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Vous avez sélectionné:
We Can Be Kind
Partitions à imprimer
166 partitions trouvées
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We Can Be Kind
We Can Be Kind
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Chorale SSAA
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INTERMÉDIAIRE
#
Nancy Lamott
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Michael Gellert
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We Can Be Kind
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Michael Gellert
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.877268 By Nancy Lamott. By David Friedman. Arranged by Michael Gellert. A Cappella. Octavo. 9 pages. Michael Gel...
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Choral Choir (SSAA) - Level 3 - SKU: A0.877268 By Nancy Lamott. By David Friedman. Arranged by Michael Gellert. A Cappella. Octavo. 9 pages. Michael Gellert #5797523. Published by Michael Gellert (A0.877268). Women's Barbershop voicing parts named Tenor, Lead, Baritone and Bass (SSAA) - IntermediateWritten by David Friedman Arranged by Michael Gellert 9 pages. A cappella version, SSAA. Appropriate for medium to advanced women's ensembles.. This beautiful ballad is appropriate for today and all times. Intended to be sung ad lib.
$3.50 ≈
3.14€
We Can Be Kind
We Can Be Kind
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Chorale SSAA
#
INTERMÉDIAIRE
#
Nancy Lamott
#
Michael Gellert
#
We Can Be Kind
#
Michael Gellert
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.877267 By Nancy Lamott. By David Friedman. Arranged by Michael Gellert. A Cappella. Octavo. 9 pages. Michael Gel...
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Choral Choir (SSAA) - Level 3 - SKU: A0.877267 By Nancy Lamott. By David Friedman. Arranged by Michael Gellert. A Cappella. Octavo. 9 pages. Michael Gellert #5797507. Published by Michael Gellert (A0.877267). Women's Barbershop voicing parts named Tenor, Lead, Baritone and Bass (SSAA) - Intermediate 3 pages. A cappella version of the beautiful song so appropriate for our times. SSAA. Appropriate for medium level quartets and small ensembles. Intended to be sung ad lib, as a ballad. It is priced for Quartets and includes 4 copies in the price.
$12.99 ≈
11.64€
Soon We Will Be Done (Downloadable)
Soon We Will Be Done (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Gospel Spirituel
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Kyle Pederson
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Soon We Will Be Done
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir and Piano - Medium - SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporati...
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SATB choir and Piano - Medium - SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporation - Digital #1.3610-E. Published by Galaxy Music Corporation - Digital (MQ.1.3610-E). English. From the arranger, Kyle Pederson To me, spirituals are the most powerful type of music. Spirituals were birthed and rooted in the experience of chattel slavery in the United States—and arose out of, as Arthur C. Jones asserts, “deeply meaningful, archetypically human experiences, relevant not only to the specific circumstances of slavery but also to women and men struggling with issues of justice, freedom, and spiritual wholeness in all times and places.†The original text of Soon Ah Will Be Done is as follows: Soon ah will be done with the troubles of the world (repeat) Goin’ home to live with God No more weeping and a-wailing (repeat) Goin’ home to live with God I want t’ meet my mother (repeat) Goin’ home to live with God I want t’ meet my Jesus (repeat) Goin’ home to live with God When I sang this spiritual growing up, I was struck by both the withering sorrow and expectant hope throughout. The melody and emotion has stuck with me since. When approaching my own arrangement, I hoped to honor the voice of the original writers and their experience of slavery, and I also sought to extend a voice to people today who are suffering from oppression and discrimination. I hoped an appropriate way to honor the experience of the original writers might be to invite the contemporary listener to envision and commit to a better, more just world today—a world of inclusion, radical kindness, compassion, love, and grace—a world where we have the courage to champion the inherent dignity and value of all people, a world where we will be done with all the ways we deny a person’s worth. A world where “heaven has come to earth.†In this arrangement, spoken word is incorporated throughout, intended to heighten the intensity of the performance, and meant to give a sense of immediacy to the challenge for the choir and audience to work together for justice, equity, and wholeness. Spoken word has often been used as the language of protest—and I include it intentionally as a way of giving voice to the choir members (and listener)—where all can stand in solidarity against oppression and injustice. If desired, choir members are encouraged to write their own spoken word text that speaks to issues of inequity and injustice in their own communities. I am writing this program note not long after George Floyd was killed in Minneapolis, MN, on May 25, 2020. As a Minneapolis area resident for the past 25 years, I want to take a more active role in working towards justice in my community. All proceeds received from the sale and performance of Soon We Will Be Done will be directed to ISAIAH—a multi-racial, state-wide, nonpartisan coalition of faith communities fighting for racial and economic justice in Minnesota. You can read more about the phenomenal work ISAIAH is doing at isaiahmn.org.
$3.20 ≈
2.87€
<EZ Trio Set> Angels We Have Heard On High
<EZ Trio Set> Angels We Have Heard On High
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Noël
#
Tsuyoshi Yogoiruma
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<EZ Trio Set> Angels We
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Tsuyoshi Yoroiguma
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Euphonium,Flute,Horn,Oboe,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 1 - ...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Euphonium,Flute,Horn,Oboe,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 1 - SKU: A0.711263 Composed by (Old French Carol). Arranged by Tsuyoshi Yogoiruma. Christian,Christmas,Instructional. Score and parts. 12 pages. Tsuyoshi Yoroiguma #4350429. Published by Tsuyoshi Yoroiguma (A0.711263). This EZ Trio Set is good for school band or music class students.This music can be played by three instruments of same kind.All players use a score.(no part sheet included)Players can try various tempo, dynamics and articulation.This set includes 6 kinds of score as follows.Teachers choose a score by kind of instruments.Sheet 1:Flute /Oboe/Saxophone Sheet 2:Clarinet Sheet 3:Bassoon Sheet 4:Trumpet/HornSheet 5:Trombone/Euphonium Sheet 6:TubaPDF file includes 12 pages of scores.Playing time is 1min 10 sec.
$12.00 ≈
10.75€
We'll Light the World - an original hymn
We'll Light the World - an original hymn
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Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
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Kevin G
#
We'll Light the World - an ori
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Kevin G. Pace
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.701762 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Christmas,Praise & Worship,Sacred. Octavo....
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Choral Choir (SATB) - Level 4 - SKU: A0.701762 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Christmas,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3408087. Published by Kevin G. Pace (A0.701762). An original hymn with text by Kathryn W. Hales below.YouTube video: https://youtu.be/vroZ9qOciC8 We’ll light the world; it starts with one spark, One little light glowing bright in the dark. It starts as a thought, then grows to a deed, As we reach out to help someone in need. We’ll light the world, as more sparks catch fire; One act of kindness others inspires. Soon the fire is growing, spreading far and wide, Let our talents and time from Him never hide. Bring your own candle, hold it close to ignite; Soon it will be glowing, pushing back the dark night; A burden to lift, a trial to share, With Christ’s love we can show that we really care. Many lights are spreading, the whole earth to fill, Showing that goodness can rule the world still. We serve in God’s name at this Christmas time; Let His love and light through us ever shine. Coda: We’ll light the world!
$1.99 ≈
1.78€
A Different Kind of Christmas
A Different Kind of Christmas
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Chorale 2 parties
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Jill Hudson
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A Different Kind of Christmas
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Jill Hudson
#
SheetMusicPlus
Choral Choir (SA) - SKU: A0.1005532 Composed by Jill Hudson. Christian,Christmas. Octavo. 11 pages. Jill Hudson #6190803. Published by Jill Hudson (A0.1...
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Choral Choir (SA) - SKU: A0.1005532 Composed by Jill Hudson. Christian,Christmas. Octavo. 11 pages. Jill Hudson #6190803. Published by Jill Hudson (A0.1005532). The coronavirus pandemic has made it necessary for churches around the world to cancel in-person services, and hold virtual services. This song, here arranged for treble voices, flute and piano, proclaims that we can still be together even when we are apart through faith, prayer, and proclaiming what we believe. Perfect for advent services, and special services like lessons and carols, women's services, holiday recitals.
$1.99 ≈
1.78€
We Can Be Kind
We Can Be Kind
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Jazz combo
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INTERMÉDIAIRE
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Contemporain
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Nancy Lamott
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Matt Amy
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We Can Be Kind
#
Matt Amy Music
#
SheetMusicPlus
Jazz Combo - Level 3 - SKU: A0.750564 By Nancy Lamott. By David Friedman. Arranged by Matt Amy. Contemporary. Score and parts. 24 pages. Matt Amy Music ...
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Jazz Combo - Level 3 - SKU: A0.750564 By Nancy Lamott. By David Friedman. Arranged by Matt Amy. Contemporary. Score and parts. 24 pages. Matt Amy Music #5024147. Published by Matt Amy Music (A0.750564). Key: E majorBPM: 106Style: BalladDuration: 4'18 Instrumentation: Combo (vocal, violin, guitar, piano, bass, drums)
$25.00 ≈
22.40€
What Kind Of Fool Am I?
What Kind Of Fool Am I?
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Piano, Voix
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INTERMÉDIAIRE
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Contemporain
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Anthony Newley and Leslie Bric
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Dave Gingras, John E
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What Kind Of Fool Am I?
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.794060 Composed by Anthony Newley and Leslie Bricusse. Arranged by Dave Gingras, John E. Dosher. Contemporary. Sco...
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Piano,Vocal,Voice - Level 3 - SKU: A0.794060 Composed by Anthony Newley and Leslie Bricusse. Arranged by Dave Gingras, John E. Dosher. Contemporary. Score. 2 pages. DAVID LEE GINGRAS #5805989. Published by DAVID LEE GINGRAS (A0.794060). What Kind of Fool Am I? is a popular song written by Leslie Bricusse and Anthony Newley and published in 1961. It was introduced by Anthony Newley in the musical Stop The World - I Want To Get Off and made popular by Sammy Davis, Jr. in 1962. This contemporary version features a root-based chord-blocking technique that can be found in a number of our arrangements. What a great song this is - sounds awesome, not too difficult and fun to play - we hope you like it!
$4.99 ≈
4.47€
Angels We Have Heard On High
Angels We Have Heard On High
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Traditional French Carol, Jame
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Jake Smolowe
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Angels We Have Heard On High
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ArrangeMe
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1035856 Composed by Traditional French Carol, James Chadwick. Arranged by Jake Smolowe. Christmas,Jazz. Score. 2 pages. A...
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Piano Solo - Level 4 - SKU: A0.1035856 Composed by Traditional French Carol, James Chadwick. Arranged by Jake Smolowe. Christmas,Jazz. Score. 2 pages. ArrangeMe #6904239. Published by ArrangeMe (A0.1035856). This is the lead sheet version of Jake Smolowe's recording of Angels We Have Heard on High, from his 2021 album Christmas Solo: Informal, Improvised. The chart includes the lead melody line, detailed chord symbols throughout, and a notated piano intro/interlude. Length: 2 pages Notes from Jake: This arrangement of Angels We Have Heard on High is kind of an ode to Brad Mehldau’s many jazz waltz arrangements over the years (for example, She’s Leaving Home, from Day is Done). I wanted to capture the feel of Mehldau’s classic trio waltzes, not just the piano but the drums and bass too. The A sections feature a constantly rising chord progression, with slight differences in chord quality between the first two A’s, and then the B sections highlight some more dramatic reharmonizations as well as a dichotomy between straight-eighths/behind the beat melody and swung accompaniment. The intro, which also serves as the outro vamp as well as an interlude between choruses, includes a bell-like theme that I hope instantly conjures up the Christmas/holiday spirit. Tips for Performance: The intro/interlude/outro can be tricky! I encourage watching the YouTube video and or/listening to the mp3 to get a sense of the timing for the fingering switches and pedaling. Also, in the B sections, the LH is often swinging while the right hand plays straight eighths; as with the intro, the best way to lock down this feel is to check out the YouTube video.------Visit me on the web: http://www.jakesmolowe.comYouTube: https://www.youtube.com/jakesmoloweInstagram: http://www.instagram.com/jakesmolowejazz Facebook: http://www.facebook.com/jakesmolowejazz
$3.00 ≈
2.69€
We Three Kings/Scarborough Fair combo violin duet with strings quartet, and piano
We Three Kings/Scarborough Fair combo violin duet with strings quartet, and piano
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Noël
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John Henry Hopkins Jr
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Connie Boss
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We Three Kings/Scarborough Fai
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Connie Boss
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SheetMusicPlus
Cello,Piano Accompaniment,Violin - SKU: A0.1323450 Composed by John Henry Hopkins Jr./English Ballad. Arranged by Connie Boss. Christian,Christmas,Holid...
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Cello,Piano Accompaniment,Violin - SKU: A0.1323450 Composed by John Henry Hopkins Jr./English Ballad. Arranged by Connie Boss. Christian,Christmas,Holiday. 18 pages. Connie Boss #911671. Published by Connie Boss (A0.1323450). I have always loved Scarborough Fair. I needed to do something a little different than the Simon and Garfunkel version which is very iconic. I also wanted to use the melody for a Christmas song. I thought about how close We Three Kings was in places and decided it was a great song to do a combo with. This version is for violin duet with strings and piano. I have this in all kind of version including a women's version and SATB as well. I have version of just duet and piano and then with choir or with strings as well. Parts are included with this purchase. I hope you enjoy the mysterious sounding music. I just felt it was needed on this arrangement. This can be played without the piano accompaniment if desired.For any questions or requests, email cdboss@cvalley.net.
$7.99 ≈
7.16€
We Will Rise (SA Chorus, Piano, opt. Timpani)
We Will Rise (SA Chorus, Piano, opt. Timpani)
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Chorale 2 parties
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INTERMÉDIAIRE
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Christian Fortner
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We Will Rise
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Christian Fortner Music
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SheetMusicPlus
Choral Choir,Choral (SA) - Level 3 - SKU: A0.1159492 Composed by Christian Fortner. Classical,Contest,Festival. 14 pages. Christian Fortner Music #75974...
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Choral Choir,Choral (SA) - Level 3 - SKU: A0.1159492 Composed by Christian Fortner. Classical,Contest,Festival. 14 pages. Christian Fortner Music #759743. Published by Christian Fortner Music (A0.1159492). Want a better deal for this sheet music? Purchase on christianfortnermusic.com!We Will Rise offers a message of strength and humility to young students. Simple rhythms over the foundation of a constant pulse throughout the piece help singers exercise and focus on breath support and articulation. While mostly homophonic, there are some small sections monophonic movement. One brief moment of counterpoint between two parts can be used as a great first-time experience for choirs unfamiliar with the technique. An optional timpani accompaniment will make it that much more fun and exciting to sing and listen to, as well as introduce young singers to a new kind of instrument!
$3.99 ≈
3.57€
We Will Rise (SAB Chorus, Piano, opt. Timpani)
We Will Rise (SAB Chorus, Piano, opt. Timpani)
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Chorale 3 parties
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INTERMÉDIAIRE
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Christian Fortner
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We Will Rise
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Christian Fortner Music
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SheetMusicPlus
Choral Choir,Choral (SAB) - Level 3 - SKU: A0.1159499 Composed by Christian Fortner. Classical,Contest,Festival. 13 pages. Christian Fortner Music #7597...
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Choral Choir,Choral (SAB) - Level 3 - SKU: A0.1159499 Composed by Christian Fortner. Classical,Contest,Festival. 13 pages. Christian Fortner Music #759765. Published by Christian Fortner Music (A0.1159499). Want a better deal for this sheet music? Purchase on christianfortnermusic.com!We Will Rise offers a message of strength and humility to young students. Simple rhythms over the foundation of a constant pulse throughout the piece help singers exercise and focus on breath support and articulation. While mostly homophonic, there are some small sections monophonic movement. One brief moment of counterpoint between two parts can be used as a great first-time experience for choirs unfamiliar with the technique. An optional timpani accompaniment will make it that much more fun and exciting to sing and listen to, as well as introduce young singers to a new kind of instrument!
$4.50 ≈
4.03€
We Will Rise (TB Chorus, Piano, opt. Timpani)
We Will Rise (TB Chorus, Piano, opt. Timpani)
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Chorale 2 parties
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INTERMÉDIAIRE
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Christian Fortner
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We Will Rise
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Christian Fortner Music
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SheetMusicPlus
Choral Choir,Choral (TB) - Level 3 - SKU: A0.1159497 Composed by Christian Fortner. Classical,Contest,Festival. 14 pages. Christian Fortner Music #75976...
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Choral Choir,Choral (TB) - Level 3 - SKU: A0.1159497 Composed by Christian Fortner. Classical,Contest,Festival. 14 pages. Christian Fortner Music #759763. Published by Christian Fortner Music (A0.1159497). Want a better deal for this sheet music? Purchase on christianfortnermusic.com!We Will Rise offers a message of strength and humility to young students. Simple rhythms over the foundation of a constant pulse throughout the piece help singers exercise and focus on breath support and articulation. While mostly homophonic, there are some small sections monophonic movement. One brief moment of counterpoint between two parts can be used as a great first-time experience for choirs unfamiliar with the technique. An optional timpani accompaniment will make it that much more fun and exciting to sing and listen to, as well as introduce young singers to a new kind of instrument!
$3.99 ≈
3.57€
We Can Fly
We Can Fly
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Susanna Lindmark
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We Can Fly
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SSA(TB) chorus and percussion - SKU: BJ.1384 Composed by Susanna Lindmark. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1384. Published by Bo Ejeby Forl...
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SSA(TB) chorus and percussion - SKU: BJ.1384 Composed by Susanna Lindmark. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1384. Published by Bo Ejeby Forlag - Digital (BJ.1384). 8.27 x 11.7 inches.We can fly was commissioned by Kultur i Vast and Marit Zetterstrom for the 4th European Choir Games in Gothenburg 2019. The song is composed for SSATB, mainly because it gives the options for different kinds of choirs to be able to take part and sing. Children choirs and youth choirs of equal voices can use the upper parts, and mixed choirs sing all parts. My wish for the song is to let it take flight, engaging the singers to sing together and let the music go through their heart and soul. Because we all know it is possible: Together we can fly! - Susanna Lindmark.
$4.80 ≈
4.30€
Victorian Christmas Melodies for Harmonium or American Reed Organ
Victorian Christmas Melodies for Harmonium or American Reed Organ
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Noël
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Various
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B
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Victorian Christmas Melodies f
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bl_music
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SheetMusicPlus
Small Ensemble Harmonium,Harpsichord,Organ,Piano - Level 2 - SKU: A0.842551 Composed by Various. Arranged by B. Brennan. Christmas,Instructional,Standar...
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Small Ensemble Harmonium,Harpsichord,Organ,Piano - Level 2 - SKU: A0.842551 Composed by Various. Arranged by B. Brennan. Christmas,Instructional,Standards,Traditional. Score and parts. 28 pages. Bl_music #5791213. Published by bl_music (A0.842551). The Victorian Christmas Melodies 60 Victorian Christmas Melodies for Harmonium or American Organ without lyrics. This is the Christmas edition in our ´Victorian´ series for harmonium or reed organ which contains 60 harmonised carol melodies. We have not included the lyrics as this publication is mainly intended for instrumental performance. The carols may be repeated according to the number of verses indicated in brackets at the beginning of each piece. The selection represents the carols best known and loved by the Victorians, many having been introduced by Prince Albert himself from Germany. We have kept the original titles in German, Latin or English. These are easy to medium arrangements also suitable for piano, keyboard or organ.1. Deck The Halls 2. Alle Jahre wieder 3. As With Gladness 4. Away In A Manger 5. Am Weihnachtsbaum die Lichter 6. Wassail Song 7. Der Christbaum ist der schönste Baum 8. Ehre sei Gott9. Hark! The Herald Angels Sing 10. Es kommt ein Schiff, geladen 11. Macht hoch die Tür 12. Es ist ein Ros‘ entsprungen 13. Ihr Hirten, erwacht 14. Freu Dich, Erd und Sternenzelt 15. 0 Little Town of Bethlehem 16. Heiligste Nacht 17. Inmitten der Nacht 18. Once in Royal David's City 19. Joseph, lieber Joseph mein 20. Laßt uns froh und munter sein 21. Ihr Kinderlein, kommet 22. Gloria in Excelsis Deo 23. Leise rieselt der Schnee 24. Adeste Fideles, Come All Ye Faithful 25. It Came Upon A Midnight Clear 26. Kommet Ihr Hirten 27. Lobt Gott, Ihr Christen 28. Kling Glöckchen 29. Quem Pastores laudavere 30. Sussex Carol 31. Laßt uns das Kindlein wiegen 32. Laufet, Ihr Hirten 33. The Angel Gabriel 34. Boar's Head Carol 35. Morgen, Kinder, wird's was geben 1 36. Morgen, Kinder, wird's was geben 2 37. Lobet den Herren 38. 0 Freude über Freude 39. While Shepherds Watched 40. Coventry Carol 41. Tochter Zion 42. 0 Du fröhliche 43. In Dulci Jubilo 44. Stille Nacht 45. Still,still, still 46. 0 Tannenbaum 47. See Amid The Winter's Snow 48. Ding Dong, Merrily On High 49. Vom Himmel hoch 50. Cherry Tree Carol 51. The Holly And The Ivy 52. Schlaf wohl, Du Himmelsknabe) 53. Maria durch ein Dornwald ging 54. Zu Bethlehem geboren 55. Süßer die Glocken) 56. God Rest Ye, Merry Gentlemen 57. Morgen kommt der Weihnachtsmann 58. Susani 59. Was soll das bedeuten? 60. We Wish You a Merry Christmas
$14.99 ≈
13.43€
We Can Be Kind by Nancy LaMott - Piano/Vocal/Chords, Singer Pro
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Piano, Voix et Guitare
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Nancy LaMott
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We Can Be Kind
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Musicnotes
Performed by: Nancy Lamott: We Can Be Kind Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Chords;Singer Pro...
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Performed by: Nancy Lamott: We Can Be Kind Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice;Piano; 10 pages -- Adult Contemporary~~Inspirational
$5.99 ≈
5.37€
Moon Over The Rising Sun
Moon Over The Rising Sun
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Luis Anjos Teixeira
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Moon Over The Rising Sun
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Clarinet,Flute,Harp,Horn,Multi-Percussion,Timpani,Viola,Violin - Level 3 - SKU: A0.889417 Composed by Luis Anjos Teixeira. Concert,Contem...
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Large Ensemble Clarinet,Flute,Harp,Horn,Multi-Percussion,Timpani,Viola,Violin - Level 3 - SKU: A0.889417 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 32 pages. Luis Anjos Teixeira #3490179. Published by Luis Anjos Teixeira (A0.889417). for the 2018 Chamber Music Contest Entry,Moon Over The Rising Sun was written very early in the morning while the night fades away giving birth to a sun rise. Conceived for a mixed ensemble of nine to 10 performers. 2 Flutes, Clarinet, Horn, guitar, Harp, Violin, Viola, 1 Timpanist, 1 or 2 Percussionists. The piece has an intime atmosphere very common in chamber music. Very easy to perform and very flexible, it is ideal for schools or when various kinds of mixed ensembles are taking place. With very few effort from the players, it has a large effect on the audience. As I said the piece is very flexible, for exemple the shakuhachi flute can be replaced by a soprano recorder or any other kind of flute with a similar register. A piano could eventually replace the harp. Due to a certain Tutti caracter on the string section, more violins, violas and cellos would easily join the group. One Cello or Double Bass „Pizzicato could reenforce the left hand on the harp part. Other wise and when possible, it should be performed as written. I also have added some interpretation symbols like fortes and pianos but only as a personal suggestion for an interpretation. Of course the artists must decide how they prefer to perform the piece and should have the last word on their performances. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus or anywhere else! This piece was inspired by some aspects of western, eastern, African and american cultures. The list of inspiring human phenomena and achievement within art and music never find an end. There is so much to learn! For now let the World play music. Music is the ultimate Universal language. Imagine we all playing music with each other. The World full of music schools and instruments instead of military camps and weapons. Millions of beautiful people with music instruments in their hands playing music with each other all around the World. Our war lords would start opening music shops for a change. And we would live much happier!!! Music Can Save The World Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. True Love Forever. Thank you very much for taking your time to read this text and to listen to the file.I hope you have a lot of fun and enjoy the music.Love ForeverSheers! Luis Anjos Teixeira
$25.00 ≈
22.40€
Our Living Christ, a sacred hymn
Our Living Christ, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Kevin G
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Our Living Christ, a sacred hy
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1409342 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Easter,Praise & Worship,R...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1409342 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Easter,Praise & Worship,Religious,Sacred. 3 pages. Kevin G. Pace #991967. Published by Kevin G. Pace (A0.1409342). A beautiful, sacred Easter hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:Our living Christ . . . died so all God’s children could be spared;Spared by Him to save each in his care . . .Died to bring all mortals safely home,Home to kneel before his humble throne.Our living Christ . . . died to raise his body from the tomb;Died to raise mankind from endless doom,Saving all God’s children ev’rywhereSo we can be ever where He dwells.Our living Christ . . . died to reunite a spirit soulWith each mortal body and be whole . . .Whole to live again within God’s sphereWith His love forever to be near.Our living Christ . . . lives today wherever we may be;Lives for us through all eternity . . .Lives so we can learn to be like Him;Lives so we can feel his love within . . .Our living Christ!Our living, loving Christ!
$1.99 ≈
1.78€
Among the Winds
Among the Winds
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Vivian Koo
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Vivian Koo
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Among the Winds
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Vivian Koo
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.773228 By Vivian Koo. By Vivian Koo. Arranged by Vivian Koo. Film/TV,Pop,Spiritual. Score. 4 pages. Vivian Koo #380872. P...
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Piano Solo - Level 4 - SKU: A0.773228 By Vivian Koo. By Vivian Koo. Arranged by Vivian Koo. Film/TV,Pop,Spiritual. Score. 4 pages. Vivian Koo #380872. Published by Vivian Koo (A0.773228). In this original piece for piano, I tried to reflect the presence of the Holy Spirit when we feel the winds blowing. The music reflects the characteristics of the Holy Spirit - it can be kind, gentle, joyful, and consoling but can also be strong and firm.
$4.99 ≈
4.47€
Requiem
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
50.16€
When the World Drops In to Town
When the World Drops In to Town
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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David Kai
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When the World Drops In to Tow
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David Kai
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.893864 Composed by David Kai. Celtic,Folk,Pop. Score. 5 pages. David Kai #6100233. Published by David Kai (...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.893864 Composed by David Kai. Celtic,Folk,Pop. Score. 5 pages. David Kai #6100233. Published by David Kai (A0.893864). A song celebrating the people of Gander, Newfoundland & Labrador in Canada who helped close to 7,000 stranded airline passengers after September 11, 2001. The story of Gander and the surrounding towns has been immortalized in the Broadway show, Come From Away. The song is written in a Celtic/Newfoundland style. This song is dedicated to my spouse Marly's parents, Isaac and Sybil who were a part of the crew who helped the plane people in Gander through their involvement in the Anglican church. WHEN THE WORLD DROPS IN TO TOWN Words and music by David Kai ©2020 On the 11th of September, in a quiet little town In a place that they call Newfoundland, all the planes were coming down Just how many were arriving, it was hard to know or tell In a quiet town in Newfoundland on the day the towers fell. With ten thousand waiting on the ground, seven thousand on their way The schools and halls and churches were preparing for their stay And not only in Gander, but in places all around ‘Cause you’ve got to pull together when the world drops into town. Chorus: So raise a glass to them, let’s sing a song to cheer For all the workers, cooks and clerks, for all the volunteers Who showed such kindness, who stepped up when chips were down ‘Cause you’ve got to pull together when the world drops into town All the stores they opened up their doors, the supplies, how fast they flew! Take it all to help the plane people, it’s the least that we can do! Aunt Winnie baked two dozen of her partridgeberry pies She said, I think those plane people will be in for some surprise! So the people were all settled, and much to their delight There were home-cooked meals and showers in homes, even trips to see the sights Though they came from countries ‘round the world, they did seem to all fit in And in kitchen parties here and there, new found friends were being screeched in. Chorus: Soon the skies, they were reopened, just a week and they were gone Though the planes took off into the skies all the memories lingered on For what they all remember, and what’s talked of to this day Is how townsfolk cared for people who had come from far away. So let’s sing and let’s be thankful, for each and every one Who showed us how to live together in the year two-thousand one, Let’s celebrate their kindness, for we never will forget, That in Newfoundland a stranger’s just a friend you haven’t met. Chorus:
$3.00 ≈
2.69€
Monteverdi - The Sixth Book of Madrigals (Complete)
Monteverdi - The Sixth Book of Madrigals (Complete)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767268 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 324 pages. Lyons...
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Brass Ensemble - Level 3 - SKU: A0.767268 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 324 pages. Lyons Music Services #3218659. Published by Lyons Music Services (A0.767268). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. A Sestina is a complex poem made up of 6 stanzas each of 6 verses with rules regarding hoe the last line of the first verse is repeated. Obviously, we are not using the lyrics, but we need to be aware of the structure so that when the music reappears we can treat it appropriately. As with all things madrigalian, the lyrics are rife with double entendres, despite the fact that all of the lyrics deal with loss of one kind or another. Monteverdi uses some very close dissonances to describe death and release. Often with wrenching results for the harmony.Please note, there are two extra parts for No.13, which is for 7 voices. Part 6 is an Alto voice (Horn/Alto Sax/Clarinet) and part 7 is a tenor voice (Trombone/Baritone/Tenor Sax/Euphonium).
$115.00 ≈
103.03€
Love God Love People
Love God Love People
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Basse electrique
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INTERMÉDIAIRE
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Contemporain
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Danny Gokey
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Daniel Roberts
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Love God Love People
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Daniel P Roberts
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SheetMusicPlus
Bass Guitar - Level 3 - SKU: A0.942005 By Danny Gokey. By Ben Glover, Benjamin Glover, Colby Wedgeworth, Danny Gokey, Jeff Sojka, and Riley Clemmons. Ar...
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Bass Guitar - Level 3 - SKU: A0.942005 By Danny Gokey. By Ben Glover, Benjamin Glover, Colby Wedgeworth, Danny Gokey, Jeff Sojka, and Riley Clemmons. Arranged by Daniel Roberts. Contemporary. Score. 3 pages. Daniel P Roberts #6888537. Published by Daniel P Roberts (A0.942005). Synth Bass arranged for 5 string electric bass. LYRICS: I’ve been running in circles Jumping the hurdles Getting caught in that rush of doing so much I’m feeling kinda worn out All this checking the boxes Trying to be flawless Has me spinning my head, catching my breath Too afraid to slow down I tell myself to keep this up That God wants more than just my love But I’ve been complicating things It’s just like me to overthink Gotta keep it real simple Keep it real simple Bring everything right back to ground zero ‘Cause it all comes down to this Love God and love people We’re living in a world that keeps breakin’ But if we want to find a way to change it It all comes down to this Love God and love people Oh this is freedom The keys to the Kingdom Knowing life will be found when love can be loud ‘Cause love is what it’s all about I tell myself to keep this up That all God wants is just my love No more complicating things No more need to overthink Love is patient Love is kind Rescues hearts and changes lives Love is all we need to make things right Gotta keep it real simple It’s really so simple.
$4.99 ≈
4.47€
I See You
I See You
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Chorale SATB
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INTERMÉDIAIRE
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Michelle Willis
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I See You
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Teton Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.887281 Composed by Michelle Willis. A Cappella,Contemporary. Octavo. 10 pages. Teton Music #5033147. Published b...
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Choral Choir (SATB) - Level 3 - SKU: A0.887281 Composed by Michelle Willis. A Cappella,Contemporary. Octavo. 10 pages. Teton Music #5033147. Published by Teton Music (A0.887281). SATB, a cappellaWritten for the Early Light Academy Spotlight Singers (South Jordan, UT) and taken from actual responses from the students they were asked, when people look at you, what do you want them to see? This song is intended to be a very personal expression for the singers as well as for the audience.Text:I see: eyes and a face, hands and feetYou see: the sameI see: tears and a smile, working, movingYou see: the sameI see: pain, joy, strength, enduranceYou see, you think you see-but you can’t name it.I see you, please see me.When you look at me, see a person who isn’t afraid to be-- just be.I am tall or I am small, but I am happy to be me.I may be confident or meek, I may be really strong or weak,And if it changes week to week, it doesn’t matter.What matters is that you see me.When you listen, notice that my voice may sometimes raise the roofAnd other times it may seem aloof when I cannot find the proofOf what is truth and what is fair, but listen ‘til you hear me shareAnd know deep down I really care, because it matters.It matters that you see me.I see: someone who is strong and kind, someone who knows their mind, Someone who struggles just like me, but keeps fighting endlesslyI see you, please see me.I see: a soul who fin’ly knows I’m hereAnd doesn’t judge if I bow down to smallish fearsYou see me, and I see you, there’s nothing greater we can doThan to acknowledge we’re all trav’ling down this road,But not alone.It matters-That I see you-and you see me.
$2.49 ≈
2.23€
Paisley's Sonata
Paisley's Sonata
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Michael C
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Paisley's Sonata
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Michael C. Brown
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #4051. Published by...
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Piano Solo - Level 4 - SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #4051. Published by Michael C. Brown (A0.1030831). This piece celebrates the life and mourns the loss of my granddaughter, Paisley Gladys Hogan, who was but 2 months old when she was called to Heaven. These are the words I wrote just before her funeral.... I. The Presence - She was here. I held her the day she was born. I held her and watched her smile at me less than 24 hours before she departed. She only knew love. No one around her ever showed her anything else that humanity had to offer; like hatred, heartache, pain, control, or anger. II. The Shock - She feels a Hand beckon her to leave her mortal coil, and she enters into a world we cannot yet reach.. With no one home, her former body ceases to wake. The unimaginable has happened and we struggle to reverse it. Finally, it becomes clear that we cannot. She sees us cry and she wonders what is happening. Having never known sorrow, she only sees that love didn't cause this response. She wants to comfort us with the love she knows, but we do not yet sense it. III. The Questions - One word has confounded mankind from its creation; Why? We have never found an acceptable answer. We ask, Why did this happen? and What did I do? and What didn't we do right? and Why couldn't it have been me? among others. We only know that her absence has carved holes in our hearts shaped like her. She tries to tell us, You can still love me. I just cannot be seen by you now. It does not mean your love cannot make me happy. I still want it. I still feel it. Please feel my love for you. IV. Letting Go - The day comes to bid farewell to the vehicle by which she came to us. We struggle to cope that we will see her face no more except in pictures. Because of the brevity of her life, memories are few to relive, but to do so is to recall happiness. In sorrow, we return her to the earth. All that is left is to return to recall, to talk to her, to bring flowers and other gifts, and to await the day we follow her. V. Remembering - The days and years follow. Normalcy slowly sets back into our lives. The holes in our hearts will never fully heal. But the salve of her love and her memory help to soothe the ache. We still return to where we placed her mortal home, where we laugh and cry in tandem, where our hearts ache to fill the void left by her departure. It will never really get better, but it will become easier for her love to dull the sting of her absence. VI. The Reunion - One by one, we will feel the same Hand bid us to come. The same events will befall those left behind each time. One by one, she will greet us as we reunite with her. We marvel at how she has stayed with us as we stay to comfort those we had just bidden farewell. The rest cannot be imagined by we that remain..........
$4.99 ≈
4.47€
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We Can Be Kind
