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Vous avez sélectionné:
What Was It Like?
Partitions à imprimer
105 partitions trouvées
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What am I Doing Here PVG
What am I Doing Here PVG
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Voix duo, Piano
#
INTERMÉDIAIRE
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Steven H
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Ashley Ivers
#
What am I Doing Here PVG
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Boothe Publishing
#
SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 3 - SKU: A0.984013 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. 6 pages. Boothe Publishin...
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Piano,Voice Duet Piano,Voice - Level 3 - SKU: A0.984013 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. 6 pages. Boothe Publishing #4360965. Published by Boothe Publishing (A0.984013). One of my auntie's got killed coming home from work late one evening by a drunk driver who was not obeying the traffic signals. I remember thinking to myself that this wasn't fair. It wasn't right. This was the first time that someone close to me was ushered out of this world. I started looking at my own life. Was I ready to leave this world behind? My auntie didn't get to decide. One moment she was here. The next she was gone, leaving her children behind. As I looked at myself I noticed there were a lot of flaws in my character. I liked some things about myself, however, there were a lot of other character traits where I felt that I was lacking in integrity and honesty. The question, What am I doing here? made me want to correct those flaws so that I could feel good about meeting God when I leave this world. I have found that change is possible.
$3.99 ≈
3.65€
What am I Doing Here Piano Minus Vocal
What am I Doing Here Piano Minus Vocal
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Piano seul
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Pop musique
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Boothe Publishing
#
Ashley Ivers
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What am I Doing Here Piano Min
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Boothe Publishing
#
SheetMusicPlus
Piano - SKU: A0.1069966 Composed by Boothe Publishing. Arranged by Ashley Ivers. Pop. Accompaniment. Duration 183. Boothe Publishing #4633693. Published...
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Piano - SKU: A0.1069966 Composed by Boothe Publishing. Arranged by Ashley Ivers. Pop. Accompaniment. Duration 183. Boothe Publishing #4633693. Published by Boothe Publishing (A0.1069966). One of my auntie's got killed coming home from work late one evening by a drunk driver who was not obeying the traffic signals. I remember thinking to myself that this wasn't fair. It wasn't right. This was the first time that someone close to me was ushered out of this world. I started looking at my own life. Was I ready to leave this world behind? My auntie didn't get to decide. One moment she was here. The next she was gone, leaving her children behind. As I looked at myself I noticed there were a lot of flaws in my character. I liked some things about myself, however, there were a lot of other character traits where I felt that I was lacking in integrity and honesty. The question, What am I doing here? made me want to correct those flaws so that I could feel good about meeting God when I leave this world. I have found that change is possible.
$1.99 ≈
1.82€
WWJD (If He Was You)
WWJD (If He Was You)
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Instruments en Do
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INTERMÉDIAIRE
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Musique Sacrée
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Les Blachut
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Les Blachut
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WWJD
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Les Blachut
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1283052 By Les Blachut. By Les Blachut. Arranged by Les Blachut. Jazz,Latin,Multicultural,Praise & Worship,Religious,Wo...
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C Instrument - Level 3 - SKU: A0.1283052 By Les Blachut. By Les Blachut. Arranged by Les Blachut. Jazz,Latin,Multicultural,Praise & Worship,Religious,World. Lead Sheet / Fake Book. 1 pages. Les Blachut #874343. Published by Les Blachut (A0.1283052). Ref. WWJD means What Would Jesus Do WWJD If He was youWWJD What Would Jesus Do WWJD If He was you 1. The death and sin are gone, I’m free like flying birdsTo appreciate your saving grace, I ask myself these words 2. Whatever is to come, and what is here to stayI face with dignity because, I follow in your way 3. My Lord throughout this day, I’ll try to follow youIt may not be an easy task, so please come help me too 4. And let me dedicate, each new day coming throughTo you my friends with love and peace, as Jesus liked to do.
$1.99 ≈
1.82€
What A Wonderful World
What A Wonderful World
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Orchestre
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FACILE
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Louis Armstrong
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Kevin Riley
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What A Wonderful World
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Kevin Riley
#
SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.525335 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Kevin Riley. 20th Century,Film/TV,Pop. S...
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Full Orchestra - Level 2 - SKU: A0.525335 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Kevin Riley. 20th Century,Film/TV,Pop. Score and Parts. 35 pages. Kevin Riley #135874. Published by Kevin Riley (A0.525335). What a Wonderful World is a song written by Bob Thiele (as George Douglas) and George David Weiss. It was first recorded by Louis Armstrong and released in 1967 as a single, which topped the pop charts in the United Kingdom, though it performed poorly in the United States because Larry Newton, the president of ABC Records, disliked the song and refused to promote it. After appearing in the film Good Morning, Vietnam, the song was re-released as a single in 1988, and it rose to number 32 on the Billboard Hot 100.Armstrong's recording was inducted in the Grammy Hall of Fame in 1999. This arrangement is for vocal and orchestra.
$70.00 ≈
64.04€
Somewhat International Wind Quintet
Somewhat International Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
#
Contemporain
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Gary Friedman
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Somewhat International Wind Qu
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Gary Friedman
#
SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.889913 Composed by Gary Friedman. Contemporary. Score and parts. 35 pages. Gary Frie...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.889913 Composed by Gary Friedman. Contemporary. Score and parts. 35 pages. Gary Friedman #5011373. Published by Gary Friedman (A0.889913). I wrote what I thought was an interesting piece, which included some attention-getting pauses. A colleague liked it and urged me to add some more movements. So to the first movement Hurry Up and Wait, I added Siciliano as the second movement, and Finale (with apologies to Shostakovich) as the third. For the latter I borrowed a few features of his 9th Symphony. The mp3 is computer-generated.
$10.00 ≈
9.15€
What Child is This for String Trio
What Child is This for String Trio
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Trio à Cordes: violon, alto, violoncelle
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FACILE
#
Traditional
#
James M
#
What Child is This for String
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jmsgu3
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1324430 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Religious,...
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String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1324430 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Religious,Traditional. 6 pages. Jmsgu3 #912628. Published by jmsgu3 (A0.1324430). Greensleeves is a traditional English folk song that has several interesting facts associated with it:Origin: The song's origin is uncertain, and there is no consensus on who composed it. It has been attributed to Henry VIII, the King of England, but this association is considered erroneous, and the song is more likely to be Elizabethan in origin.Christmas Carol: The tune of Greensleeves is used for the classic Christmas carol What Child Is This?Lyrics: The song's lyrics are about a painful romantic problem and include what some historians view as subtly salacious content. The lyrics deal with a spurned lover accusing Lady Greensleeves of casting him off discourteously despite his love for her. The song's scandalous twist is hidden in its title, and its exact meaning has been debated for centuries.Cultural References: The tune was used as the slow march of the London Trained Bands in the 16th and 17th centuries. It was adopted as the quick march of the 7th (City of London) Battalion London Regiment during World War I. Additionally, the tune has been referenced in literature, such as in Shakespeare's The Merry Wives of Windsor.Popularity: In some parts of the world, the Greensleeves tune is famous as a standard chime for ice cream vans.These facts make Greensleeves a fascinating and culturally significant piece of music with a rich history and diverse interpretations.
$24.95 ≈
22.83€
What Child is This? for Brass Trio
What Child is This? for Brass Trio
#
Noël
#
Traditional
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James M
#
What Child is This? for Brass
#
jmsgu3
#
SheetMusicPlus
Bass Trombone,Cornet,Horn - Level 3 - SKU: A0.1327383 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Historic,Tradit...
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Bass Trombone,Cornet,Horn - Level 3 - SKU: A0.1327383 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Historic,Traditional. 6 pages. Jmsgu3 #915417. Published by jmsgu3 (A0.1327383). Greensleeves is a traditional English folk song that has several interesting facts associated with it:Origin: The song's origin is uncertain, and there is no consensus on who composed it. It has been attributed to Henry VIII, the King of England, but this association is considered erroneous, and the song is more likely to be Elizabethan in origin.Christmas Carol: The tune of Greensleeves is used for the classic Christmas carol What Child Is This?Lyrics: The song's lyrics are about a painful romantic problem and include what some historians view as subtly salacious content. The lyrics deal with a spurned lover accusing Lady Greensleeves of casting him off discourteously despite his love for her. The song's scandalous twist is hidden in its title, and its exact meaning has been debated for centuries.Cultural References: The tune was used as the slow march of the London Trained Bands in the 16th and 17th centuries. It was adopted as the quick march of the 7th (City of London) Battalion London Regiment during World War I. Additionally, the tune has been referenced in literature, such as in Shakespeare's The Merry Wives of Windsor.Popularity: In some parts of the world, the Greensleeves tune is famous as a standard chime for ice cream vans.These facts make Greensleeves a fascinating and culturally significant piece of music with a rich history and diverse interpretations.
$24.95 ≈
22.83€
What Child is This? for Saxophone Trio
What Child is This? for Saxophone Trio
#
3 Saxophones (trio)
#
INTERMÉDIAIRE
#
Noël
#
Traditional
#
James M
#
What Child is This? for Saxoph
#
jmsgu3
#
SheetMusicPlus
Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Level 3 - SKU: A0.1342330 Composed by Traditional. Arranged by Ja...
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Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Level 3 - SKU: A0.1342330 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Holiday,Traditional. 3 pages. Jmsgu3 #927846. Published by jmsgu3 (A0.1342330). Greensleeves is a traditional English folk song that has several interesting facts associated with it:Origin: The song's origin is uncertain, and there is no consensus on who composed it. It has been attributed to Henry VIII, the King of England, but this association is considered erroneous, and the song is more likely to be Elizabethan in origin.Christmas Carol: The tune of Greensleeves is used for the classic Christmas carol What Child Is This?Lyrics: The song's lyrics are about a painful romantic problem and include what some historians view as subtly salacious content. The lyrics deal with a spurned lover accusing Lady Greensleeves of casting him off discourteously despite his love for her. The song's scandalous twist is hidden in its title, and its exact meaning has been debated for centuries.Cultural References: The tune was used as the slow march of the London Trained Bands in the 16th and 17th centuries. It was adopted as the quick march of the 7th (City of London) Battalion London Regiment during World War I. Additionally, the tune has been referenced in literature, such as in Shakespeare's The Merry Wives of Windsor.Popularity: In some parts of the world, the Greensleeves tune is famous as a standard chime for ice cream vans.These facts make Greensleeves a fascinating and culturally significant piece of music with a rich history and diverse interpretations.
$24.95 ≈
22.83€
What Child is This? for Woodwind Trio
What Child is This? for Woodwind Trio
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Noël
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Traditional
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James M
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What Child is This? for Woodwi
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute,Oboe - Level 3 - SKU: A0.1329070 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Chri...
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute,Oboe - Level 3 - SKU: A0.1329070 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Historic,Traditional. 6 pages. Jmsgu3 #917038. Published by jmsgu3 (A0.1329070). Greensleeves is a traditional English folk song that has several interesting facts associated with it:Origin: The song's origin is uncertain, and there is no consensus on who composed it. It has been attributed to Henry VIII, the King of England, but this association is considered erroneous, and the song is more likely to be Elizabethan in origin.Christmas Carol: The tune of Greensleeves is used for the classic Christmas carol What Child Is This?Lyrics: The song's lyrics are about a painful romantic problem and include what some historians view as subtly salacious content. The lyrics deal with a spurned lover accusing Lady Greensleeves of casting him off discourteously despite his love for her. The song's scandalous twist is hidden in its title, and its exact meaning has been debated for centuries.Cultural References: The tune was used as the slow march of the London Trained Bands in the 16th and 17th centuries. It was adopted as the quick march of the 7th (City of London) Battalion London Regiment during World War I. Additionally, the tune has been referenced in literature, such as in Shakespeare's The Merry Wives of Windsor.Popularity: In some parts of the world, the Greensleeves tune is famous as a standard chime for ice cream vans.These facts make Greensleeves a fascinating and culturally significant piece of music with a rich history and diverse interpretations.
$24.95 ≈
22.83€
What A Wonderful World
What A Wonderful World
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Piano Facile
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INTERMÉDIAIRE
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Louis Armstrong
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John Fries
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What A Wonderful World
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John Fries
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SheetMusicPlus
Easy Piano - Level 3 - SKU: A0.1397237 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by John Fries. 20th Century,Pop,Standards. Sco...
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Easy Piano - Level 3 - SKU: A0.1397237 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by John Fries. 20th Century,Pop,Standards. Score. 2 pages. John Fries #980552. Published by John Fries (A0.1397237). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. What a Wonderful World is a song written by Bob Thiele (as George Douglas) and George David Weiss. It was first recorded by Louis Armstrong and released in 1967 as a single, which topped the pop charts in the United Kingdom, though it performed poorly in the United States because Larry Newton, the president of ABC Records, disliked the song and refused to promote it.
$5.99 ≈
5.48€
What A Wonderful World
What A Wonderful World
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Chorale SATB
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Louis Armstrong
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John Fries
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What A Wonderful World
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John Fries
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SheetMusicPlus
Choral Choir,Choral (SATB) - SKU: A0.1355082 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by John Fries. 20th Century,Jazz,Pop,Sta...
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Choral Choir,Choral (SATB) - SKU: A0.1355082 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by John Fries. 20th Century,Jazz,Pop,Standards. 9 pages. John Fries #939797. Published by John Fries (A0.1355082). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER! Thanks, John. What a Wonderful World is a song written by Bob Thiele (as George Douglas) and George David Weiss. It was first recorded by Louis Armstrong and released in 1967 as a single, which topped the pop charts in the United Kingdom, though it performed poorly in the United States because Larry Newton, the president of ABC Records, disliked the song and refused to promote it.
$1.99 ≈
1.82€
What A Wonderful World
What A Wonderful World
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Ligne De Mélodie, (Paroles) et Accords
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INTERMÉDIAIRE/AVANCÉ
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Danny Mayo and Karen Ruth Stal
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John Fries
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What A Wonderful World
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.500183 Composed by Danny Mayo and Karen Ruth Staley. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / ...
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C Instrument - Level 4 - SKU: A0.500183 Composed by Danny Mayo and Karen Ruth Staley. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113366. Published by John Fries (A0.500183). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Â You can also type John Fries in the searchbar to see all I have to offer. What a Wonderful World is a song written by Bob Thiele (as George Douglas) and George David Weiss. It was first recorded by Louis Armstrong and released in 1967 as a single, which topped the pop charts in the United Kingdom, though it performed poorly in the United States because Larry Newton, the president of ABC Records, disliked the song and refused to promote it.
$3.99 ≈
3.65€
What A Wonderful World
What A Wonderful World
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Louis Armstrong
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John Fries
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What A Wonderful World
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1205890 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by John Fries. 20th Century,Jazz...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1205890 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by John Fries. 20th Century,Jazz,Pop,Spiritual,Standards. Score. 1 pages. John Fries #804081. Published by John Fries (A0.1205890). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. What a Wonderful World is a song written by Bob Thiele (as George Douglas) and George David Weiss. It was first recorded by Louis Armstrong and released in 1967 as a single, which topped the pop charts in the United Kingdom, though it performed poorly in the United States because Larry Newton, the president of ABC Records, disliked the song and refused to promote it.
$4.99 ≈
4.57€
What A Wonderful World
What A Wonderful World
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Louis Armstrong
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John Fries
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What A Wonderful World
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John Fries
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1354670 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by John Fries. 20th Century,Pop,Standards. Sco...
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Piano Solo - Level 4 - SKU: A0.1354670 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by John Fries. 20th Century,Pop,Standards. Score. 2 pages. John Fries #939367. Published by John Fries (A0.1354670). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Â What a Wonderful World is a song written by Bob Thiele (as George Douglas) and George David Weiss. It was first recorded by Louis Armstrong and released in 1967 as a single, which topped the pop charts in the United Kingdom, though it performed poorly in the United States because Larry Newton, the president of ABC Records, disliked the song and refused to promote it.
$5.99 ≈
5.48€
Grace Kelly
Grace Kelly
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Chorale SATB
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Pop musique
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Mika
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Sandra Milliken
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Grace Kelly
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Sandra Milliken
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SheetMusicPlus
By Mika. Arranged by Sandra Milliken. Score. 16 pages. Published by Sandra Milliken ...
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By Mika. Arranged by Sandra Milliken. Score. 16 pages. Published by Sandra Milliken
Grace Kelly is a song by the British pop singer Mika, released in 2007. It also appeared at the same time on his album Life in Cartoon Motion. The song entered the UK Singles Chart at No. 3 and one week later it jumped to No. 1, where it remained for five weeks. It ended 2007 as the year's third biggest-selling single in the UK.It also went to #1 on the Czech Republic, Ireland, Italy, Norway and Turkey singles charts.
The song is titled after the Academy Award winning film and stage actress Grace Kelly who went on to become Princes Grace of Monaco. The lyric "So I tried a little Freddie" is a reference to Queen'sFreddie Mercury, to whose singing voice Mika's has been compared.
The song was designed to be a mocking satire of musicians who try to reinvent themselves to be popular. Mika wrote the song after feeling frustrated with record company executives who wanted him to change his sound to fit the common pop mould - to be "more like Craig David". After one such interview, Mika wrote the song saying "I can be any colour you want, what the hell do you want me to be, should I look older, should I bend over just to be put on your shelf. What is it that you want? You don't know what you want so I can be every color of the rainbow.' And at the end I was like, 'all you think about is money, so "kerching"! - take that.' And that was the song."
A fun piece for audience and singers alike, with some vocal and rhythmic challenges, as well as occasional divisi parts, thrown in for good measure.
$2.40 ≈
2.20€
Variations on a Rossini Theme op.Posth
Variations on a Rossini Theme op.Posth
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Orchestre de chambre
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Classique
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Frederik François Chopin
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James Strauss
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Variations on a Rossini Theme
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James Strauss
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SheetMusicPlus
Chamber Orchestra - SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33...
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Chamber Orchestra - SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.
$29.99 ≈
27.44€
I Still Call Australia Home
I Still Call Australia Home
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Chorale 2 parties
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DÉBUTANT
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Contemporain
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Peter Allen
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Sandra Milliken
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I Still Call Australia Home
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Sandra Milliken
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SheetMusicPlus
Choir, SA, with piano accompaniment - Easy/Beginner - By Peter Allen. Arranged by Sandra Milliken. Score. 9 pages. Published by Sandra Milliken...
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Choir, SA, with piano accompaniment - Easy/Beginner - By Peter Allen. Arranged by Sandra Milliken. Score. 9 pages. Published by Sandra Milliken
I Still Call Australia Home was written, first performed and recorded by Peter Allen in 1980. In that year the song peaked on the Australian Singles Chart at number 72. But whilst its initial impact was somewhat less than stellar, it has gone on to become one of those songs that is part of the national psyche and is well-known by most Australians.
In I still Call Australia Home Peter Allen wrote of his longing, no matter where in the World he might travel, to always return home to Australia, where he could be near his family and friends once again. The song is now regarded as a heart-warming expression of Australian patriotism and nostalgia for home.
Its adoption by Qantas in the mid 1990s as the centrepiece of a long-running advertising campaign exposed a new generation of Australians to the song and greatly boosted its popularity. The Qantas campaign became one of the top Australian television campaigns of all time. It has linked together Australians living at home with those travelling or living overseas. Beginning with a number of well-known Australian musicians, the campaign went on to become associated with the Australian Girls Choir, the National Boys Choir and the Gondwana National Indigenous Children?s Choir.
The song has featured in television programs, benefit concerts, sporting event ceremonies, and was included in the musical, The Boy From Oz, which starred Todd McKenney as Peter Allen in the Australian production and Hugh Jackman in the title role when the musical transferred to Broadway.
This arrangement, with piano accompaniment, is available in SATB, SSA, SAB and 2-Part voicings.
$2.20 ≈
2.01€
The Journey of Squanto
The Journey of Squanto
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Orchestre d'harmonie
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AVANCÉ
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Wesley Besancon
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Wesley Besancon
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The Journey of Squanto
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Wesley Besancon
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1183999 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Contemporary,Contest,Festival,Multicultura...
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Concert Band - Level 5 - SKU: A0.1183999 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Contemporary,Contest,Festival,Multicultural,Patriotic,World. Score and parts. 111 pages. Wesley Besancon #783697. Published by Wesley Besancon (A0.1183999). Have you ever wondered who was credited for setting up the first Thanksgiving? Or who braught peace to the tension between Natives and English? Squanto is credited for doing both of these things. One of the first recoreded Native Americans, Squanto lived from 1585 to 1622. He was part of the Patuxet tribe, and taught settlers how to satisfy basic needs. And as far as the eye can see, there is no band music dedicated for him. So I have made a piece showing what may have happened when the settlers came. While not completly accurate, It is a great representation (and honor to Squanto) for your next concert!. The piece begins on a nice warm day, in a playful, dancelike movement, this quickly turns to anger as they see a bird that is not able to be hunted. This confusion leads to the mysteriousness that was most likely happening upon the natives. They start to pray to their gods. All of a sudden, the ship lands and a war breaks out! But Squanto wants to embrace this new culture they have brought, which slowly calms the fighting down. Eventually, the English Culture (represented by Hot Cross Buns) is embraced in the polytonal ways (disagreement). The final part is a chorale representing peace.Errata:Â 107: Singing is stopped.
$40.99 ≈
37.50€
On a Jab - a transsexual poem with music (mp3)
On a Jab - a transsexual poem with music (mp3)
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David Warin Solomons
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On a Jab - a transsexual poem
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David Warin Solomons
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SheetMusicPlus
Sampler,Voice - SKU: A0.1355574 By David Warin Solomons. By David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 135. David Warin...
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Sampler,Voice - SKU: A0.1355574 By David Warin Solomons. By David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 135. David Warin Solomons #940299. Published by David Warin Solomons (A0.1355574). This is based on a poem that I wrote back in 1979, while I, as a person with Kallmann's syndrome (intersexual), was trying to decide whether to go towards the female or the male.The accompanying music is a recent piece composed by my AI software (Tot the Third)The original poem is as follows: On a Jab Here we are again, Dawn,My companion in complexity;The month is past and you, forlorn,Must once more face perplexity.Ouch! And in the fleshy thighThe viscous hormone takes its space;And you, dear Dawn, will by and bySlow down - and lose the human race.You it was who liked to seeThe lovely girls in tram and bus;I am he, with fancy free,Who’ll bring “God’s wrath†on both of us.For, as the hormone courses throughOur common arteries and veins,There will be less and less of youAnd what you lose my lover gains.It's dusk for Dawn, who one day thoughtShe'd win and make our body hers,And dawn for me, since science brought meMonthly maleness, jabbed by nurse!(c) David W Solomons 1979.
$4.50 ≈
4.12€
The Thunderer (March)
The Thunderer (March)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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John Philip Sousa
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Joel Jacklich (ASCAP)
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The Thunderer
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Joel Jacklich
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1394380 Composed by John Philip Sousa. Arranged by Joel Jacklich (ASCAP). Chamber,H...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1394380 Composed by John Philip Sousa. Arranged by Joel Jacklich (ASCAP). Chamber,Holiday,March,Patriotic. 21 pages. Joel Jacklich #977860. Published by Joel Jacklich (A0.1394380). The Thunderer (1889) is one of John Philip Sousa's most beloved marches. It is knot known to what, or more likely to whom, the title refers. Paul E. Bierley suggests that since the work was dedicated the the Columbia Commandery No. 2, Knights Templar, of Washington, D.C., and composed for its Twenty-fourth Triennial Conclave of the Grand Encampment, that the title may refer to Myron M. Parker, one of the principal masons responsible for the success of the conclave.(1)Sousa is so universally loved, that it seems a shame to restrict his performance only to marching bands and concert bands. Â Here The Thunderer is arranged for string quartet by Joel Jacklich (A.S.C.A.P.). Perfect for that next patriotic concert.(1)Paul E. Bierley, The Works of John Philip Sousa (Westerville, Ohio: Integrity Press, 1984), 89.
$12.99 ≈
11.88€
The Thunderer (March)
The Thunderer (March)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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John Philip Sousa
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Joel Jacklich (ASCAP) or
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The Thunderer
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Joel Jacklich
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1392366 Composed by John Philip Sousa. Arranged by Joel Jacklich (ASCAP) or. Holiday,March,Patriotic. 28 pages. Joe...
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String Orchestra - Level 4 - SKU: A0.1392366 Composed by John Philip Sousa. Arranged by Joel Jacklich (ASCAP) or. Holiday,March,Patriotic. 28 pages. Joel Jacklich #975894. Published by Joel Jacklich (A0.1392366). The Thunderer (1889) is one of John Philip Sousa's most beloved marches. It is knot known to what, or more likely to whom, the title refers. Paul E. Bierley suggests that since the work was dedicated the the Columbia Commandery No. 2, Knights Templar, of Washington, D.C., and composed for its Twenty-fourth Triennial Conclave of the Grand Encampment, that the title may refer to Myron M. Parker, one of the principal men responsible for the success of the conclave.(1)Sousa is so universally loved, that it seems a shame to restrict his performance only to marching bands and concert bands. Â Here The Thunderer is arranged for string orchestra by Joel Jacklich (A.S.C.A.P.). Perfect for that next patriotic concert.(1)Paul E. Bierley, The Works of John Philip Sousa (Westerville, Ohio: Integrity Press, 1984), 89.
$30.00 ≈
27.45€
One Sows for the Benefit of Another Age - Orchestra
One Sows for the Benefit of Another Age - Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Kyle Vanderburg
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One Sows for the Benefit of An
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NoteForge
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteF...
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Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99 ≈
45.74€
Mon Homme
Mon Homme
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Piano seul
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AVANCÉ
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Edith Piaf
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Timothy Stapay/Liberace
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Mon Homme
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1434239 By Edith Piaf. By Albert Willemetz, Jacques Charles, and Maurice Yvain. Arranged by Timothy Stapay/Liberace. Broa...
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Piano Solo - Level 5 - SKU: A0.1434239 By Edith Piaf. By Albert Willemetz, Jacques Charles, and Maurice Yvain. Arranged by Timothy Stapay/Liberace. Broadway,Contest,Festival,Film/TV,Musical/Show,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #1014454. Published by Timothy Stapay (A0.1434239). Mon Homme (My Man) is the famous song sung by Barbra Streisand in the movie Funny Girl It is arranged as performed by Barbra's good friend, Liberace. Liberace helped give Barbra Streisand her start in the early days of Las Vegas and he recognized her talent very early.My Man, is a popular song first published in 1920. The song was originally composed by Maurice Yvain with French lyrics by Jacques-Charles (Jacques Mardochée Charles) and Albert Willemetz. The English lyrics were written by Channing Pollock. Funny Girl is a 1968 American biographical-musical film directed by William Wyler and written by Isobel Lennart, adapted from her book for the stage musical of the same title. It is loosely based on the life and career of comedienne Fanny Brice.A major critical and commercial success, Funny Girl became the highest-grossing film of 1968 in the United States and received eight Academy Award nominations. Streisand won Best Actress, tying with Katharine Hepburn (The Lion in Winter). In 2006, the American Film Institute ranked the film No. 16 on its list commemorating AFI's Greatest Movie Musicals.[FANNY]Oh, my man, I love him so[FANNY, spoken]He'll never knowAll my life is just despairBut I don't careWhen he takes me in his armsThe world is bright, alrightWhat's the difference if I say I'll go awayWhen I know I'll come back on my knees somedayFor whatever my man is, I am his[FANNY]Forever moreIt cost me a lot but that's one thing that I've gotIt's my manCold and wet tired you betBut all that I soon forget, with my manHe's not much for looksAnd no hero out of books, he's my manTwo or three girls has heThat he likes as well as me but I love himOh my man I love him so, he'll never knowAll my life is just despair but I don't careWhen he takes me in his armsThe world is bright, alrightWhat's the difference if I say I'll go awayWhen I know I'll come back on my knees somedayFor whatever my man is, I am hisForever more.
$8.99 ≈
8.23€
Waltz Op 69 No 2 (Arranged for Guitar)
Waltz Op 69 No 2 (Arranged for Guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Brian Streckfus
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Waltz Op 69 No 2
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Inst...
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Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99 ≈
1.82€
Toccata and Fuge in d-Moll BWV 565 for Violin & Viola, Ver.1
Toccata and Fuge in d-Moll BWV 565 for Violin & Viola, Ver.1
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Violon, Alto (duo)
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Kamada, Mikio
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Toccata and Fuge in d-Moll BWV
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ACORDO Sheet Music
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SheetMusicPlus
Instrumental Duet,Viola,Violin - Level 5 - SKU: A0.1402227 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet...
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Instrumental Duet,Viola,Violin - Level 5 - SKU: A0.1402227 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet Music #985434. Published by ACORDO Sheet Music (A0.1402227). Toccata and Fugue in D Minor, BWV 565 by Johann Sebastian Bach (1685-1750) is a famous piece for the organ. Surprisingly, it wasn't very popular when Bach was alive. It was first published in 1833 by Felix Mendelssohn in a collection called noch wenig bekannte Orgelcompositinen. Mendelssohn performed it in 1840, which made it more well-known. This piece is different from Bach's later works in style and composition; for example, the fugue is relatively simple. Music expert Peter Williams suggested in his 2003 book The Organ Music of J. S. Bach that it might have originally been written for solo violin. Following his idea, some people tried to adapt it for solo violin, with some versions in A minor based on his suggestion.While it's unsure if Williams' idea is correct, it implies that this piece might work well for string instruments. We decided to arrange it for a Violin and Viola Duet, trying to stay close to the original organ version. However, because of technical reasons, we had to remove some parts. Our first arrangement was liked at a small concert in 2022. During this, we realized that the music could be good for string ensembles. We also found that removing some notes made the remaining ones stand out, sometimes making a special beauty. This suggests that the music might have been meant for string instruments originally.We first planned to publish this arrangement in 2020, but we changed our minds. We wanted as many people as possible to enjoy this wonderful piece, so we decided to publish two versions. Version 1 is similar to the organ score, sounding familiar but being technically hard. In contrast, Version 2 skips some notes, making it easier technically. Players will still experience the unique beauty of string ensembles with intentional note removal. The choice between the two depends on what players prefer and their skill level.To help players understand better, we've used colored notes. Different colors show different voices, helping players know each instrument's role. In Version 2, green notes show parts where both instruments play the same thing. While these notes are optional, playing them will help synchronize the two parts.Turning pages can be hard because there aren't many rests. We suggest using a tablet or arranging music stands side by side with all six pages in a row. If that's not possible, we suggest connecting pages 1-3 and 4-6 horizontally with cardboard. Put pages 1-3 in front and 4-6 in the back. For specific instructions during the piece:- The Violin plays the Viola part in bar 74, shown by solid parentheses. Turn the page after playing the third beat of bar 75 and don't play the Violin part in bar 76 (marked with dashed brackets), as the Viola will play it.- The Viola turns the page right after playing bar 73. Instead of playing the part in dashed parentheses in bar 74 (which the Violin will play), play the Violin part of bar 75 (marked with actual parentheses).
$12.60 ≈
11.53€
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