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Vous avez sélectionné:
When The World Was Mine
Partitions à imprimer
100 partitions trouvées
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When The World Was Mine
When The World Was Mine
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Piano, Voix et Guitare
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FACILE
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Contemporain
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Frank N Wildhorn and Jack Murp
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Tim J Spencer
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When The World Was Mine
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Tim J Spencer/Green Panda Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.866361 Composed by Frank N Wildhorn and Jack Murphy. Arranged by Tim J Spencer. Contemporary. Score. 5 page...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.866361 Composed by Frank N Wildhorn and Jack Murphy. Arranged by Tim J Spencer. Contemporary. Score. 5 pages. Tim J Spencer/Green Panda Music #4409749. Published by Tim J Spencer/Green Panda Music (A0.866361). When The World Was Mine is a song from the musical The Count of Monte Cristo which was created by Jack Murphy and Frank Wildhorn.This is a piano accompaniment (with vocal line) for Male voice in the key of C Minor.
$5.99 ≈
5.53€
When The World Was Mine
When The World Was Mine
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Comédie Musicale
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Frank N Wildhorn and Jack Murp
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Emma Hastings
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When The World Was Mine
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Emma Hastings
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SheetMusicPlus
Piano and Keyboard,Vocal,Voice - Level 3 - Interactive Download SKU: A0.484086 Composed by Frank N Wildhorn and Jack Murphy. Arranged by Emma Hastings. T...
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Piano and Keyboard,Vocal,Voice - Level 3 - Interactive Download SKU: A0.484086 Composed by Frank N Wildhorn and Jack Murphy. Arranged by Emma Hastings. This edition: Interactive Download. Musical/Show. Score. 9 pages. Duration 169. Emma Hastings #2XzNUgY3q9qp2Q75ZYj9YW. Published by Emma Hastings (A0.484086). Key: Bb major.When The World Was Mine From Frank Wildhorn's musical The Count of Monte Cristo.
$6.99 ≈
6.46€
Everything for the Church Soloist-Digital Download
Everything for the Church Soloist-Digital Download
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Various Writers
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Everything for the Church Solo
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Hope Publishing - Digital
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SheetMusicPlus
Vocal, Solo Solo Voice - SKU: H1.804DP Arranged by Don Doig, Jack Schrader, and John F. Wilson. General Worship. Collection. 392 pages. Hope Publishing ...
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Vocal, Solo Solo Voice - SKU: H1.804DP Arranged by Don Doig, Jack Schrader, and John F. Wilson. General Worship. Collection. 392 pages. Hope Publishing - Digital #804DP. Published by Hope Publishing - Digital (H1.804DP). By Various Writers.140 Christian songs by Various Writers Contains over 140 songs including: Because He Lives, Communion Song, Great Is Thy Faithfulness, the Holy City, I Wonder as I Wander, Learning to Lean, Malotte's Lord's Prayer, Wedding Song, and The Palms. Contains over 140 songs including: Because He Lives, Communion Song, Great Is Thy Faithfulness, the Holy City, I Wonder as I Wander, Learning to Lean, Malotte's Lord's Prayer, Wedding Song, and The Palms.
Song List
: A Song About Me A Worthy Woman Above the Hills of Time All In The Name Of Jesus Alleluia (Schubert) Amazing Grace Because He Lives Because You Are God's Chosen Ones The Birthday of the King The Blood Will Never Lose Its Power The Body of Our Lord Born Again Bread Of The World In Mercy Broken Bridal Prayer Bring Back The Springtime Chosen of the Lord Christ Living Within You Clean Before My Lord Come, Praise the Lord! Communion Song Eternal Life Flee As A Bird For Those Tears I Died Gentle Like Jesus The Gift Of Love Give Me Jesus Give Them All To Jesus Grace Greater Than Our Sin Great Is Thy Faithfulness Have Thine Own Way, Lord! He Carried My Cross He Died for Me He Shall Feed His Flock He Turned The Water Into Wine He Was There All The Time He's a Wonderful Lord The Heavens Declare His Glory Help Us Accept Each Other Here's My Life Here's One His Eye Is On The Sparrow Ho! Everyone Who Is Thirsty The Holy City How Big Is God How Quiet Is the Night How Real! Hush Now I Am His And He Is Mine I Am the Vine I Am Willing, Lord I Heard About A Man I Just Came To Praise The Lord I Know Where I'm Going I Saw the Lord, and All Beside Was Darkness I Walked Today Where Jesus Walked I Want Jesus to Walk with Me I Wonder as I Wander I Wonder Why? If Jesus Had Not Come If My People Will Pray If with All Your Hearts If You Need a Helping Hand I'm Goin' Home In Jesus' Name In the Image of God Into My Heart It Was His Love It Won't Stop Ivory Palaces Jesus Is Lord Of All Jesus Revealed in Me Just A Closer Walk With Thee Just Because I Asked Lead Me To Calvary Learning to Learn Life Indeed Like A Child Little Baby Jesus Lonely Voices The Lord Is My Light Lord, Listen to Your Children Lord, Show the Way Lord, Take Control of Me The Lord's Prayer Love Came Down At Christmas Love Theme Love Was When Marvelous Mystery May the Mind of Christ Mirror More (Than You'll Ever Know) My Cup Overflows My Jesus, I Love Thee My Tribute The New 23rd New Wind Blowin' No One Ever Cared For Me Like Jesus No Power of My Own Nothing ... Everything O Father in Heaven O Glorious Love! O Holy Night O Lord Most Holy O Rest in the Lord O The Deep, Deep Love Of Jesus Of Love I Sing Oh, What Love! Open the Gates of the Temple The Palms Praise The Lord, He Never Changes Reach Out to Your Neighbor Ring The Bells Rise Again Savior, My Heart Is Thine Seek Ye First Shepherd Of Love Something Beautiful So Great Is His Mercy Spirit Of God Strength to My Soul Sweet Is the Name of Jesus Take God By the Hand Take My Life Ten Thousand Angels Thank You for These Gifts Thanks to God That Someday Is Now That's Why We Are Beautiful Then shall the righteous shine forth There's A Quiet Understanding They Led Him Away This Is My Commandment This Is The Time I Must Sing The Touch Of The Master's Hand The Twenty-Third Psalm (Malotte) Until Then Wedding Song Welcome Home, Children What God Hath Promised What Grace Is This! What Have They Done? Whither Thou Goest Who Are You to Disagree? Who Is This Boy? Who Shall Separate Us? Who Will Go? Worthy Is The Lamb Yes, God Is Real You're Something Special
$79.95 ≈
73.86€
The Glastry Pearl. Tone Poem Elegy For My Mum.
The Glastry Pearl. Tone Poem Elegy For My Mum.
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Orchestre
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AVANCÉ
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Geraldine
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The Glastry Pearl. Tone Poem E
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Geraldine
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldin...
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Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00 ≈
184.77€
The Royal Hussar (Ceremonial Slow March) for Concert/Wind Band ''Keith Terrett Classic March Collect
The Royal Hussar (Ceremonial Slow March) for Concert/Wind Band ''Keith Terrett Classic March Collect
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Keith Terrett
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Scipio
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The Royal Hussar
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Te...
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Concert Band - Level 3 - SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Terrett (A0.746511). A slow march I entitled The Royal Hussar, is an original ceremonial slow march of mine, suitable for indoor or outdoor performance. Slow March: This is a ceremonial pace, used for funeral marches and when a unit’s colours are marched out in front of the troops. The feet are kept parallel to the ground and the arms are never used. In the United States Marine Corps, arms swing as the distance they normally would in quicktime, but at the same pace as marching. U.S. Marine Color Guards do not swing their arms. Slow March is typically used in the Marine Corps for funeral details and ceremonies such as the Marine Corps Ball (when the cake is escorted out). In Spain, Latin America, and the Philippines this is done during religious processions whenever a military band joins it. This march style is the official parade march in the armed forces of Bolivia and Ecuador and the military academies and schools of Venezuela, done with the goose step during parades and ceremonies. The standard pace is 60 paces per minute. Famous slow marches include:Preobrajensky Regimental Slow March Presented to the Royal Marines by Admiral of the Fleet The Earl Mountbatten of Burma on 10th June 1964 and first performed as the Regimental Slow March of the Royal Marines on Horse Guards Parade that night. The march was composed by the Russian composer Donajowsky for the Russian Tzar’s Preobrajensky Guard. The Royal Hussars Slow March ’Coburg’, a tune composed by Haydn and arranged by Grant-James in the late 19th Century, is without doubt one of the most well-known and famous Slow Marches to be written. ’The Eagle’, which itself is a combination of the 14th and 20th Hussars slow marches is also a very strong march, but not widely known outside 14th/20th King’s Hussars’ circles. The Garb of Old Gaul (sometimes given as Auld Gaul) is an 18th-century patriotic Scottish march and song about Highland soldiers during the Seven Years War. The music was written by General John Reid, who was a senior officer of the 42nd Regiment of Foot (The Black Watch) during the Seven Years War. The words have traditionally been attributed to Sir Harry Erskine (1710 -1765). Robert Burns described it as This excellent loyal Scottish song and states that it first appeared in print in Herd’s Collection of 1769. Alternative titles include The Highland Character and The Highland or 42nd Regiment’s March. The tune was originally a quick march but was later rearranged as a slow march. Other famous slow marches of the British Army include Golden Spurs & Scipio. Put away Scipio, Coburg & Garb of Old gaul, time for a newcomer on the block! For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$29.99 ≈
27.71€
The End Of The World
The End Of The World
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Skeeter Davis
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Timothy Stapay
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The End Of The World
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1200229 By Skeeter Davis. By Arthur Kent and Sylvia Dee. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Pop,Ro...
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Piano Solo - Level 4 - SKU: A0.1200229 By Skeeter Davis. By Arthur Kent and Sylvia Dee. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Pop,Rock,Standards. Score. 6 pages. Timothy Stapay #799031. Published by Timothy Stapay (A0.1200229). An arrangement of The End Of The World, a song covered by many famous artists. includingThe Carpenters; thanks to the phenomenal singing of Karen Carpenter. The End of the World was written by composer Arthur Kent and lyricist Sylvia Dee, who often worked as a team.The Carpenters (officially known as Carpenters were an American vocal and instrumental duo consisting of siblings Karen (1950–1983) and Richard Carpenter (born 1946). They produced a distinctive soft musical style, combining Karen's contralto vocals with Richard's harmonizing, arranging, and composition skills. During their 14-year career, the Carpenters recorded 10 albums along with many singles and several television specials. Karen possessed a powerful singing voice, and close miking brought out many nuances in her performances. Richard arranged their music to take advantage of this, though Karen had a three-octave vocal range. Richard's work with Karen was influenced by the music of Les Paul, whose overdubbing of the voice of wife and musical partner Mary Ford allowed her to be used as both the lead and harmony vocals.[6] By multi-tracking, Richard was able to use Karen and himself for the harmonies to back Karen's lead. The overdubbed background harmonies were distinctive to the Carpenters, but it was the soulful, engaging sound of Karen's lead voice that made them so recognizable. Record executive Mike Curb said it was Karen's voice that took the Carpenters above straight pop music into pop rock.  She was known as a one take wonder and could deliver a strong performance on the first attempt.Richard Carpenter was the creative force behind the Carpenters' sound. An accomplished keyboard player, composer and arranger, music critic Daniel Levitin called him one of the most gifted arrangers to emerge in popular music. The duo's smooth harmonies were not in step with contemporary music, which was dominated by heavy rock. Instead, the Carpenters strove for a rich and melodic sound, along the same vein as the Beach Boys and the Mamas & the Papas, but with greater fullness and orchestration including frequent use of small string and horn sections and introspective lyrics centred around relationships. Richard also admired the musicianship and arranging skills of Frank Zappa, and the two briefly met backstage at the Billboard Forum in 1975.End Of The World: Lyrics:Why does the sun go on shining?Why does the sea rush to shore?Don't they know it's the end of the world?'Cause you don't love me any moreWhy do the birds go on singing?Why do the stars glow above?Don't they know it's the end of the world?It ended when I lost your love[Bridge]I wake up in the morning and I wonderWhy everything's the same as it wasI can't understand, no, I can't understandHow life goes on the way it doesWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you said goodbyeWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you
$6.99 ≈
6.46€
AND THE WORD BECAME FLESH - SEVEN ANTHEMS TO CHRIST
AND THE WORD BECAME FLESH - SEVEN ANTHEMS TO CHRIST
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Chorale SATB
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INTERMÉDIAIRE
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Michael A
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AND THE WORD BECAME FLESH - SE
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Morizio #3588371. Pu...
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Choral Choir (SATB) - Level 3 - SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Morizio #3588371. Published by M.A. Morizio (A0.926660). During the late spring of 2017, I began composing a new choral piece based on the 1 Timothy 3:16 text. I was studying Paul's first letter to Timothy at the time when this particular passage jumped out at me. Not only was it an efficient summary of the Gospel message, but it was also a textual grouping, or form, such as might be found in a traditional hymn. What I was reading were indeed lyrics to an actual 1st Century Hymn to Christ, the music of which has since been lost. I entitled my piece, Great is the Mystery. I composed the anthem for SATB (a cappella), and set it to the ESV translation of the scripture. Based on its context, I suspected the song would work great for Ascension Sunday. Our choir sang the piece beautifully, crescendoing at the finish to the words, Believed on in the world and taken up in glory! Later that spring, I played the piece for a dear friend of mine who is Pastor at Immanuel Church in Manchester, New Hampshire. What he told me was actually a bit stunning. He informed me that there were (at least) seven specific known Hymns to Christ written into the New Testament Scriptures, whose text is found among the writings of the apostles’ Paul and John. The 1 Timothy 3:16 verse that I had selected for my piece was indeed one of those texts. At that moment, Pastor Don and I made a pact. If he were to supply me with the literal Greek translations of the other six known Hymns to Christ, I would set out to compose brand new anthems for them all. A new musical collaboration had begun. With this short introduction serving as the genesis of my new song cycle, I offer you these new Seven Anthems to Christ based on the seven known ancient ‘Hymns to Christ' texts found in the New Testament.
$9.99 ≈
9.23€
IN THE BEGINNING. For soprano and piano
IN THE BEGINNING. For soprano and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Gabriel Ruiz-Bernal
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IN THE BEGINNING. For soprano
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Gabriel Ruiz-Bernal
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.893973 Composed by Gabriel Ruiz-Bernal. Contemporary,Holiday,Musical/Show. 14 pages. Gabriel Ruiz-Bernal #6331...
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High Voice,Vocal Solo - Level 4 - SKU: A0.893973 Composed by Gabriel Ruiz-Bernal. Contemporary,Holiday,Musical/Show. 14 pages. Gabriel Ruiz-Bernal #6331901. Published by Gabriel Ruiz-Bernal (A0.893973). Commissioned by Colleen Daly for the St. Louis Concert seriesText by Rabindranath TagoreWhere have I come from, where did you pick me up? the baby asked its mother.She answered, half crying, half laughing, and clasping the baby to her breast-You were hidden in my heart as its desire, my darling.You were in the dolls of my childhood's games; and when with clay I made the image of my god every morning, I made the unmade you then.You were enshrined with our household deity, in his worship I worshipped you.In all my hopes and my loves, in my life, in the life of my mother you have lived.In the lap of the deathless Spirit who rules our home you have been nursed for ages.When in girlhood my heart was opening its petals, you hovered as a fragrance about it.Your tender softness bloomed in my youthful limbs, like a glow in the sky before the sunrise.Heaven's first darling, twain-born with the morning light, you have floated down the stream of the world's life, and at last you have stranded on my heart.As I gaze on your face, mystery overwhelms me; you who belong to all have become mine.For fear of losing you I hold you tight to my breast. What magic has snared the world's treasure in these slender arms of mine? ​
$6.00 ≈
5.54€
The Gold Rush, vocal solo
The Gold Rush, vocal solo
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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seeking a life, eternal and pu
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Kevin G
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The Gold Rush, vocal solo
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Kevin G. Pace
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1173897 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Folk,Pop,Religious,Spiritual. Score. 6 page...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1173897 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Folk,Pop,Religious,Spiritual. Score. 6 pages. Kevin G. Pace #774051. Published by Kevin G. Pace (A0.1173897). A beautiful song about coming to the Savior with music by Kevin G. Pace and text by Kathryn W. Hales.Text:I went in the Gold Rush like many a man,To search for some nuggets or a flash in the pan.But few were the findings from a grand mother lode,I went for the Gold Rush, but I didn’t find gold.I found what was there, growing right from the ground,The flora and fauna, with trees that abound.I found the beauty of nature’s own place,I found the beauty shown by God’s grace.Like those in the Gold Rush, I’ve oft followed man,To search for the shiny, a flash in the pan,But the glamour soon ended when the glitzy wore thin,I went for the sparkly but found grace for my sins.The world cannot offer the true value of souls,For they are more precious than nuggets of gold.I found true wealth, not deep in a mine,But in the pierced hands of a Savior divine.I might lose my way, when guided by man,So, look to the heavens and follow God’s plan.The glitter of Fool’s Gold has many deceived__A glimmer of hope, then deep tears of grief.I’ll look for the riches only He can bestow,I’ll avoid that ol’ Gold Rush but seek for true gold.By seeking a life, eternal and pure,Seeking for Jesus, who gives gold that endures.
$3.99 ≈
3.69€
A Whole New World
A Whole New World
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Film Walt Disney
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Alan Menken and Tim Rice
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Marcelo Borba
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A Whole New World
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Marcelo Borba
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SheetMusicPlus
Percussion Duet - Level 1 - SKU: A0.1250175 Composed by Alan Menken and Tim Rice. Arranged by Marcelo Borba. Broadway,Children,Country,Multicultural,Mus...
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Percussion Duet - Level 1 - SKU: A0.1250175 Composed by Alan Menken and Tim Rice. Arranged by Marcelo Borba. Broadway,Children,Country,Multicultural,Musical/Show,Standards,World. Score. 4 pages. Marcelo Borba #844332. Published by Marcelo Borba (A0.1250175). Duet for Marimba and Vibraphone on the Disney Theme Aladdin A Whole New World. General score and individual parts. For vibes and Marimba 4 1/3-Octave. Â The arrangement contains individual parts and the chords of the song.A Whole New World is a song from Disney's animated film Aladdin, released in 1992. The song was written by Alan Menken, who composed the film's soundtrack, and Tim Rice, responsible for the lyrics.In the film's story, A Whole New World is performed by the characters Aladdin and Jasmine. Aladdin is a young thief who finds a magical lamp containing a genie who grants three wishes. Jasmine is the princess of Agrabah, a fictional city in the Middle East. The two fall in love during Aladdin's journey to become a prince and win Jasmine's heart.The song is a romantic and optimistic duet that takes place when Aladdin and Jasmine embark on a magical ride on the flying carpet that Aladdin wishes for using one of his wishes. They explore the starry sky while singing about the wonders and excitement of discovering a new world together. The song's lyrics portray the feeling of freedom, adventure, and love.A Whole New World was an instant success and became one of the most famous songs in Disney movie history. It won the Academy Award for Best Original Song in 1993 and the Grammy Award for Best Pop Performance by a Duo or Group with Vocal in 1994, performed by Peabo Bryson and Regina Belle, who recorded the official version for the film's soundtrack.Since then, A Whole New World has been widely interpreted and covered by various artists around the world, becoming a timeless Disney music classic and one of the most iconic melodies in pop culture. The song captures the magic and emotion of Aladdin's story and continues to enchant generations of fans to this day.
$4.99 ≈
4.61€
Oneness in This World (clarinet, cello, piano)
Oneness in This World (clarinet, cello, piano)
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Jeffrey Hoover
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Oneness in This World
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Musicart Publications
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SheetMusicPlus
Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - SKU: A0.971656 Composed by Jeffrey Hoover. 20th Century,Contemporary,Spiritua...
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Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - SKU: A0.971656 Composed by Jeffrey Hoover. 20th Century,Contemporary,Spiritual. Score and parts. 47 pages. Musicart Publications #5719085. Published by Musicart Publications (A0.971656). Set in two movements, the music of Oneness in This World represents two things necessary for humanity to move together: Unity and Joy.In the first movement, the music evolves from tension and musical discord to unity and harmony. While much of the drama is heard through the interaction of the clarinet and cello, the piano provides a key factor throughout the second part of the first movement through foundational chaconne variations. As the harmonic progression repeats, the clarinet and cello become more aligned in their music yet maintaining a sense of individuality. Without unity and informed agreement, a society cannot truly benefit its people. Unity is strongest within diversity, contributing to growth, and moving towards a common goal to benefit all.In the second movement, all three musicians share equally in the production of the state of joy. The varied tone colors of the instruments, shifting meters, and dancing music all provide energy and emotions suggesting joy. Joy is a certainty of the goodness of life, in spite of sorrows or pain or even tragedy. Joy gives us wings to transcend our situation, opens us to our potential, and helps us become who we are to be. Joy comes from faith and belief of value and purpose for our life and its beauty.As with other musical compositions of mine, there are two paintings– a diptych –titled Unity and Joy which I created to visually interpret the music. –Jeffrey HooverThis edition is set to print correct page turns, back-to-back.Jeffrey Hoover's work– music ranging from soloist to symphony orchestra –has received recognition through the prestigious Trieste prize, the SMP/Universal Edition composition award for contemporary music, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, the L. Russolo competition, grants, publications fellowships, and more than 25 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer.One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Jeffrey Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both music faculty and arts administrative appointments.For questions about this music, how he combines his music with his paintings or other inquiries, please visit his website or contact the composer directly:jeffreyhooverart@gmail.comhttps://jeffreyhooverart.wixsite.com/mysite
$21.95 ≈
20.28€
Nothing Compares (Anthem) - Orchestration
Nothing Compares (Anthem) - Orchestration
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Musique Sacrée
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Gospel Spirituel
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Christopher R
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Nothing Compares
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Christopher Brown
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SheetMusicPlus
Large Ensemble Choir - Level 3 - SKU: A0.747194 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 92 pages. C...
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Large Ensemble Choir - Level 3 - SKU: A0.747194 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 92 pages. Christopher Brown #4601913. Published by Christopher Brown (A0.747194). About the song: This anthem begins by compelling the listener and the performer to consider the parable of the hidden treasure and the pearl. The second verse reflects on David's superlative description of God's Word in Ps. 19. In his letter to the Philippians, Paul speaks of the surpassing worth of knowing Christ when compared to everything else in this life. The lyrics of this song are intended to echo these Truths, encourage the believer, and testify to the incomparable gift of entering into the Kingdom of God, understanding His Word, and being strengthened and set free to do the good works that He prepared in advance for us to do.Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1Like a treasure in a field,Is the matchless worth of Christ.For the kingdom of heaven, I give my life.Like a pearl of great value,Perfect and pure.I leave it all behind ‘cause of this I’m sure.Chorus 1He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my cross,And I count it all as loss.Nothing compares to what I have in the Lord.Verse 2More precious than gold,Is the Word of the Lord.Greater and higher than anything this world affords,It is sweeter than honey,Straight from the comb.My delight is in Jesus, I no longer walk alone.Chorus 2He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my crossAnd I count it all as lossNothing compares to what I have in the Lord.Bridge (x2)In the Lord I find strength for every day, In the Lord every fear is washed away.In the Lord hope and peace are here to stay,Whatever comes my way, I will lift my voice and say.Key ChangeChorus 3He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my cross,And I count it all as loss.Nothing compares to what I have in the Lord.Nothing compares to what I have in the Lord.Nothing compares to what i have in the Lord.
$49.99 ≈
46.18€
Excerpt from the Lyric Suite
Excerpt from the Lyric Suite
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874...
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Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00 ≈
4.62€
Three Impressions of Northern Arizona Violin Version
Three Impressions of Northern Arizona Violin Version
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Violon et Piano
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Judith Cloud
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panose-1:2 4 5 3 5 4 6 3 2 4
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Three Impressions of Northern
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Judith Cloud
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SheetMusicPlus
Piano,Violin - SKU: A0.981188 Composed by Judith Cloud (b. 1954). 20th Century,Contemporary,World. 32 pages. Judith Cloud #4621701. Published by Judith ...
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Piano,Violin - SKU: A0.981188 Composed by Judith Cloud (b. 1954). 20th Century,Contemporary,World. 32 pages. Judith Cloud #4621701. Published by Judith Cloud (A0.981188). <!-- /* Font Definitions */ @font-face {font-family:Cambria; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:Times New Roman; mso-ascii-font-family:Cambria; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Cambria; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Cambria; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:Times New Roman; mso-bidi-theme-font:minor-bidi;} @page Section1 {size:8.5in 11.0in; margin:1.0in 1.25in 1.0in 1.25in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;} div.Section1 {page:Section1;} --> Program notes: Three Impressions of Northern Arizona for flute (or violin) and piano The three movements of this piece were composed in the summer of 2007 for Emily McKay, flute and Rita Borden, piano. I chose places and themes that were compelling for me for a variety of reasons. The first movement, Wupatki, is based on the feeling of expanse and solitude I experience when I am visiting this ancient pueblo and the stunning vistas of the Painted Desert. The Song of Friendship, a charming and simple tune was introduced to me by Gary Gorman, a Native American student of mine in the early 1990’s. I fashioned a simple arrangement and composed some original tunes to accompany it. This movement is dedicated to my colleague, clarinetist Michael Sullivan, who was dying from a rare form of cancer during the days I was finishing this movement. The day I finished the piece, I realized that it needed to end as if it never had a chance to finish, much like Michael’s life that was so tragically cut short. Quite by chance, the music ends at bar 43-the exact number of years of Michael’s brief life. Wind, title of the third movement, was composed to give musical interpretation to this element of relentless fury we experience during several months out of the year in this region. It springs up then dies down, only to resurface with more force and resilience.
$15.00 ≈
13.86€
Joy To The World
Joy To The World
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Guitare
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INTERMÉDIAIRE
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Rock
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The Candlelight Guitarist
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Bradley Powell
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Joy To The World
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Geofonica Artistworks
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1316270 By The Candlelight Guitarist. By Isaac Watts. Arranged by Bradley Powell. Christmas,Classical,Holiday,Jazz,Tradi...
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Solo Guitar - Level 3 - SKU: A0.1316270 By The Candlelight Guitarist. By Isaac Watts. Arranged by Bradley Powell. Christmas,Classical,Holiday,Jazz,Traditional. Individual part. 3 pages. Geofonica Artistworks #904964. Published by Geofonica Artistworks (A0.1316270). This arrangement of Joy To The World is an excerpt from Christmas Suite 1225 - a new album by The Candlelight Guitarist (aka Bradley Powell). It's fingerstyle classical guitar, in a Gospel music style, with a fresh chordal interpretation, moving bass and internal lines, and other distinctive stylistic features. Joy To The World can be seen and heard played in the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 2) beginning at 2:01 in YouTube timeline.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad has played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort, providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, and Cinderella).COMMENTS FROM ESTABLISHED REVIEWERS for Candlelight Guitarist recordings...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.comBrad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$2.99 ≈
2.76€
All The Things You Are
All The Things You Are
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Piano seul
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AVANCÉ
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Jazz
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Jack Leonard with Tommy Dorsey
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Timothy Stapay
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All The Things You Are
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1237260 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Br...
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Piano Solo - Level 5 - SKU: A0.1237260 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #832776. Published by Timothy Stapay (A0.1237260). This arrangement of All The Things You Are is written as performed by piano artist, Liberace. It has an extended introduction based up the theme from Rachmaninoff's 2nd Piano Concerto.All the Things You Are is a song composed by Jerome Kern with lyrics written by Oscar Hammerstein II.The song was written for the musical Very Warm for May (1939)and was introduced by Hiram Sherman, Frances Mercer, Hollace Shaw, and Ralph Stuart. It appeared in the film Broadway Rhythm (1944) when it was sung by Ginny Simms, and again in the Kern biopic Till the Clouds Roll By (1946), sung by Tony Martin.Popular recordings of the song in 1939 were by Tommy Dorsey and His Orchestra (vocal by Jack Leonard), Artie Shaw and His Orchestra (vocal by Helen Forrest) and Frankie Masters and His Orchestra (vocal by Harlan Rogers). The song has been recorded by a plethora of artists. It is considered a jazz standard.Lyrics:Time and again I've longed for adventure Something to make my heart beat the faster What did I long for? I never really knew Finding your love I've found my adventure  Touching your hand, my heart beats the faster  All that I want in all of this world is you  [Chorus:]  You are the promised kiss of springtime  That makes the lonely winter seem long  You are the breathless hush of evening  That trembles on the brink of a lovely song You are the angel glow that lights a star The dearest things I know are what you are  Some day my happy arms will hold you  And some day I'll know that moment divine When all the things you are, are mineWładziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!
$8.99 ≈
8.31€
50 Favorite Hymns for Solo and Duet Instruments--Tuba
50 Favorite Hymns for Solo and Duet Instruments--Tuba
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Tuba
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Musique Sacrée
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Gospel Spirituel
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Chris Cooke
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50 Favorite Hymns for Solo and
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Chris Cooke
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SheetMusicPlus
Tuba Solo - SKU: A0.865253 Arranged by Chris Cooke. Christian,Gospel,Praise & Worship,Sacred. Individual part. 65 pages. Chris Cooke #3603527. Published...
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Tuba Solo - SKU: A0.865253 Arranged by Chris Cooke. Christian,Gospel,Praise & Worship,Sacred. Individual part. 65 pages. Chris Cooke #3603527. Published by Chris Cooke (A0.865253). 50 Favorite Hymns for Solo and Duet Instruments is a sequel to the first book, Hymns for Solo and Duet Instruments. This second collection contains my all-time favorites and is written for early-mid-intermediate players. The hymns are written so that instruments can be mixed and matched for duet or ensemble purposes. Suitable for worship services, they can be played as offertories or special music selections, or as accompaniment to congregational singing. Many of the hymns are in the traditional hymnal keys, however, there are some that may be slightly lower to accommodate instrumental ranges. This tuba book contains only the melody of these hymns. One verse and chorus is written for each and can be repeated as needed. Hymns with a particular theme or key can be combined for a medley, e.g. I Love to Tell the Story, Oh How I Love Jesus, and He Keeps Me Singing-all are in A-flat. Melody and duet parts are available for flute/oboe, clarinet/trumpet, alto sax, French horn, and trombone/baritone/bassoon. When necessary, parts occasionally cross for ease of playing for the bass instruments. A piano accompaniment book is also available. These accompaniments are eclectic in style and span the gamut from classical to gospel. The hymns with their concert keys are: All Things Bright and Beautiful, alternate tune, C And Can It Be, F Are You Washed in the Blood, G At Calvary, C Be Thou My Vision, E-flat Blessed Be the Name, A-flat Breathe on Me, Breath of God, F Come Christians, Join to Sing, E-flat Faith is the Victory, E-flat Glory to His Name, G Heavenly Sunlight, F He Keeps Me Singing, A-flat I Love to Tell the Story, A-flat Immortal, Invisible, God Only Wise, A-flat It Is Mine, B-flat Jesus Saves, F Joy Unspeakable and Full of Glory, A-flat Just As I Am, E-flat Leaning on the Everlasting Arms, A-flat Like a River Glorious, F Love Lifted Me, B-flat My Faith Looks Up to Thee, D Nothing But The Blood, A-flat Oh How I Love Jesus, A-flat On Jordan’s Stormy Banks, E-flat Praise Him! Praise Him! F Redeemed, How I Love to Proclaim It! A-flat Rejoice, The Lord Is King! C Revive Us Again, F Rock of Ages, B-flat Send the Light, F Since I Have Been Redeemed, F Since Jesus Came into My Heart, F Softly and Tenderly, F Stand Up, Stand Up for Jesus, G Standing on the Promises, B-flat Sunshine in my Soul, F The Old Rugged Cross, B-flat There is Power in the Blood, B-flat There Shall Be Showers of Blessing, B-flat The Solid Rock, F This is My Father’s World, E-flat To God Be the Glory, G Trust and Obey, F We Gather Together, B-flat When the Roll is Called Up Yonder, G When We All Get to Heaven, C Wonderful Grace of Jesus, B-flat Wonderful Words of Life, F
$7.97 ≈
7.36€
Christmas in Song
Christmas in Song
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Noël
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Theodore Preuss
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Christmas in Song
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Rubank Publications
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SheetMusicPlus
SATB/Unison Voice (SATB) - Difficulty: medium SKU: HL.4475350 Arranged by Theodore Preuss. Instrumental. Sacred. Vocal songbook. With vocal score. 80 pag...
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SATB/Unison Voice (SATB) - Difficulty: medium SKU: HL.4475350 Arranged by Theodore Preuss. Instrumental. Sacred. Vocal songbook. With vocal score. 80 pages. Published by Rubank Publications (HL.4475350). ISBN 9781458421180. UPC: 073999753509. 6x9 inches.A treasury of 108 traditional songs, favorite hymns, and choice carols. 6″ x 9″ size is convenient for caroling! Arranged for mixed voices (S.A.T.B.) or unison singing.
Song List
: Let Our Gladness Know No End Oh! Infant Jesus When Christ Was Born Of Mary Free O Come, All Ye Faithful Angels, From The Realms Of Glory Angels We Have Heard On High As Each Happy Christmas I Heard the Bells on Christmas Day As Joseph Was a-Walking As with Gladness Men of Old Away In A Manger Hey, Hey, Ho A Babe Is Born in Bethlehem In a Manger He Is Lying The Babe Of Bethlehem Jingle Bells Beautiful Savior Bring a Torch, Jeannette, Isabella Cantique de Noel The Cherry Tree Carol Child Jesus Came To Earth This Day Come, All Ye Children Everywhere, Everywhere, Christmas Tonight The First Noel From Every Spire On Christmas Eve From Heaven Above Gather Around the Christmas Tree Glad Christmas Bells The Golden Carol Good Christian Men, Rejoice Infant So Gentle Hark! The Herald Angels Sing O Little Town of Bethlehem O Come, Little Children Lullay, Though Little Tiny Child Silent Night Oh, How Joyfully O Christmas Tree Joy To The World Lo, How a Rose Little Children, Can You Tell? Hark the Glad Sound I Saw Three Ships It Came Upon the Midnight Clear We Wish You a Merry Christmas From Earthly Tasks Lift Up Thine Eyes As Lately We Watched God Rest You Merry, Gentlemen The Other Night A Child This Day Is born Sleep, Holy Babe Christ Was Born on Christmas Day Companions, All Sing Loudly The Seven Joys of Mary Deck the Hall Come, All Ye Shepherds In Bethlehem, The Lowly Immortal Babe Wassail, Wassail Jolly Old Saint Nicholas The Happy Christmas Comes Once More Oh! Night Among The Thousands While Shepherds Watched Their Flocks To Us Is Born A Little Child Hark Ye Shepherds Hark, from the Midnight Hills Around We Three Kindgs of Orient Are Good King Wenceslas Shepherds, Shake Off Your Drowsy Sleep Noel, Noel Here We Come A-Caroling Whence Comes This Rush of Wings? The Holly and the Ivy Oh! Dear Jesus How Brightly Beams The Morning Star What Child Is This? March Of The Three Kings On Christmas Night Joseph, O Dear Joseph Mine There Comes a Vessel Laden Mary, Dear Mother Of Jesus How Vain the Cruel Herod's Fear Rise Up, Shepherds, an' Foller Go, Tell It on the Mountains O Come, O Come Emmanuel Ring, Christmas Bells The Sleep of the Child Jesus My Sheep Were Grazing A Joyful Christmas Song O Holy Night We Do Worship Thee
$6.99 ≈
6.46€
When I Land
When I Land
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Greg Bartholomew
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When I Land
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Burke & Bagley
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.787259 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Standards. Octavo. 10 pages. Burke & Bagley #4972...
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Choral Choir (SATB) - Level 4 - SKU: A0.787259 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Standards. Octavo. 10 pages. Burke & Bagley #49725. Published by Burke & Bagley (A0.787259). An Open World, When I Land and And the Wind are three settings of poems from Fletcher LaVallee Bartholomew's collection entitled And the Wind: Gnostic Poems 1945 - 1979. When I Land is duration ca. 5 minutes. Minneapolis native Fletcher Bartholomew spent most of his life in aviation, beginning with a childhood flight in a Curtis Robin in 1929. His work in aviation started with a job as an inspector in an aircraft factory. He went on to become a test pilot in World War II, serving at the South India Air Depot at Bangalore, India. He often spoke later of his experience on the ship to India and the people he met travelling around the subcontinent. He subsequently worked in aviation in Munich, Germany, and in Lima, Peru, before he concluded his career working in airport planning and management. Follow along in the score as you listen to a performance in this video: https://youtu.be/8ZmbFg3jI6s TEXT: I fly da Vinci's dream on wings of speed,With effortless delight I cleave the air, Free in the boundless realm of sky, I feed My soul with wonder, questions seeming fair. Why brought forth to wander on this earth? Why given this brief breath of life, To wonder at our enigmatic birth, To reach for stars, want reason for the strife. Yet, being here, why try to find a plan? Why waste time in thought before we go? Is not life enough for any man? How many have, as theirs, my answer, No. When I set foot again upon the land, And darkness gains upon the setting of the sun, I long to feel the welcome of your hand In mine, to rest, let Time its silly cycles run, Life's nights are all too few. No other hand, no other's look, no other one, Can bring that peace to mind or heart or soul, No peace. Although I know there's always fun In life, to reach that sublime goal, I must return to you.
$2.25 ≈
2.08€
Polovtsian Dances (from the Opera 'Prince Igor')
Polovtsian Dances (from the Opera 'Prince Igor')
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Alexander Borodin
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John Ivor Holland
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Polovtsian Dances
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1343777 Composed by Alexander Borodin. Arranged by John Ivor Holland. 19th Century,Broadway,Classical,Contest,Festival,...
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Concert Band - Level 4 - SKU: A0.1343777 Composed by Alexander Borodin. Arranged by John Ivor Holland. 19th Century,Broadway,Classical,Contest,Festival,Multicultural,Musical/Show,World. 264 pages. John Ivor Holland #929284. Published by John Ivor Holland (A0.1343777). The Polovtsian Dances form an exotic scene at the end of act 2 of Alexander Borodin's opera 'Prince Igor'. The work remained unfinished when the composer died in 1887, although he had worked on it for more than a decade. A performing version was prepared by Nikolai Rimsky-Korsakov and Alexander Glazunov in 1890. Several other versions, or completions, of the opera have been made. The dances are sometimes performed with chorus and last around 11 minutes. Themes from the Polovtsian Dances have been used widely in popular culture, notably the 1953 musical 'Kismet'; the most prominent example is the popular standard Stranger in Paradise, adapted from the Gliding Dance of the Maidens, which opens this piece. This great piece, a staple of the orchestral repertoire, would form a substantial showpiece in any concert and important solos have been cross-cued for smaller ensembles.
$69.99 ≈
64.66€
The Year of the Trumpeter (piano reduction)
The Year of the Trumpeter (piano reduction)
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Trompette, Piano
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FACILE
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Contemporain
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Gregory Fritze
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The Year of the Trumpeter
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. 21st Century, Contemporary Classical, Neo-Classical, Sacred, Funeral. Piano Reduction, Solo Part. 14 pages. Published by M...
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Composed by Gregory Fritze. 21st Century, Contemporary Classical, Neo-Classical, Sacred, Funeral. Piano Reduction, Solo Part. 14 pages. Published by Musica Nova USA
Year of the Trumpeter (El Ao del Trompetista) is a piece for solo trumpet and band. Duration is 5 minutes, Grade for band and soloist is Grade 3. This is the piano reduction. It was composed in 2010 as an homage to four friends of mine who played trumpet and passed away in 2009.
Fred Mills played trumpet with the Canadian Brass for 24 years. I met him when I performed with Harvey Phillips and his Tuba Consort when we joined the Canadian Brass in a Christmas concert at Carnegie Hall. I arranged a piccolo descant trumpet part for Fred that he played with the tuba group. We also worked together in Cordoba Argentina in 2006.
Linares Rodriguez was a member of the La Armonica Band of Buol. After he retired from playing, hebecame the manager for the society?s buildings. When I first lived in Buol in 1996 we became goodfriends and sometimes took walking excursions together.
Bill Maloof was my first boss as he was Chair of Composition during my first ten years as a facultymember at Berklee College of Music in Boston.
Nedo Pandolfi was considered a great musical force in Rhode Island. His last concert with the Rhode Island Philharmonic Orchestra in 1983 was my first performance with the orchestra. At that time heplayed French Horn but his original instrument was trumpet.
Year of the Trumpeter was premiered March 8, 2014 by Antonio Cambres Rodriguez and the CIM La Armonica, David Fiuza, Conductor in Buol (Valencia), Spain. The version for trumpet and piano was premiered in Magallon, Spain, July 2017 by Antonio Cambres with the composer playing piano. The band version was recorded by Cambres and the CIM La Armonica, David Fiuza, Conductor. It is on the CD Music for Wind Orchestraon La Armonica Records.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition and tuba instructor, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of the Rene Fisher Composition Prize, First Prize Winner in the Concurso Bienal de Composicin de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d?Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the 1991 TUBA International Etude Composition Competition and several others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world.
Gregory Fritze is also a very active tubist. He was Principal Tubist with the Rhode Island Philharmonic for thirty-three years as well as performing with many other ensembles in New England and Florida.
He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.
He has thirty-four compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$15.00 ≈
13.86€
Change The World
Change The World
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Chorale SATB
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INTERMÉDIAIRE
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Eric Clapton
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Eric Hagmann
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Change The World
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Eric Hagmann
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.796820 By Eric Clapton. By Gordon Kennedy, Tommy Sims, and Wayne Kirkpatrick. Arranged by Eric Hagmann. A Cappel...
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Choral Choir (SATB) - Level 3 - SKU: A0.796820 By Eric Clapton. By Gordon Kennedy, Tommy Sims, and Wayne Kirkpatrick. Arranged by Eric Hagmann. A Cappella. Octavo. 6 pages. Eric Hagmann #4357319. Published by Eric Hagmann (A0.796820). An SATB contemporary a cappella arrangement of Change the World by Eric Clapton. The Clapton version of this song won three Grammy Awards, reached the Top 40 in twenty countries, and was featured on the soundtrack of the 1996 film Phenomenon. Change the World lends itself perfectly to the a cappella treatment. This particular arrangement features the entire ensemble rather than focusing on an individual soloist. Additionally, it does not require the use of vocal percussion. While most covers of this song rely on the underlying rhythm to move it forward, this chart is driven by its stress on text and colorful harmonies. This idea is especially prominent when going into the final chorus with the smooth use of a pivot tone modulation to raise the entire piece by a minor third. Surprising and effective, your singers and your audience will love the fresh approach to this piece of music. Perfect for an intermediate level high school or college ensemble. .
$2.25 ≈
2.08€
THE HEART JUGGLER (Original Piano Music) from CHINA LOVE
THE HEART JUGGLER (Original Piano Music) from CHINA LOVE
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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ROBERT VAN HORNE
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ROBERT VAN HORNE
 i
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ROBERT VAN HORNE
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THE HEART JUGGLER
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White Piano International Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1220931 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Classical,Film/TV,Instructional,Multicult...
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Piano Solo - Level 4 - SKU: A0.1220931 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Classical,Film/TV,Instructional,Multicultural,Romantic Period,World. Score. 8 pages. White Piano International Publishing #817271. Published by White Piano International Publishing (A0.1220931). THE HEART JUGGLER (Original Piano Music) from “CHINA LOVEâ€Composed by ROBERT VAN HORNE in 1993Advanced Piano Solo Arrangement8 pages Duration approximately 4 minutesTHE HEART JUGGLER was originally inspired in 1983 when a friend of mine told me about a dream she had one night. In her dream she was at a carnival where a clown was juggling little heart-shaped sculptures. Many years later during my time in Singapore, I remembered her dream and with my knowledge of Eastern music, I composed THE HEART JUGGLER. This piece was featured on my first USA piano album: CHINA LOVE. It was selected and featured in the MTAC Composer Today Awards.The sheet music is clearly notated with dynamic and articulation marks, phrasing, pedal indications, chord symbols, including suggested fingerings and appropriate musical terms for playing.This is a wonderful arrangement for advanced students, professional pianists, and piano teachers.An original 2009 YouTube video of Robert performing THE HEART JUGGLER can be found at: http://www.youtube.com/watch?v=1yJezmb0uzQThe mp3 recording of THE HEART JUGGLER was recorded in 2006 with an acoustic piano and digital orchestral instruments. It was used as the 3rd movement (Vivace e misterioso) of Robert’s GREAT WALL CONCERTO having a different ending.     Published by White Piano International PublishingRobert is a member of ASCAPWebsite: www.robertvanhorne.com Email: rvh@robertvanhorne.com.
$5.99 ≈
5.53€
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