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Vous avez sélectionné:
What I've Done Cello
Partitions à imprimer
12 partitions trouvées
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1
Look What You've Done To Me
Look What You've Done To Me
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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Boz Scaggs
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Jeff Tincher
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Look What You've Done To Me
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Jeff Tincher
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.582780 By Boz Scaggs. By Boz Scaggs and David Babyface Foster. Arranged by Jeff Tincher. Contemporary....
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String Quartet String Quartet - Level 3 - SKU: A0.582780 By Boz Scaggs. By Boz Scaggs and David Babyface Foster. Arranged by Jeff Tincher. Contemporary. Score and parts. 42 pages. Jeff Tincher #3489135. Published by Jeff Tincher (A0.582780). This is a String Quartet (Violins 1 & 2, Viola, Cello) arrangement of one of the bost beautiful love songs ever written. In the original key, this arrangement is from Boz Scaggs Greatest Hits Live CD. I chose this version because I the live ending is simply awesome. This song is great for any live venue! Duration=6:45. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing. This is a 2018 Chamber Music Contest Entry.
$12.99 ≈
¥92.02
What I've Done - Cello & Piano by GnuS Cello - Solo & Accompaniment
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Violoncelle, Piano
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GnuS Cello
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What I've Done - Cello & Piano
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Musicnotes
Performed by: GnuS Cello: What I've Done - Cello & Piano Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digi...
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Performed by: GnuS Cello: What I've Done - Cello & Piano Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Solo & Accompaniment;Instrumental Parts, instruments: Cello;Piano Accompaniment; 8 pages -- Solo Instrumental~~Alternative Metal~~Alternative Pop/Rock~~Hard Rock~~Heavy Metal~~Instrumental Rock~~Pop Rock
$9.99 ≈
¥70.77
"Blues For Tony"-Background Track for Cello-Video
"Blues For Tony"-Background Track for Cello-Video
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Ensemble Jazz
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INTERMÉDIAIRE
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Fishel Pustilnik
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Fishel Pustilnik
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"Blues For Tony"-Bac
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F & N Enterprise
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.635131 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Blues,Film/TV,Jazz,Pop. Score and par...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.635131 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Blues,Film/TV,Jazz,Pop. Score and parts. 2 pages. F & N Enterprise #4792933. Published by F & N Enterprise (A0.635131). Background Track of Blues For Tony from my Music Book Jazz & Pop Sax Paradise (with attached CD) for Cello.Video (Alto Sax): https://www.youtube.com/watch?v=1E8FChuDpFQ&feature=youtu.beThe version includes a highly professional background music. Plus Version of Blues For Tony at SMP: SO. 295691 What a great album. I’ve already started playing tracks on air. There are SO MANY really good tracks. Well done! All the best, Harold Ellison The Jazz Cafe TripleU-FM Nowra, New South Wales, Australia Sax Paradise is great and hot and smooth and as I build this radio program this sound is the smooth jazz sounds I want to portray. Great sound! Emerson Allen Giant 90.9 WBDG Indiana USAAdditional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/.
$1.99 ≈
¥14.10
"Secret Love"-Background Track for Cello (With Improvisation)-Video
"Secret Love"-Background Track for Cello (With Improvisation)-Video
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Ensemble Jazz
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INTERMÉDIAIRE
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Fishel Pustilnik
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Fishel Pustilnik
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"Secret Love"-Backgr
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F & N Enterprise
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.635140 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop. Score and parts. 2 ...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.635140 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop. Score and parts. 2 pages. F & N Enterprise #4794971. Published by F & N Enterprise (A0.635140). Background Track of Secret Love from my Music Book Jazz & Pop Sax Paradise (with improvisation) for Cello.Video for Alto Sax: https://www.youtube.com/watch?v=p8SypGVWutAThe version includes a highly professional background music. Plus Version (Soprano Sax) at SMP: SO. 296179 What a great album. I’ve already started playing tracks on air. There are SO MANY really good tracks. Well done! All the best, Harold Ellison The Jazz Cafe TripleU-FM Nowra, New South Wales, Australia Sax Paradise is great and hot and smooth and as I build this radio program this sound is the smooth jazz sounds I want to portray. Great sound! Emerson Allen Giant 90.9 WBDG Indiana USAAdditional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99 ≈
¥14.10
Imagine
Imagine
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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John Lennon And The Plastic On
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Andrew Hodges
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Imagine
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Andrew Hodges
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1104157 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by Andrew...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1104157 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by Andrew Hodges. 20th Century,Chamber,Classical,Pop,Singer/Songwriter. 8 pages. Andrew Hodges #707389. Published by Andrew Hodges (A0.1104157). Includes the SCORE & THE PARTS. The Youtube video is well worth a listen before you buy this version. This is a great tune by the genius. I've done my level best to create an arrangement I hope is at least part way towards honouring John Lennon's greatness. I've not made it too easy either. I've wanted to stretch the players a reasonable amount. Every part is worthwhile so no-one is short-changed. Viola you do get the tune! The cello line is a good one. Both violins weave in and around each other. What more can you ask.
$24.99 ≈
¥177.02
What I've Done - Linkin Park - Transformers - For Strings Quartet
What I've Done - Linkin Park - Transformers - For Strings Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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Linkin Park
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Grecia Lopez
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What I've Done - Linkin Park -
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Gre Lopez
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SheetMusicPlus
By Linkin Park. Arranged by Grecia Lopez. Score, Set of Parts. 21 pages. Published by Gre Lopez (H0.259199-116858). - Score,Set of Parts - - Gre Lopez...
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By Linkin Park. Arranged by Grecia Lopez. Score, Set of Parts. 21 pages. Published by Gre Lopez (H0.259199-116858). - Score,Set of Parts - - Gre Lopez
$15.99 ≈
¥113.27
Mysterious Moment for alto flute and string trio
Mysterious Moment for alto flute and string trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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Mysterious Moment for alto flu
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Wari...
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String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00 ≈
¥56.67
Mysterious Moment for oboe and string trio
Mysterious Moment for oboe and string trio
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Contemporain
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David Warin Solomons
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Mysterious Moment for oboe and
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages....
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00 ≈
¥56.67
Non mi porti a Funkytown? (Disco & Pavane)
Non mi porti a Funkytown? (Disco & Pavane)
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Jason V
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Non mi porti a Funkytown?
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Barabba Music
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SheetMusicPlus
Cello,Clarinet,Piano,Violin - Level 3 - SKU: A0.1381033 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Disco. 48 pages. Barab...
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Cello,Clarinet,Piano,Violin - Level 3 - SKU: A0.1381033 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Disco. 48 pages. Barabba Music #965749. Published by Barabba Music (A0.1381033). It’s difficult to know what to say about this piece. It will probably always be an aberration when considered as part of my larger body of works. My challenge when writing this piece was to incorporate two different dance styles, and I immediately decided it was time to face the disco music of my childhood. Yes, I had the Bee Gees on LP when I was a kid.…and ABBA…but I left them out of this piece.Obviously, this is meant to be fun. There are direct (if not always obvious) quotations to the following songs:       Anita Ward’s “Ring My Bellâ€Â       “Night Fever†by the Bee Gees       Gloria Gaynor’s “I Will Survive†(Just had to be included)       Lipps Inc’s “Funktownâ€Â       and “Boogie Nights†from HeatwaveThe ancient dance form known as the pavane is, weirdly enough, the perfect pairing with the disco…in that their rhythmic structures easily go together, allowing me to spread the disco material around throughout the piece. In fact, the references to “I Will Survive†are in the slower pavane section, not the disco.The piece is basic A-B-A form (Disco-Pavane-Disco) with a fadeout ending…because in all my research I don’t remember finding a single disco piece that didn’t have a fadeout ending. It just wasn’t done. Please have some fun listening to this piece, because I had a great time writing it. It’s unlike anything I’ve ever written..pdf contains a complete set of score and parts. There are also versions with Flute and Oboe in place of the clarinet available. For more information visit www.jasonbarabba.com.
$45.60 ≈
¥323.02
Non mi porti a Funkytown? (Disco & Pavane)
Non mi porti a Funkytown? (Disco & Pavane)
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Jason V
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Non mi porti a Funkytown?
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Barabba Music
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SheetMusicPlus
Cello,Oboe,Piano,Violin - Level 3 - SKU: A0.1381048 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Disco. 48 pages. Barabba M...
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Cello,Oboe,Piano,Violin - Level 3 - SKU: A0.1381048 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Disco. 48 pages. Barabba Music #965763. Published by Barabba Music (A0.1381048). It’s difficult to know what to say about this piece. It will probably always be an aberration when considered as part of my larger body of works. My challenge when writing this piece was to incorporate two different dance styles, and I immediately decided it was time to face the disco music of my childhood. Yes, I had the Bee Gees on LP when I was a kid.…and ABBA…but I left them out of this piece.Obviously, this is meant to be fun. There are direct (if not always obvious) quotations to the following songs:       Anita Ward’s “Ring My Bellâ€Â       “Night Fever†by the Bee Gees       Gloria Gaynor’s “I Will Survive†(Just had to be included)       Lipps Inc’s “Funktownâ€Â       and “Boogie Nights†from HeatwaveThe ancient dance form known as the pavane is, weirdly enough, the perfect pairing with the disco…in that their rhythmic structures easily go together, allowing me to spread the disco material around throughout the piece. In fact, the references to “I Will Survive†are in the slower pavane section, not the disco.The piece is basic A-B-A form (Disco-Pavane-Disco) with a fadeout ending…because in all my research I don’t remember finding a single disco piece that didn’t have a fadeout ending. It just wasn’t done. Please have some fun listening to this piece, because I had a great time writing it. It’s unlike anything I’ve ever written..pdf contains a complete set of score and parts. There are also versions with clarinet and flute in place of the oboe available. For more information visit www.jasonbarabba.com.
$45.60 ≈
¥323.02
Non mi porti a Funkytown? (Disco & Pavane)
Non mi porti a Funkytown? (Disco & Pavane)
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Jason V
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Non mi porti a Funkytown?
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Barabba Music
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SheetMusicPlus
Cello,Flute,Piano,Violin - Level 3 - SKU: A0.1381044 Composed by Jason V. Barabba. 20th Century,Chamber,Classical,Contemporary,Disco. 48 pages. Barabba ...
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Cello,Flute,Piano,Violin - Level 3 - SKU: A0.1381044 Composed by Jason V. Barabba. 20th Century,Chamber,Classical,Contemporary,Disco. 48 pages. Barabba Music #965759. Published by Barabba Music (A0.1381044). It’s difficult to know what to say about this piece. It will probably always be an aberration when considered as part of my larger body of works. My challenge when writing this piece was to incorporate two different dance styles, and I immediately decided it was time to face the disco music of my childhood. Yes, I had the Bee Gees on LP when I was a kid.…and ABBA…but I left them out of this piece.Obviously, this is meant to be fun. There are direct (if not always obvious) quotations to the following songs:       Anita Ward’s “Ring My Bellâ€Â       “Night Fever†by the Bee Gees       Gloria Gaynor’s “I Will Survive†(Just had to be included)       Lipps Inc’s “Funktownâ€Â       and “Boogie Nights†from HeatwaveThe ancient dance form known as the pavane is, weirdly enough, the perfect pairing with the disco…in that their rhythmic structures easily go together, allowing me to spread the disco material around throughout the piece. In fact, the references to “I Will Survive†are in the slower pavane section, not the disco.The piece is basic A-B-A form (Disco-Pavane-Disco) with a fadeout ending…because in all my research I don’t remember finding a single disco piece that didn’t have a fadeout ending. It just wasn’t done. Please have some fun listening to this piece, because I had a great time writing it. It’s unlike anything I’ve ever written..pdf contains a complete set of score and parts. There are also versions with clarinet and oboe in place of the flute available. For more information visit www.jasonbarabba.com.
$45.60 ≈
¥323.02
Psalm 19 (Downloadable Choral Score)
Psalm 19 (Downloadable Choral Score)
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Chorale SATB
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FACILE
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Musique Sacrée
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James Chepponis
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Psalm 19
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Assembly, cantor, SATB choir, and organ, with optional flute, oboe, brass quintet, suspended cymbal, timpani, and strings (Brass/Percussion Parts include: Trump...
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Assembly, cantor, SATB choir, and organ, with optional flute, oboe, brass quintet, suspended cymbal, timpani, and strings (Brass/Percussion Parts include: Trumpets I and II in B-flat and C, Horn in F (substitute for Trombone I), Trombone, Tuba, Suspended Cymbal, Timpani. String Parts include: Violin I and II, Viola, Cello) - Moderately Easy - SKU: MQ.80-605-E Composed by James Chepponis. Easter Vigil, Lent, Pentecost, Building Dedication. Octavo. 7 pages. MorningStar Music Publishers - Digital Sheet Music #80-605-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-605-E). English, Spanish. Psalm 19:8-15.Fr. Jim Chepponis was commissioned to write a festive setting of Psalm 19 for the dedication of Christ Cathedral in Orange County, CA, in 2019. The result is what we've come to expect from this veteran composer. The optional instrumentation for flute, oboe, brass quintet, percussion, organ, and strings is perfect for a festive liturgy but can also be pared down for other occasions. The alternate refrains and different sets of verses make it work at multiple liturgies at which Psalm 19 is appointed. Both assembly and choral writing is very singable. The icing on the cake is that it can be done in English, Spanish, or a combination of the two.
$2.25 ≈
¥15.94
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What I've Done Cello 
