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Vous avez sélectionné:
What Is Hip: Vibraphone
Partitions à imprimer
5 partitions trouvées
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1
What Is Hip: Vibraphone
What Is Hip: Vibraphone
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Methodes
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David Garibaldi, Emilio Castil
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Victor López
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What Is Hip: Vibraphone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016290_V Vibraphone. Composed by David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by Victor Ló...
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Jazz Ensemble - SKU: AX.00-PC-0016290_V Vibraphone. Composed by David Garibaldi, Emilio Castillo, and Stephen Kupka. Arranged by Victor López. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016290_V. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016290_V). UPC: 038081481012.If you are looking for easy yet hip, this is it. A funky Tower of Power hit, this chart is accessible at 166 BPM with no solos and trumpet 1 range is to F top line. Fun to play. (2:35).
$3.00 ≈
¥21.66
It Is What It Is: Vibraphone
It Is What It Is: Vibraphone
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Methodes
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Victor López
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It Is What It Is: Vibraphone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016248_V Vibraphone. Composed by Victor López. Instructional. Part. 2 pages. Alfred Music - Digital Sheet M...
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Jazz Ensemble - SKU: AX.00-PC-0016248_V Vibraphone. Composed by Victor López. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016248_V. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016248_V). UPC: 038081485287.This one has a funky rock groove with a hip chord progression, yet it's very easy to play. It Is What It Is has plenty of unison harmony, no solos, easy ranges, and is very effective for the young band. (2:42).
$3.00 ≈
¥21.66
Ain't Nobody
Ain't Nobody
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Chaka Khan
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Iona Crosby
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Ain't Nobody
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Iona Crosby
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SheetMusicPlus
Bass Marimba,Bongos,Cowbell,Drum Set,Glockenspiel,Shaker,Tamborim,Vibraphone,Xylophone - Level 4 - SKU: A0.1112615 By Chaka Khan. By David Wolinski. Arr...
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Bass Marimba,Bongos,Cowbell,Drum Set,Glockenspiel,Shaker,Tamborim,Vibraphone,Xylophone - Level 4 - SKU: A0.1112615 By Chaka Khan. By David Wolinski. Arranged by Iona Crosby. Funk,Hip-Hop,Pop,R & B,Singer/Songwriter. 39 pages. Iona Crosby #714626. Published by Iona Crosby (A0.1112615). This percussion ensemble arrangement of Ain't Nobody is designed to be performed by intermediate - advanced percussion players. Inspired by the Young Blood Brass Band arrangement, this exciting arrangement is designed with a samba feel throughout. There is an optional repeat at the beginning of the score to allow all samba instruments to start and move from wherever they desire! If there is no samba percussion available, the parts can easily be switched onto whatever orchestral percussion the conductor/leader thinks is appropriate. This score contains parts for the following: Glockenspiel, Xylophones 1 & 2, Marimba, Bass Marimba, Vibraphone, Shaker, Bongos, Cowbell, Tambourin, Surdo, Electric Guitar (optional), Bass Guitar & Drum Kit.
$39.99 ≈
¥288.79
Divinum Mysterium
Divinum Mysterium
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score ...
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Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00 ≈
¥541.61
8 Swinging Xmas Carols for Mallet Percussion & Piano
8 Swinging Xmas Carols for Mallet Percussion & Piano
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Xylophone, Piano
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INTERMÉDIAIRE
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Noël
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Keith Terrett
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Keith Terrett
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8 Swinging Xmas Carols for Mal
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Keith Terrett
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SheetMusicPlus
Piano,Xylophone - Level 3 - SKU: A0.1315259 By Keith Terrett. By Various. Arranged by Keith Terrett. 19th Century,20th Century,Christian,Christmas,Prais...
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Piano,Xylophone - Level 3 - SKU: A0.1315259 By Keith Terrett. By Various. Arranged by Keith Terrett. 19th Century,20th Century,Christian,Christmas,Praise & Worship. 28 pages. Keith Terrett #904005. Published by Keith Terrett (A0.1315259). An exciting arrangement of eight popular swinging xmas carols arranged for Vibraphone, Marimba or Xylophone & Piano in an up-beat and somewhat jazzy manner. This challenging set of carols, offers players in general, something very different for those Christmas concerts and recitals, give them a go, and I am sure that you won’t be disappointed!The set includes: Ding Dong Merrily On High, Silent Night,We Three Kings,Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas.The part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is very moderate, nothing high at all.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible!Reviewer Chet Heflin Date 29th Sep 2006Bluesy Xmas! Keith Terrett has done an outstanding job of injecting jazz and blues into these holiday favorites. The writing beginning in measure 13 of Ding Dong Merrily On High is outstanding. Check out the wonderful contrast in movement between the flute and bass. This arrangement of Xmas carols would be a wonderful addition to any future holiday program. Well done Keith! Have fun! Caroling (singing carols in the street) is one of the oldest customs in Great Britain, going back to the Middle Ages when beggars, seeking food, money, or drink, would wander the streets singing holiday songs.
$15.99 ≈
¥115.47
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What Is Hip: Vibraphone
