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Whatever We Feel
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Vous avez sélectionné:
Whatever We Feel
Partitions à imprimer
24 partitions trouvées
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1
Whatever We Feel
Whatever We Feel
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Sammy Rae & The Friends
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Kerry Marsh
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The Friends are known for
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Whatever We Feel
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Kerry Marsh
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SheetMusicPlus
Rhythm Section SSA Chorus,Voice - Level 4 - SKU: A0.1488645 By Sammy Rae & The Friends. By Jemirah Kirby and Samantha Bowers. Arranged by Kerry Marsh. F...
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Rhythm Section SSA Chorus,Voice - Level 4 - SKU: A0.1488645 By Sammy Rae & The Friends. By Jemirah Kirby and Samantha Bowers. Arranged by Kerry Marsh. Funk,Pop,Ska. Vocal Jazz Ensemble. 48 pages. Kerry Marsh #1065493. Published by Kerry Marsh (A0.1488645). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a lower price than the standard flat-fee range for vocal jazz ensemble arrangements ($75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the “All Tracks Pack (With SkyTracks Mixer)“ package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation).This arrangement captures the joyous energy and upbeat spirit of the original track. The treble ensemble parts are notated in a combination of one, two, and three parts, sung homophonically, and splitting the lyric responsibilities with an energetic soloist. The use of triadic harmony makes the group parts accessible and helps the choir sing in tune, ensuring a vibrant performance.Auxiliary percussion parts are included in the drum set part, and, if utilized, the added percussion can bring even more of a party atmosphere to your performance. A ukulele keyboard patch is used on the recording, and you can certainly feature a ukulele player if you have one, using the chord changes and rhythms in the fully-notated piano part. To further elevate the energy of the arrangement, two optional saxophone parts are included, adding an exciting layer to your ensemble's performance.With its infectious groove and dynamic interplay between soloist and ensemble, this arrangement will have audiences feeling the joy and excitement that Sammy Rae & The Friends are known for.
$49.99 ≈
45.09€
Whatever We Feel
Whatever We Feel
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Chorale SSAA
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INTERMÉDIAIRE
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Sammy Rae & The Friends
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Sarah Granholm
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Whatever We Feel
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Sarah Granholm
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SheetMusicPlus
Choral Choir,Choral,SSAA Chorus - Level 3 - SKU: A0.1405897 By Sammy Rae & The Friends. By Jemirah Kirby and Samantha Bowers. Arranged by Sarah Granholm...
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Choral Choir,Choral,SSAA Chorus - Level 3 - SKU: A0.1405897 By Sammy Rae & The Friends. By Jemirah Kirby and Samantha Bowers. Arranged by Sarah Granholm. 21st Century,A Cappella,Blues,Funk,Singer/Songwriter. 11 pages. Sarah Granholm #988943. Published by Sarah Granholm (A0.1405897). Experience Sammy Rae's Whatever We Feel through this buoyant, upbeat SSAA a capella arrangement with featured soloist, vocal percussion, and ensemble-wide body percussion!email granhos2@tcnj.edu for part tracks or musescore link!
$2.99 ≈
2.70€
Perchance to Dream...What Dreams May Come
Perchance to Dream...What Dreams May Come
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Piano seul
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AVANCÉ
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Classique
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Daniel Nicolae Dubei
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Perchance to Dream...What Drea
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Daniel Nicolae Dubei
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1154044 Composed by Daniel Nicolae Dubei. Classical. Score. 9 pages. Daniel Nicolae Dubei #754315. Published by Daniel Ni...
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Piano Solo - Level 5 - SKU: A0.1154044 Composed by Daniel Nicolae Dubei. Classical. Score. 9 pages. Daniel Nicolae Dubei #754315. Published by Daniel Nicolae Dubei (A0.1154044). I don't want it bogged down too much in the baggage of Hamlet, which is obviously impossible. The words in the title matter, and Shakespeare words is the best. The basic idea of the piece is death. In the first half, the protagonist feels death approaching. The middle march section is death's grasp, and the second half is the after-life dream. Sometimes we feel miserable with our lives and just simply desire that escape into a world that cannot harm us anymore. And sometimes it is okay to feel that, and to express that. Whatever may come after death, in the end, doesn't matter, because death is such a finality to life. I know for me, this piece lifts up my spirits and helps me enjoy life more. Our ability to express, particularly through music, the pains we may be feeling, is one of the greatest gifts we humans possess. I hope everyone is able to enjoy this music and my expression.
$4.99 ≈
4.50€
AS DANTE (TO HELL AND BACK)
AS DANTE (TO HELL AND BACK)
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Piano seul
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Contemporain
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Monica Bergo
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your
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AS DANTE
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Moni Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.1012728 Composed by Monica Bergo. Contemporary. Score. 9 pages. Moni Bergo #5743167. Published by Moni Bergo (A0.1012728).
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Piano Solo - SKU: A0.1012728 Composed by Monica Bergo. Contemporary. Score. 9 pages. Moni Bergo #5743167. Published by Moni Bergo (A0.1012728). Music and song composed by me ♫ *'¨` * • .¸¸. As Dante (To hell and back)♫ ♫ *'¨` * • .¸¸. ♫ I'd recognize anywhere and millions your eyes when will my time I certainly find it my rebellious soul that more chains will not have over the time and distances Your light will follow and how Dante I will commence from the bottom the deepest hell between the screams of the damned three groans and sins between greedy and slothful but you're not here I feel that changes and transforms the essence takes shape love transfigures removes all fear I find you I swear I'll take you with me memories, images in my mind 2 of us in the excerpt of apparent life for us that we are in hell were forged on us a tear and 100 sins I do not believe, do not watch and do not feel You that rest and peace have reached and then suddenly appears to me your face We are in hell for us is heaven ... we rush wrists tied, I do not care You squeeze to hurt me think of me stronger and shalt see my colors It was death to turn me but you can repaint me and then I'll be whatever you want as in life if you want me wind I breath and the evils I will comfort If you want me want rose scent the air and will blossom As Dante told We are Paolo and Francesca 2 doves and then just and I find the joy of living smile reborn and fight to recover what in life we we never had happiness everyone is looking for and chase and then expect strange to say but I find it here On flames on hell as Dante that one day for that dark forest left dance, dance white souls purgatory are never tired why the hell is a real torture but it is the paradise that do more scares and how Dante but without Virgilio I try by myself to my best because Charonte accept my toll conceal my love and now we are already on journey how strange my mind that does not have any rest It has no limits or boundaries and fear a little 'makes me is my curse as a mark on the skin but as said one on last Dante I go out to see the stars that day will come and then I swear I look for you and take you to a safe place Please , just remember only my face and will not be hell will be heaven ... Monica Bergo
$5.00 ≈
4.51€
I Want A Hippopotamus For Christmas (hippo The Hero)
I Want A Hippopotamus For Christmas (hippo The Hero)
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Noël
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John Rox
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Raevynn Nicole Davis
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I Want A Hippopotamus For Chri
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Raevynn Nicole Davis
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SheetMusicPlus
Level 2 - SKU: A0.1309862 Composed by John Rox. Arranged by Raevynn Nicole Davis. Children,Christmas,Holiday. 58 pages. Raevynn Nicole Davis #899009. Pu...
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Level 2 - SKU: A0.1309862 Composed by John Rox. Arranged by Raevynn Nicole Davis. Children,Christmas,Holiday. 58 pages. Raevynn Nicole Davis #899009. Published by Raevynn Nicole Davis (A0.1309862). I Want a Hippopotamus for Christmas for 1 piano/4hands up to 6 pianos/24 hands!  This is a multi-level piano ensemble.  If you don’t have 12 pianists – not to worry! The secondo part for piano 6 is the most difficult part and can be used as an accompaniment part to whatever combination of pianists you do have. If you only have 2 pianists, you can use piano 6 as a duet. If the primo part for piano 6 is too difficult, you can use a primo part from another piano, but may need to switch octaves to make it all fit on one keyboard. Many of the parts have minimal hand movements and can be combined on different pianos, but you may need to switch octaves for one or both pianists to make everything fit.A word about percussion – My studio has a variety of classroom/percussion instruments that we make use of for ensembles. If you don’t have the exact same percussion instruments that I do, feel free to substitute whatever you do have for the rhythms. It is also possible to add clapping, snapping, or tapping on the piano/keyboard to add the percussion rhythms. For the boomwhackers, you can use any ‘C,’ ‘D,’ or ‘G’ you have and the octave caps make it even more fun! My students enjoyed using the extended bass range boomwhackers with the octave caps to make the pitches even lower and more hippo-like. ☺What's included?  A score with all 12 parts, 12 individual parts (2 pages per pianist) with standard notation and my suggested fingering, and 12 individual parts (2 pages per pianist) with alphanote notation and my suggested fingering.  Parts range from beginner to intermediate!  I hope your piano ensemble and/or group class enjoys this festive arrangement.  Merry Christmas!
$44.99 ≈
40.58€
Tropical Cafe - at the Resort for Sxophone Quartet (optional Piano & Percussion)
Tropical Cafe - at the Resort for Sxophone Quartet (optional Piano & Percussion)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Mari Miura
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Katsuo Mizushina
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Tropical Cafe - at the Resort
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FOSTERMUSIC.JP Digital Publishing
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1477423 Composed by Mari Miu...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1477423 Composed by Mari Miura. Arranged by Katsuo Mizushina. Classical,Contest,Festival. 79 pages. FOSTERMUSIC.JP Digital Publishing #1054001. Published by FOSTERMUSIC.JP Digital Publishing (A0.1477423). Tropical Cafe - at the Resort This piece is originally in a flute duet and piano version, arranged by Katsuo Mizushina for saxophone quartet.The suite is inspired by a story in a café at a resort, but can also be performed as excerpts.We would also be happy if the performers could freely enjoy the piece by adding piano and percussion instruments for optional parts and ad-libbing.Please imagine your favorite café and play it. (Mari Miura)Click here for piano accompaniment sound files.A clear blue sky.Reflected in a sea of sapphire.Waves lapping on the dazzling white of the beach glimmer in the sunlight.The Tropical Cafe, a charming building full of tourists on the shore.It has a mysterious power that transports you into the world of whatever you order.Word of its power soon spread, and now business is booming.But who will visit today? I.Bossa Nova on the Beach Today’s first customers are a group of girls who came to the beach for a holiday.“We need something to match our excitement!”“What could capture the radiance of the sun reflecting on the beach?”They’re having the time of their lives as they decide what to order.“This would be perfect!”One of the girls points out the Beach Bossa Nova. II.Anniversary Waltz At high noon, an elderly couple walks in.“Today is our wedding anniversary.”“We always talked about returning to this beach after we got married here, but we never got round to it.”“Until today!”The sun shining. Seagulls soaring across the sky. Waves gently lapping the shoreline.It was exactly as they’d remembered.Just like the waltz they danced at their wedding, they order the Anniversary Waltz. III.Songs of Nostalgia As the sun begins to set in the west, a customer dressed in unfamiliar clothes enters the cafe.“I wonder where this sea leads to.”The sun shines on half of his face, casting a long shadow.Thinking of his hometown, he gazes at the menu. His eyes tinged with sorrow, he comes across the Song of Nostalgia. IV.Happy Samba Flaming torches are lit as the sun falls beyond the horizon.When you feel a little lonesome as an exciting day draws to a close, treat yourself to the cafe’s most uplifting item.The Happy Samba!May tomorrow be filled with happiness.Click here for other works by Mari Miura.
$49.99 ≈
45.09€
River Music
River Music
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Contemporain
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Sarah Hersh
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River Music
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Burbury Lane Music
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Bass Clarinet - Level 4 - SKU: A0.1028052 Composed by Sarah Hersh. 20th Century,Contemporary. Score and parts. 59 pages. ...
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Small Ensemble B-Flat Clarinet,Bass Clarinet - Level 4 - SKU: A0.1028052 Composed by Sarah Hersh. 20th Century,Contemporary. Score and parts. 59 pages. Burbury Lane Music #3368591. Published by Burbury Lane Music (A0.1028052). River Music is a fun and accessible piece that has received much positive feedback in the clarinet world and has been performed many times, including at the International Clarinet Association's ClarinetFest. It is an approximately 8 minute piece for two Bb clarinets and bass clarinet that would be equally at home on an environmental-themed concert or any other type of program. It is a relatively advanced piece but has been performed by high school students. River Music was written for Clarinets for Conservation.Program Note: River Music was inspired by my time one summer spent on the Chattahoochee River and at the Chattahoochee Nature Center near Atlanta, Georgia. I have always had a connection to bodies of water, having spent many summers and weekends at the lake by my grandparents’ house in New York. While sometimes I feel like an outsider as a New Yorker living in the South, as soon as I got on the river, canoeing down the Chattahoochee, I felt at home again. Something about the river reminds me of my childhood on Lake Peekskill, and River Music was partially inspired by that connection.Once I started writing the piece, it took on a life of its own, as water and nature (and composing) often does. One reason I’ve always felt strongly about environmentalism and protecting our natural environment is that all of it – the trees, the earth, the rivers, the lakes – has been here long before we came along and started messing it up, and it will (hopefully) be here long after we’re gone, as long as we make sure to protect these natural spaces and wilderness areas. I often think about how much trees have seen, and as I wrote this piece I started thinking about how much the river has seen too. I hear stories in River Music, and to me it’s the river telling us some, though certainly nowhere near all, of its stories.Perhaps River Music will take you, the listener, on a journey down the river-not just through space, but through time. You might hear some of the same stories I hear. Or you may not. Part of the beauty of writing a piece inspired by a river is that I hope you hear in it whatever the river means to you.Note: The sheet music includes a score, regular set of parts, and a bonus set of parts that include a partial score underneath the main part.The composer is a member of ASCAP and may be reached at www.sarahhersh.com or sarahhershcomposer@gmail.com.
$15.99 ≈
14.42€
Pavane Lesquercarde, Pavane No 5, Premier Livre de Danseries (Pierre Phalèse, 1571)
Pavane Lesquercarde, Pavane No 5, Premier Livre de Danseries (Pierre Phalèse, 1571)
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Renaissance
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Pierre Phalèse
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Colin Kirkpatrick
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Pavane Lesquercarde, Pavane No
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - SKU: A0.1038231 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin ...
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String Ensemble - Level 2 - SKU: A0.1038231 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #643162. Published by Colin Kirkpatrick Publications (A0.1038231). Unlike country dances, the formal dances of royal courts in the sixteenth century required a good deal of study and practice. Many dancing masters published self-help instructional books, especially in France and Italy. Composers and publishers saw a commercial potential in collections of dance music and one of the earliest collections was that by composer and publisher Tielman (or Tylman) Susato, who published his Danserye in Antwerp in 1551. These music books were usually arranged with four independent instrumental parts and intended for use by any instruments that happened to be available. The dances still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. The Pavane was a slow and dignified processional dance popular in Europe during the 16th century. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99 ≈
8.11€
Two Rondes from Susato's Danserye (1551)
Two Rondes from Susato's Danserye (1551)
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Renaissance
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Tielman Susato
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Colin Kirkpatrick
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Two Rondes from Susato's Danse
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - SKU: A0.1034006 Composed by Tielman Susato. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kir...
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String Ensemble - Level 2 - SKU: A0.1034006 Composed by Tielman Susato. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #639328. Published by Colin Kirkpatrick Publications (A0.1034006). Unlike country dances, the formal dances of royal courts in the sixteenth century required a good deal of study and practice. Many dancing masters published self-help instructional books, especially in France and Italy. Composers and publishers saw a commercial potential in collections of dance music and one of the earliest collections was that by composer and publisher Tielman (or Tylman) Susato, who published his Danserye in Antwerp in 1551. These music books were usually arranged with four independent instrumental parts and intended for use by any instruments that happened to be available. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone color. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambor or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99 ≈
8.11€
Two Almandes from Premier Livre de Danseries (Pierre Phalèse, 1571)
Two Almandes from Premier Livre de Danseries (Pierre Phalèse, 1571)
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Renaissance
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Pierre Phalèse
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Colin Kirkpatrick
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Two Almandes from Premier Livr
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - SKU: A0.1037867 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin ...
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String Ensemble - Level 2 - SKU: A0.1037867 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #642781. Published by Colin Kirkpatrick Publications (A0.1037867). Unlike country dances, the formal dances of royal courts in the sixteenth century required a good deal of study and practice. Many dancing masters published self-help instructional books, especially in France and Italy. Composers and publishers saw a commercial potential in collections of dance music and one of the earliest collections was that by composer and publisher Tielman (or Tylman) Susato, who published his Danserye in Antwerp in 1551. These music books were usually arranged with four independent instrumental parts and intended for use by any instruments that happened to be available. The two almands in this arrangement were well known popular melodies at the time of publication. They still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99 ≈
8.11€
Premier Bransle de la Guerre & Les Bouffons (Premier Livre de Danseries - Pierre Phalèse, 1571
Premier Bransle de la Guerre & Les Bouffons (Premier Livre de Danseries - Pierre Phalèse, 1571
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Renaissance
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Pierre Phalèse
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Colin Kirkpatrick
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Premier Bransle de la Guerre &
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - SKU: A0.1036189 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin ...
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String Ensemble - Level 2 - SKU: A0.1036189 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #641293. Published by Colin Kirkpatrick Publications (A0.1036189). Unlike country dances, the formal dances of royal courts in the sixteenth century required a good deal of study and practice. Many dancing masters published self-help instructional books, especially in France and Italy. These music books were usually arranged with four independent instrumental parts and intended for use by any instruments that happened to be available. The two dances in this arrangement (Premier Bransle de la Guerre and the lively Les Bouffons) were well known popular melodies at the time of publication. They still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99 ≈
8.11€
Sequence: Virgines egregie, from Anonymous 4: "Secret Voices" - Score Only
Sequence: Virgines egregie, from Anonymous 4: "Secret Voices" - Score Only
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Chorale Unison
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Anonymous 4
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Susan Hellauer
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Sequence: Virgines egregie, fr
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Susan Hellauer
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SheetMusicPlus
SKU: A0.878587 By Anonymous 4. By Anonymous: Las Huelgas Codex (c. 1400). Arranged by Susan Hellauer. Early Music,Medieval,Religious,Sacred. 3 pages. Su...
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SKU: A0.878587 By Anonymous 4. By Anonymous: Las Huelgas Codex (c. 1400). Arranged by Susan Hellauer. Early Music,Medieval,Religious,Sacred. 3 pages. Susan Hellauer #3213155. Published by Susan Hellauer (A0.878587). Anonymous sequence from the Las Huelgas Codex (c. 1300) from Anonymous 4's recording Secret Voices (2011; harmonia mundi 807510). Duration: 2' 58. This cheerful liturgical song was sung by the 12th-century nuns of the royal convent of Las Huelgas, in north central Spain.The medieval sequence (sequentia) is a part of the Proper of the Mass, following the Alleluia and is characterized by a double-versicle structure (1a-1b, 2a-2b, etc. for any number of stanzas). They were written in great numbers, for the highest feasts, as well as for the lowliest local saints. With a few exceptions (e.g., Victimae paschali laudes, Dies irae), most of them were expunged in the 16th century by the Council of Trent. We sing this piece a step lower than notated. Feel free to sing this work, and any work from this time period, at whatever pitch is comfortable, and allows the lyrics to be clearly articulated. We have also added the extra foot of rest [bracketed] at the end of each half verse. Score includes translation and performance notes.
$1.99 ≈
1.79€
Pictures at an exHERbition
Pictures at an exHERbition
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whit...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00 ≈
9.02€
Pavane & Gaillarde des Dieux - Dances 3 and 4, Premier Livre de Danseries (1571)
Pavane & Gaillarde des Dieux - Dances 3 and 4, Premier Livre de Danseries (1571)
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Renaissance
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Pierre Phalèse
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Colin Kirkpatrick
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Pavane & Gaillarde des Die
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 3 - SKU: A0.1018135 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 18 pages. Colin ...
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String Ensemble - Level 3 - SKU: A0.1018135 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 18 pages. Colin Kirkpatrick Publications #623720. Published by Colin Kirkpatrick Publications (A0.1018135). Following from the success of the Hits of the Renaissance for Strings, featuring well-known dances from Terpsichore by Michael Praetorius, this arrangement is from another classic book of dances from the same period. Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication of 1571, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A piano is distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99 ≈
9.01€
Gaillarde Ferrereze - Gaillarde No 1, Premier Livre de Danseries (1571)
Gaillarde Ferrereze - Gaillarde No 1, Premier Livre de Danseries (1571)
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Renaissance
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Pierre Phalèse
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Colin Kirkpatrick
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Gaillarde Ferrereze - Gaillard
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - SKU: A0.953398 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin K...
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String Ensemble - Level 2 - SKU: A0.953398 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #559137. Published by Colin Kirkpatrick Publications (A0.953398). Following from the success of the Hits of the Renaissance for Strings, featuring well-known dances from Terpsichore by Michael Praetorius, this arrangement is from another classic book of dances from the same period. Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file incudes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. An additional two melody parts are provided in treble and bass clef and the chords (for optional guitar) are shown in both keyboard and bass parts. In the spirit of the original publication of 1571, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A piano is distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99 ≈
8.11€
Gaillarde Si pour t'aymer - Gaillarde No 5 (Premier Livre de Danseries, 1571)
Gaillarde Si pour t'aymer - Gaillarde No 5 (Premier Livre de Danseries, 1571)
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Renaissance
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Pierre Phalèse
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Colin Kirkpatrick
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Gaillarde Si pour t'aymer - Ga
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - SKU: A0.997824 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin K...
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String Ensemble - Level 2 - SKU: A0.997824 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #603507. Published by Colin Kirkpatrick Publications (A0.997824). Following from the success of the Hits of the Renaissance for Strings, featuring well-known dances from Terpsichore by Michael Praetorius, this arrangement is from another classic book of dances from the same period. Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication of 1571, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone color. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A piano is distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99 ≈
8.11€
Gaillarde d'Escosse - Gaillarde No 15, Premier Livre de Danseries (1571)
Gaillarde d'Escosse - Gaillarde No 15, Premier Livre de Danseries (1571)
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Pierre Phalèse
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Colin Kirkpatrick
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Gaillarde d'Escosse - Gaillard
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - SKU: A0.953397 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Holiday,Renaissance. Score and parts. 16 pages....
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String Ensemble - Level 2 - SKU: A0.953397 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Holiday,Renaissance. Score and parts. 16 pages. Colin Kirkpatrick Publications #559136. Published by Colin Kirkpatrick Publications (A0.953397). Following from the success of the Hits of the Renaissance for Strings, featuring well-known dances from Terpsichore by Michael Praetorius, this arrangement is from another classic book of dances from the same period. Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file incudes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. An additional melody part is provided in treble clef and the chords (for optional guitar) are shown in both keyboard and bass parts. In the spirit of the original publication of 1571, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A piano is distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99 ≈
8.11€
Gaillarde Françoise - Gaillarde No 12 (Premier Livre de Danseries, 1571)
Gaillarde Françoise - Gaillarde No 12 (Premier Livre de Danseries, 1571)
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Renaissance
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Pierre Phalèse
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Colin Kirkpatrick
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Gaillarde Françoise - G
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - SKU: A0.965633 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin K...
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String Ensemble - Level 2 - SKU: A0.965633 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #571358. Published by Colin Kirkpatrick Publications (A0.965633). Following from the success of the Hits of the Renaissance for Strings, featuring well-known dances from Terpsichore by Michael Praetorius, this arrangement is from another classic book of dances from the same period. Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody parts are provided in treble and bass clef and the chords (for optional guitar) are shown in both keyboard and bass parts. In the spirit of the original publication of 1571, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A piano is distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99 ≈
8.11€
Gaillarde l'Esmerillonne - Gaillarde No 6 (Premier Livre de Danseries, 1571)
Gaillarde l'Esmerillonne - Gaillarde No 6 (Premier Livre de Danseries, 1571)
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Renaissance
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Pierre Phalèse
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Colin Kirkpatrick
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Gaillarde l'Esmerillonne - Gai
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.990228 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 ...
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String Quartet String Quartet - Level 2 - SKU: A0.990228 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #595907. Published by Colin Kirkpatrick Publications (A0.990228). Following from the success of the Hits of the Renaissance for Strings, featuring well-known dances from Terpsichore by Michael Praetorius, this arrangement is from another classic book of dances from the same period. Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody parts are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication of 1571, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone color. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A piano is distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99 ≈
8.11€
"Sonata for Cello and Piano in A minor, Opus 37" (2nd Movement) by ALEJANDRO SANTOYO
"Sonata for Cello and Piano in A minor, Opus 37" (2nd Movement) by ALEJANDRO SANTOYO
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Violoncelle, Piano
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AVANCÉ
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Alejandro Santoyo
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Raul Alejandro Santoyo
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"Sonata for Cello and Pia
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Alejandro Santoyo
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Keyboard,Piano - Level 5 - SKU: A0.490550 By Alejandro Santoyo. By Raul Alejandro Santoyo. Arranged by R...
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Instrumental Duet,Piano Cello,Instrumental Duet,Keyboard,Piano - Level 5 - SKU: A0.490550 By Alejandro Santoyo. By Raul Alejandro Santoyo. Arranged by Raul Alejandro Santoyo. Classical,Contemporary,Film/TV. Score and parts. 12 pages. Alejandro Santoyo #106385. Published by Alejandro Santoyo (A0.490550). A unique and melodius Piano and Cello Sonata in three movements, unlike anything. It represents and follows, in a film-like way, the heroic cycle of life, with an outcome full of hope. The first movement, starts mysteriously, symbolizing the idea of life in the beginning, which turns into the physicall birth and then the passionate growth and development that follow thereafter. The second movement, entails the intrinsic magic of life, where feelings of deep sorrow intertwine with deep beauty, as we all experience on earth. The third movement epitomizes the triumphant outcome of the miracle of life, where we have that heroic end and transition, into whatever life-form that follows. And where everything continues in a new light….
$7.00 ≈
6.31€
"Sonata for Cello and Piano in A minor, Opus 37" (3rd Movement) by ALEJANDRO SANTOYO
"Sonata for Cello and Piano in A minor, Opus 37" (3rd Movement) by ALEJANDRO SANTOYO
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Violoncelle, Piano
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AVANCÉ
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Alejandro Santoyo
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Raul Alejandro Santoyo
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"Sonata for Cello and Pia
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Alejandro Santoyo
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Keyboard,Piano - Level 5 - SKU: A0.490551 By Alejandro Santoyo. By Raul Alejandro Santoyo. Arranged by R...
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Instrumental Duet,Piano Cello,Instrumental Duet,Keyboard,Piano - Level 5 - SKU: A0.490551 By Alejandro Santoyo. By Raul Alejandro Santoyo. Arranged by Raul Alejandro Santoyo. Classical,Contemporary,Film/TV. Score and parts. 21 pages. Alejandro Santoyo #106387. Published by Alejandro Santoyo (A0.490551). A unique and melodius Piano and Cello Sonata in three movements, unlike anything. It represents and follows, in a film-like way, the heroic cycle of life, with an outcome full of hope. The first movement, starts mysteriously, symbolizing the idea of life in the beginning, which turns into the physicall birth and then the passionate growth and development that follow thereafter. The second movement, entails the intrinsic magic of life, where feelings of deep sorrow intertwine with deep beauty, as we all experience on earth. The third movement epitomizes the triumphant outcome of the miracle of life, where we have that heroic end and transition, into whatever life-form that follows. And where everything continues in a new light….
$7.00 ≈
6.31€
"Sonata for Cello and Piano in A minor, Opus 37" (1st Movement) by ALEJANDRO SANTOYO
"Sonata for Cello and Piano in A minor, Opus 37" (1st Movement) by ALEJANDRO SANTOYO
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Violoncelle, Piano
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AVANCÉ
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Alejandro Santoyo
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Raul Alejandro Santoyo
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"Sonata for Cello and Pia
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Alejandro Santoyo
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Keyboard,Piano - Level 5 - SKU: A0.490549 By Alejandro Santoyo. By Raul Alejandro Santoyo. Arranged by R...
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Instrumental Duet,Piano Cello,Instrumental Duet,Keyboard,Piano - Level 5 - SKU: A0.490549 By Alejandro Santoyo. By Raul Alejandro Santoyo. Arranged by Raul Alejandro Santoyo. Classical,Contemporary,Film/TV. Score and parts. 19 pages. Alejandro Santoyo #106338. Published by Alejandro Santoyo (A0.490549). A unique and melodius Piano and Cello Sonata in three movements, unlike anything. It represents and follows, in a film-like way, the heroic cycle of life, with an outcome full of hope. The first movement, starts mysteriously, symbolizing the idea of life in the beginning, which turns into the physicall birth and then the passionate growth and development that follow thereafter. The second movement, entails the intrinsic magic of life, where feelings of deep sorrow intertwine with deep beauty, as we all experience on earth. The third movement epitomizes the triumphant outcome of the miracle of life, where we have that heroic end and transition, into whatever life-form that follows. And where everything continues in a new light….
$7.00 ≈
6.31€
His Great Symphony
His Great Symphony
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Kimberly Joy Minarich
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His Great Symphony
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Kimberly Joy Minarich
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1266953 Composed by Kimberly Joy Minarich. 21st Century,Christian. Score. 6 pages. Kimberly Joy Minarich #8...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1266953 Composed by Kimberly Joy Minarich. 21st Century,Christian. Score. 6 pages. Kimberly Joy Minarich #859598. Published by Kimberly Joy Minarich (A0.1266953). Feeling discouraged, experiencing pain or grief, longing for peace, joy, and love in this crazy journey of life...I don't claim to have all of the answers, but I know the One who does. He may not directly answer when you pray, however, I can promise you that He will never leave your side and will walk with you through whatever you are going through. As a musician, I have always been entranced with how melodies and harmonies, instruments of varying timbres, and beautiful orchestrations create frequencies that combine to make incredible symphonies and compositions. Life is the same...God gives us love, joy, grief, and pain to create a brilliant symphony of our life. Without all the colors we wouldn't understand the overall beauty and purpose. We must trust our composer through it all, knowing that He means every line intentionally for our good and the entire picture that will be beautiful in the end.
$7.99 ≈
7.21€
To Rise Again
To Rise Again
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Trombone et Piano
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AVANCÉ
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Alex Schwarte
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To Rise Again
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Alex Schwarte
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.1455537 By Alex Schwarte. By Alex Schwarte. 21st Century,Classical,Contemporary,New Age. Score and part. 26 pages. Al...
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Piano,Trombone - Level 5 - SKU: A0.1455537 By Alex Schwarte. By Alex Schwarte. 21st Century,Classical,Contemporary,New Age. Score and part. 26 pages. Alex Schwarte #1034623. Published by Alex Schwarte (A0.1455537). I have been working on To Rise Again for about a year since the passing of several close family members. As with any long-term struggle, some days are easier than others, and some days it is hard to do much of anything at all. Walking through hard days, this piece is about mental health, the struggles that you face, and on the most difficult days, what it takes to rise again. Despair: This movement opens with what I call the despair motif. This motif consists of seven notes and will return throughout the piece, reminding us of uncertainty and darkness. The middle of the movement includes a build-up leading to a complete panic attack, featuring cluster chords in the piano and extreme volumes and articulation in the trombone. Finally, a quasi-march leads us to the end, where we sink to the lowest and angriest point. Support: This tranquil and shimmering movement evokes the other side of grief and depression: the people around you. In the dark moments, these people can become pillars of aid and light. Even with support, there are moments of darkness and uncertainty, but support will always be there. Musically, this movement features numerous color tones and aims to create an emotionally understanding and steady atmosphere. The opening trombone line (the support motif) represents tender support and is used numerous times in the next movement. Overcome: The final movement opens with a haunting atmosphere created by plucked piano strings. The first normal piano entrance is the Rumbling motif: the feeling of the soul exerting its will to be free but not quite making it. Throughout the rest of the movement, the trombone and piano go back and forth, with the piano emphasizing support and the trombone wallowing in despair. Eventually, the trombone begins to come around and rise. Concluding with a triumphant feeling of release, the mind is lifted from despair, free and open to whatever life brings next. Mental health looks different for everyone, and I want to reflect that in this composition. For all future performances, the performers can make significant musical changes to better reflect their own challenges. This could be as small as a different tempo or as large as a completely different style and articulation. To Rise Again is very personal to me, and I want every performance of it to be just as personal.Playlist: https://www.youtube.com/playlist?list=PLDoVD8lbKulOjUbvdKcc9phxPNOgYLDuh.
$40.00 ≈
36.08€
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Whatever We Feel
