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We Three Kings for Solo Double Bass
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Vous avez sélectionné:
We Three Kings for Solo Double Bass
Partitions à imprimer
20 partitions trouvées
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1
We Three Kings for Solo Double Bass
We Three Kings for Solo Double Bass
#
Contrebasse, Piano (duo)
#
INTERMÉDIAIRE
#
Noël
#
John Henry Hopkins Jr
#
Lawrence H
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We Three Kings for Solo Double
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Lawrence H Underwood
#
SheetMusicPlus
Double Bass,Piano,String Bass - Level 3 - SKU: A0.967702 Composed by John Henry Hopkins Jr. Arranged by Lawrence H. Underwood. Christian,Christmas,Conte...
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Double Bass,Piano,String Bass - Level 3 - SKU: A0.967702 Composed by John Henry Hopkins Jr. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and part. 9 pages. Lawrence H Underwood #6189371. Published by Lawrence H Underwood (A0.967702). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the twelfth installment in his A Christmas Portfolio series, this brand new setting of We Three Kings brings a blend of folk, Baroque, and progressive rock sensibilities to this venerated classic. Perfect for use in church or any holiday performance setting.
$5.99 ≈
$8.26
We Three Kings of Orient Are
We Three Kings of Orient Are
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Contrebasse, Piano (duo)
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DÉBUTANT
#
Noël
#
John Henry Hopkins Jr
#
Wendy Hellmann
#
We Three Kings of Orient Are
#
Gwendolyn Hellmann
#
SheetMusicPlus
Double Bass,Piano,String Bass - Level 1 - SKU: A0.1290072 Composed by John Henry Hopkins Jr. Arranged by Wendy Hellmann. Christian,Christmas,Holiday,Tra...
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Double Bass,Piano,String Bass - Level 1 - SKU: A0.1290072 Composed by John Henry Hopkins Jr. Arranged by Wendy Hellmann. Christian,Christmas,Holiday,Traditional. Score and part. 4 pages. Gwendolyn Hellmann #880775. Published by Gwendolyn Hellmann (A0.1290072). This arrangement of We Three Kings of Orient Are is for solo double bass with piano accompaniment. It is written in the key of E minor and has two simple shifts up to 2nd position, with a few helpful fingerings indicated in the bass part. The piano part doubles the melody and is carefully notated so as not to clash with the octave of the bass melody. It has helpful eighth notes to facilitate counting the half note/quarter note rhythms. This is a great solo for beginner bassists who want something to play for the holidays!  The PDF download contains both a full score and a set of individual parts - Bass and Piano. Both individual parts are formatted on a single page to avoid page turns.
$4.99 ≈
$6.88
20 Favourite Christmas Carols for solo Double Bass and Piano
20 Favourite Christmas Carols for solo Double Bass and Piano
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Contrebasse, Piano (duo)
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FACILE
#
Musique Sacrée
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Various
#
David McKeown
#
#
20 Favourite Christmas Carols
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David McKeown
#
SheetMusicPlus
Double Bass,Piano,String Bass - Level 2 - SKU: A0.587266 Composed by Various. Arranged by David McKeown. Christmas,Praise & Worship,Sacred. Score and pa...
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Double Bass,Piano,String Bass - Level 2 - SKU: A0.587266 Composed by Various. Arranged by David McKeown. Christmas,Praise & Worship,Sacred. Score and part. 28 pages. David McKeown #3123357. Published by David McKeown (A0.587266). 20 Favourite Carols for Solo Double Bass and Piano is a collection of the best-known Christmas carols arranged simply in bass clef for solo Double Bass and Piano. The file contains the Double Bass part plus the separate Piano score with added chord symbols. 20 Favourite Carols for Solo Double Bass and Piano is fully compatible with the other Brass, Woodwind and String volumes in the series. Both the short sample audio and the linked youtube performance are from the Clarinet version of these arrangements. · There are also Duet and Quartet versions available of the same carols, in the same keys, so that no matter what instrument you play they will fit together. · This makes them ideal for building a full and flexible band or ensemble for school, community or church. · The keys chosen are the standard singing keys · These arrangements will provide colourful accompaniment to carol singing anywhere throughout the Christmas period. The carols are in alphabetical order and are as follows · Away in a Manger · Deck the Halls · Ding Dong Merrily on High · The First Nowell · God Rest ye Merry Gentleman · Good Christian Men Rejoice · Good King Wenceslas · Hark, the Herald Angels Sing · The Holly and the Ivy · I Saw Three Ships · In the Bleak Midwinter · It Came upon a Midnight Clear · O Cone All Ye Faithful · O Come, O Come Emmanuel · O Little Town of Bethlehem · Once in Royal David’s City · Silent Night · We Three Kings · While Shepherds Watched · We Wish you a Merry Christmas There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.60 ≈
$10.48
We Three Kings of Orient Are
We Three Kings of Orient Are
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Contre Basse
#
DÉBUTANT
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Noël
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John
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Jeremy Glaser
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We Three Kings of Orient Are
#
Jeremy Glaser
#
SheetMusicPlus
Double Bass,String Bass Solo - Level 1 - SKU: A0.1086376 Composed by John. H. Hopkins, jr. Arranged by Jeremy Glaser. Christmas,Sacred,Traditional. Indi...
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Double Bass,String Bass Solo - Level 1 - SKU: A0.1086376 Composed by John. H. Hopkins, jr. Arranged by Jeremy Glaser. Christmas,Sacred,Traditional. Individual part. 1 pages. Jeremy Glaser #690576. Published by Jeremy Glaser (A0.1086376). Arranged for solo double bass.
$1.99 ≈
$2.74
We Three Kings
We Three Kings
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Contre Basse
#
DÉBUTANT
#
Noël
#
Traditional
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GDJ
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We Three Kings
#
Grant Davis Jr.
#
SheetMusicPlus
Double Bass,String Bass Solo - Level 1 - SKU: A0.1136441 By Traditional. By Traditional. Arranged by GDJ. Christian,Christmas,Holiday,Praise & Worship,T...
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Double Bass,String Bass Solo - Level 1 - SKU: A0.1136441 By Traditional. By Traditional. Arranged by GDJ. Christian,Christmas,Holiday,Praise & Worship,Traditional. Individual part. 1 pages. Grant Davis Jr. #736440. Published by Grant Davis Jr. (A0.1136441). It's an easy original arrangement for Contrabass. Perfect for beginners to play beautiful and joyful Christmas Eve songs and personal worship.
$5.99 ≈
$8.26
12 Sacred Christmas Solos for Double Bass
12 Sacred Christmas Solos for Double Bass
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Contre Basse
#
FACILE
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Noël
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Various
#
Jeremy Glaser
#
12 Sacred Christmas Solos for
#
Jeremy Glaser
#
SheetMusicPlus
Double Bass,String Bass Solo - Level 2 - SKU: A0.1086398 Composed by Various. Arranged by Jeremy Glaser. Christmas,Sacred,Traditional. Individual part. ...
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Double Bass,String Bass Solo - Level 2 - SKU: A0.1086398 Composed by Various. Arranged by Jeremy Glaser. Christmas,Sacred,Traditional. Individual part. 14 pages. Jeremy Glaser #690598. Published by Jeremy Glaser (A0.1086398). A collection of traditional religious Christmas songs arranged for solo double bass. Ideal for beginner and intermediate students. Fingerings and bowings are intended for double bass but nearly any bass clef instrument could play the songs in this collection. Includes Angels We Have Heard on High, Coventry Carol, God Rest Ye Merry Gentlemen, Hark! The Herald Angels Sing, In the Bleak Midwinter, Joy to the World, Oh Come, All Ye Faithful, O Come, O Come, Emmanuel, O Little Town of Bethlehem, Once in Royal David's City, Silent Night, and We Three Kings of Orient Are.
$11.99 ≈
$16.53
We three Kings (easy double bass + easy piano)
We three Kings (easy double bass + easy piano)
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Contrebasse, Piano (duo)
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DÉBUTANT
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Noël
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John Henry Hopkins Jr
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Andrew Henderson
#
#
We three Kings
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Andrew Henderson
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SheetMusicPlus
Double Bass,Piano,String Bass - Level 1 - SKU: A0.850925 Composed by John Henry Hopkins Jr. (1820-1891). Arranged by Andrew Henderson. Christmas. Score ...
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Double Bass,Piano,String Bass - Level 1 - SKU: A0.850925 Composed by John Henry Hopkins Jr. (1820-1891). Arranged by Andrew Henderson. Christmas. Score and part. 3 pages. Andrew Henderson #3926003. Published by Andrew Henderson (A0.850925). Merry Christmas! Playing music together as a family or with friends is one of the best ways to celebrate this holiday season. This arrangement comes with both the solo part and an easy piano accompaniment. Arrangements for different instruments are all in the same key so that they can be played at the same time if you have a larger group!For full details of all the songs and arrangements available, visit www.ajph.co.uk/christmas.
$1.99 ≈
$2.74
We Three Kings for Flute Quartet
We Three Kings for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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DÉBUTANT
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Noël
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John H
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David Burndrett
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We Three Kings for Flute Quart
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David Burndrett
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SheetMusicPlus
Flute Solo - Level 1 - SKU: A0.554577 Composed by John H.Hopkins. Arranged by David Burndrett. Christmas. Individual part. 11 pages. David Burndrett #20...
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Flute Solo - Level 1 - SKU: A0.554577 Composed by John H.Hopkins. Arranged by David Burndrett. Christmas. Individual part. 11 pages. David Burndrett #2015605. Published by David Burndrett (A0.554577). This piece works well as a concert piece or just for fun! As usual I have added an alto flute part which is the same as the flute 3 part and a alto flute part which is the same as the flute 4 part. The flute 4 part can also double as the bass flute part. Download includes the score and the parts.
$8.95 ≈
$12.34
We Three Kings for Clarinet Quartet
We Three Kings for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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DÉBUTANT
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Noël
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John Henry Hopkins Jr
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David Burndrett
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We Three Kings for Clarinet Qu
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David Burndrett
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SheetMusicPlus
Clarinet Solo - Level 1 - SKU: A0.557496 Composed by John Henry Hopkins Jr. Arranged by David Burndrett. Christmas. Individual part. 11 pages. David Bur...
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Clarinet Solo - Level 1 - SKU: A0.557496 Composed by John Henry Hopkins Jr. Arranged by David Burndrett. Christmas. Individual part. 11 pages. David Burndrett #118835. Published by David Burndrett (A0.557496). I have arranged this popular Christmas piece so it can be played by grade one players upwards! The clarinet four part can double as a bass clarinet part. I have added an optional tambourine part.
$8.95 ≈
$12.34
Your Favorite Christmas Hymns and Carols for Brass, Book 2
Your Favorite Christmas Hymns and Carols for Brass, Book 2
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Ensemble de cuivres
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FACILE
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Musique Sacrée
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Various
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Colin Kirkpatrick
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#
Your Favorite Christmas Hymns
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Colin Kirkpatrick Publications
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SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.522155 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Praise & Worship,Sacred. Score and parts. 75 pag...
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Brass Ensemble - Level 2 - SKU: A0.522155 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Praise & Worship,Sacred. Score and parts. 75 pages. Colin Kirkpatrick Publications #3580273. Published by Colin Kirkpatrick Publications (A0.522155). Your Favorite Christmas Hymns and Carols for Brass, Book 2Arranged for brass by Colin KirkpatrickThis is the second volume of the collection of best-loved Christmas hymns and carols arranged for brass, to brighten up your next Christmas event. This publication includes full four-part instrumental scores plus parts for 1st B flat trumpet, 2nd B flat trumpet, horn in F (with a separate optional part for horn in E flat), trombone and/or tuba. The tuba part is also optional because it either doubles the trombone part or plays an octave below. Both trombone and tuba parts appear on a single staff in the bass clef at concert pitch. The arrangements can be used with brass quartet, brass quintet or brass ensemble. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment which means that you can use the arrangements as solos, duets or trios. The arrangements are intended either as stand-alone pieces that could be used as interludes in a concert or service, or they could be used to accompany solo, choral or congregational singing. The arrangements been written in brass-friendly keys as often as possible. While the hymns mostly use the traditional harmonies, the carols have been treated more freely. Book 2 contains the following 21 titles: As with Gladness Men of Old (Melody: Dix); Away in a Manger (Melody: Cradle Song); Ding! Dong! Merrily on High (Melody: Bransle de l'Officiel); God Rest You Merry, Gentlemen; A Great and Mighty Wonder (Melody: Es ist ein Ros); Hark! The Herald Angels Sing (Melody: Mendelssohn); Infant Holy, Infant Lowly (Melody: W. Zlobie Lezy); It Came Upon the Midnight Clear (Melody: Noel); Joseph Dearest, Joseph Mine (Melody: Resonet in Laudibus); Joy to the World (Melody: Antioch); O Come, O Come Emmanuel (Melody: Veni Emmanuel); O Little Town of Bethlehem (Melody: Forest Green) ; Once in Royal David's City (Melody: Irby); Quem Pastores Laudavere; Lully, lulla Thou Little Tiny Child (Melody: Coventry Carol); Hark! A Thrilling Voice is Calling (Melody: Merton); The First Nowell; The Wassail Song; We Three Kings (Melody: Kings of Orient), While Shepherds Watched their Flocks (Melody: Winchester Old) and While Shepherds Watched their Flocks (Melody: Christmas). The audio samples include Ding! Dong! Merrily on High, Infant Holy, Infant Lowly, Lully, lulla Thou Little Tiny Child and The First Nowell. Please note that the arrangements are usually not usually compatible with the string collection of the same name.
$25.99 ≈
$35.82
Christmas Carol Selections - Double Bass
Christmas Carol Selections - Double Bass
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Contrebasse, Piano (duo)
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FACILE
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Noël
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Traditional
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Andrew Will
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Christmas Carol Selections - D
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Willscore Publishing
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SheetMusicPlus
Double Bass,Piano,String Bass - Level 2 - SKU: A0.1143097 Composed by Traditional. Arranged by Andrew Will. Christmas,Instructional,Religious,Traditiona...
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Double Bass,Piano,String Bass - Level 2 - SKU: A0.1143097 Composed by Traditional. Arranged by Andrew Will. Christmas,Instructional,Religious,Traditional. Score and part. 16 pages. Willscore Publishing #743460. Published by Willscore Publishing (A0.1143097). Christmas Carol Selections for Solo Double Bass with Piano Accompaniment. Also available for violin, viola and cello. Selections include Away in a Manger, Deck the Halls, Ding Dong Merrily on High, Hark! The Herald Angels Sing, The First Noel, God Rest Ye Merry Gentlemen, Good King Wenceslas, I Saw Three Ships, Jingle Bells, Joy to the World, O Christmas Tree, O Come all Ye Faithful, O Little Town of Bethlehem, Once in Royal David’s City, Silent Night, We Three Kings of Orient Are and While Shepherds Watched. A great collection of 17 well know Christmas classics. Enjoy! The Willscore Publishing Team.
$12.00 ≈
$16.54
Concerto
Concerto
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Piano et Orchestre
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AVANCÉ
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Contemporain
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minut...
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Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
$33.07
We Three Kings (Jazzy Style!) for Flute Quartet
We Three Kings (Jazzy Style!) for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Noël
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John Henry Hopkins
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David Burndrett
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We Three Kings
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David Burndrett
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SheetMusicPlus
Flute Solo - Level 3 - SKU: A0.558944 Composed by John Henry Hopkins. Arranged by David Burndrett. Christmas,Jazz,Ragtime. Individual part. 10 pages. Da...
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Flute Solo - Level 3 - SKU: A0.558944 Composed by John Henry Hopkins. Arranged by David Burndrett. Christmas,Jazz,Ragtime. Individual part. 10 pages. David Burndrett #6099101. Published by David Burndrett (A0.558944). This piece works well as a concert piece or just for fun!As usual I have added an alto flute part which is the same as the flute 3 part and an alto flute part which is the same as the flute 4 part.The flute 4 part can also double as the bass flute part.Download includes the score and all of the parts.
$6.95 ≈
$9.58
JOURNEY OF THE MAGI ("We Three Kings") - young concert band, easy - score, parts & license to copy)
JOURNEY OF THE MAGI ("We Three Kings") - young concert band, easy - score, parts & license to copy)
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Orchestre d'harmonie
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DÉBUTANT
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Traditional
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Brian Harris
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Clarinets remain below break
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JOURNEY OF THE MAGI
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HMS Music
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1431754 Composed by Traditional. Arranged by Brian Harris. Christmas,Holiday,Instructional,Sacred,Traditional. 34 pages...
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Concert Band - Level 1 - SKU: A0.1431754 Composed by Traditional. Arranged by Brian Harris. Christmas,Holiday,Instructional,Sacred,Traditional. 34 pages. HMS Music #1012229. Published by HMS Music (A0.1431754). _______________________JOURNEY OF THE MAGI is a tasteful, restrained, and plaintive arrangement of We Three Kings in A-A-B form. Simple harmonization, limited ranges, and basic rhythms ensure success and enjoyment for both the musicians and the audience.The work creates a musical picture of a slow-moving camel caravan crossing a desert. This is a work you will continue to use for years to come. And with the license to copy all the parts you ever need, you can let the students keep their parts as souvenirs and just print new ones the next time!LEVEL: Appropriate for 2nd-/3rd-year players or advanced beginners. (BcP-YB) PROGRAMMING:Winter/Christmas concertModerately slow tempo provides nice contrast with faster works. FEATURES:Melody distributed through all wind parts.Simple but effective percussion parts.Programmatic nature of the work allows students to begin learning expressiveness. CHALLENGES:Dynamics (long crescendo and decrescendo challenges young players to support the tone and intonation)Legato playingBalanceSolos (Two solos, each consisting of 2 quarter-notes, are optionally doubled with other instruments)Multi-percussion playing KEY and RANGES: C minor and E-flat majorStandard 1st-year ranges: Flute to B-flat above staff; Clarinets remain below break; Trumpet to third-space C; Horn from 2nd-line G to low G; Trombone to B-flat on top of staff; Tuba to C below staff. Clarinet is divided into separate 1st and 2nd parts; all others (except percussion) are undivided. MINIMUM INSTRUMENTATION REQUIREMENTS: Flute, Clarinet, Trumpet, Bass Line*, and 3 Percussion (easy rhythms) *At least one of the following: Bassoon, Bass Clarinet, Horn, Trombone, Baritone, or Tuba PERCUSSION: Utilizes three separate multi-percussion set-ups:Percussion 1 = Bells, Finger Cymbals, Tom-tomPercussion 2 = Tambourine, Suspended Cymbal 1, Bass DrumPercussion 3 = Triangle, Suspended Cymbal 2, Bass Drum (can share same bass drum with Perc. 2). These percussion parts are simple, using only quarter-, half-, and dotted-half notes (slow eighth-notes in the Tambourine), and provide the rhythmic ostinato upon which the work progresses. The parts can easily be divided to provide playing opportunities for up to 8 percussionists. Or use three sets of finger cymbals (sounds even better) and accommodate up to 10 players!- - - - - - - - - - - - - - - -COMPOSER/ARRANGER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a public school and college band director for over 30 years. ___________________________Click here to view other Winter / Christmas Concert works from Bandroom.com Publications:Joy to the King (for beginners; super easy)Jingle Those Bells! (for beginners; super easy with flexible advanced parts)HouseTop March (easy; for advanced beginners or 2nd-year players)Ukrainian Bell Carol (for advanced beginners or 2nd-year players)Tidings of Joy (for advanced beginners or 2nd-year players)Journey of the Magi (for 2nd- or 3rd-year players)Also, please consider Latin Lullaby for your Spring Concert (for beginners)______________________
$31.99 ≈
$44.10
Your Favorite Christmas Hymns and Carols for Strings, Book 2
Your Favorite Christmas Hymns and Carols for Strings, Book 2
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Noël
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Various
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Your Favorite Christmas Hymns
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Quartet, String Orchestra - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise & ...
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String Quartet, String Orchestra - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise & Worship, General Worship, Christmas. Score, Set of Parts. 67 pages. Published by Colin Kirkpatrick Publications
Your Favorite Christmas Hymns and Carols for Strings, Book 2
Arranged by Colin Kirkpatrick
This is the second volume of the collection of best-loved Christmas hymns and carols arranged for strings, to brighten up your next Christmas event. This publication includes full four-part instrumental scores plus parts for first violin, second violin, viola, cello and optional double bass. Both cello and bass parts appear on a single staff. The arrangements can be used with string quartet, string quintet or string ensemble. There?s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment which means that you can use the arrangements as solos, duets or trios. You can create a brighter string tone by asking the more advanced first and second violin players to play an octave higher when necessary. You can hear this effect in the audio samples.
The arrangements are intended either as stand-alone pieces that could be used as interludes in a concert or service, or they could be used to accompany solo, choral or congregational singing. The arrangements been written in string-friendly keys as often as possible. While the hymns mostly use the traditional harmonies, the carols have been treated more freely.
Book 2 contains the following 21 titles: As with Gladness Men of Old (Melody: Dix); Away in a Manger (Melody: Cradle Song); Ding! Dong! Merrily on High (Melody: Bransle de l'Officiel); God Rest You Merry, Gentlemen; A Great and Mighty Wonder (Melody: Es ist ein Ros); Hark! The Herald Angels Sing (Melody: Mendelssohn); Infant Holy, Infant Lowly (Melody: W. Zlobie Lezy); It Came Upon the Midnight Clear (Melody: Noel); Joseph Dearest, Joseph Mine (Melody: Resonet in Laudibus); Joy to the World (Melody: Antioch); O Come, O Come Emmanuel (Melody: Veni Emmanuel); O Little Town of Bethlehem (Melody: Forest Green) ; Once in Royal David's City (Melody: Irby); Quem Pastores Laudavere; Lully, lulla Thou Little Tiny Child (Melody: Coventry Carol); Hark! A Thrilling Voice is Calling (Melody: Merton); The First Nowell; The Wassail Song; We Three Kings (Melody: Kings of Orient), While Shepherds Watched their Flocks (Melody: Winchester Old) and While Shepherds Watched their Flocks (Melody: Christmas).
The audio samples include Ding! Dong! Merrily on High, Infant Holy, Infant Lowly, Lully, lulla Thou Little Tiny Child and The First Nowell. Please note that the arrangements are usually not usually compatible with the brass collection of the same name.
$25.99 ≈
$35.82
America's Favorite Christmas Carols arranged for Strings
America's Favorite Christmas Carols - Strings
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Noël
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Various
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America's Favorite Christmas C
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Quartet, String Orchestra - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise and Worship,...
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String Quartet, String Orchestra - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise and Worship, General Worship, Christmas. Score, Set of Parts. 79 pages. Published by Colin Kirkpatrick Publications
These arrangements of favorite Christmas carols are sure to brighten up your next Christmas event. They include full four-part instrumental scores plus parts for 1st violin, 2nd violin, viola and cello/double bass. Most of the carols can be played in first position, but for a brighter sound, ask your more experienced violinists to play an octave higher. The double bass is optional because it uses the cello part. The arrangements can be used with string quartet, string quintet or string ensemble. There?s also an optional but useful simplified keyboard part intended for less experienced keyboard players. It could be used as the basis of an accompaniment which means that you can use the arrangements as solos, duets or trios.
Please note that because the arrangements are in string-friendly keys, they?re not compatible with the brass and wind collections of the same name. The scores and all the parts are contained in a single 79-page PDF file. This collection includes the following favorite carols: Angels We Have Heard On High (Gloria); Lo, How a Rose E?er Blooming (Es ist ein Ros entsprungen); O Come, O Come Emmanuel (Veni Emmanuel); The First Noel; Ding Dong! Merrily on High (Bransle de l?Officiel); O Come All Ye Faithful (Adeste Fidelis); Hark! The Herald Angels Sing (Mendelssohn); Go Tell It on the Mountain; O Little Town of Bethlehem (St. Louis); O Holy Night (Cantique de Noël); Silent Night (Stille Nacht); Away in a Manger (Mueller); Joy to the World (Antioch); O Christmas Tree (Tannenbaum); We Three Kings (Kings of Orient); I Heard the Bells on Christmas Day (Waltham); What Child is This? (Greensleeves); God Rest You Merry, Gentlemen; Good King Wenceslas (Tempus Adest Floridum) and We Wish You a Merry Christmas.
$15.99 ≈
$22.04
The Best Hymns of All Time (Violin, Cello and Piano) Book 1
The Best Hymns of All Time (Violin, Cello and Piano) Book 1
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Musique Sacrée
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Various
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Colin Kirkpatrick
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 2 - SKU: A0.522286 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worshi...
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Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 2 - SKU: A0.522286 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 50 pages. Colin Kirkpatrick Publications #6596257. Published by Colin Kirkpatrick Publications (A0.522286). We’re really excited to present our collection of sixty of the best-loved hymns ever composed, presented in three books. Arranged for violin, cello and piano they are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. To make the music accessible to less experienced string players, the range of the notes has been kept fairly low so that many of the arrangements can be played in first position, though more experienced players would probably want to avoid open strings. The cello part does not follow the bass but instead plays an independent tenor line using to the mid to upper range of the instrument. The top note in the cello part is the F sharp above the bass clef. The piano part has been kept as straightforward as possible with the left hand playing the bass part. To extend the possible uses of this collection, there’s also a melody part printed in the bass clef, an octave lower than the violin part. This could of course be used for cello solo or indeed for any other bass clef instrument. Included in the 50-page PDF file is an optional bass part which follows the piano left hand and could be used for string bass or bass guitar. With such a small ensemble, a conductor is hardly necessary and to save on costs the pianist reads from the score. For this reason, the piano part in the score has been slightly enlarged. Book 1 contains the following twenty popular hymns: Abide with Me (Eventide); All Glory, Laud and Honor (St. Theodulph); All Hail the Power of Jesus' Name (Coronation); All Through the Night (Ar Hyd y Nos); City of God, How Broad and Far (Richmond - Haweis); Fairest Lord Jesus (Crusader’s Hymn); Fight the Good Fight (Duke Street); Forth in Thy Name (Angel's Song, Song 34); Guide Me, O Thou Great Redeemer (Cwm Rhondda); He who Would Valiant Be (Monk’s Gate); Holy, Holy, Holy! (Nicea); I Heard the Voice of Jesus Say (Kingsfold); Jesu, Lover of my Soul (Aberystwyth); Nearer my God to Thee (Bethany); Now Thank We All Our God (Nun Danket); O Worship the King (Hanover); Rejoice, the Lord is King (Darwall’s 148th); Soldiers of Christ, Arise (Diademata); The Lord’s my Shepherd (Crimmond); What a Friend we Have in Jesus (Converse). The music has been set in string-friendly keys so they are not compatible with the brass or wind publications of the same name. The audio samples include Abide with Me; All Through the Night; I Heard the Voice of Jesus Say; Nearer my God to Thee and What a Friend we Have in Jesus.
$15.99 ≈
$22.04
Christmas Carol Selections - Cello
Christmas Carol Selections - Cello
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Violoncelle, Piano
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FACILE
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Noël
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Traditional
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Andrew Will
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Christmas Carol Selections - C
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Willscore Publishing
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.1143093 Composed by Traditional. Arranged by Andrew Will. Christmas,Instructional,Religious,Traditional. Score and part....
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Cello,Piano - Level 2 - SKU: A0.1143093 Composed by Traditional. Arranged by Andrew Will. Christmas,Instructional,Religious,Traditional. Score and part. 16 pages. Willscore Publishing #743456. Published by Willscore Publishing (A0.1143093). Christmas Carol Selections for Solo Cello with Piano Accompaniment. Also available for violin, viola and double bass. Selections include Away in a Manger, Deck the Halls, Ding Dong Merrily on High, Hark! The Herald Angels Sing, The First Noel, God Rest Ye Merry Gentlemen, Good King Wenceslas, I Saw Three Ships, Jingle Bells, Joy to the World, O Christmas Tree, O Come all Ye Faithful, O Little Town of Bethlehem, Once in Royal David’s City, Silent Night, We Three Kings of Orient Are and While Shepherds Watched. A great collection of 17 well know Christmas classics. Enjoy! The Willscore Publishing Team.
$12.00 ≈
$16.54
Christmas Carol Selections - Viola
Christmas Carol Selections - Viola
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Alto, Piano
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FACILE
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Noël
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Traditional
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Andrew Will
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Christmas Carol Selections - V
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Willscore Publishing
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1143092 Composed by Traditional. Arranged by Andrew Will. Christmas,Instructional,Religious,Traditional. Score and part....
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Piano,Viola - Level 2 - SKU: A0.1143092 Composed by Traditional. Arranged by Andrew Will. Christmas,Instructional,Religious,Traditional. Score and part. 16 pages. Willscore Publishing #743455. Published by Willscore Publishing (A0.1143092). Christmas Carol Selections for Solo Viola with Piano Accompaniment. Also available for violin, cello and double bass. Selections include Away in a Manger, Deck the Halls, Ding Dong Merrily on High, Hark! The Herald Angels Sing, The First Noel, God Rest Ye Merry Gentlemen, Good King Wenceslas, I Saw Three Ships, Jingle Bells, Joy to the World, O Christmas Tree, O Come all Ye Faithful, O Little Town of Bethlehem, Once in Royal David’s City, Silent Night, We Three Kings of Orient Are and While Shepherds Watched. A great collection of 17 well know Christmas classics. Enjoy! The Willscore Publishing Team.
$12.00 ≈
$16.54
Christmas Carol Selections - Violin
Christmas Carol Selections - Violin
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Violon et Piano
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FACILE
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Noël
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Traditional
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Andrew Will
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Christmas Carol Selections - V
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Willscore Publishing
#
SheetMusicPlus
Piano,Violin - Level 2 - SKU: A0.1143090 Composed by Traditional. Arranged by Andrew Will. Christmas,Instructional,Religious,Traditional. 16 pages. Will...
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Piano,Violin - Level 2 - SKU: A0.1143090 Composed by Traditional. Arranged by Andrew Will. Christmas,Instructional,Religious,Traditional. 16 pages. Willscore Publishing #743453. Published by Willscore Publishing (A0.1143090). Christmas Carol Selections for Solo Violin with Piano Accompaniment. Also available for viola, cello and double bass. Selections include Away in a Manger, Deck the Halls, Ding Dong Merrily on High, Hark! The Herald Angels Sing, The First Noel, God Rest Ye Merry Gentlemen, Good King Wenceslas, I Saw Three Ships, Jingle Bells, Joy to the World, O Christmas Tree, O Come all Ye Faithful, O Little Town of Bethlehem, Once in Royal David’s City, Silent Night, We Three Kings of Orient Are and While Shepherds Watched. A great collection of 17 well know Christmas classics. Enjoy! The Willscore Publishing Team.
$12.00 ≈
$16.54
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We Three Kings for Solo Double Bass
