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We Three Kings for Easy Clarinet Solo
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Vous avez sélectionné:
We Three Kings for Easy Clarinet Solo
Partitions à imprimer
15 partitions trouvées
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1
We Three Kings for Easy Clarinet Solo
We Three Kings for Easy Clarinet Solo
#
Clarinette
#
Noël
#
J
#
Marcos Soares
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We Three Kings for Easy Clarin
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Ateneu's
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SheetMusicPlus
B-Flat Clarinet Solo - SKU: A0.507496 Composed by J. H. Hopkins Jr. Arranged by Marcos Soares. Children,Christmas,Holiday,Instructional,Traditional. Ind...
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B-Flat Clarinet Solo - SKU: A0.507496 Composed by J. H. Hopkins Jr. Arranged by Marcos Soares. Children,Christmas,Holiday,Instructional,Traditional. Individual part. 1 pages. Published by Ateneu's (A0.507496). Easy arrangement for clarinet solo.
$1.99 ≈
1.82€
Christmas Carols for All, Volume 1 (for Clarinet Quartet)
Christmas Carols for All, Volume 1 (for Clarinet Quartet)
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Noël
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Various
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Randy Calistri-Yeh
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#
Christmas Carols for All, Volu
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Custom Chamber Music
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.722533 Composed by Various. Arranged by Randy Calistri-Yeh. Baroque,Christian,Christmas,Classical,Sacred. 76 pages...
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Woodwind Ensemble - Level 3 - SKU: A0.722533 Composed by Various. Arranged by Randy Calistri-Yeh. Baroque,Christian,Christmas,Classical,Sacred. 76 pages. Custom Chamber Music #3363203. Published by Custom Chamber Music (A0.722533). Volume 1 of our Christmas collection (the Green Book) contains ten classic Christmas carols that both you and your audience are sure to love.Be sure to also check out Volumes 2 and 3, each with 10 different carols!This arrangement is for clarinet quartet (Bb clarinet 1/2/3, bass clarinet). It also works well for clarinet duet and trio.Other arrangements of these carols, as well as two other volumes of Christmas carols, are available at the publisher link above or at www.customchambermusic.com.The carols included in Volume 1 are: I Heard the Bells on Christmas Day Angels from the Realms of Glory We Three Kings Away in a Manger (Mueller) O Christmas Tree (O Tannenbaum) Joy to the World While Shepherds Watched Their Flocks God Rest You Merry, Gentlemen O Come, O Come, Emmanuel Silent NightEach carol is in its original key, so it is easy to combine these with your own choir or piano/organ parts. Each carol also includes a new original descant counter-melody to feature your soloists and add a unique sound to your performance. The descant and melody are provided on each part to allow flexible solos. You will receive a full score and all individual parts in a single PDF file.
$12.95 ≈
11.86€
Christmas Carols for All, Volume 1 (for Woodwind Quartet)
Christmas Carols for All, Volume 1 (for Woodwind Quartet)
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Noël
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Various
#
Randy Calistri-Yeh
#
#
Christmas Carols for All, Volu
#
Custom Chamber Music
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.722547 Composed by Various. Arranged by Randy Calistri-Yeh. Christian...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.722547 Composed by Various. Arranged by Randy Calistri-Yeh. Christian,Christmas,Classical. 66 pages. Custom Chamber Music #3368693. Published by Custom Chamber Music (A0.722547). Volume 1 of our Christmas collection (the Green Book) contains ten classic Christmas carols that both you and your audience are sure to love.Be sure to also check out Volumes 2 and 3, each with 10 different carols!This arrangement is for woodwind quartet (flute, oboe, Bb clarinet, bassoon).Other arrangements of these carols, as well as two other volumes of Christmas carols, are available at the publisher link above or at www.customchambermusic.com.The carols included in Volume 1 are: I Heard the Bells on Christmas Day Angels from the Realms of Glory We Three Kings Away in a Manger (Mueller) O Christmas Tree (O Tannenbaum) Joy to the World While Shepherds Watched Their Flocks God Rest You Merry, Gentlemen O Come, O Come, Emmanuel Silent NightEach carol is in its original key, so it is easy to combine these with your own choir or piano/organ parts. Each carol also includes a new original descant counter-melody to feature your soloists and add a unique sound to your performance. The descant and melody are provided on each part to allow flexible solos. You will receive a full score and all individual parts in a single PDF file.
$12.95 ≈
11.86€
20 Really Easy Christmas Carols for Clarinet, across the break
20 Really Easy Christmas Carols for Clarinet, across the break
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Clarinette
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DÉBUTANT
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Musique Sacrée
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Various
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David McKeown
#
#
20 Really Easy Christmas Carol
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David McKeown
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SheetMusicPlus
Clarinet Solo - Level 1 - SKU: A0.587796 Composed by Various. Arranged by David McKeown. Christian,Christmas,Instructional,Praise & Worship,Sacred. Indi...
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Clarinet Solo - Level 1 - SKU: A0.587796 Composed by Various. Arranged by David McKeown. Christian,Christmas,Instructional,Praise & Worship,Sacred. Individual part. 8 pages. David McKeown #4978261. Published by David McKeown (A0.587796). 20 Really Easy Christmas Carols for Across the Break Clarinet is a collection of your favourite carols arranged simply in the easiest keys and range for early stage players.We all know that tricky period when clarinettists have mastered basic technique and are first learning to play across the break. This can be a big challenge and takes patience and persistence. At this point, I find lots of simple material is ideal to consolidate early successes and playing Christmas carols is usually a big motivation to students. Now, with this collection of carols, students can join in with Christmas music-making and develop those reading skills at the same time.These 20 carols are arranged in easy keys, all crossing the break, but not going too fay beyond.The carols are in alphabetical order and are as follows;· Away in a Manger· Deck the Halls· Ding Dong Merrily on High· The First Nowell· God Rest ye Merry Gentleman· Good Christian Men Rejoice· Good King Wenceslas· Hark, the Herald Angels Sing· The Holly and the Ivy· I Saw Three Ships· In the Bleak Midwinter· It Came upon a Midnight Clear· O Cone All Ye Faithful· O Come, O Come Emmanuel· O Little Town of Bethlehem· Once in Royal David’s City· Silent Night· We Three Kings· While Shepherds Watched· We Wish you a Merry Christmas There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.99 ≈
7.32€
We Three Kings Of Orient Are (Easy key of C) Clarinet
We Three Kings Of Orient Are (Easy key of C) Clarinet
#
Clarinette
#
DÉBUTANT
#
Noël
#
Kevin Busse
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We Three Kings Of Orient Are
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Kevin Busse
#
SheetMusicPlus
Clarinet Solo - Level 1 - SKU: A0.604405 Arranged by Kevin Busse. Christmas. Individual part. 1 pages. Kevin Busse #3906011. Published by Kevin Busse (A...
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Clarinet Solo - Level 1 - SKU: A0.604405 Arranged by Kevin Busse. Christmas. Individual part. 1 pages. Kevin Busse #3906011. Published by Kevin Busse (A0.604405). This is a simple transcription of We Three Kings Of Orient Are modified in the easy key of C for Clarinet.
$4.99 ≈
4.57€
We three Kings (easy clarinet + easy piano)
We three Kings (easy clarinet + easy piano)
#
Clarinette
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DÉBUTANT
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Noël
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John Henry Hopkins Jr
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Andrew Henderson
#
#
We three Kings
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Andrew Henderson
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SheetMusicPlus
Clarinet,Piano - Level 1 - SKU: A0.850924 Composed by John Henry Hopkins Jr. (1820-1891). Arranged by Andrew Henderson. Christmas. Score and part. 3 pag...
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Clarinet,Piano - Level 1 - SKU: A0.850924 Composed by John Henry Hopkins Jr. (1820-1891). Arranged by Andrew Henderson. Christmas. Score and part. 3 pages. Andrew Henderson #3926001. Published by Andrew Henderson (A0.850924). Merry Christmas! Playing music together as a family or with friends is one of the best ways to celebrate this holiday season. This arrangement comes with both the solo part and an easy piano accompaniment. Arrangements for different instruments are all in the same key so that they can be played at the same time if you have a larger group!For full details of all the songs and arrangements available, visit www.ajph.co.uk/christmas.
$1.99 ≈
1.82€
We Three Kings
We Three Kings
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Clarinette
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DÉBUTANT
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Noël
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Traditional
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GDJ
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We Three Kings
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Grant Davis Jr.
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SheetMusicPlus
B-Flat Clarinet Solo - Level 1 - SKU: A0.1136444 By Traditional. By Traditional. Arranged by GDJ. Christian,Christmas,Holiday,Praise & Worship,Tradition...
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B-Flat Clarinet Solo - Level 1 - SKU: A0.1136444 By Traditional. By Traditional. Arranged by GDJ. Christian,Christmas,Holiday,Praise & Worship,Traditional. Individual part. 1 pages. Grant Davis Jr. #736443. Published by Grant Davis Jr. (A0.1136444). It's an easy original arrangement for Clarinet in Bb. Perfect for beginners to play beautiful and joyful Christmas Eve songs and personal worship.
$5.99 ≈
5.49€
We Three Kings
We Three Kings
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Ensemble Jazz
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INTERMÉDIAIRE
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Noël
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John Henry Hopkins Jr
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Greg Cannella
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We Three Kings
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Greg Cannella
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.944320 Composed by John Henry Hopkins Jr. Arranged by Greg Cannella. Christmas,Jazz. Score and parts. 15...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.944320 Composed by John Henry Hopkins Jr. Arranged by Greg Cannella. Christmas,Jazz. Score and parts. 15 pages. Greg Cannella #5777753. Published by Greg Cannella (A0.944320). A swing version of We Three Kings for small ensemble: Clarinet, Sax, Trumpet, Trombone, Tuba, Piano/Banjo, Drum Set. It is easy enough for most levels of players but offers opportunities to improvise in the ensemble parts. Solo section is available for improvised solos. This is perfect for a High School group for a holiday concert or for a gigging group to have fun during a holiday gig. .
$12.99 ≈
11.90€
Two Hymn Improvisations for Epiphany (Downloadable)
Two Hymn Improvisations for Epiphany (Downloadable)
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Michael Burkhardt
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Two Hymn Improvisations for Ep
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Organ, optional solo clarinet, optional solo flute - Easy to Medium - SKU: MQ.10-205-E Composed by Michael Burkhardt. Epiphany, Lessons and Carols. 7 pa...
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Organ, optional solo clarinet, optional solo flute - Easy to Medium - SKU: MQ.10-205-E Composed by Michael Burkhardt. Epiphany, Lessons and Carols. 7 pages. MorningStar Music Publishers - Digital Sheet Music #10-205-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-205-E). Colorful treatments. Optional instrument and whistlers.Includes: He Comes to Us As One UnknownREPTONWe Three Kings of Orient AreKINGS OF ORIENT.
$10.00 ≈
9.16€
JOURNEY OF THE MAGI ("We Three Kings") - young concert band, easy - score, parts & license to copy)
JOURNEY OF THE MAGI ("We Three Kings") - young concert band, easy - score, parts & license to copy)
#
Orchestre d'harmonie
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DÉBUTANT
#
Traditional
#
Brian Harris
#
Clarinets remain below break
#
JOURNEY OF THE MAGI
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HMS Music
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1431754 Composed by Traditional. Arranged by Brian Harris. Christmas,Holiday,Instructional,Sacred,Traditional. 34 pages...
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Concert Band - Level 1 - SKU: A0.1431754 Composed by Traditional. Arranged by Brian Harris. Christmas,Holiday,Instructional,Sacred,Traditional. 34 pages. HMS Music #1012229. Published by HMS Music (A0.1431754). _______________________JOURNEY OF THE MAGI is a tasteful, restrained, and plaintive arrangement of We Three Kings in A-A-B form. Simple harmonization, limited ranges, and basic rhythms ensure success and enjoyment for both the musicians and the audience.The work creates a musical picture of a slow-moving camel caravan crossing a desert. This is a work you will continue to use for years to come. And with the license to copy all the parts you ever need, you can let the students keep their parts as souvenirs and just print new ones the next time!LEVEL: Appropriate for 2nd-/3rd-year players or advanced beginners. (BcP-YB) PROGRAMMING:Winter/Christmas concertModerately slow tempo provides nice contrast with faster works. FEATURES:Melody distributed through all wind parts.Simple but effective percussion parts.Programmatic nature of the work allows students to begin learning expressiveness. CHALLENGES:Dynamics (long crescendo and decrescendo challenges young players to support the tone and intonation)Legato playingBalanceSolos (Two solos, each consisting of 2 quarter-notes, are optionally doubled with other instruments)Multi-percussion playing KEY and RANGES: C minor and E-flat majorStandard 1st-year ranges: Flute to B-flat above staff; Clarinets remain below break; Trumpet to third-space C; Horn from 2nd-line G to low G; Trombone to B-flat on top of staff; Tuba to C below staff. Clarinet is divided into separate 1st and 2nd parts; all others (except percussion) are undivided. MINIMUM INSTRUMENTATION REQUIREMENTS: Flute, Clarinet, Trumpet, Bass Line*, and 3 Percussion (easy rhythms) *At least one of the following: Bassoon, Bass Clarinet, Horn, Trombone, Baritone, or Tuba PERCUSSION: Utilizes three separate multi-percussion set-ups:Percussion 1 = Bells, Finger Cymbals, Tom-tomPercussion 2 = Tambourine, Suspended Cymbal 1, Bass DrumPercussion 3 = Triangle, Suspended Cymbal 2, Bass Drum (can share same bass drum with Perc. 2). These percussion parts are simple, using only quarter-, half-, and dotted-half notes (slow eighth-notes in the Tambourine), and provide the rhythmic ostinato upon which the work progresses. The parts can easily be divided to provide playing opportunities for up to 8 percussionists. Or use three sets of finger cymbals (sounds even better) and accommodate up to 10 players!- - - - - - - - - - - - - - - -COMPOSER/ARRANGER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a public school and college band director for over 30 years. ___________________________Click here to view other Winter / Christmas Concert works from Bandroom.com Publications:Joy to the King (for beginners; super easy)Jingle Those Bells! (for beginners; super easy with flexible advanced parts)HouseTop March (easy; for advanced beginners or 2nd-year players)Ukrainian Bell Carol (for advanced beginners or 2nd-year players)Tidings of Joy (for advanced beginners or 2nd-year players)Journey of the Magi (for 2nd- or 3rd-year players)Also, please consider Latin Lullaby for your Spring Concert (for beginners)______________________
$31.99 ≈
29.30€
Christmas and Carols to download for clarinet solo
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Clarinette
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DÉBUTANT
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Noël
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Christmas and Carols to downlo
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Virtualsheetmusic
This is an exclusive arrangements for clarinet solo of VERY EASY skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: o little town of bethlehem,angels from the realms of glory,go tell it on the mountain,i saw three ships,o co...
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This is an exclusive arrangements for clarinet solo of VERY EASY skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: o little town of bethlehem,angels from the realms of glory,go tell it on the mountain,i saw three ships,o come little children,once in royal david's city,the friendly beasts,the holly and the ivy,the huron carol,the snow lay on the ground,the three kings of the orient are,the twelve days of christmas,wexford carol, The 12 days of Christmas, etc.,angels we have heard on high,away in a manger,carol of the birds,god rest ye merry gentlemen,good king wenceslas,hark the herald angels sing,i heard the bells on christmas day,it came upon the midnight clear,o come o come immanuel,o come o come emmanuel, o holey night,o holly night,pat a pan,pat-a-pan,sussex carol,we gather together to ask the lord blessing,o holy night,o little town of bethlehem,angels from the realms of glory,go tell it on the mountain,i saw three ships,o come little children,once in royal david's city,the friendly beasts,the holly and the ivy,the huron carol,the snow lay on the ground,the three kings of the orient are,the twelve days of christmas,wexford carol, The 12 days of Christmas, etc.,no.1,no.2,no.3,oh little town of bethlehem / christmas,winter,holiday,christian,inspirational,traditional,children,hymn,sacred,advent,carol,festival
$10.99 ≈
10.07€
Concerto
Concerto
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Piano et Orchestre
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AVANCÉ
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Contemporain
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minut...
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Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
21.97€
Songs of Romance: Sampler Gig Pack - Three selections (I'm Always Chasing Rainbows, It Had To Be You
Songs of Romance: Sampler Gig Pack - Three selections (I'm Always Chasing Rainbows, It Had To Be You
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Jazz
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Carroll & McCarthy, Jones & Ka
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Stephen Bulat
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Songs of Romance: Sampler Gig
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Stephen Bulat Publishing
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Ten...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - SKU: A0.858949 Composed by Carroll & McCarthy, Jones & Kahn, and Whiting & Egan. Arranged by Stephen Bulat. Holiday,Jazz,Love,Wedding. Score and parts. 7 pages. Stephen Bulat Publishing #6260847. Published by Stephen Bulat Publishing (A0.858949). This sampler pack includes lead sheet arrangements (melody, lyrics & chords) of three romantic jazz songs in their original keys. Songs include: I'm Always Chasing Rainbows (key of G) It Had To Be You (key of G) Till We Meet Again (key of F minor)A jazz standard songbook must-have, each arrangement has been gig-tested and has a very easy to follow roadmap, with all essential music notes, musical cues and rehearsal markings throughout. Layout is in a larger style font than lead sheets in a typical fakebook yet still condensed to minimize page turns. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist (e.g. violin, flute)Please click on the publisher to view these arrangements in other keys as well as to purchase in Classic Love Songs - A Valentine's Day Fake Book.Classic Love Songs - A Valentine's Day Fake Book (C Instruments): https://www.sheetmusicplus.com/title/21964690 - Item Number: S0.975249
$5.99 ≈
5.49€
Christmas Suite 1225 (Part 1 and 2, complete)
Christmas Suite 1225 (Part 1 and 2, complete)
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Clarinette
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FACILE
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Rock
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The Candlelight Guitarist
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Bradley Powell
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Christmas Suite 1225
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Geofonica Artistworks
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SheetMusicPlus
B-Flat Clarinet Solo - Level 2 - SKU: A0.1323477 By The Candlelight Guitarist. By Bradley Powell and others, traditional. Arranged by Bradley Powell. Ch...
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B-Flat Clarinet Solo - Level 2 - SKU: A0.1323477 By The Candlelight Guitarist. By Bradley Powell and others, traditional. Arranged by Bradley Powell. Christmas,Holiday. Individual part. 29 pages. Geofonica Artistworks #911704. Published by Geofonica Artistworks (A0.1323477). This is a Bb Lead Sheet (with the melody written for Bb instruments in treble clef, an octave below the written guitar part) for Christmas Suite 1225, intended for those wanting to play (esp. trumpet or Bb clarinet), sing along with the guitar part or videos. A full guitar arrangement is also available separately. Christmas Suite 1225 is a new recording by The Candlelight Guitarist, which opens with an original piece by Bradley Powell, leading into fourteen traditional Christmas carols (19th century and prior). Part 1 includes: Carols of Suite 1225, It Came Upon a Midnight Clear, We Three Kings, Little Town of Bethlehem, Away in a Manger, The First Noel, Hark! the Herald Angels Sing, O Come All Ye Faithful, and O Holy Night. Part 2 includes Carols of Suite 1225, What Child Is This?,  Angels We Have Heard on High, Joy to the World, We Wish You a Merry Christmas, Jingle Bells, and Silent Night.  Part 1 can be seen and heard in the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 1). Part 2 can be seena and heard in this video of Christmas Suite 1225 Part 2: https://youtu.be/22q85g1yVXw.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at CSUN under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, and was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad has also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland, providing music for the Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests.COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell..
$4.99 ≈
4.57€
Christmas Suite 1225 (Part 1 and 2, complete)
Christmas Suite 1225 (Part 1 and 2, complete)
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Trompette
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FACILE
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Rock
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The Candlelight Guitarist
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Bradley Powell
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Christmas Suite 1225
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Geofonica Artistworks
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SheetMusicPlus
B-Flat Trumpet Solo - Level 2 - SKU: A0.1323495 By The Candlelight Guitarist. By Bradley Powell and others, traditional. Arranged by Bradley Powell. Chr...
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B-Flat Trumpet Solo - Level 2 - SKU: A0.1323495 By The Candlelight Guitarist. By Bradley Powell and others, traditional. Arranged by Bradley Powell. Christmas,Holiday. Individual part. 29 pages. Geofonica Artistworks #911722. Published by Geofonica Artistworks (A0.1323495). This is a Bb Lead Sheet (with the melody written for Bb instruments in treble clef, an octave below the written guitar part) for Christmas Suite 1225, intended for those wanting to play (esp. trumpet or Bb clarinet) along with the guitar part or videos. A full guitar arrangement is also available separately. Christmas Suite 1225 is a new recording by The Candlelight Guitarist, which opens with an original piece by Bradley Powell, leading into fourteen traditional Christmas carols (19th century and prior). Part 1 includes: Carols of Suite 1225, It Came Upon a Midnight Clear, We Three Kings, Little Town of Bethlehem, Away in a Manger, The First Noel, Hark! the Herald Angels Sing, O Come All Ye Faithful, and O Holy Night. Part 2 includes Carols of Suite 1225, What Child Is This?,  Angels We Have Heard on High, Joy to the World, We Wish You a Merry Christmas, Jingle Bells, and Silent Night.  Part 1 can be seen and heard in the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 1). Part 2 can be seena and heard in this video of Christmas Suite 1225 Part 2: https://youtu.be/22q85g1yVXw.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at CSUN under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, and was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad has also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland, providing music for the Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests.COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell..
$4.99 ≈
4.57€
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We Three Kings for Easy Clarinet Solo
