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Waiting And Watching
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The Home Coming March (1908) - Concert Band Score and Parts PDF
The Home Coming March (1908) - Concert Band Score and Parts PDF
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. ...
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Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00 ≈
27.03€
Softly and Tenderly
Softly and Tenderly
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Joel Raney
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Softly and Tenderly
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Hope Publishing - Digital
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SheetMusicPlus
Vocal Solo - SKU: H1.9156DP Arranged by Joel Raney. Piano Accompaniment. Vocal Score. 8 pages. Hope Publishing - Digital #9156DP. Published by Hope Publ...
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Vocal Solo - SKU: H1.9156DP Arranged by Joel Raney. Piano Accompaniment. Vocal Score. 8 pages. Hope Publishing - Digital #9156DP. Published by Hope Publishing - Digital (H1.9156DP). Hymn tune This time-honored hymn portrays the gentle, invitation of Christ's call to Come home. Like the story of the prodigal's return (Luke 15:11-32), Christ stands at the door waiting and watching for the weary. Joel Raney's elegant presentation lends passion and depth while staying true to the original 19th-century hymn by Will Thompson.
$7.95 ≈
7.16€
Softly and Tenderly
Softly and Tenderly
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Chorale SATB
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Will L
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Joel Raney
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Softly and Tenderly
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Hope Publishing - Digital
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SheetMusicPlus
Choral, Vocal SATB Chorus - SKU: H1.C5894DP Composed by Will L. Thompson. Arranged by Joel Raney. Piano Accompaniment. General Worship. Octavo. 12 pages...
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Choral, Vocal SATB Chorus - SKU: H1.C5894DP Composed by Will L. Thompson. Arranged by Joel Raney. Piano Accompaniment. General Worship. Octavo. 12 pages. Hope Publishing - Digital #C5894DP. Published by Hope Publishing - Digital (H1.C5894DP). Luke 15:11 - luke 15:12 - luke 15:13 - luke 15:14 - luke 15:15 - luke 15:16 - luke 15:17 - luke 15:18 - luke 15:19 - luke 15:20 - luke 15:21 - luke 15:22 - luke 15:23 - luke 15:24 - luke 15:25 - luke 15:26 - luke 15:27 - luke 15:28 -.Hymn tune This time-honored hymn portrays the gentle, invitation of Christ's call to Come home. Like the story of the prodigal's return (Luke 15:11-32), Christ stands at the door waiting and watching for the weary. Joel Raney's elegant presentation lends passion and depth while staying true to the original 19th-century hymn by Will Thompson.
$2.95 ≈
2.66€
Waiting And Watching
Waiting And Watching
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Orchestre
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FACILE
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James Gilbert
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Waiting And Watching
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James Gilbert Music
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.728930 Composed by James Gilbert. 20th Century,Contemporary,Folk. Score and parts. 46 pages. James Gilbert Music #322...
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Full Orchestra - Level 2 - SKU: A0.728930 Composed by James Gilbert. 20th Century,Contemporary,Folk. Score and parts. 46 pages. James Gilbert Music #3224729. Published by James Gilbert Music (A0.728930). For orchestra or concert band.
$9.99 ≈
9.00€
Softly and Tenderly
Softly and Tenderly
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Chorale SATB
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INTERMÉDIAIRE
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Christopher Aspaas
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Softly and Tenderly
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Aspen Hill Music - Digital
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SheetMusicPlus
SATB choir and Piano - Medium - SKU: MQ.AHM-41-E Composed by Christopher Aspaas. 8 pages. Aspen Hill Music - Digital #AHM-41-E. Published by Aspen Hill ...
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SATB choir and Piano - Medium - SKU: MQ.AHM-41-E Composed by Christopher Aspaas. 8 pages. Aspen Hill Music - Digital #AHM-41-E. Published by Aspen Hill Music - Digital (MQ.AHM-41-E). English.This flowing piece for a cappella choir and soloists gives new life to Will L. Thompson's beloved hymn. This arrangement sets the first and last verse, capturing the image of Jesus “waiting and watching†in the now, and the “wonderful love He has promised,†from the past and for our future. Only a few moments of divisi in the bass section mean this can be sung by medium-sized ensembles.
$2.25 ≈
2.03€
Softly and Tenderly Jesus Is Calling
Softly and Tenderly Jesus Is Calling
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Piano seul
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INTERMÉDIAIRE
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Jeff Bjorck
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Jeff Bjorck
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Softly and Tenderly Jesus Is C
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Pure Piano Music by Jeff Bjorck
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1257744 By Jeff Bjorck. By Will L. Thompson. Arranged by Jeff Bjorck. 19th Century,Christian,New Age,Religious,Spiritual....
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Piano Solo - Level 3 - SKU: A0.1257744 By Jeff Bjorck. By Will L. Thompson. Arranged by Jeff Bjorck. 19th Century,Christian,New Age,Religious,Spiritual. Score. 3 pages. Pure Piano Music by Jeff Bjorck #850974. Published by Pure Piano Music by Jeff Bjorck (A0.1257744). Jeff Bjorck's original solo piano arrangement of this traditional hymn melody by Will L. Thompson is from Bjorck's album/CD This I Know: Ageless Hymns of Faith. This hymn wonderfully portrays the caring heart of God, who so loved the world that He gave His only begotten Son (John 3:16). Its lyrics are reminiscent of the prodigal son's father, who seemed to be waiting and watching for his erring child to come home.  Many hymns  beautifully  express  the  awesome majesty of God, but this one seems to personify His still, small, voice (I Kings 19:12). It is this still, small, yet powerfully loving voice that Bjorck conveys with this arrangement.
$5.50 ≈
4.96€
Yesterday's Tomorrow (Watching and Waiting)
Yesterday's Tomorrow (Watching and Waiting)
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Piano, Voix et Guitare
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Peter Paul and Mary
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Adult Contemporary
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Yesterday's Tomorrow
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0005454 By Peter Paul and Mary. By Laura Popper, Mary Travers, and Robert Dorough. Folk; Adult Contemporary; Pop/Rock...
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Piano/Vocal/Chords - SKU: AX.00-PS-0005454 By Peter Paul and Mary. By Laura Popper, Mary Travers, and Robert Dorough. Folk; Adult Contemporary; Pop/Rock. 5 pages. Alfred Music - Digital Sheet Music #00-PS-0005454. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0005454).
$3.99 ≈
3.60€
Watching, waiting. A brand new hymn.
Watching, waiting. A brand new hymn.
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Chorale Unison
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FACILE
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Harry Hicks
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Watching, waiting. A brand new
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Harry Hicks
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SheetMusicPlus
Choral Choir (Unison) - Level 2 - SKU: A0.994666 Composed by Harry Hicks. Christian,Sacred,Spiritual. Octavo. 1 pages. Harry Hicks #4360939. Published b...
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Choral Choir (Unison) - Level 2 - SKU: A0.994666 Composed by Harry Hicks. Christian,Sacred,Spiritual. Octavo. 1 pages. Harry Hicks #4360939. Published by Harry Hicks (A0.994666). This is an original hymn that should be wider known. It is taken from Praise! which is a book of over 440 hymns with mainly new tunes written by Harry Hicks. All are suitable for congregational singing, all are biblically sound, and these new tunes have been written to give some wonderful old (and new!) hymns new life and a fresh hearing.
$1.99 ≈
1.79€
Watching And Waiting
Watching And Waiting
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Chorale 3 parties
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FACILE
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The Moody Blues
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Karen Ivana
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Watching And Waiting
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Karen Ivana
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SheetMusicPlus
Choral Choir (SSA) - Level 2 - SKU: A0.1082824 By The Moody Blues. By Justin Hayward and Ray Thomas. Arranged by Karen Ivana. 20th Century,Pop,Rock. Oct...
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Choral Choir (SSA) - Level 2 - SKU: A0.1082824 By The Moody Blues. By Justin Hayward and Ray Thomas. Arranged by Karen Ivana. 20th Century,Pop,Rock. Octavo. 7 pages. Karen Ivana #687030. Published by Karen Ivana (A0.1082824). Utterly beautiful song from the Moody Blues, it made substantial use of the mellotron when recorded in 1969. This version for women's choir and piano aims to capture that magic.
$2.99 ≈
2.69€
Watching And Waiting
Watching And Waiting
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Rock
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The Moody Blues
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Jeff Tincher
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Watching And Waiting
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Jeff Tincher
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1188248 By The Moody Blues. By Justin Hayward and Ray Thomas. Arranged by Jeff Tincher. Rock. S...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1188248 By The Moody Blues. By Justin Hayward and Ray Thomas. Arranged by Jeff Tincher. Rock. Score and parts. 13 pages. Jeff Tincher #787852. Published by Jeff Tincher (A0.1188248). Here is one of the most enchanting songs from the group that pioneered the continuous music with no spaces format for LPs. In the original key, this song is the finale from The Moody Blues To Our Children's Children's Children LP. This year (2023) marks the 50th anniversary of this remarkable work. This arrangement includes the live ending from Justin Hayward's 4/4/98 concert from San Juan Capistrano concert. Duration = 4:33. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99 ≈
11.71€
Watching And Waiting
Watching And Waiting
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Quatuor à cordes: 2 violons, alto, violoncelle
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Rock
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The Moody Blues
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Jeff Tincher
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Watching And Waiting
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Jeff Tincher
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.1188241 By The Moody Blues. By Justin Hayward and Ray Thomas. Arranged by Jeff Tincher. Rock....
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String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.1188241 By The Moody Blues. By Justin Hayward and Ray Thomas. Arranged by Jeff Tincher. Rock. Score and parts. 13 pages. Jeff Tincher #787842. Published by Jeff Tincher (A0.1188241). Here is one of the most enchanting songs from the group that pioneered the continuous music with no spaces format for LPs. In the original key, this song is the finale from The Moody Blues To Our Children's Children's Children LP. This year (2023) marks the 50th anniversary of this remarkable work. This arrangement includes the live ending from Justin Hayward's 4/4/98 concert from San Juan Capistrano concert. Duration = 4:33. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99 ≈
11.71€
Watching And Waiting
Watching And Waiting
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Rock
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The Moody Blues
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Jeff Tincher
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Watching And Waiting
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Jeff Tincher
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1188243 By The Moody Blues. ...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1188243 By The Moody Blues. By Justin Hayward and Ray Thomas. Arranged by Jeff Tincher. Rock. 13 pages. Jeff Tincher #787844. Published by Jeff Tincher (A0.1188243). Here is one of the most enchanting songs from the group that pioneered the continuous music with no spaces format for LPs. In the original key, this song is the finale from The Moody Blues To Our Children's Children's Children LP. This year (2023) marks the 50th anniversary of this remarkable work. This arrangement includes the live ending from Justin Hayward's 4/4/98 concert from San Juan Capistrano concert. Duration = 4:33. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99 ≈
11.71€
Watching And Waiting
Watching And Waiting
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Flûte, Hautbois, Clarinette, Basson
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FACILE
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Rock
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The Moody Blues
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Jeff Tincher
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Watching And Waiting
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Jeff Tincher
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.1188245 By The Moody Blues. By Justin Hayward and Ray Thomas. Arrange...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.1188245 By The Moody Blues. By Justin Hayward and Ray Thomas. Arranged by Jeff Tincher. Rock. 13 pages. Jeff Tincher #787847. Published by Jeff Tincher (A0.1188245). Here is one of the most enchanting songs from the group that pioneered the continuous music with no spaces format for LPs. In the original key, this song is the finale from The Moody Blues To Our Children's Children's Children LP. This year (2023) marks the 50th anniversary of this remarkable work. This arrangement includes the live ending from Justin Hayward's 4/4/98 concert from San Juan Capistrano concert. Duration = 4:33. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99 ≈
11.71€
Waiting and Watching
Waiting and Watching
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James Gilbert
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Waiting and Watching
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James Gilbert Music
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SheetMusicPlus
SKU: A0.1065202 Composed by James Gilbert. Blues,Contemporary,Jazz,Pop,Rock. Full Performance. Duration 255. James Gilbert Music #3543691. Published by ...
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SKU: A0.1065202 Composed by James Gilbert. Blues,Contemporary,Jazz,Pop,Rock. Full Performance. Duration 255. James Gilbert Music #3543691. Published by James Gilbert Music (A0.1065202). Audio Recording
$1.99 ≈
1.79€
Waiting And Watching
Waiting And Watching
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Orgue
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FACILE
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James Gilbert
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Waiting And Watching
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James Gilbert Music
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SheetMusicPlus
Organ - Level 2 - SKU: A0.729125 Composed by James Gilbert. Contemporary,Pop. Score. 7 pages. James Gilbert Music #5851093. Published by James Gilbert M...
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Organ - Level 2 - SKU: A0.729125 Composed by James Gilbert. Contemporary,Pop. Score. 7 pages. James Gilbert Music #5851093. Published by James Gilbert Music (A0.729125). An original composition for Solo Organ.
$4.99 ≈
4.50€
Waiting for the dawn
Waiting for the dawn
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Chorale SATB
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Eoin Buchanan
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Waiting for the dawn
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Eoin Buchanan
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SheetMusicPlus
Choral Choir (Mixed) - SKU: A0.1025502 Composed by Eoin Buchanan. Christian,Contemporary,Sacred,Spiritual. Octavo. 7 pages. Eoin Buchanan #4829951. Publ...
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Choral Choir (Mixed) - SKU: A0.1025502 Composed by Eoin Buchanan. Christian,Contemporary,Sacred,Spiritual. Octavo. 7 pages. Eoin Buchanan #4829951. Published by Eoin Buchanan (A0.1025502). Watching a loved one suffer is never easy. This short work describes a little of the darkness as one waits through the night for the dawn to safely break and angelic hope that faith might bring. Written for 2 Soprano choirs and small ensemble of oboe, horn & bassoon the work reaches its climax on the very last chord where Gods eternal light shines through the heavy weight of darkness.
$15.00 ≈
13.52€
Ready To Go!
Ready To Go!
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Andrew McDonald
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Andrew McDonald
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Ready To Go!
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Andrew Mc Donald
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1418597 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Christian,Country,Pop. Score. ...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1418597 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Christian,Country,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #1000171. Published by Andrew Mc Donald (Macka Records) (A0.1418597). Ready To Go is a song about the 10 virgins that are waiting for the bridegroom to arrive. 5 of them forget to bring oil with them to fuel their lamps. The bridegroom is a long time coming and they fall asleep. Then the foolish virgins with no oil go out to buy oil just as the bell chimes. The bridegroom arrives and the door is shut, only the virgins who were ready could go in for the wedding. When Jesus returns we too need to be ready and watching with oil in our lamps. This is the piano and vocal score.
$4.99 ≈
4.50€
I'm A-Waiting and A-Watching - SATB a cappella (Greg Gilpin)
I'm A-Waiting and A-Watching - SATB a cappella (Greg Gilpin)
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Chorale SATB
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Greg Gilpin
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I'm A-Waiting and A-Watching -
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Hal Leonard - Digital
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SheetMusicPlus
(Alto Dominant) - SKU: HX.477861 Composed by Greg Gilpin. A Cappella,Concert,Festival. Choral. Duration 164. Published by Hal Leonard - Digital (HX.4778...
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(Alto Dominant) - SKU: HX.477861 Composed by Greg Gilpin. A Cappella,Concert,Festival. Choral. Duration 164. Published by Hal Leonard - Digital (HX.477861).
$1.99 ≈
1.79€
I'm A-Waiting and A-Watching - SATB a cappella (Greg Gilpin)
I'm A-Waiting and A-Watching - SATB a cappella (Greg Gilpin)
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Chorale SATB
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Greg Gilpin
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I'm A-Waiting and A-Watching -
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Hal Leonard - Digital
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SheetMusicPlus
(Bass Dominant) - SKU: HX.477863 Composed by Greg Gilpin. A Cappella,Concert,Festival. Choral. Duration 164. Published by Hal Leonard - Digital (HX.4778...
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(Bass Dominant) - SKU: HX.477863 Composed by Greg Gilpin. A Cappella,Concert,Festival. Choral. Duration 164. Published by Hal Leonard - Digital (HX.477863).
$1.99 ≈
1.79€
I'm A-Waiting and A-Watching - SATB a cappella (Greg Gilpin)
I'm A-Waiting and A-Watching - SATB a cappella (Greg Gilpin)
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Chorale SATB
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Greg Gilpin
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I'm A-Waiting and A-Watching -
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Hal Leonard - Digital
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SheetMusicPlus
(Tenor Dominant) - SKU: HX.477862 Composed by Greg Gilpin. A Cappella,Concert,Festival. Choral. Duration 164. Published by Hal Leonard - Digital (HX.477...
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(Tenor Dominant) - SKU: HX.477862 Composed by Greg Gilpin. A Cappella,Concert,Festival. Choral. Duration 164. Published by Hal Leonard - Digital (HX.477862).
$1.99 ≈
1.79€
I'm A-Waiting and A-Watching - SATB a cappella (Greg Gilpin)
I'm A-Waiting and A-Watching - SATB a cappella (Greg Gilpin)
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Chorale SATB
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Greg Gilpin
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I'm A-Waiting and A-Watching -
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Hal Leonard - Digital
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SheetMusicPlus
(Full Performance) - SKU: HX.477859 Composed by Greg Gilpin. A Cappella,Concert,Festival. Choral. Duration 164. Published by Hal Leonard - Digital (HX.4...
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(Full Performance) - SKU: HX.477859 Composed by Greg Gilpin. A Cappella,Concert,Festival. Choral. Duration 164. Published by Hal Leonard - Digital (HX.477859).
$1.99 ≈
1.79€
I'm A-Waiting And A-Watching
I'm A-Waiting And A-Watching
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Chorale SATB
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Greg Gilpin
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I'm A-Waiting And A-Watching
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Hal Leonard - Digital
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SheetMusicPlus
(SATB) - SKU: HX.477587 Composed by Greg Gilpin. A Cappella,Concert,Festival. Choral. 11 pages. Duration 165. Published by Hal Leonard - Digital (HX.477...
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(SATB) - SKU: HX.477587 Composed by Greg Gilpin. A Cappella,Concert,Festival. Choral. 11 pages. Duration 165. Published by Hal Leonard - Digital (HX.477587).
$2.10 ≈
1.89€
I'm A-Waiting and A-Watching - SATB a cappella (Greg Gilpin)
I'm A-Waiting and A-Watching - SATB a cappella (Greg Gilpin)
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Chorale SATB
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Greg Gilpin
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I'm A-Waiting and A-Watching -
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Hal Leonard - Digital
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SheetMusicPlus
(Soprano Dominant) - SKU: HX.477860 Composed by Greg Gilpin. A Cappella,Concert,Festival. Choral. Duration 164. Published by Hal Leonard - Digital (HX.4...
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(Soprano Dominant) - SKU: HX.477860 Composed by Greg Gilpin. A Cappella,Concert,Festival. Choral. Duration 164. Published by Hal Leonard - Digital (HX.477860).
$1.99 ≈
1.79€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.60€
Into the Depths - Instrumental Parts
Into the Depths - Instrumental Parts
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Orchestre
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INTERMÉDIAIRE
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Christian Jesse
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Into the Depths - Instrumental
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Christian James Jesse
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.940132 Composed by Christian Jesse. Contemporary,Video Game. Score and parts. 148 pages. Christian James Jesse #66689...
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Full Orchestra - Level 3 - SKU: A0.940132 Composed by Christian Jesse. Contemporary,Video Game. Score and parts. 148 pages. Christian James Jesse #6668913. Published by Christian James Jesse (A0.940132). Instrumental Parts for Into the Depths-Scoring:3.2.2.1 | 2.2.3.1 | Timpani | 5 Percussion | Piano | Harp | Strings-You are a knight, who is on a quest by order of the King. You arrive at a desolate cave with orders to kill a vile monster that slumbers within. After what seems like hours, you reach the bottom of the abyss. Nothing is there. A sigh of disappointment exits your body, but when you decide to turn back and exit the cave, an eerie feeling trails down your spine. Something was stalking you, waiting, and watching your every move. Your whole body begins to shake, as your shadow is overcome by the towering beast behind you. Your fight begins…*Winner of the 2017 UWO Spring Concerto Competition* Premiered by: University of Wisconsin Oshkosh's University Symphony Orchestra (May 4th, 2017)Conductor: Dr. Dylan Chmura-Moore
$20.00 ≈
18.02€
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Waiting And Watching
