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We Can Work It Out for harp
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Vous avez sélectionné:
We Can Work It Out for harp
Partitions à imprimer
32 partitions trouvées
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We Can Work It Out for harp
We Can Work It Out for harp
#
Harpe
#
FACILE
#
Rock
#
The Beatles
#
Jim Palmer
#
We Can Work It Out for harp
#
harpisticpublications
#
SheetMusicPlus
By The Beatles. Arranged by Jim Palmer. Solo Part. 2 pages. Published by harpisticpublications...
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By The Beatles. Arranged by Jim Palmer. Solo Part. 2 pages. Published by harpisticpublications
$4.99 ≈
¥35.83
Pachelbel: Canon in D for Bass Flute & Harp
Pachelbel: Canon in D for Bass Flute & Harp
#
Harpe, Flûte (duo)
#
Classique
#
Johann Pachelbel
#
James M
#
Pachelbel: Canon in D for Bass
#
jmsgu3
#
SheetMusicPlus
Instrumental Duet Bass Flute,Harp,Instrumental Duet - SKU: A0.1098499 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Stan...
(+)
Instrumental Duet Bass Flute,Harp,Instrumental Duet - SKU: A0.1098499 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702355. Published by jmsgu3 (A0.1098499). Score: 6 pages. Duration: ca. 2:30. The famous Pachelbel Canon arranged for Bass Flute & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$32.95 ≈
¥236.60
Pachelbel: Canon in D for English Horn & Harp
Pachelbel: Canon in D for English Horn & Harp
#
Cor anglais et Harpe (duo)
#
FACILE
#
Classique
#
Johann Pachelbel
#
James M
#
Pachelbel: Canon in D for Engl
#
jmsgu3
#
SheetMusicPlus
Instrumental Duet English Horn,Harp,Instrumental Duet - Level 2 - SKU: A0.1098849 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Cl...
(+)
Instrumental Duet English Horn,Harp,Instrumental Duet - Level 2 - SKU: A0.1098849 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702692. Published by jmsgu3 (A0.1098849). Score: 6 pages. Duration: ca. 2:30. The famous Pachelbel Canon arranged for English Horn & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$32.95 ≈
¥236.60
Pachelbel: Canon in D for Bassoon & Harp
Pachelbel: Canon in D for Bassoon & Harp
#
Basson et Harpe
#
FACILE
#
Classique
#
Johann Pachelbel
#
James M
#
Pachelbel: Canon in D for Bass
#
jmsgu3
#
SheetMusicPlus
Instrumental Duet Bassoon,Harp,Instrumental Duet - Level 2 - SKU: A0.1098863 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classic...
(+)
Instrumental Duet Bassoon,Harp,Instrumental Duet - Level 2 - SKU: A0.1098863 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702706. Published by jmsgu3 (A0.1098863). Score: 6 pages. Duration: ca. 2:30. The famous Pachelbel Canon arranged for Bassoon & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$32.95 ≈
¥236.60
Pachelbel: Canon in D for Alto Flute & Harp
Pachelbel: Canon in D for Alto Flute & Harp
#
Harpe, Flûte (duo)
#
FACILE
#
Classique
#
Johann Pachelbel
#
James M
#
Pachelbel: Canon in D for Alto
#
jmsgu3
#
SheetMusicPlus
Instrumental Duet Alto Flute,Harp,Instrumental Duet - Level 2 - SKU: A0.1098488 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Clas...
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Instrumental Duet Alto Flute,Harp,Instrumental Duet - Level 2 - SKU: A0.1098488 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702344. Published by jmsgu3 (A0.1098488). Score: 6 pages. Duration: ca. 2:30. The famous Pachelbel Canon arranged for Alto Flute & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$34.95 ≈
¥250.96
Bach-Gounod: Ave Maria for Clarinet & Harp
Bach-Gounod: Ave Maria for Clarinet & Harp
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Clarinette, Harpe (duo)
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INTERMÉDIAIRE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Cla
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jmsgu3
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SheetMusicPlus
Instrumental Duet B-Flat Clarinet,Harp,Instrumental Duet - Level 3 - SKU: A0.552194 Composed by Bach-Gounod. Arranged by James M. Guthrie. Baroque,Holid...
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Instrumental Duet B-Flat Clarinet,Harp,Instrumental Duet - Level 3 - SKU: A0.552194 Composed by Bach-Gounod. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 11 pages. Jmsgu3 #6265157. Published by jmsgu3 (A0.552194). SchwenckeThere are two popular versions of the Bach-Gounod Ave Maria. Firstly, we have the version that faithfully follows the harmonic scheme set forth by J. S. Bach in his Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Secondly, we have the arrangement introduced by the Choirmaster Christian Friedrich Gottlieb Schwencke in 1783 that introduces a controversial added measure designed to intensify the harmony in measure 23. Both versions employ the melody that Charles Gounod provided as an overlay to the Bach harmony. In either case, the convenient 1st & 2nd endings provide options for extended performance. The duration with the repeat runs about 4:50. The score is 7 pages long. This version features the Schwencke measure. Ave MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewJohann Sebastian Bach was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. Bach HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Bach StyleIt seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Bach Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95 ≈
¥236.60
We Three Kings
We Three Kings
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Guitare
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INTERMÉDIAIRE
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Rock
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The Candlelight Guitarist
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Bradley Powell
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We Three Kings
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Geofonica Artistworks
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1316186 By The Candlelight Guitarist. By John Henry Hopkins Jr. Arranged by Bradley Powell. Christmas,Classical,Holiday,...
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Solo Guitar - Level 3 - SKU: A0.1316186 By The Candlelight Guitarist. By John Henry Hopkins Jr. Arranged by Bradley Powell. Christmas,Classical,Holiday,Religious,Traditional. Individual part. 4 pages. Geofonica Artistworks #904923. Published by Geofonica Artistworks (A0.1316186). This arrangement of We Three Kings is an excerpt from Christmas Suite 1225 (Part 1) - a new album by The Candlelight Guitarist (aka Bradley Powell). It features fingerstyle classical guitar, with a fresh chordal interpretation, moving bass and internal lines, and other distinctive stylistic features. We Three Kings can be seen and heard in the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 1) beginning at 1:07 (see YouTube timeline).ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad has also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (since its opening week), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.comBrad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender.Grady Harp - Amazon HALL OF FAME TOP 100 REVIEWERmusic to soothe and calm and enrich the psyche. Would that there were more Brad Powells out there to help us all through these times. The world would be a saner place!.
$2.99 ≈
¥21.47
Pachelbel: Canon in D for Alto Clarinet & Harp
Pachelbel: Canon in D for Alto Clarinet & Harp
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Alto
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jmsgu3
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SheetMusicPlus
Instrumental Duet E-Flat Clarinet,Harp,Instrumental Duet - Level 2 - SKU: A0.1098858 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque...
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Instrumental Duet E-Flat Clarinet,Harp,Instrumental Duet - Level 2 - SKU: A0.1098858 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702700. Published by jmsgu3 (A0.1098858). Score: 6 pages. Duration: ca. 2:30 The famous Pachelbel Canon arranged for Alto Clarinet & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$32.95 ≈
¥236.60
Pachelbel: Canon in D for Tenor Sax & Harp
Pachelbel: Canon in D for Tenor Sax & Harp
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Teno
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jmsgu3
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SheetMusicPlus
Instrumental Duet Harp,Instrumental Duet,Tenor Saxophone - Level 2 - SKU: A0.1098484 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque...
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Instrumental Duet Harp,Instrumental Duet,Tenor Saxophone - Level 2 - SKU: A0.1098484 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702340. Published by jmsgu3 (A0.1098484). Score: 6 pages. Duration: ca. 2:30. The famous Pachelbel Canon arranged for Tenor Sax & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$32.95 ≈
¥236.60
Pachelbel: Canon in D for Baritone Sax & Harp
Pachelbel: Canon in D for Baritone Sax & Harp
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Bari
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jmsgu3
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SheetMusicPlus
Instrumental Duet Baritone Saxophone,Harp,Instrumental Duet - Level 2 - SKU: A0.1098118 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baro...
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Instrumental Duet Baritone Saxophone,Harp,Instrumental Duet - Level 2 - SKU: A0.1098118 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #701987. Published by jmsgu3 (A0.1098118). Score: 6 pages. Duration: ca. 2:28. The famous Pachelbel Canon arranged for Baritone Sax & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$32.95 ≈
¥236.60
Pachelbel: Canon in D for Soprano Sax & Harp
Pachelbel: Canon in D for Soprano Sax & Harp
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Sopr
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jmsgu3
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SheetMusicPlus
Instrumental Duet Harp,Instrumental Duet,Soprano Saxophone - Level 2 - SKU: A0.1098478 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroq...
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Instrumental Duet Harp,Instrumental Duet,Soprano Saxophone - Level 2 - SKU: A0.1098478 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702335. Published by jmsgu3 (A0.1098478). Score: 6 pages. Duration: ca. 2:30. The famous Pachelbel Canon arranged for Soprano Sax & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$32.95 ≈
¥236.60
Pachelbel: Canon in D for Oboe d'Amore & Harp
Pachelbel: Canon in D for Oboe d'Amore & Harp
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Oboe
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jmsgu3
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SheetMusicPlus
Instrumental Duet Harp,Instrumental Duet,Oboe d'Amore - Level 2 - SKU: A0.1098840 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Cl...
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Instrumental Duet Harp,Instrumental Duet,Oboe d'Amore - Level 2 - SKU: A0.1098840 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702688. Published by jmsgu3 (A0.1098840). Score: 6 pages. Duration: ca. 2:30 The famous Pachelbel Canon arranged for Oboe d'Amore & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$34.95 ≈
¥250.96
Southwest Sunrise Trumpet Solo with Piano
Southwest Sunrise Trumpet Solo with Piano
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Trompette, Piano
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DÉBUTANT
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Alex Lewis and Eddie Lewis
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Southwest Sunrise Trumpet Solo
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Tiger Music
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 1 - SKU: A0.1080679 Composed by Alex Lewis and Eddie Lewis. Classical,Multicultural,World. Score and part. 9 pages. Tiger M...
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B-Flat Trumpet,Piano - Level 1 - SKU: A0.1080679 Composed by Alex Lewis and Eddie Lewis. Classical,Multicultural,World. Score and part. 9 pages. Tiger Music #684898. Published by Tiger Music (A0.1080679). Southwest Sunrise Trumpet Solo Eddie Lewis and Alex Lewis MTR P111 4137 Southwest Sunrise is a trumpet solo for beginner trumpet students that has a more complicated piano part. I often get requests for music for students of different skill levels. And in fact, that’s what of my strengths as a writer, is that I can blend parts across skill levels that way. In this case, Alex and I were striving for something that would be interesting for the pianist, but not overly challenging for the beginner trumpet student. The Process The inspiration for this piece came to me on a morning walk in Chandler, Arizona. Chandler is a suburb of Phoenix. I was walking east, into the rising sun. It was a very simple melody. It was a very simple blues melody that I immediately recognized as something that would work in our series for beginner trumpet students. This was during a time when my son, Alex, and I were already collaborating on some other projects. For this piece, I gave Alex the melody and gave him a general description of what I was hearing. Then I gave him his space to create what sounded good to him. The next stage was me editing some of his creativity. At this point we went back and forth on a few issues until we agreed on the final results. SKILL LEVEL The skill level for Southwest Sunrise is Trumpet Pioneer (we don’t have skill levels for piano parts yet on this website). Trumpet Pioner is the first of seven levels in our system. These are absolute beginners who have only been playing the trumpet for a few months. Our Trumpet Pioneer level limits the range to C in the staff. We also limit rhythms to nothing smaller than quarter-notes, and key signatures are limited to one flat or sharp. Practice Recommendations While it is obvious and I don’t normally list it as a point in this practice recommendations, but the rhythms are very different between the trumpet part and the trumpet part. So it is even MORE important to spend time listening to the composition long before you begin practicing it. As I said, this is a good habit for working on all performance pieces. There is research that proves that students learn their music best when they recognize their mistakes soonest. When you listen to the music repeatedly before you practice, it goes a long way towards helping you recognize your mistakes. This is one of the most important reasons for listening, but there are others that I won’t go into here. Assuming the pianist is far more advanced than the trumpeter, the pianist should assume a patient, educational role.
$6.72 ≈
¥48.25
Fifteen Safari Duets for Tubas
Fifteen Safari Duets for Tubas
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2 Tubas (duo)
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FACILE
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Jazz
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Gregory Fritze
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Fifteen Safari Duets for Tubas
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova US...
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova USA
Fifteen Safari Duets for Tubas was composed for playing duets with my tuba students. The fifteen duets are at different levels of difficulty and various styles so that we always had duets to play no matter what ability of student. There is something in each duet for students to learn from the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. They are all fun to play. Although for tubas, they may be played on any instrument.
In 1988 I spent a month in Kenya on safari and experiencing the African wildlife and culture, thus the inspiration for these duets that were composed soon after the trip in 1989 and 1990 and have been a regular part of my teaching ever since. Four of these duets are recorded on the compact disc ?Tuba Safari? (Troy 1173) on Albany Records.
1. Elephants at Stave
This duet presents the cantabile style studied for playing the tuba. I find that this duet helps the student much like the melodies of Borgodni etudes. There are more elephants in Tsavo than anywhere else in Kenya. It was not uncommon to see large families of thirty elephants at a time.
2. Gallop ? Thompson Gazelle at Amboseli
This duet provides an opportunity to read in a sharp key, D major, as well as basic rhythms and articulations. I find that the more advanced students can read in a faster tempo and other students can work in a slower tempo ? a common choice in all of the duets. Large herds of playful Thompson Gazelle were a usual occurrence in most of the game parks in Kenya.
3. Rhinos at Nairobi Game Park
This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. The rhinoceros is a very noble animal that can grow to more that 1,000 pounds and is known for its horn. The Nairobi game park is located just outside the city, giving a sense of surrealism to the panorama.
4. Giraffes at Nairobi Twiga Park
This is in a ?rock? style with syncopated rhythms and cantabile melodies. The Nairobi Twiga park is just outside the city and is the only place where one can feed the giraffes. Along with their long necks they have very long tongues.
5. Warthogs at Ngulia
Legato scales and syncopated rhythms are the features of this duet. Warthogs have tails that are held upright when they run.
6. Baboons at Kiliguni
This duets alternates in rock style and swing. Baboons are sometimes a problem because they will try to steal food from the tourists? tables. They will work together where one causes a diversion while the others steal.
7. Pastoral ? Cape Buffalo at Samburu
The key of A for this duet gives variation for the students. Cape Buffalo are in large herds on the savanna. The Samburu Lodge dining area was built next to a watering hole. At the beginning of breakfast there were no animals, but in fifteen minutes more than 500 cape buffalo were at the water hole.
8. Song - Hippos at Mzima Springs
This is the easiest of rhythms and range of the duets, especially for the 2nd(student) part. Hippopotamuses can grow up to 4,000 pounds and spend most of their time sleeping in the water during the day. At night they go on land to hunt.
9. Leopards at Kimana Lodge
This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many have never experienced this notation before. The leopard is a large predatory cat that usually hunts at night.
10. Colobus Monkeys at the Ark
This is an Invention in the Bach style. The Ark is a building that was built in 1969 at a watering hole for tourists to watch wildlife. The colobus monkey is black with white on its forearms and chest.
11. Zebra Migration at Masai Mara
This duet is in a ?Medium Swing? jazz style. The great migration between the Masai Mara and Serengeti involves about two million wildebeest, zebras and other animals every year. It is considered one of the most impressive natural events worldwide.
12. Ostrich at Samburu
This duet works on double time and half time. The ostrich is the largest bird in the world. In Samburu there was an ostrich that hung around the lodge, her name was Margaret. She was very friendly with everybody but she would steal your hat.
13. Cheetah at Voi
This is another duet that includes graphic notation. The cheetah can run up to 80 miles an hour when chasing after prey. When not hunting prey it often walks very slowly.
14. Gallop ? Gerenuk at Buffalo Springs
This gallop displays different types of articulation. The gerenuk is an antelope with a slightly extended neck so it can eat higher leaves from trees.
15. Lions at Mara Sopa
This duet is in the style of a fanfare. The lion is considered the king of the savanna.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.
His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
¥143.61
Celtiberian Landscape For Harp And Orquestra
Celtiberian Landscape For Harp And Orquestra
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Orchestre
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FACILE
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp
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Luis Anjos Teixeira
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeir...
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Full Orchestra - Level 2 - SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99 ≈
¥179.44
Al Circo (To the Circus) for Trombone and Harp
Al Circo (To the Circus) for Trombone and Harp
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Contemporain
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Stout, David
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Setzer, Louis
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Al Circo
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Cherry Classics Music
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SheetMusicPlus
Trombone, Harp - Advanced - Composed by Stout, David. Arranged by Setzer, Louis. 20th Century, Contemporary Classical, Modern, Post- Modern, Neo-Clas...
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Trombone, Harp - Advanced - Composed by Stout, David. Arranged by Setzer, Louis. 20th Century, Contemporary Classical, Modern, Post- Modern, Neo-Classical. Set of Parts. 22 pages. Published by Cherry Classics Music
Al Circo (To the Circus) was written in 1968 by David Stout, dedicated to Emory Remington and was premiered by Trombonist Fred Boyd on a recital at the Eastman School of Music with Carolyn Kuban performing on the Harp. The work is in two movements, both in a lighter nature and humorous. Mute colors are an important part of the mood of the work.
David Stout writes about his work:
"I wrote this when I was a junior at the Eastman School of Music. Fred Boyd, a bass trombonist, wanted to play it. At the bottom of page 4, on the trombone part, where it says ?hand in bell? he had a problem. With a bass trombone he couldn?t reach around far enough to put his hand in deep enough to distort the tone enough. So, he calls me into his practice room one day and tells me to turn around so I can?t see him. He then plays that passage. ?Is that the sound you want?? he asks. ?Yeah that?s it. Perfect!? I reply. I turn around. He shows me a large plastic fish that he had used to shove in the bell. So on his part, we mark those notes, ?con sardino.?
Dr. Louis Setzer, the author of Solo Literature for Trombone and Harp - An Annotated Bibliography, rediscovered the work and received permission from the composer to edit the composition from the original pencil manuscript. He believes this work is the oldest known original composition for Trombone and Harp
This fine work is appropriate for advanced performers and is about 7 minutes in length.
$25.00 ≈
¥179.51
What do they matter? (for medium-high voice and harp)
What do they matter? (for medium-high voice and harp)
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Contemporain
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Nicole Elyse DiPaolo
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What do they matter?
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Nicole Elyse DiPaolo
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SheetMusicPlus
Small Ensemble Harp,Voice - Level 5 - SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse...
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Small Ensemble Harp,Voice - Level 5 - SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse DiPaolo #3417119. Published by Nicole Elyse DiPaolo (A0.799604). This short song was composed in 2012 during my doctoral coursework at Indiana University's Jacobs School of Music. It was written for tenor, but given its accessible range (Db4 to G5 in the original key), it would work well for lighter voices in many fachs, including light lyric sopranos, baritones, and mezzos. The text, translated from a poem by Takuboku Ishikawa (1886-1912), is gender-neutral. This would be a great introduction to new music for an undergraduate singer with strong aural skills and a still-light voice (since young dramatics might overpower the harp).If you'd like to talk about commissioning a transposed score, please get in touch! Transposition options will be a bit more limited with the harp than with the piano, but I'm sure we could make something work.Poem text (in English translation, as it appears in the score)Setting sun, Drifting clouds, New moon, Evening twilight, What do they matter to me?Composer biography:Nicole Elyse DiPaolo is a versatile composer, teacher, collaborative pianist, and music theorist currently based in Bloomington, Indiana. Currently a PhD candidate in music theory at Indiana University, she recently completed a doctoral minor in composition, having studied with Claude Baker, Don Freund, P. Q. Phan, and David Schneider. She also holds a B.Mus. from the University of Michigan, where she studied composition with Bright Sheng and piano with Louis Nagel. Nicole's music has been heard across the world: along with numerous performances in the Midwest, her commissioned song settings of Muscogee poet laureate Alexander Posey's texts have been performed at Shorter College (GA) and Lincoln University (PA), and the Smithsonian Institution procured copies of two of these (Nature's Blessings and A Vision) to archive at the National Museum of the American Indian. Additionally, Nicole's viola duo Three Episodes was featured at Ball State University's 40th Annual New Music Festival in February 2010. Her early compositions have been garnering interest as well: music students in Kenya performed several of Nicole's such pieces in May 2013 through a pedagogical project spearheaded by IU faculty member Kimberly Carballo. Nicole's music also received its Mexican premiere in October 2013 with a performance of her Divertimento, written for the International String Quartet of Yucatán. In 2014, Nicole published a set of twenty short pedagogical pieces in uncommon keys, entitled Venturing Beyond, available on SheetMusicPlus. Also a sought-after teacher and adjudicator, Nicole frequently judges regional and divisional MTNA composition competitions at all levels, ranging from elementary to college-level Young Artists, and she also served as the composition department chair at Blue Lake Fine Arts Camp in 2014. For more on Nicole DiPaolo and her varied musical pursuits, visit her website at http://ndipaolo.musicaneo.com !
$5.99 ≈
¥43.01
Concertino For Treble Recorder, Strings and Harp
Concertino For Treble Recorder, Strings and Harp
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Orchestre à Cordes
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AVANCÉ
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Geraldine Green
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Concertino For Treble Recorder
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Geraldine
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.1310636 Composed by Geraldine Green. 21st Century,Chamber,Classical,Contemporary,Romantic Period. 80 pages. Geraldi...
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String Orchestra - Level 5 - SKU: A0.1310636 Composed by Geraldine Green. 21st Century,Chamber,Classical,Contemporary,Romantic Period. 80 pages. Geraldine (Denny) Green at Oakmountmusic #899627. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1310636). ALL PURCHASES COME WITH SCORE AND PARTSInstrumentation: Treble Recorder Solo, Harp, Violin1, Violin 2, Viola, Cello and Double BassThere is quite a lot of divisi in all of the string parts, so at least 6 players per part is preferable, except double basses where 2 players minimum are needed.Written in 1990, the Concertino For Treble Recorder, Strings And Harp, was requested by recorder player Ruth Whatley. Ruth and I were at the London College of Music together during this time. We worked together to rehearse the piece and eventually it was given a run-through by a group of string players and harpist, Alice Trentham (also at the college with us at the time). It still awaits its premiere! One day I hope I can post up a recording of this beautiful piece.A friend who attended its “play through†described it as being like “the South American Rain Forestsâ€, which I thought was a beautiful, and very fitting description.Duration: Approximately 15 minutesAll of the parts are challenging so this is not a piece for junior players.
$65.00 ≈
¥466.73
Concertino For Treble Recorder, Strings and Harp (Arranged for Treble Recorder and Piano)
Concertino For Treble Recorder, Strings and Harp (Arranged for Treble Recorder and Piano)
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Flûte à bec Alto, Piano
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AVANCÉ
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Geraldine Green
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Concertino For Treble Recorder
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Geraldine
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SheetMusicPlus
Instrumental Solo,Piano,Treble Recorder - Level 5 - SKU: A0.1310637 Composed by Geraldine Green. 21st Century,Chamber,Classical,Contemporary,Romantic Pe...
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Instrumental Solo,Piano,Treble Recorder - Level 5 - SKU: A0.1310637 Composed by Geraldine Green. 21st Century,Chamber,Classical,Contemporary,Romantic Period. Score and individual part. 28 pages. Geraldine (Denny) Green at Oakmountmusic #899628. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1310637). PLEASE NOTE: THIS ARRANGEMENT IS FOR TREBLE RECORDER AND PIANOALL PURCHASES COME WITH SCORE AND PARTSWritten in 1990, the Concertino For Treble Recorder, Strings And Harp, was requested by recorder player Ruth Whatley. Ruth and I were at the London College of Music together during this time. We worked together to rehearse the piece and eventually it was given a run-through by a group of string players and harpist, Alice Trentham (also at the college with us at the time). It still awaits its premiere! One day I hope I can post up a recording of this beautiful piece.A friend who attended its “play through†described it as being like “the South American Rain Forestsâ€, which I thought was a beautiful, and very fitting description.Duration: Approximately 15 minutesAll of the parts are challenging so this is not a piece for junior players.
$25.00 ≈
¥179.51
The Sharpest Smile (F Major)
The Sharpest Smile (F Major)
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Piano, Voix
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Robert J
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or lyrics to that effect
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The Sharpest Smile
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Sherman Theatrical Entertainment Ltd.
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.529570 Composed by Robert J. Sherman. Arranged by Original Piano/Vocal Arrangement by Robert J. Sherman. Broadway,Contest,Fe...
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Piano,Vocal,Voice - SKU: A0.529570 Composed by Robert J. Sherman. Arranged by Original Piano/Vocal Arrangement by Robert J. Sherman. Broadway,Contest,Festival,Instructional,Musical/Show. Score. 6 pages. Sherman Theatrical Entertainment Ltd. #117896. Published by Sherman Theatrical Entertainment Ltd. (A0.529570). The Sharpest Smile is from the musical Love Birds. This song pays homage to “Honey Bun†from the classic 1949 Rodgers & Hammerstein musical: South Pacific. Like its forerunner, “The Sharpest Smile†represents a “show within a show†moment. Both “Honey Bun†and “The Sharpest Smile†derive their comedy from the age-old, vaudevillian gimmick of a girl pretending to be a boy and vice versa. In the context of the Love Birds script, “Vera†(a female parrot) is costumed as a 1920s (male) gangster talking to “his†gangster friends. “The Gangster†character explains that “he†has met a wonderful girl (named “Pearlâ€), so don’t expect to see “him†around as much; or lyrics to that effect. Later in the number, we learn that “Pearl†is in fact a hungry crocodile dressed in a lady’s bikini costume (i.e. two coconuts strung together for the top – also an homage to “Honey Bunâ€). Pearl constantly tries to take a bite out of the Gangster Parrot who is blissfully unaware of the threat. This is a comedy song about mismatched relationships, but it also serves as meta-commentary on the dangers that pursuing such relationships can pose. In other words, “Pearl†is “Peril†(at least according to the thinking of the time). Despite the implicit risk, this unconventional love story seems to work out in the end. When printing, please scale to fit for standard US Letter and A4 size.
$3.49 ≈
¥25.06
The Sharpest Smile (D Major)
The Sharpest Smile (D Major)
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Piano, Voix
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Robert J
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or lyrics to that effect
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The Sharpest Smile
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Sherman Theatrical Entertainment Ltd.
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.556054 Composed by Robert J. Sherman. Arranged by Original Piano/Vocal Arrangement by Robert J. Sherman. Broadway,Instructio...
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Piano,Vocal,Voice - SKU: A0.556054 Composed by Robert J. Sherman. Arranged by Original Piano/Vocal Arrangement by Robert J. Sherman. Broadway,Instructional,Musical/Show. Score. 6 pages. Sherman Theatrical Entertainment Ltd. #165526. Published by Sherman Theatrical Entertainment Ltd. (A0.556054). The Sharpest Smile is from the musical Love Birds. This song pays homage to “Honey Bun†from the classic 1949 Rodgers & Hammerstein musical: South Pacific. Like its forerunner, “The Sharpest Smile†represents a “show within a show†moment. Both “Honey Bun†and “The Sharpest Smile†derive their comedy from the age-old, vaudevillian gimmick of a girl pretending to be a boy and vice versa. In the context of the Love Birds script, “Vera†(a female parrot) is costumed as a 1920s (male) gangster talking to “his†gangster friends. “The Gangster†character explains that “he†has met a wonderful girl (named “Pearlâ€), so don’t expect to see “him†around as much; or lyrics to that effect. Later in the number, we learn that “Pearl†is in fact a hungry crocodile dressed in a lady’s bikini costume (i.e. two coconuts strung together for the top – also an homage to “Honey Bunâ€). Pearl constantly tries to take a bite out of the Gangster Parrot who is blissfully unaware of the threat. This is a comedy song about mismatched relationships, but it also serves as meta-commentary on the dangers that pursuing such relationships can pose. In other words, “Pearl†is “Peril†(at least according to the thinking of the time). Despite the implicit risk, this unconventional love story seems to work out in the end. When printing, please scale to fit for standard US Letter and A4 size.
$3.99 ≈
¥28.65
Feux d'artifice [Arrangement for concert band] - Score Only
Feux d'artifice [Arrangement for concert band] - Score Only
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Orchestre d'harmonie
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AVANCÉ
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Classique
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Masakazu YAMAMOTO
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Masakazu YAMAMOTO
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Feux d'artifice [Arrangement f
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Motch Music
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1089980 By Masakazu YAMAMOTO. By Claude Debussy. Arranged by Masakazu YAMAMOTO. 20th Century,Classical,Contest,Festival...
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Concert Band - Level 5 - SKU: A0.1089980 By Masakazu YAMAMOTO. By Claude Debussy. Arranged by Masakazu YAMAMOTO. 20th Century,Classical,Contest,Festival,Film/TV,Pop. 22 pages. Motch Music #694194. Published by Motch Music (A0.1089980). Arrangement for concert band.This is the 12th song from Preludes 2nd book, which is Debussy's mature piano music. It is a depiction of the Paris Festival (Revolutionary Day) on July 14. Against the background of the first triplet, you can start to see fireworks shining in the distance. After getting closer and closer and launching it bigger, it's dizzying and colorful.It's changing to shine. Fanfare-style motifs that appear on the way are deployed in various ways, and they are magnificently reproduced at the climax at the end.And the French national anthem La Marseès concludes the song with a reverberation in the aftertaste.The whole scale and the tonic sound are skillfully combined, and the original song is very pianistic.I want to switch the tone and tempo firmly for each scene, and try to play crisp and colorful performances. Commissioned by conductor Keiko Kobayashi, and the Sony Concert Band. Premiered on July 2, 2022. Playing time: about 5'00(arr. Masakazu YAMAMOTO)[Instrumentation]Piccolo Flute 1, 2 Oboe 1, 2 Bassoon (option) Eb Clarinet Bb Clarinet 1, 2, 3 Bb Bass Clarinet Eb Alto Saxophone 1, 2 Bb Tenor Saxophone Eb Baritone Saxophone Bb Trumpet 1, 2, 3 F Horn 1, 2, 3, 4 Trombones 1, 2, 3 Euphonium Tuba String Bass Harp (option) Timpani Percussion (5 players) 1 (Glockenspiel, Whip) 2 (Vibraphone, Triangle, Xylophone, Wind-chime) 3 (Suspended Cymbal, Wind-chime, Triangle, Whip, Rachet, Crash Cymbal) 4 (Snare Drum, Suspended Cymbal, Bass Drum) 5 (Maracas, Bass Drum, Rachet, Tambourine, Tam-tam, Snare Drum) Works For Concert Band Original Composition (Sheet Music Plus / Sheet Music Direct)Arrangement (Sheet Music Plus / Sheet Music Direct)----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english Â
$40.00 ≈
¥287.22
The Devil's Elbow
The Devil's Elbow
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Instruments en Do
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INTERMÉDIAIRE
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Celtique/Irlandais
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Folklorique/Traditionel
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Calum Wood
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The Devil's Elbow
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Calum Wood
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1050130 Composed by Calum Wood. Celtic,Folk,Irish,Traditional. Lead Sheet / Fake Book. 1 pages. Calum Wood #654506. Pub...
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C Instrument - Level 3 - SKU: A0.1050130 Composed by Calum Wood. Celtic,Folk,Irish,Traditional. Lead Sheet / Fake Book. 1 pages. Calum Wood #654506. Published by Calum Wood (A0.1050130). Are you ready to add a bit of Scottish flair to your guitar playing? Look no further than The Devil's Elbow by Calum Wood. This traditional Scottish tune is a lively and energetic piece that will transport you to the rolling hills and misty glens of the Scottish countryside.Our guitar score of The Devil's Elbow features both TAB and music notation, making it accessible for players of all skill levels. Whether you're a seasoned guitarist or just starting out, you'll find this tune to be a fun and challenging addition to your repertoire.What sets our guitar score apart is its attention to detail and accuracy. We've taken great care to ensure that every note and chord is transcribed with precision, so you can play the song exactly as it was meant to be played. Plus, our score includes helpful tips and suggestions for adding your own personal flair and improvisation to the tune.With The Devil's Elbow in your repertoire, you'll be able to infuse your playing with the spirit and energy of Scottish folk music. The lively and upbeat melody will have your toes tapping and your audience dancing along, and you'll find yourself returning to it again and again for years to come.Don't miss out on the opportunity to add this classic Scottish tune to your collection. Order your guitar score of The Devil's Elbow today and take your guitar playing to the next level with the soulful and spirited sounds of Scotland!The Devil's Elbow is a winding and picturesque section of road located in the Scottish Highlands. The road, also known as the A93, runs between the towns of Blairgowrie and Braemar, and is considered one of the most challenging and scenic drives in Scotland.The origins of the name Devil's Elbow are unclear, but legend has it that the devil himself had a hand in shaping the road. According to folklore, the devil was tasked with creating a road through the hills of the Scottish Highlands, and he chose to build it along the most treacherous and winding path he could find. As he worked, he encountered a particularly difficult section of the road where the hills formed a sharp bend, and he bent the rocks to create a tight hairpin turn that became known as the Devil's Elbow.In reality, the road was likely shaped by centuries of erosion and human activity. The section of road that makes up the Devil's Elbow is part of a larger route that has been used for centuries by traders, farmers, and travelers crossing the Scottish Highlands. The road was improved and expanded over time, and the modern A93 was officially completed in 1932.Despite its treacherous reputation, the Devil's Elbow is a popular destination for tourists and driving enthusiasts. The road offers stunning views of the surrounding hills and valleys, and the hairpin turn at the Devil's Elbow is considered a particular challenge for drivers and cyclists.Today, the Devil's Elbow remains a beloved part of Scotland's landscape and history, and its legend continues to capture the imaginations of visitors and locals alike. Whether you're a traveler seeking adventure or a history buff looking to explore Scotland's rich cultural heritage, the Devil's Elbow is a must-see destination that will leave a lasting impression.
$1.99 ≈
¥14.29
alt.Callahans Reel
alt.Callahans Reel
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Celtique/Irlandais
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Tim Fatchen
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alt.Callahans Reel
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Flying Tadpole Productions
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.992361 Composed by Tim Fatchen. Celtic,Contemporary,Folk. Score. 15 pages. Flying Tadpole Productions #6210807. Published...
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Piano Solo - Level 4 - SKU: A0.992361 Composed by Tim Fatchen. Celtic,Contemporary,Folk. Score. 15 pages. Flying Tadpole Productions #6210807. Published by Flying Tadpole Productions (A0.992361). ALT.CALLAHANS REEL(which is actually a Slide, with a Reel interlude!) Fast and lively foot-tapping neo-Celtic, at its best on electronic keyboard but also a fun piano solo. (Duration 8+ minutes) Reel Jiggery-pokery The song started as a jig but drank too much and reeled into 12/8 time. Properly speaking, despite its strong 4-beat pulse, it's a Slide. Or perhaps a Double Jig. Except for the mid-section, which is really a Reel! Needless to say, this is not for the purists...but it's huge fun for the rest of us! Playing and Performing We've marked it Advanced Intermediate. It's the indicated speed which makes demands! But you can play it slower and enjoy! On electronic or MIDI keyboard, use a percussive/plucked foundation (e.g. piano, harp, faux guitar) with a sustained string patch (string ensemble, synth strings, viola works well, fiddle works well, most violin patches are terrible!). For piano, you'll have to use more of the sustain pedal but not too much or it'll go all muddy on you, just like a mis-step in an Irish bog! (Original live and YouTube performances were on a Medeli MC 710, from 2005. This keyboard allowed splitting and dual voices. Piano was used as foundation both above and below the split point. A loud viola patch was used as the second voice on the upper part of the keyboard, as the dominant fiddle sound carrying the melody. A synth string patch was used as second voice on the lower half, giving the drones.) Add Your Own Salt and Pepper to the Score! The song is scored for clarity, not as a detailed demand for every possible nuance. It's fast, so although simple to look at when not playing, you'll need to be reading the music at speed. Unless, of course, you're blessed with a brilliant memory! So the score isn't cluttered with ornaments and fiddly bits, or lots of expression marks. Especially, it's not cluttered by a lot of suspended notes. BUT...you will need to suspend a lot of notes as you play. Think drones running all over the place and use your keyboard sustaining string patches to bring those drones out! Listen to the live recordings, they'll help. You, as player, have lots of freedom! It's up to you how many additional frills, or emphasis, or drone suspensions you throw in. Why alt.callahans?In the far distant past of 2005, there was an Internet newsgroup of that name, in honor and emulation of Callahan's Crosstime Saloon, a fictional bar with strongly community-minded and empathic clientele, part of the fictional universe of American writer Spider Robinson. [Wikipedia] A place for tall tales and true, comradeship, puns both good and bad. We had fun there, and this song came out of it. The Internet world, sadly, has changed since.
$7.50 ≈
¥53.85
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We Can Work It Out for harp
