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Wait for Sleep
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Vous avez sélectionné:
Wait for Sleep
Partitions à imprimer
52 partitions trouvées
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51
For Us the Living
For Us the Living
#
Chorale SATB
#
INTERMÉDIAIRE
#
Mark S Grossman
#
For Us the Living
#
Mark S Grossman
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1260120 Composed by Mark S Grossman. 21st Century,Classical,Contemporary. Octavo. 13 pages. Mark S Grossman #853...
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Choral Choir (SATB) - Level 3 - SKU: A0.1260120 Composed by Mark S Grossman. 21st Century,Classical,Contemporary. Octavo. 13 pages. Mark S Grossman #853354. Published by Mark S Grossman (A0.1260120). A work for chorus (SATB) and piano. First performance March, 2023 by Schola Cantorum of Silicon Valley.One morning in early 2022, after having somewhat unexpectedly lost my two aunts and one of my best friends in the world over the previous year or so, I woke up and this piece, along with some tears, poured out in about 15 minutes. For Us the Living contains echoes of Brahms' German Requiem (Denn alles Fleisch ist wie Gras), Shawn Kirchner's Cornerstone, and Dolly Parton's Light of a Clear Blue Morning (another a song about loss). The words are partly based on a short poem I wrote after my father passed away. I ended to him, Go to sleep, rest a while. So, perhaps obviously, the piece is like a lullaby. What I'm saying is that the purpose of mourning is first to comfort the survivors, and a call to take care of each other -- but also to not just wait for salvation, but to use the memory of our loved ones, to be inspired to pick ourselves up and make ourselves useful while we're on this Earth.Â
$2.49 ≈
2.29€
Hush, Sweet Baby, sacred vocal solo for Christmas
Hush, Sweet Baby, sacred vocal solo for Christmas
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Kevin G
#
Hush, Sweet Baby, sacred vocal
#
Kevin G. Pace
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.702435 Composed by Kevin G. Pace (ASCAP), Mary Ann Snowball. Christmas,Praise & Worship,Sacred. Octavo. 8 pages....
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Choral Choir (SATB) - Level 4 - SKU: A0.702435 Composed by Kevin G. Pace (ASCAP), Mary Ann Snowball. Christmas,Praise & Worship,Sacred. Octavo. 8 pages. Kevin G. Pace #6686875. Published by Kevin G. Pace (A0.702435). Sacred vocal solo for Christmas with music by Kevin G. Pace and text by Mary Ann Snowball. See text below: Hush, sweet Baby called to earth long before thy mortal birth. Truth portrays angelic worth. Hush, sweet Baby, hush. Chosen Child from on high, there will be sweet lullabies Silencing each human cry. Hush, sweet Baby, hush. Hush, sweet Baby now adorned, wrapped in swaddling bands so warm. Love was born this Christmas morn. Hush, sweet Baby, hush. Now earth's Savior will be known: There will come a time to show Heav'nly power so blessings flow. Hush, sweet Baby, hush. Hush, 'til Thou saves from the Fall. Love will imprint on thy palms, Grace displaying healing balm. Hush, sweet Baby, hush. 'Til then sleep the night away, waiting for a brand-new day. Close your eyes now while you may. Hush, sweet Baby, sleep. Hush, hush oh Baby sweet. Sleep, sleep tonight. Jesus, our dear Savior lives, will His saving light.
$3.95 ≈
3.64€
Hush, Sweet Baby - sacred choral music for Christmas
Hush, Sweet Baby - sacred choral music for Christmas
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Kevin G
#
Hush, Sweet Baby - sacred chor
#
Kevin G. Pace
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1281368 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,...
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Choral Choir (SATB) - Level 4 - SKU: A0.1281368 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. Octavo. 9 pages. Kevin G. Pace #872711. Published by Kevin G. Pace (A0.1281368). Sacred choral music for Christmas with music by Kevin G. Pace and text by Mary Ann Snowball. Text: Hush, sweet Baby called to earth long before thy mortal birth. Truth portrays angelic worth. Hush, sweet Baby, hush. Chosen Child from on high, there will be sweet lullabies Silencing each human cry. Hush, sweet Baby, hush. Hush, sweet Baby now adorned, wrapped in swaddling bands so warm. Love was born this Christmas morn. Hush, sweet Baby, hush. Now earth's Savior will be known: There will come a time to show Heav'nly power so blessings flow. Hush, sweet Baby, hush. Hush, 'til Thou saves from the Fall. Love will imprint on thy palms, Grace displaying healing balm. Hush, sweet Baby, hush. 'Til then sleep the night away, waiting for a brand-new day. Close your eyes now while you may. Hush, sweet Baby, sleep. Hush, hush oh Baby sweet. Sleep, sleep tonight. Jesus, our dear Savior lives, will His saving light.
$1.99 ≈
1.83€
5 pieces for organ
5 pieces for organ
#
Orgue
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
David Warin Solomons
#
5 pieces for organ
#
David Warin Solomons
#
SheetMusicPlus
Organ - Level 4 - SKU: A0.576016 Composed by David Warin Solomons. Contemporary. Score. 33 pages. David Warin Solomons #44013. Published by David Warin ...
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Organ - Level 4 - SKU: A0.576016 Composed by David Warin Solomons. Contemporary. Score. 33 pages. David Warin Solomons #44013. Published by David Warin Solomons (A0.576016). This is a suite of 5 organ pieces composed by David W Solomons originally performed by David Carlston Williams on 17 August 2014 on the organ of St Paul's Springfield Road, Sale (Cheshire, UK) Registrations are as suggested by the performer. (the sound sample is a recording of Passacaglia from the subsequent CD recording performed by David Carlston WIlliams in June 2015) The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The suite is also available as separate pieces (with performances by David Carlston Williams).
$31.00 ≈
28.57€
Dorina for organ
Dorina for organ
#
Orgue
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
David Warin Solomons
#
Dorina for organ
#
David Warin Solomons
#
SheetMusicPlus
Organ - Level 4 - SKU: A0.576012 Composed by David Warin Solomons. Contemporary. Score. 9 pages. David Warin Solomons #46379. Published by David Warin S...
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Organ - Level 4 - SKU: A0.576012 Composed by David Warin Solomons. Contemporary. Score. 9 pages. David Warin Solomons #46379. Published by David Warin Solomons (A0.576012). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams Registrations are as suggested by the performer. (the sound sample is from the CD, available from this site) The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set Video of Dorina:https://www.youtube.com/watch?v=tunykPeiU4M
$13.00 ≈
11.98€
Thérèse Brenet: Rondel for SATB chorus, orchestra and organ, score
Thérèse Brenet: Rondel for SATB chorus, orchestra and organ, score
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Orchestre
#
AVANCÉ
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Contemporain
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533844 Composed by Therese Brenet. Contemporary. Score and parts. 13 pages. Musik Fabrik Music Publishing #3053313. P...
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Full Orchestra - Level 5 - SKU: A0.533844 Composed by Therese Brenet. Contemporary. Score and parts. 13 pages. Musik Fabrik Music Publishing #3053313. Published by Musik Fabrik Music Publishing (A0.533844). A setting of a poem in French by Tristan Corbières (1845-1875) for SATB chorus, and orchestra. The instrumentation is: 2220/2000/timp/3perc/hp/organ/strings. The work may be performed alone or together with the composer's two other owrks for chorus and orchestra (Ciels and Le Bois Amical). This is the score only. The orchestral parts are on rental from the publisher. The chorus part, which contains a piano reduction, is available for sale.RonelIl fait noir, enfant, voleur d'étincelles !Il n'est plus de nuits, il n'est plus de jours ;Dors... en attendant venir toutes cellesQui disaient : Jamais ! Qui disaient : Toujours !Entends-tu leurs pas ?... Ils ne sont pas lourds :Oh ! les pieds légers ! – l'Amour a des ailes...Il fait noir, enfant, voleur d'étincelles !Entends-tu leurs voix ?... Les caveaux sont sourds.Dors : Il pèse peu, ton faix d'immortelles :Ils ne viendront pas, tes amis les ours,Jeter leur pavé sur tes demoiselles...Il fait noir, enfant, voleur d'étincelles !English translationIt is Dark, child, thief of sparks!There are no longer nights, There are no longer daysSleep..waiting for those who say never, who say always, to arriveDo you hear their footsteps? They are not heavy.Oh, the light steps! Love has wings...It is Dark, child, thief of sparks!Do you hear their voices? The tombs are silent.Sleep, it weighs little, your weight of dried flowersThey will not come, your friends the bears,to throw their cobblestone on your firefliesIt is Dark, child, thief of sparks!Translation © 2008 by Paul Wehage
$16.95 ≈
15.62€
Thérèse Brenet: Rondel for SATB chorus, orchestra and organ,chorus part
Thérèse Brenet: Rondel for SATB chorus, orchestra and organ,chorus part
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Orchestre
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AVANCÉ
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Contemporain
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Therese Brenet
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Dors
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533845 Composed by Therese Brenet. Contemporary. Score and parts. 12 pages. Musik Fabrik Music Publishing #3053315. P...
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Full Orchestra - Level 5 - SKU: A0.533845 Composed by Therese Brenet. Contemporary. Score and parts. 12 pages. Musik Fabrik Music Publishing #3053315. Published by Musik Fabrik Music Publishing (A0.533845). A setting of a poem in French by Tristan Corbières (1845-1875) for SATB chorus, and orchestra. The instrumentation is: 2220/2000/timp/3perc/hp/organ/strings. The work may be performed alone or together with the composer's two other owrks for chorus and orchestra (Ciels and Le Bois Amical). This is the chorus part, which contains a piano reduction, only. The orchestral parts are on rental from the publisher. The score, is available for sale. Ronel Il fait noir, enfant, voleur d'étincelles ! Il n'est plus de nuits, il n'est plus de jours ; Dors... en attendant venir toutes celles Qui disaient : Jamais ! Qui disaient : Toujours ! Entends-tu leurs pas ?... Ils ne sont pas lourds : Oh ! les pieds légers ! – l'Amour a des ailes... Il fait noir, enfant, voleur d'étincelles ! Entends-tu leurs voix ?... Les caveaux sont sourds. Dors : Il pèse peu, ton faix d'immortelles : Ils ne viendront pas, tes amis les ours, Jeter leur pavé sur tes demoiselles... Il fait noir, enfant, voleur d'étincelles ! English translation It is Dark, child, thief of sparks! There are no longer nights, There are no longer days Sleep..waiting for those who say never, who say always, to arrive Do you hear their footsteps? They are not heavy. Oh, the light steps! Love has wings... It is Dark, child, thief of sparks! Do you hear their voices? The tombs are silent. Sleep, it weighs little, your weight of dried flowers They will not come, your friends the bears, to throw their cobblestone on your fireflies It is Dark, child, thief of sparks! Translation © 2008 by Paul Wehage
$2.50 ≈
2.30€
Passacaglia for organ solo
Passacaglia for organ solo
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Passacaglia for organ solo
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David Warin Solomons
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SheetMusicPlus
Organ - Level 4 - SKU: A0.575684 Composed by David Warin Solomons. Contemporary. Score. 4 pages. David Warin Solomons #44021. Published by David Warin S...
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Organ - Level 4 - SKU: A0.575684 Composed by David Warin Solomons. Contemporary. Score. 4 pages. David Warin Solomons #44021. Published by David Warin Solomons (A0.575684). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams for a CD in June 2015 The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set (with David's performance of Passacaglia).
$13.00 ≈
11.98€
Camden Town for organ solo
Camden Town for organ solo
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Camden Town for organ solo
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David Warin Solomons
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SheetMusicPlus
Organ - Level 4 - SKU: A0.576014 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44017. Published by David Warin S...
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Organ - Level 4 - SKU: A0.576014 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44017. Published by David Warin Solomons (A0.576014). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams for a CD in June 2015 The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set (with David's performance of Passacaglia).
$13.00 ≈
11.98€
Playtime for organ
Playtime for organ
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Playtime for organ
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David Warin Solomons
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SheetMusicPlus
Organ - Level 4 - SKU: A0.576013 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44019. Published by David Warin S...
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Organ - Level 4 - SKU: A0.576013 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44019. Published by David Warin Solomons (A0.576013). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams for a CD in June 2015 The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set (with David's performance of Passacaglia).
$13.00 ≈
11.98€
Gathering - an original hymn for SATB voices
Gathering - an original hymn for SATB voices
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Voix seule
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Gathering - an original hymn f
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Kevin G. Pace
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SheetMusicPlus
Vocal Solo,Voice - Level 4 - SKU: A0.701527 Composed by Kevin G. Pace, Krista Mason Pace. Christian,Praise & Worship,Sacred. 2 pages. Kevin G. Pace #322...
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Vocal Solo,Voice - Level 4 - SKU: A0.701527 Composed by Kevin G. Pace, Krista Mason Pace. Christian,Praise & Worship,Sacred. 2 pages. Kevin G. Pace #3224905. Published by Kevin G. Pace (A0.701527). An original hymn with text by Krista Mason Pace below.YouTube video: https://youtu.be/c9lVXglYbCoTeaching His children, Jesus spoke softly, Gathering all of His followers there. He taught the kingdom of God on this earth Was as man sewing good seeds in fields with great care. Then, while sleeping at night, an enemy came And sowed the tares among the wheat in shame. Soon when the wheat grew, showing great promise, Tares also covered the space all around. Knowing the young roots were tender and new, Then the man, in great wisdom, approached his good ground. Let them both grow together. Harvest time waits. The tares and wheat then gathered to their fates. Now is the harvest. Gather together All the elect from the quarters of earth. Those who will call on the Savior in faith, And in places of holiness stand with true worth. For the angels are waiting for their command. Come gather close to reach His outstretched hand.
$1.99 ≈
1.83€
Waiting for the Sandman (SSAA, a cappella) - original jazz song by Sarah and Gil Jaysmith
Waiting for the Sandman (SSAA, a cappella) - original jazz song by Sarah and Gil Jaysmith
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Chorale SSAA
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INTERMÉDIAIRE
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Sarah Jaysmith
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Sarah Jaysmith
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Waiting for the Sandman
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Sarah Jaysmith
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.849286 Composed by Sarah Jaysmith. Arranged by Sarah Jaysmith. A Cappella,Holiday,Jazz,Wedding. Octavo. 7 pages....
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Choral Choir (SSAA) - Level 3 - SKU: A0.849286 Composed by Sarah Jaysmith. Arranged by Sarah Jaysmith. A Cappella,Holiday,Jazz,Wedding. Octavo. 7 pages. Sarah Jaysmith #4642305. Published by Sarah Jaysmith (A0.849286). This original song has a wonderful jazzy nostalgia feel to it, and the arrangement for SSAA a cappella enhances that. There is a small amount of divisi at the end. The harmonies are mostly homophonic, allowing the warmth of the voices to shine through. The duration is about 3 minutes.It's a simple story - girl meets boy, girl is too shy to ask his name, girl spends sleepless night wishing she had been brave, girl amazingly meets boy the next day (thanks to a little Sandman magic!). This recording is a rehearsal recording, and is a little under tempo, but still gives you the feel of the piece. Try a new song that audiences and your singers will love! Sarah Jaysmith has been arranging and composing choral music for many years. Find her at www.sarahjaysmith.com
$2.50 ≈
2.30€
Wait For Sleep
Wait For Sleep
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Guitare notes et tablatures
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Dream Theater
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Wait For Sleep
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Guitar TAB - SKU: AX.00-PS-0005920 By Dream Theater. By James LaBrie, John Myung, John Petrucci, Kevin Moore, and Michael Portnoy. Pop/Rock. 9 pages. Al...
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Guitar TAB - SKU: AX.00-PS-0005920 By Dream Theater. By James LaBrie, John Myung, John Petrucci, Kevin Moore, and Michael Portnoy. Pop/Rock. 9 pages. Alfred Music - Digital Sheet Music #00-PS-0005920. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0005920).
$2.99 ≈
2.76€
Wait For Sleep
Wait For Sleep
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Guitare notes et tablatures
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Pop musique
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Dream Theater
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Wait For Sleep
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Hal Leonard - Digital
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SheetMusicPlus
Guitar - SKU: HX.292466 By Dream Theater. Pop. Guitar TAB. 8 pages. Published by Hal Leonard - Digital (HX.292466). ...
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Guitar - SKU: HX.292466 By Dream Theater. Pop. Guitar TAB. 8 pages. Published by Hal Leonard - Digital (HX.292466).
$4.99 ≈
4.60€
While the Snow Lay Sleeping
While the Snow Lay Sleeping
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Chorale 3 parties
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Heather Sorenson
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While the Snow Lay Sleeping
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chorus - SKU: AX.00-PO-0003356 While the Snow Lay Sleeping - SAB. Composed by Heather Sorenson. Secular Choral. 10 pages. Alfred Music - Digital ...
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Chorus - SKU: AX.00-PO-0003356 While the Snow Lay Sleeping - SAB. Composed by Heather Sorenson. Secular Choral. 10 pages. Alfred Music - Digital Sheet Music #00-PO-0003356. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003356). UPC: 038081489629. John Parker.There is a moment of stillness just before snow falls, when the barren earth lies in wait. That point in time is strikingly captured and depicted in this ethereal contemporary choral. An exquisite piano, a soaring cello, and an expressive choir bring the moment to life with both delicate poignancy and cinematic grandeur.Inst. Parts Available (choral).
$1.90 ≈
1.75€
While the Snow Lay Sleeping
While the Snow Lay Sleeping
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Chorale SATB
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Heather Sorenson
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While the Snow Lay Sleeping
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chorus - SKU: AX.00-PO-0003355 While the Snow Lay Sleeping - SATB. Composed by Heather Sorenson. Secular Choral. 10 pages. Alfred Music - Digital...
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Chorus - SKU: AX.00-PO-0003355 While the Snow Lay Sleeping - SATB. Composed by Heather Sorenson. Secular Choral. 10 pages. Alfred Music - Digital Sheet Music #00-PO-0003355. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003355). UPC: 038081489612. John Parker.There is a moment of stillness just before snow falls, when the barren earth lies in wait. That point in time is strikingly captured and depicted in this ethereal contemporary choral. An exquisite piano, a soaring cello, and an expressive choir bring the moment to life with both delicate poignancy and cinematic grandeur.Inst. Parts Available (choral).
$1.90 ≈
1.75€
While the Snow Lay Sleeping
While the Snow Lay Sleeping
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Chorale 3 parties
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Heather Sorenson
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While the Snow Lay Sleeping
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chorus - SKU: AX.00-PO-0003357 While the Snow Lay Sleeping - SSA. Composed by Heather Sorenson. Secular Choral. 10 pages. Alfred Music - Digital ...
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Chorus - SKU: AX.00-PO-0003357 While the Snow Lay Sleeping - SSA. Composed by Heather Sorenson. Secular Choral. 10 pages. Alfred Music - Digital Sheet Music #00-PO-0003357. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003357). UPC: 038081489636. John Parker.There is a moment of stillness just before snow falls, when the barren earth lies in wait. That point in time is strikingly captured and depicted in this ethereal contemporary choral. An exquisite piano, a soaring cello, and an expressive choir bring the moment to life with both delicate poignancy and cinematic grandeur.Inst. Parts Available (choral).
$1.90 ≈
1.75€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.68€
Come Forth, sacred music for SATB choir
Come Forth, sacred music for SATB choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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death was sure by then
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Come Forth, sacred music for S
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1203284 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 4 - SKU: A0.1203284 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 10 pages. Kevin G. Pace #801959. Published by Kevin G. Pace (A0.1203284). An epic, sacred choral composition with music by Kevin G. Pace and text by Mary Ann W. Snowball. Depicting the miracle of Jesus in raising Lazarus from the dead.Text:Lord, if thou hadst been here, our brother had not died.Lord, if thou hadst been here, our brother had not died.â€Word was sent to Jesus . . . “Lazarus lay sick.He to whom thou lovest, he is very sick.â€Martha and her sister loved this brother dear.Though their Lord was absent, He would soon be near.Consciously He waited in Jerusalem,‘Til four days had ended; death was sure by then.Jesus told the sisters: “Lazarus shall rise.He is only sleeping.†Still, with them He cried.Coming to the gravesite where the dead was laid,One large stone was taken; Jesus knelt and prayed.When He thus had spoken, causing to restore,He affirmed with loudness: “Lazarus, come forth.â€Now he had arisen, God’s most holy will.Jesus is Messiah! Miracles are real!Whosoever liveth, they shall never die.To all men He beckons: “Come forth, it is I.â€.
$1.99 ≈
1.83€
Dreams Await
Dreams Await
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Chris Highway
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Dreams Await
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Chris Highway
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.945933 Composed by Chris Highway. Contemporary,Film/TV. Score and parts. 15 pages. Chris Highway #6070467. Publishe...
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String Orchestra - Level 4 - SKU: A0.945933 Composed by Chris Highway. Contemporary,Film/TV. Score and parts. 15 pages. Chris Highway #6070467. Published by Chris Highway (A0.945933). This composition was inspired by a melody that came to me when I sang my daughter to sleep.The song is written for a string orchestra in the key of B Major. As a musician/composer I include creative, fresh, original ideas that immediately steal the audience's attention.If you would like to know more about the title or have any questions, please feel free to contact me at chighway@live.co.uk
$9.99 ≈
9.21€
O Death, rock me asleep
O Death, rock me asleep
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Chorale SATB
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INTERMÉDIAIRE
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Attributed to Anne Boleyn
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Scott S
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O Death, rock me asleep
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Scott S. Stewart
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1033880 Composed by Attributed to Anne Boleyn. Arranged by Scott S. Stewart. Classical,Renaissance,Tradit...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1033880 Composed by Attributed to Anne Boleyn. Arranged by Scott S. Stewart. Classical,Renaissance,Traditional. 16 pages. Scott S. Stewart #639193. Published by Scott S. Stewart (A0.1033880). “O Death, rock me asleepâ€: The lament of Anne Boleyn, 2nd wife of King Henry the VIIIth, is essentially a Tudor-era poem inspired (perhaps attributed) by/to her last days in the Tower of London while awaiting execution. She was convicted on charges of high treason, adultery and incest, and sentenced to be beheaded. The authorship of this dirge is entirely speculative; yet William Shakespeare quotes it, and Henry Purcell uses the same funeral ostinato a 100 years later. A nod to Voices of Music (Early Music Ensemble) and their gutsy scholarship regarding the B-flat/B-natural controversy. This arrangement is for a 4-part SATB ensemble with keyboard accompaniment. Performance time: 5:53+.
$2.99 ≈
2.76€
Tutte dormono sulla collina
Tutte dormono sulla collina
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Violon et Piano
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Monica Bergo
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it
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Tutte dormono sulla collina
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Monica Bergo
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SheetMusicPlus
Small Ensemble,Strings Cello,Organ,Pan Pipe,Piano,Violin - SKU: A0.976835 Composed by Monica Bergo. Spiritual. Score and parts. 35 pages. Monica Bergo #...
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Small Ensemble,Strings Cello,Organ,Pan Pipe,Piano,Violin - SKU: A0.976835 Composed by Monica Bergo. Spiritual. Score and parts. 35 pages. Monica Bergo #3235427. Published by Monica Bergo (A0.976835). 2017 Holiday Contest EntryALL SLEEPING ON THE HILL While it flowing words and pictures All are sleeping on the hill They are so many, so beautiful and pale They are waiting on the hill Princesses looking frail That pose themselves unnecessary questions They are died and now are free but they wonder why If I Had been more yielding, if I had been a little 'more docile He is always so unstable, maybe it was my fault If I Had known take him, and learned not to respond If I always said yes, I would be alive and still there They are women of all nationalities And girls who never bloom While the seasons and the years pass Their face is ageless And they are mothers, daughters or lovers Prostitutes, holy or wives No heaven or hell They are waiting for you Tonight the sky is brighter They will be shining Shooting stars now that you do not have a sky Tell me where you flee Do you feel guilty But you're not you that you have sinned Hide the signs And the secret inside you Everybody knows but it is more comfortable silence As long as you lie to yourself I had a dream, a nightmare, but I was awake On the hill expecting me Princess, sleeps in the trash Your Prince control no longer has And a tear remains motionless Witness of this' atrocities You Follow the avenue of pain and tears And walking on the hill and reach the motionless companions Waiting for you on the hill unites them by horrible fate Different stories with the same ending And as avenging goddesses expect The man who defiled And it is a black angels army their choir is high is unstoppable resonates loud, an echo that is relentless haunt your sleep and a thousand ways to beat you know; Hide the world what you really are the last image behind those eyes the blind fury inside you while in the sky it appears lightning I launch myself on the hill I put a flower and remain motionless And and I fall asleep here , on the hill ......... .. Monica Bergo
$3.99 ≈
3.68€
John Myung: Wait For Sleep - guitar solo (tablature)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Rock
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John Myung
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Virtualsheetmusic
Instantly printable sheet music by John Myung for guitar solo (tablature) of EASY/MEDIUM skill level. / pop,rock
Instantly printable sheet music by John Myung for guitar solo (tablature) of EASY/MEDIUM skill level. / pop,rock
$6.97 ≈
6.42€
Kevin Moore: Wait For Sleep - piano, voice or other instruments
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Piano, Voix
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INTERMÉDIAIRE
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Rock
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Kevin Moore
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Virtualsheetmusic
Instantly printable sheet music by Kevin Moore for piano, voice or other instruments of EASY/MEDIUM skill level. / pop,rock
Instantly printable sheet music by Kevin Moore for piano, voice or other instruments of EASY/MEDIUM skill level. / pop,rock
$6.97 ≈
6.42€
Here to See Santa Claus (Jolly Old Saint Nicholas) solo and piano
Here to See Santa Claus (Jolly Old Saint Nicholas) solo and piano
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Piano, Voix et Guitare
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FACILE
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James R
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Connie Boss
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Here to See Santa Claus
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Connie Boss
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1335072 Composed by James R. Murray. Arranged by Connie Boss. Children,Christmas. Score. 4 pages. Connie Bo...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1335072 Composed by James R. Murray. Arranged by Connie Boss. Children,Christmas. Score. 4 pages. Connie Boss #920918. Published by Connie Boss (A0.1335072). I put a twist on Jolly Old Saint Nicholas. I added verses and a different melody along with the familiar melody of Jolly Old Saint Nicholas. This song starts off with a child waiting patiently in line to see Santa so he can tell him what he wishes for him to bring him for Christmas. I started off with my own original melody and lyrics and then in the middle of the song, when the child finally reaches Santa, I switch to the melody of Jolly Old Saint Nicholas. However, to modernize it, I switched to Jolly Old Dear Santa Claus. I kept verse one lyrics the same except for that part. I changed the lyrics entirely for the second verse. The child tells Santa where he can put the presents and hopes one is for him. He also tells him he tries to wait up for him each year, but Santa is so quiet, he sleeps through the night. The last verse is back to my original melody and lyrics where Santa tells him it will be a surprise what he brings him this year. This brings the song all the way from waiting in line to see Santa to sitting on his knee and Santa telling him it will be a surprise. Let me know if you have any questions or request at cdboss@cvalley.net.Lyrics:Here to see Santa Claus “Jolly Old St Nicholasâ€Â I’m here to see Santa Claus But, it’s a long, long line, With lot’s of kids ahead of me, It will take some time I have with me my Christmas listTo tell dear Santa what I wish Now my time is finally hereTo sit up on his kneeHe asked me what I want this yearSo I whisper in his ear Jolly old dear Santa Claus, lean your ear this wayDon’t you tell a single soul what I’m going to sayChristmas eve is coming soon, now you dear old manWhisper what you’ll bring to me – tell me if you can Down the chimney you will comeRight next to the tree,You can put the presents thereI hope there’s one for me You never make any noiseI wait for you each yearBut I sleep all through the nightSo I can’t catch you here Then he looked and smiled at me and whispered in my earIt will be a big surprise what I bring to you this year.
$5.50 ≈
5.07€
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Wait for Sleep
