
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Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - SKU: A0.869619 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 41 pages. Thomas Oboe Lee #4969819. Published by Thomas Oboe Lee (A0.869619). Nancy Braithwaite has been a champion of my music since 1996 when I wrote a solo clarinet piece (Trinca de Chôros) for her to play at her sister Ann's wedding that year in Vermont. After the wedding Nancy asked me if I would write a new piece for her group the Arto Ensemble. I said yes, and I gave them Yo Picasso (1997) for clarinet, viola, cello and piano. Subsequently Nancy asked for more works from me over the years. Octet in D (2012)Clarinet Quintet (2013) La Serenissima (2013) Alice (2015)B.A.C.H. (2018) This year she asked me to write a Nonet so that she could feature it with her group the Rietveld Ensemble in a program with nonets by Bohuslav Martinu and Louis Farrenc. I said yes. This work is scored for flute, oboe, clarinet, bassoon, horn, violin, viola, cello and double bass. It is in five movements. 1. Introduction, Moderato 2. Largo, Vivace, TRIO 3. Prestissimo 4. Largo, Adagio 5. Vivace, TRIO Enjoy!!! Audio link: https://thomasoboelee.bandcamp.com/album/nonet-2019 YouTube link: https://youtu.be/xpn2Ov-37tk
$9.99 ≈
8.95€
Drottningholmsmusiken, BeRI 2: XXIII, Vivace, arranged for instruments in four parts
Drottningholmsmusiken, BeRI 2: XXIII, Vivace, - instruments in four parts
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Johan Helmich Roman
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Paul Burnell
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Drottningholmsmusiken, BeRI 2:
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Paul Burnell
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.835874 Composed by Johan Helmich Roman. Arranged by Paul Burnell. Baroque,Wedding. Score and parts. 19 pages. Paul Bu...
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Small Ensemble - Level 3 - SKU: A0.835874 Composed by Johan Helmich Roman. Arranged by Paul Burnell. Baroque,Wedding. Score and parts. 19 pages. Paul Burnell #6448329. Published by Paul Burnell (A0.835874). Drottningholmsmusiken, BeRI 2: XXIII, Vivace, by Johan Helmich Roman, arranged by Paul Burnell for instruments in four partsDuration 1:10 The download comprises both score and parts.The arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (Flute, Oboe, Alto Recorder, Eb Clarinet, Violin 1)Part 2: C, Bb, G (Alto Flute, Oboe, Tenor Recorder, BbClarinet, Violin 2)Part 3: C - Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone, Horn in F, Violin 3, Viola) Part 4: C - Bb, F (Bassoon, Great bass Recorder, Tenor Saxophone, Horn in F, 'Cello)Part 4 may be played an octave lower than written - using the 'Bass Clef up 8' part. In bar 23 play the upper note in brackets if the lower note is out of range.Any other appropriate instruments, even if not suggested above, may play.This arrangement is transposed from the original key.Programme note:Drottningholmsmusiken (The Drottningholm Music) is the popular name of the music by Swedish composer Johan Helmich Roman. It was first performed at Drottningholm Palace near Stockholm on 18 August 1744 at the royal wedding of Crown Prince Adolf Frederick and Princess Louisa Ulrika of Prussia. The wedding was celebrated over three days, with Roman conducting the Swedish Royal Court Orchestra (Kungliga Hovkapellet) - one of the oldest orchestras in the world.
$3.99 ≈
3.57€
In The Woods for mixed quintet
In The Woods for mixed quintet
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Theodor Michaelis
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Larry Wesley
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In The Woods for mixed quintet
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Larry Wesley
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Horn,Violin - Level 4 - SKU: A0.973112 Composed by Theodor Michaelis. Arranged by Larry Wesley. Concert,Standards. S...
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Small Ensemble Cello,Clarinet,Flute,Horn,Violin - Level 4 - SKU: A0.973112 Composed by Theodor Michaelis. Arranged by Larry Wesley. Concert,Standards. Score and parts. 28 pages. Larry Wesley #4792665. Published by Larry Wesley (A0.973112). Night-Time begins (adagio) leading to Dawn with sounds of nature at the Brook (allegro vivace) with a quote of Beethoven's Fate motive. Then a time for reflection, Morning prayer (adagio). Excitements builds (allegretto) to the Joys of life (tempo di polka) with a celebration to Day's End.
$8.00 ≈
7.17€
J.J.QUANTZ: DUETTO IN E MINOR OPUS 2 No. 6 for 2 bassoons or cellos
J.J.QUANTZ: DUETTO IN E MINOR OPUS 2 No. 6 for 2 bassoons or cellos
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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JOHANN JOACHIM QUANTZ
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Pat Spence
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J.J.QUANTZ: DUETTO IN E MINOR
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Piper Publications
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1434223 Composed by JOHANN JOACHIM QUANTZ (1697 - 1763). Arrange...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1434223 Composed by JOHANN JOACHIM QUANTZ (1697 - 1763). Arranged by Pat Spence. Baroque,Chamber,Classical,Contest,Festival. 32 pages. Piper Publications #1014442. Published by Piper Publications (A0.1434223). This is the last of six Duettos Opus 2 which were published in 1759. In order to increase sales Quantz described them as for flutes or violins and in his introduction (in fluent French) also indicated their suitability for bassoons - who in that period would be accustomed to transposing at sight.The three movements, Grave - Allabreve, ma presto, Cantabile & Più tosto Vivace are suitable for advanced intermediate players of equal ability. The final movement is a canon throughout.
$12.00 ≈
10.75€
The Brass Player: Fantasy on Ich bin ein Musikant
The Brass Player: Fantasy on Ich bin ein Musikant
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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F
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The Brass Player: Fantasy on I
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,W...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,World. 77 pages. Sweetwater Brass Press #893335. Published by Sweetwater Brass Press (A0.1303802).     A song learned in primary school years and years ago had words something along the lines of the following:         Oh! I’m a young musician,         From distant lands I come.         Singing and playing,         Ever I’m straying.    Also known as “I Am a Fine Musician,†“I Am a Gay Musician†and perhaps other titles, that song is still around and has evolved into many different versions. The original was probably a German folk song from the early 1800s. As published in an 1889 collection of children’s songs, it bears the title, “Ich bin ein Musikant.â€Â That translates as “I am a musician.â€Â In the lyrics the musician claims to be “from Schwabenland†(Swabia) and to play geige (violin: “Dide schum schum schumâ€), flöte (flute: “Päde wäpp päpp päppâ€) and basse (bass: “Dide schum schum schump, päde wäpp päpp päpp). Later versions list the instruments played by the musician as bassoon, bells, clarinet, drum, guitar, piano, piccolo, triangle, trombone, trumpet, tuba, tympani, viola and just about every instrument and noisemaker you can think of.     Anyway, that’s the tune on which “The Brass Player†was built. But here, the musician is concerned only with brass. Which brass? Well, possibly trumpet. Or maybe horn in F. Or trombone. Or tuba. Or perhaps all four; certainly, all are featured in this piece.    “The Brass Player†comprises four sections. The first is in the key of C major and is played at a moderate 2/4 tempo. After a brief Trumpet/Tuba ostinato, Trombone introduces the main theme. Other instruments join in and play around with a variation or two.     The second section is a sweet, nostalgic rendition in 4/4 carried mainly by Horn in F, with help from Trumpets and Trombone.     In section three, the mood changes radically. Time signature goes to 3/4; tempo speeds up to vivace and the key changes to B Minor. All five instruments participate, and some odd things take place rhythmically at I through K (measures 200 through 262), but Tuba seems to carry the melody most of the time.    Section four, in G Major, clips along at a fast 4/4 time. It returns to the main theme and (as in “Ich bin ein Musikant†and its multitudinous derivations) presents in call-and-response form. The first few measures are straight, but discord quickly creeps in. The melody begins to include smears, flutter tonguing and off-beat rhythmic figures. There is even a brief section in G Minor. Gradually, order and theme are restored and the piece ends in a glorious, upbeat statement.    This piece, completed in 2023, consists of 398 measures, a little over nine minutes in length. There are four changes of key and four changes of time signature. Trumpet 1’s highest note is A above its staff; Trombone’s is F above the staff. Trumpet 2 has a few G-below-its-staff notes.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99 ≈
6.26€
Miniatures
Miniatures
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Orchestre
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INTERMÉDIAIRE
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Carl Wittrock
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Miniatures
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Carl Wittrock
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1411508 Composed by Carl Wittrock. 21st Century,Baroque,Classical. 78 pages. Carl Wittrock #993775. Published by Carl...
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Full Orchestra - Level 3 - SKU: A0.1411508 Composed by Carl Wittrock. 21st Century,Baroque,Classical. 78 pages. Carl Wittrock #993775. Published by Carl Wittrock (A0.1411508). Miniatures is written for two violins and symphony orchestra.The composition has a classical structure of three parts: Allegro Vivace, Andante, and Allegro Giocoso. Throughout the piece you can hear baroque influences. The harp can be substituted by piano. You can see a preview of the score in the video. The recordings are powered by Spitfire Audio, BBC Symphony Orchestra and Spitfire Solo Strings. The Score & Parts (PDF) consists of:ScoreFlute 1 & 2Oboe 1 & 2Clarinet 1 & 2Bassoon 1 & 2Horn 1 & 2Trompet 1 & 2Trombone 1, 2 & 3Bass TubaTimpaniHarp (or piano)Violin Solo 1 & 2Strings.
$85.00 ≈
76.15€
Brahms: Serenade No. 2 in A Op.16 Mvt. II Scherzo - symphonic wind dectet
Brahms: Serenade No. 2 in A Op.16 Mvt. II Scherzo - symphonic wind dectet
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Johannes Brahms
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Ray Thompson
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in C for movement II
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Brahms: Serenade No. 2 in A Op
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1488743 Composed by Johannes Brahms. Arranged by Ray Thompson. 19th Century,Romantic Pe...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1488743 Composed by Johannes Brahms. Arranged by Ray Thompson. 19th Century,Romantic Period. 20 pages. RayThompsonMusic #1065594. Published by RayThompsonMusic (A0.1488743). The two Serenades, Op. 11 and 16, represent early efforts by Johannes Brahms to write orchestral music. They both date from after the 1856 death of Robert Schumann when Brahms was residing in Detmold and had access to an orchestra.Brahms had a goal of reaching Ludwig van Beethoven's level in writing symphonies, and worked long and hard on his first symphony, completing it only in 1876 when he was 43 years old. As preliminary steps in composing for orchestra, he chose early on to write some lighter orchestral pieces, these Serenades.The second serenade was first sent to Clara Schumann, who was delighted by it. It was written in 1859 and dedicated to her.The first public performance, reportedly for full orchestra (version lost?), was in Hamburg on 10 February 1860.Brahms himself reworked the piece for piano 4 hands in 1875.The same year he revisited the orchestral version, this time for a small chamber orchestra.The new scoring was for :piccolo,2 flutes,2 oboes,2 clarinets (in A for movements I, IV, V; in C for movement II; and in B flat for movement III),2 bassoons, 2 horns, violas, cellos, and double basses.(omitting violins, brass, and percussion)The five movements take approximately thirty minutes to perform.Allegro moderato (A major)Scherzo. Vivace (C major) – Trio (F major) (This arrangement)Adagio non troppo (A minor, ends in A major with a Picardy third)Quasi menuetto (D major) – Trio (F♯ minor)Rondo. Allegro (A major)Arranged wind dectet/decet/double wind quintet and bass.Horns in C basso ( as in original) but alternative Horn in F parts provided.My clarinet parts are for Bb clarinets.
$14.95 ≈
13.39€
Haydn - Symphony No.81 in G major, Hob.I:81
Haydn - Symphony No.81 in G major, Hob.I:81
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Orchestre
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Classique
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Franz Joseph Haydn
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J
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Haydn - Symphony No.81 in G ma
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J.G. Cuco Barber
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SheetMusicPlus
Full Orchestra - SKU: A0.819675 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 99 pages. J.G. Cuco Barber ...
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Full Orchestra - SKU: A0.819675 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 99 pages. J.G. Cuco Barber #5988571. Published by J.G. Cuco Barber (A0.819675). Composer Haydn, JosephOpus/Catalogue Number Hob.I:81Key G majorMovements/Sections 4 movements:Vivace (G major, 179 bars)Andante (D major, 60 bars)Minuet - Trio (G major, 84 bars)Finale. Allegro (G major, 141 bars)Year/Date of Composition 1784First Publication 1784 – London: W. ForsterAverage Duration 25 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation: Orchestra:FluteOboe 1Oboe 2Bassoon 1Bassoon 2Horn in G/D 1 original & F transposedHorn in G/D 2 original & F transposedViolin IViolin IIViolaVioloncelloContrabass
$28.00 ≈
25.09€
Haydn - Symphony No.91 in E flat major, Hob.I:91
Haydn - Symphony No.91 in E flat major, Hob.I:91
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Orchestre
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Classique
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Franz Joseph Haydn
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J
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Haydn - Symphony No.91 in E fl
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J.G. Cuco Barber
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SheetMusicPlus
Full Orchestra - SKU: A0.819685 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 128 pages. J.G. Cuco Barber...
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Full Orchestra - SKU: A0.819685 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 128 pages. J.G. Cuco Barber #5988885. Published by J.G. Cuco Barber (A0.819685). Composer Haydn, JosephOpus/Catalogue Number Hob.I:91Key E-flat majorMovements/Sections 4 movements:Largo – Allegro (E♠major, 304 bars)Andante (B♠major, 154 bars)Minuet – Trio (E♠major, 66 bars)Finale. Vivace (E♠major, 231 bars)Year/Date of Composition 1788First Publication 1792 or beforeDedication pour Mons. le Comte d’OgnyAverage Duration 25 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation: Orchestra:FluteOboe 1Oboe 2Bassoon 1Bassoon 2Horn in Eb/Bb 1 original & F transposedHorn in Eb/Bb 2 original & F transposedViolin IViolin IIViolaVioloncelloContrabass
$28.00 ≈
25.09€
Serenade No.2
Serenade No.2
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Classique
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Johannes Brahms
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Edition Maulwurf
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Serenade No.2
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Edition Maulwurf
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SheetMusicPlus
Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 5 - SKU: A0.1262499 Composed by Johannes Brahms. Arranged by Edition Maulwurf. 1...
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Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 5 - SKU: A0.1262499 Composed by Johannes Brahms. Arranged by Edition Maulwurf. 19th Century,Romantic Period. 164 pages. Edition Maulwurf #855519. Published by Edition Maulwurf (A0.1262499). Johannes BrahmsSerenade No.2arrangement for nonetflute, oboe, clarinet, horn, bassoonviolin, viola, violoncello, double bass1. Allegro moderato2. Scherzo, Vivace3. Adagio non troppo4. Quasi Menuetto5. Rondo, Allegroduration: ca 35m  score + partshttps://www.edition-maulwurf.deEdition Maulwurf is a publisher of digital sheet music. For more information and other pieces please visit our web site.
$99.99 ≈
89.58€
3rd Symphony
3rd Symphony
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Classique
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Ludwig van Beethoven
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Edition Maulwurf
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3rd Symphony
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Edition Maulwurf
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SheetMusicPlus
Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 5 - SKU: A0.1263154 Composed by Ludwig van Beethoven. Arranged by Edition Maulwu...
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Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 5 - SKU: A0.1263154 Composed by Ludwig van Beethoven. Arranged by Edition Maulwurf. Classical. 296 pages. Edition Maulwurf #856132. Published by Edition Maulwurf (A0.1263154). Ludwig van Beethoven3rd SymphonyEroica01 – Allegro con brio 02 – Marcia funebre, Adagio assai 03 – Scherzo, Allegro vivace 04 – Finale, Allegro molto arrangement for nonetflute, oboe, clarinet, horn, bassoonviolin, viola, violoncello, double bassduration: ca 48mscore + partshttps://www.edition-maulwurf.deEdition Maulwurf is a publisher of digital sheet music. For more information and other pieces please visit our web site.
$119.99 ≈
107.50€
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