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We Remember Piano
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Vous avez sélectionné:
We Remember Piano
Partitions à imprimer
262 partitions trouvées
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Flesh And Bone (We Remember)
Flesh And Bone (We Remember)
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Zach Williams
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Barry McCormick
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Flesh And Bone
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B. McCormick
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1437483 By Zach Williams. By Benji Cowart, Jonathan Lindley Smith, and Zach Williams. Arranged by Barry McC...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1437483 By Zach Williams. By Benji Cowart, Jonathan Lindley Smith, and Zach Williams. Arranged by Barry McCormick. Christian,Country,Easter,Praise & Worship,Religious. Score. 7 pages. B. McCormick #1017588. Published by B. McCormick (A0.1437483). Presenting the Piano/Vocal/Guitar Arrangement of “Flesh and Bone (We Remember)” by Zach Williams Dive into the musical journey of “Flesh and Bone (We Remember)” with our comprehensive Piano/Vocal/Guitar arrangement. This arrangement, tailored for the versatile musician, provides the notated melody, chords, and lyrics, along with piano accompaniment and guitar chord diagrams. About the Song and Zach Williams “Flesh and Bone (We Remember)” is a heartfelt song by the acclaimed Christian artist, Zach Williams. The song, featured on his album “A Hundred Highways,” is a touching testament to grace, forgiveness, and the enduring power of faith. Zach Williams’ music, known for its soulful lyrics and resonating voice, continues to inspire and uplift listeners worldwide. Why Choose Our Arrangement? Our Piano/Vocal/Guitar arrangement offers several advantages: Comprehensive: It includes notations for piano, vocals, and guitar symbols, providing a complete musical experience. All music is on the piano stave. The melody is in the first voice in the treble staff. Educational: It’s an excellent resource for music educators and students, aiding in the understanding of melody, harmony, and rhythm. Versatile: It’s suitable for solo performers or ensembles, offering flexibility in performance. Connect and Share We invite you to connect with us and share your performances using this music on social media. Tag us @resourcesularrangements and use the hashtag #FleshandBonePVGArrangement. We’re excited to see how our arrangements bring joy and inspiration to your musical journey!Experience the depth and beauty of “Flesh and Bone (We Remember)” with our Piano/Vocal/Guitar arrangement. Order now and let the music speak to your soul!
$4.99 ≈
4.49€
We Remember (A Veterans Day Tribute) SAB Piano Accompaniment Track
We Remember (A Veterans Day Tribute) SAB Piano Accompaniment Track
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Accompagnement Piano
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Contemporain
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Carol Troutman Wiggins
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We Remember
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Carol Troutman Wiggins
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SheetMusicPlus
Choir,Piano - SKU: A0.1065739 Composed by Carol Troutman Wiggins. Contemporary. Accompaniment. Duration 138. Carol Troutman Wiggins #4797405. Published ...
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Choir,Piano - SKU: A0.1065739 Composed by Carol Troutman Wiggins. Contemporary. Accompaniment. Duration 138. Carol Troutman Wiggins #4797405. Published by Carol Troutman Wiggins (A0.1065739). WE REMEMBER Piano Track SAB/3-Part Mixed Voices Honor. Celebrate. Remember. This beautiful ballad is a tribute to Veterans and may even be used for Memorial Day because it states that we remember those who served OR sacrificed their lives for our freedom. Excellent for any age elementary and above May be used as a medium voice solo Honors Veterans Day and/or Memorial Day Comfortable singing range Chords included for additional instruments
$3.99 ≈
3.59€
We Remember (A Veterans Day Tribute) Piano Accompaniment Track
We Remember (A Veterans Day Tribute) Piano Accompaniment Track
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Accompagnement Piano
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Contemporain
#
Carol Troutman Wiggins
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#
We Remember
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Carol Troutman Wiggins
#
SheetMusicPlus
Choir,Piano,Voice - SKU: A0.1065737 Composed by Carol Troutman Wiggins. Contemporary. Accompaniment. Duration 139. Carol Troutman Wiggins #4797385. Publ...
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Choir,Piano,Voice - SKU: A0.1065737 Composed by Carol Troutman Wiggins. Contemporary. Accompaniment. Duration 139. Carol Troutman Wiggins #4797385. Published by Carol Troutman Wiggins (A0.1065737). WE REMEMBER Piano Track Unison Honor. Celebrate. Remember. This beautiful ballad is a tribute to Veterans and may even be used for Memorial Day because it states that we remember those who served OR sacrificed their lives for our freedom. Excellent for any age elementary and above May be used as a medium voice solo Honors Veterans Day and/or Memorial Day Comfortable singing range Chords included for additional instruments
$3.99 ≈
3.59€
We Remember Christmas (piano/vocal)
We Remember Christmas (piano/vocal)
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Piano, Voix
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FACILE
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Paul & Jan Hemmer
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We Remember Christmas
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PJMS MUSIC
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.798164 Composed by Paul & Jan Hemmer. Christmas,Pop. Score. 2 pages. PJMS MUSIC #3379891. Published by PJMS MUSIC ...
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Piano,Vocal,Voice - Level 2 - SKU: A0.798164 Composed by Paul & Jan Hemmer. Christmas,Pop. Score. 2 pages. PJMS MUSIC #3379891. Published by PJMS MUSIC (A0.798164). We Remember Christmas is a nostalgic memory of our Christmas celebrations with family which began as a Christmas card sent to friends. Since then it has been performed by several symphony/pops orchestras. .
$3.99 ≈
3.59€
Do You Remember Piano Minus Vocal
Do You Remember Piano Minus Vocal
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Piano seul
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Steven H
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Ashley Ivers
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Do You Remember Piano Minus Vo
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Boothe Publishing
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SheetMusicPlus
Piano - SKU: A0.1069953 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Accompaniment. Duration 150. Boothe Publishing #46...
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Piano - SKU: A0.1069953 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Accompaniment. Duration 150. Boothe Publishing #4633641. Published by Boothe Publishing (A0.1069953). When I was little I used to sit on Mom's lap while she read me Bible stories. We would read them and look at the pictures and then I had a lot of questions. I remember in particular once picture of Herod's soldiers killing little babies in Bethlehem. I was horrified by what I saw. They were trying to kill the baby Jesus by killing every child that could possibly be Him. The discussions I had with my mom in those formative years helped mold me into the person I am today. I treasure those moments.... I still remember them.... do you? It's never too late to start the tradition of reading and talking together.
$1.99 ≈
1.79€
If We Could Remember from The Sum of All Fears
If We Could Remember from The Sum of All Fears
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Piano Facile
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FACILE
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Film/TV
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Jerry Goldsmith
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If We Could Remember from The
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Mercenary Publications
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SheetMusicPlus
Piano Solo - Early Intermediate - Digital Download By Jerry Goldsmith. Arranged by Jeff Siesser. 1 pages. Published by Mercenary Publications...
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Piano Solo - Early Intermediate - Digital Download By Jerry Goldsmith. Arranged by Jeff Siesser. 1 pages. Published by Mercenary Publications
This is my piano solo arrangement of Jerry Goldsmith's lovely song "If We Could Remember" from the 2002 film "The Sum of All Fears" starring Ben Affleck
$4.99 ≈
4.49€
Flesh And Bone (We Remember)
Flesh And Bone (We Remember)
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Piano, Voix et Guitare
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DÉBUTANT
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Zach Williams
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Sam Swallow
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Flesh And Bone
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Sam Swallow
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.1438056 By Zach Williams. By Benji Cowart, Jonathan Lindley Smith, and Zach Williams. Arranged by Sam Swall...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.1438056 By Zach Williams. By Benji Cowart, Jonathan Lindley Smith, and Zach Williams. Arranged by Sam Swallow. Christian,Country,Pop,Praise & Worship,Rock. Score. 5 pages. Sam Swallow #1018101. Published by Sam Swallow (A0.1438056). Piano and vocal arrangement.
$4.99 ≈
4.49€
What Shall We Remember?
What Shall We Remember?
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Piano, Voix
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Ricky Ian Gordon
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What Shall We Remember?
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.415920 By Ricky Ian Gordon. American,Classical. Piano Vocal. 5 pages. Published by Hal Leonard - Digital (HX.415920). ...
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SKU: HX.415920 By Ricky Ian Gordon. American,Classical. Piano Vocal. 5 pages. Published by Hal Leonard - Digital (HX.415920).
$4.99 ≈
4.49€
We Plow the Fields and Scatter
We Plow the Fields and Scatter
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Piano seul
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AVANCÉ
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Musique Sacrée
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WIR PFLUGEN
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Pamela M Robertson
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We Plow the Fields and Scatter
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Pamela M. Robertson
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1320480 Composed by WIR PFLUGEN. Arranged by Pamela M Robertson. Folk,Praise & Worship,Religious,Sacred,Traditional. Scor...
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Piano Solo - Level 5 - SKU: A0.1320480 Composed by WIR PFLUGEN. Arranged by Pamela M Robertson. Folk,Praise & Worship,Religious,Sacred,Traditional. Score. 3 pages. Pamela M. Robertson #908996. Published by Pamela M. Robertson (A0.1320480). We Plow the Fields and Scatter is particularly appropriate for Thanksgiving and fall season services, as we remember Paul's instruction from 2 Corinthians 9: Whoever sows sparingly will also reap sparingly, and whoever sows generously will also reap generously. This setting is for the advanced pianist and is well-suited for use in worship services or recitals, and is around 2 1/2 minutes in length.
$4.99 ≈
4.49€
Lila's Lullaby [Piano]
Lila's Lullaby [Piano]
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Piano seul
#
INTERMÉDIAIRE
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Juan Maria Solare
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Lila's Lullaby [Piano]
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Juan Maria Solare
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1336132 By Juan Maria Solare. By Juan MarÃa Solare. 21st Century,Classical,Contemporary,Instructional,Latin. Score. 4 ...
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Piano Solo - Level 3 - SKU: A0.1336132 By Juan Maria Solare. By Juan MarÃa Solare. 21st Century,Classical,Contemporary,Instructional,Latin. Score. 4 pages. Juan Maria Solare #921969. Published by Juan Maria Solare (A0.1336132). Lila's Lullaby is a melodic tune dedicated to a pianist friend of my study days (Lila Motto) who passed away long ago. The mood is romantic and melancholic but not sad or somber. Why should we remember with sorrow to people who enriched our lives?The original version (for piano solo) was composed in Bremen and Worpswede (Germany) in August 2023. There are also versions for clarinet and piano, viola and piano, violin and piano, flute and piano, oboe and piano, cor anglais and piano... let me know if you need one of those and I would add it to my to do's priority list.Find the composer's piano solo recording on Spotify:
$2.00 ≈
1.80€
Lila's Lullaby [Clarinet and Piano]
Lila's Lullaby [Clarinet and Piano]
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Clarinette et Piano
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Lila's Lullaby [Clarinet and P
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Juan Maria Solare
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.1336135 Composed by Juan MarÃa Solare. Chamber,Classical,Contemporary,Instructional,Latin. Score and part. 6 pages...
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Clarinet,Piano - Level 3 - SKU: A0.1336135 Composed by Juan MarÃa Solare. Chamber,Classical,Contemporary,Instructional,Latin. Score and part. 6 pages. Juan Maria Solare #921972. Published by Juan Maria Solare (A0.1336135). Lila's Lullaby is a melodic piece dedicated to a pianist friend of my study days (Lila Motto) who passed away long ago. The mood is romantic and melancholic but not sad or somber. Why should we remember with sorrow to people who enriched our lives?The original version (for piano solo) was composed in Bremen and Worpswede in August 2023. The clarinet and piano version was written down also in Bremen and Worpswede but a few months later, in December 2023. The door is open to write further versions for different melodic instruments (viola, violin, flute, oboe, cor anglais...)Find the composer's piano solo recording on Spotify:
$3.00 ≈
2.70€
Silent Night - Piano Solo
Silent Night - Piano Solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Franz Xaver Gruber
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Whitney Hawker
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Silent Night - Piano Solo
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Whitney Hawker
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.904114 Composed by Franz Xaver Gruber. Arranged by Whitney Hawker. Christian,Christmas. Score. 5 pages. Whitney Hawker #6...
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Piano Solo - Level 4 - SKU: A0.904114 Composed by Franz Xaver Gruber. Arranged by Whitney Hawker. Christian,Christmas. Score. 5 pages. Whitney Hawker #6640815. Published by Whitney Hawker (A0.904114). Imagine a mother rocking her baby to sleep with this song. She starts smoothly then gets a bit more into it, enjoying the moment! Then the ending will fade back away to a sparkling finish. One of my favorite pieces to perform for Christmas time as we remember baby Jesus and his mother rocking him to sleep.Early Advanced Piano Solo that is perfect for any age to perform. Use it for your recital or a special number at a holiday event!
$4.99 ≈
4.49€
Sweet Home Alabama - Piano Solo
Sweet Home Alabama - Piano Solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Lynyrd Skynyrd
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Sweet Home Alabama - Piano Sol
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download By Lynyrd Skynyrd. Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallbaumer...
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Piano Solo - Advanced Intermediate - Digital Download By Lynyrd Skynyrd. Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallbaumer
With this sheet music, you can play "Sweet Home Alabama" on piano!
It's a challenging, but playable piano arrangement for experienced players.
With this sheet music, "Sweet Home Alabama" will sound amazing on piano!
The full melody is included in the piano part, so it makes for a perfect instrumental (piano solo) cover.
"Sweet Home Alabama" was first released in 1974 on "Second Helping", the second album by American Southern rock band Lynyrd Skynyrd.
Written as a response to Neil Young's songs "Southern Man" and "Alabama" (which were about racism and slavery in the American South), there later was some controversy about the song's lyrics.
However, Young called the song a "great record", and was critical of his own songs.
Lynyrd Skynyrd's lead vocalist Ronnie Van Zant, on the other hand, repeatedly performed wearing a Neil Young t-shirt.
Without a doubt, "Sweet Home Alabama" is Lynyrd Skynyrd's biggest hit, a prime example of Southern rock, and an everlasting classic.
The song appeared in countless films, from "8 Mile" to the 2010 animated film "Despicable Me".
It's also an amazing song to play on the piano!
Here are the full lyrics to "Sweet Home Alabama":
[Verse 1]
Big wheels keep on turnin'
Carry me home to see my kin
Singin' songs about the southland
I miss Alabamy once again
And I think it's a sin, yes
[Verse 2]
Well I heard Mr. Young sing about her (Southern man)
Well, I heard ol' Neil put her down
Well, I hope Neil Young will remember
A Southern man don't need him around, anyhow
[Chorus]
Sweet home Alabama
Where the skies are so blue
Sweet home Alabama
Lord, I'm coming home to you
[Verse 3]
In Birmingham they love the governor (Boo! Boo! Boo!)
Now we all did what we could do
Now Watergate does not bother me
Does your conscience bother you?
Tell the truth
[Chorus]
Sweet home Alabama
Where the skies are so blue
Sweet home Alabama
Lord, I'm coming home to you
Here I come, Alabama
[Verse 4]
Now Muscle Shoals has got the Swampers
And they've been known to pick a song or two (Yes, they do)
Lord they get me off so much
They pick me up when I'm feeling blue
Now how 'bout you?
[Chorus]
Sweet home Alabama
Where the skies are so blue
Sweet home Alabama
Lord, I'm coming home to you
$4.99 ≈
4.49€
Remember (with lyrics) - Hannah Baldoz
Remember (with lyrics) - Hannah Baldoz
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Piano, Voix
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FACILE
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Contemporain
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Hannah Baldoz
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Remember
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Hannah Baldoz
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.896705 Composed by Hannah Baldoz. Contemporary. Score. 5 pages. Hannah Baldoz #5851077. Published by Hannah Baldoz...
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Piano,Vocal,Voice - Level 2 - SKU: A0.896705 Composed by Hannah Baldoz. Contemporary. Score. 5 pages. Hannah Baldoz #5851077. Published by Hannah Baldoz (A0.896705). Remember - An original composition with music and lyrics by Hannah BaldozDedicated to someone special. I hope you will always remember that you are loved.Lyrics: 'Don't forget that I still love you,' was all I could say. I remember being scared to let you go that day. But I, I hope... I hope you know that you are more than enough. I pray you'll find yourself and never give up. I hope above all else you'll remember you are loved. Life is tough and you have been hurt. Everything seems wrong. Just hang in there. You're a fighter. I know you are strong. I hope you chase your dreams and always go far. I pray you'll never forget who you are. I hope that you'll remember how loved you are. Maybe for now this is the end, but if someday we meet again, know in me you'll still have a friend. And even though we fell through, I'm thankful for whatever once was true. You changed my life and I will always remember you. Even though my heart is broken, I'll remember you. I still see the good in you and I hope you do too.© 2015 by Hannah Baldoz. All rights reserved.For more music by Hannah Baldoz visit https://www.youtube.com/channel/UCNhkUVEv4QBCytIbBIPG6xg
$4.99 ≈
4.49€
Remember-Waltzes
Remember-Waltzes
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1 Piano, 4 mains
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FACILE
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Ulrich Lehensteiner
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Remember-Waltzes
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Ulrich Lehensteiner
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 2 - SKU: A0.1494213 Composed by Ulrich Lehensteiner. 21st Century,Classical,Contemporary. Score. 123 pages. Ulrich Le...
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1 Piano,4 Hands,Piano Duet - Level 2 - SKU: A0.1494213 Composed by Ulrich Lehensteiner. 21st Century,Classical,Contemporary. Score. 123 pages. Ulrich Lehensteiner #1070824. Published by Ulrich Lehensteiner (A0.1494213). The Remember-Waltzes are a collection of seven waltz-like pieces for piano four hands, depicting the memories of various relatable scenes of a person's everyday-life, like the fervour of a determined loved one, the sereneness of a warm summer-day or the emotional rush of an ecstatic experience. Memories some would like to experience, some might actually have experienced.A musical reminder of times fondly remembered, but also of the feeling of how even those precious moments might grow pale over time, and how we still remember them fondly, but differently after the many years that might have passed since then.All the pieces are also available as separate editions. Remember Her Vigour Remember Those Late Summer Days Remember Your Mind In Turmoil Rosa Remember The Ecstasy Remember Oblivion Remember What Is Lost Contains score + parts
$27.99 ≈
25.21€
Saint-Saens: The Swan for Soprano Sax & Piano
Saint-Saens: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Sopr
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instruc...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
29.68€
Saint-Saëns: The Swan for Cello & Piano
Saint-Saëns: The Swan for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic P...
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Cello,Piano - Level 3 - SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
29.68€
Saint-Saens: The Swan for Viola and Piano
Saint-Saens: The Swan for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saens: The Swan for Viol
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Hist...
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Piano,Viola - Level 3 - SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95 ≈
31.48€
Saint-Saëns: The Swan for French Horn & Piano
Saint-Saëns: The Swan for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
#
Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Roman...
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French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
29.68€
Saint-Saëns: The Swan for Clarinet & Piano
Saint-Saëns: The Swan for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,H...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903015. Published by jmsgu3 (A0.1314273). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
29.68€
Saint-Saëns: The Swan for Flute & Piano
Saint-Saëns: The Swan for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
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James M
#
Saint-Saëns: The Swan for
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,His...
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Piano,Soprano Flute - Level 3 - SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
29.68€
Saint-Saëns: The Swan for Alto Sax & Piano
Saint-Saëns: The Swan for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Hi...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
29.68€
Saint-Saëns: The Swan for Soprano Sax & Piano
Saint-Saëns: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
29.68€
Saint-Saëns: The Swan for Oboe & Piano
Saint-Saëns: The Swan for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Rom...
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Oboe,Piano - Level 3 - SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903011. Published by jmsgu3 (A0.1314269). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
29.68€
Saint-Saens: The Swan for Violin and Piano
Saint-Saens: The Swan for Violin and Piano
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saens: The Swan for Viol
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jmsgu3
#
SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1254029 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,His...
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Piano,Violin - Level 3 - SKU: A0.1254029 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 9 pages. Jmsgu3 #847642. Published by jmsgu3 (A0.1254029). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95 ≈
31.48€
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