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When our World was Young
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Vous avez sélectionné:
When our World was Young
Partitions à imprimer
115 partitions trouvées
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When our World was Young
When our World was Young
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Robert Vignos
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Robert Vignos
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When our World was Young
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Robert C. Vignos
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.993384 Composed by Robert Vignos. Arranged by Robert Vignos. Concert,Holiday,Love. Score. 2 pages. Robert C...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.993384 Composed by Robert Vignos. Arranged by Robert Vignos. Concert,Holiday,Love. Score. 2 pages. Robert C. Vignos #3885701. Published by Robert C. Vignos (A0.993384). A beautiful love melody that recalls the genuine love that a couple had for each other when they were young.
$1.99 ≈
1.84€
Yesterday, When I Was Young (hier Encore)
Yesterday, When I Was Young (hier Encore)
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Piano seul
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AVANCÉ
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Roy Clark
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Timothy Stapay
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Yesterday, When I Was Young
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1213917 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by Timothy Stapay. Film/TV,Jazz,Multicultural,Si...
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Piano Solo - Level 5 - SKU: A0.1213917 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by Timothy Stapay. Film/TV,Jazz,Multicultural,Singer/Songwriter,Standards,World. Score. 8 pages. Timothy Stapay #811114. Published by Timothy Stapay (A0.1213917). Yesterday When I was Young is a song composed by Georges Garvarentz and written by Charles Aznavour and released in September 1964. The original French title translates to Just yesterday or Not so long ago.It is considered one of Aznavour's greatest hits.The English-language lyrics, written by Herbert Kretzmer, tell of someone reflecting on his life, recalling how he had wasted his younger years.Lyrics:[Verse 1]Yesterday when I was youngThe taste of life was sweet as rain upon my tongueI teased at life as if it were a foolish gameThe way the evening breeze may tease a candle flameThe thousand dreams I dreamed, the splendid things I plannedI always built, alas, on weak and shifting sandI lived by night and shunned the naked light of dayAnd only now I see how the years ran away[Verse 2]Yesterday, when I was youngSo many drinking songs were waiting to be sungSo many wayward pleasures lay in store for meAnd so much pain my dazzled eyes refused to seeI ran so fast that time and youth at last ran outI never stopped to think what life was all aboutAnd every conversation I can now recallConcerned itself with me, me and nothing else at all[Verse 3]Yesterday the moon was blueAnd every crazy day brought something new to doI used my magic age as if it were a wandAnd never saw the waste and emptiness beyondThe game of love I played with arrogance and prideAnd every flame I lit too quickly, quickly diedThe friends I made all seemed somehow to drift awayAnd only I am left on stage to end the play[Outro]There are so many songs in me that won't be sungI feel the bitter taste of tears upon my tongueThe time has come for me to pay for yesterdayWhen I was youngYoung, young...
$5.99 ≈
5.53€
Yesterday, When I Was Young (hier Encore)
Yesterday, When I Was Young (hier Encore)
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Piano Facile
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DÉBUTANT
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Roy Clark
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Jhavilah
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Yesterday, When I Was Young
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Jhavilah
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1271062 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by Jhavilah. 20th Century,Film/TV,Lent,Singer/So...
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Piano Solo - Level 1 - SKU: A0.1271062 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by Jhavilah. 20th Century,Film/TV,Lent,Singer/Songwriter,Soul. Score. 3 pages. Jhavilah #863456. Published by Jhavilah (A0.1271062). Yesterday When I Was Young is a song written by Charles Aznavour and Georges Garvarentz and was originally released in September 1964 under the title Hier Encore. The song has since been translated into English by Herbert Kretzmer and released as Yesterday When I Was Young. Here are some key details about the song:The song is a poignant ballad that reflects on the passing of time and the loss of youth. Charles Aznavour, a renowned French singer and songwriter, recorded the original version of the song in French. The song has been covered by various artists, including Roy Clark, Dusty Springfield, and Shirley Bassey Charles Aznavour's rendition of Yesterday When I Was Young showcases his emotive vocal style and his ability to convey deep emotions through his music. The song has a memorable melody and heartfelt lyrics that have resonated with listeners worldwide. If you would like to listen to the song, you can find Charles Aznavour's performances of Yesterday When I Was Young on YouTube. The song has become a beloved classic and continues to be celebrated for its timeless themes and emotional impact.
$4.99 ≈
4.61€
Yesterday, When I Was Young (hier Encore)
Yesterday, When I Was Young (hier Encore)
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Piano Facile
#
DÉBUTANT
#
Roy Clark
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@Jhavilah
#
Yesterday, When I Was Young
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Jhavilah
#
SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1271066 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by @Jhavilah. 20th Century,Film/TV,Singer/Songwr...
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Piano Solo - Level 1 - SKU: A0.1271066 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by @Jhavilah. 20th Century,Film/TV,Singer/Songwriter,Standards. Score. 3 pages. Jhavilah #863459. Published by Jhavilah (A0.1271066). Yesterday When I Was Young is a song written by Charles Aznavour and Georges Garvarentz and was originally released in September 1964 under the title Hier Encore. The song has since been translated into English by Herbert Kretzmer and released as Yesterday When I Was Young. Here are some key details about the song:nThe song is a poignant ballad that reflects on the passing of time and the loss of youth. Charles Aznavour, a renowned French singer and songwriter, recorded the original version of the song in French. The song has been covered by various artists, including Roy Clark, Dusty Springfield, and Shirley Bassey Charles Aznavour's rendition of Yesterday When I Was Young showcases his emotive vocal style and his ability to convey deep emotions through his music. The song has a memorable melody and heartfelt lyrics that have resonated with listeners worldwide. If you would like to listen to the song, you can find Charles Aznavour's performances of Yesterday When I Was Young. The song has become a beloved classic and continues to be celebrated for its timeless themes and emotional impact.
$4.99 ≈
4.61€
Yesterday, When I Was Young (hier Encore)
Yesterday, When I Was Young (hier Encore)
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Piano Facile
#
DÉBUTANT
#
Roy Clark
#
Jhavilah
#
Yesterday, When I Was Young
#
Jhavilah
#
SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1271065 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by Jhavilah. 20th Century,Film/TV,Folk,Singer/So...
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Piano Solo - Level 1 - SKU: A0.1271065 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by Jhavilah. 20th Century,Film/TV,Folk,Singer/Songwriter,Standards. Score. 3 pages. Jhavilah #863458. Published by Jhavilah (A0.1271065). Yesterday When I Was Young is a song written by Charles Aznavour and Georges Garvarentz and was originally released in September 1964 under the title Hier Encore. The song has since been translated into English by Herbert Kretzmer and released as Yesterday When I Was Young. Here are some key details about the song:The song is a poignant ballad that reflects on the passing of time and the loss of youth. Charles Aznavour, a renowned French singer and songwriter, recorded the original version of the song in French. The song has been covered by various artists, including Roy Clark, Dusty Springfield, and Shirley Bassey Charles Aznavour's rendition of Yesterday When I Was Young showcases his emotive vocal style and his ability to convey deep emotions through his music. The song has a memorable melody and heartfelt lyrics that have resonated with listeners worldwide. If you would like to listen to the song, you can find Charles Aznavour's performances of Yesterday When I Was Young on YouTube. The song has become a beloved classic and continues to be celebrated for its timeless themes and emotional impact.
$4.99 ≈
4.61€
Young and Old
Young and Old
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Chorale 2 parties
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DÉBUTANT
#
Jeffrey Kaufman
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Young and Old
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KEM Enterprises, Inc.
#
SheetMusicPlus
Choral Choir (SA) - Level 1 - SKU: A0.985951 Composed by Jeffrey Kaufman. 20th Century,Contemporary. Octavo. 4 pages. KEM Enterprises, Inc. #3003203. Pu...
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Choral Choir (SA) - Level 1 - SKU: A0.985951 Composed by Jeffrey Kaufman. 20th Century,Contemporary. Octavo. 4 pages. KEM Enterprises, Inc. #3003203. Published by KEM Enterprises, Inc. (A0.985951). YOUNG AND OLD is a 2 part choir work for Young Voices or 2 part women's choir. The lyrics tell the universal story of first being young and carefree and in time, becoming old with elements of sadness. When all the world is young lad and all the trees are green, and ev'ry goose a swan lad and ev'ry lass a queen, then hey for boot and horse lad and round the world a way, young blood must have its course lad and ev'ry dog his day. When all the world is old lad and all the trees are brown, and all the sport is stale lad and all the wheels run down, Creep home and take your place there, the spent and maimed among. God grant you find one face there you loved when all was young. .
$1.99 ≈
1.84€
Our Old Tom Cat, or, The Cats March Out of the Ash Hole. A Favorite Comic Song or Duett
Our Old Tom Cat, or, The Cats March Out of the Ash Hole. A Favorite Comic Song or Duett
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Jupiter Zeus Hesser
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Jupiter Zeus Hesser
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Our Old Tom Cat, or, The Cats
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Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice (duet) - SKU: LV.16790 Composed by Jupiter Zeus Hesser. Arranged by Jupiter Zeus Hesser. Animals in human situations, Campaigns & battle...
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Piano and voice (duet) - SKU: LV.16790 Composed by Jupiter Zeus Hesser. Arranged by Jupiter Zeus Hesser. Animals in human situations, Campaigns & battles, Horseback riding, Brass instruments, Hunting, Cats, Military officers, Death, Heroes. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.16790). Our Old Tom Cat, or, The Cats March Out of the Ash Hole. A Favorite Comic Song or Duett. Written by W. Clifton. Arranged with Symphonies and Accompaniments by Jupiter Zeus Hesser. Published 1836 by G. Endicott, 359 Broadway in New York. Composition of strophic with chorus with piano and voice (duet) instrumentation. Subject headings for this piece include Animals in human situations, Campaigns & battles, Horseback riding, Brass instruments, Hunting, Cats, Military officers, Death, Heroes. First line reads It oft was ttold me by my Dad, when I was young and but a Lad.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.53€
The United States Army Hymn (Eternal Father, Hear Our Prayer)
The United States Army Hymn (Eternal Father, Hear Our Prayer)
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Chorale SATB
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DÉBUTANT
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James F
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The United States Army Hymn
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Military Bible Association
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1465850 Composed by James F. Linzey and William H. Monk. 21st Century,Chamber,Christian,Classical,Re...
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Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1465850 Composed by James F. Linzey and William H. Monk. 21st Century,Chamber,Christian,Classical,Religious. 4 pages. Military Bible Association #1044448. Published by Military Bible Association (A0.1465850). The History of the Four Immortal Chaplains and the United States Army HymnDuring World War II, four Army chaplains met at the Army Chaplains School at Harvard University. ere, they received training for their assignments in the European theater. They then boarded and sailed on the United States Army Transport (USAT) Dorchester to report to their new assignments. The USAT Dorchester left New York on January 23, 1943, en route to Greenland. She carried about 900 military personnel and was escorted by Coast Guard Cutters Tampa, Escanaba, and Comanche. During the early morning hours of February 3, 1943, the vessel was torpedoed by the German submarine U-223 off Newfoundland in the North Atlantic. As the Dorchester sank on that fateful day of February 3, 1943, the four Army chaplains on board helped their soldiers board lifeboats as they handed out life jackets. When they ran out of life jackets, the chaplains gave their own life jackets to four soldiers that they might live. Then the chaplains joined arms and prayed as they went down with the Dorchester. These were young chaplains, new to the Army, holding the rank of first lieutenant. They included Methodist minister Reverend George L. Fox, Reform Rabbi Alexander D. Goode, Catholic priest Father John P. Washington, and Reformed Church in America minister Reverend Clark V. Poling. e four chaplains were posthumously awarded the Distinguished Service Cross and the Purple Heart. Chaplain (MAJ) James F. Linzey, USA (Ret.), who was one of four military chaplains in his family, composed the United States Army Hymn, “Eternal Father, Hear Our Prayer,” in remembrance of the “Four Immortal Chaplains” on board the Dorchester. Also, James Linzey is the General Editor of the New Tyndale Version (NTV) Bible translation.
$1.99 ≈
1.84€
A Whole New World
A Whole New World
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Film Walt Disney
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Alan Menken and Tim Rice
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Marcelo Borba
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A Whole New World
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Marcelo Borba
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SheetMusicPlus
Percussion Duet - Level 1 - SKU: A0.1250175 Composed by Alan Menken and Tim Rice. Arranged by Marcelo Borba. Broadway,Children,Country,Multicultural,Mus...
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Percussion Duet - Level 1 - SKU: A0.1250175 Composed by Alan Menken and Tim Rice. Arranged by Marcelo Borba. Broadway,Children,Country,Multicultural,Musical/Show,Standards,World. Score. 4 pages. Marcelo Borba #844332. Published by Marcelo Borba (A0.1250175). Duet for Marimba and Vibraphone on the Disney Theme Aladdin A Whole New World. General score and individual parts. For vibes and Marimba 4 1/3-Octave. Â The arrangement contains individual parts and the chords of the song.A Whole New World is a song from Disney's animated film Aladdin, released in 1992. The song was written by Alan Menken, who composed the film's soundtrack, and Tim Rice, responsible for the lyrics.In the film's story, A Whole New World is performed by the characters Aladdin and Jasmine. Aladdin is a young thief who finds a magical lamp containing a genie who grants three wishes. Jasmine is the princess of Agrabah, a fictional city in the Middle East. The two fall in love during Aladdin's journey to become a prince and win Jasmine's heart.The song is a romantic and optimistic duet that takes place when Aladdin and Jasmine embark on a magical ride on the flying carpet that Aladdin wishes for using one of his wishes. They explore the starry sky while singing about the wonders and excitement of discovering a new world together. The song's lyrics portray the feeling of freedom, adventure, and love.A Whole New World was an instant success and became one of the most famous songs in Disney movie history. It won the Academy Award for Best Original Song in 1993 and the Grammy Award for Best Pop Performance by a Duo or Group with Vocal in 1994, performed by Peabo Bryson and Regina Belle, who recorded the official version for the film's soundtrack.Since then, A Whole New World has been widely interpreted and covered by various artists around the world, becoming a timeless Disney music classic and one of the most iconic melodies in pop culture. The song captures the magic and emotion of Aladdin's story and continues to enchant generations of fans to this day.
$4.99 ≈
4.61€
Take Your Time Miss Lucy. A Comic Ballad
Take Your Time Miss Lucy. A Comic Ballad
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Piano, Voix
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A
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George Loder
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Take Your Time Miss Lucy. A Co
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.18214 Composed by George Loder. Parlors, Upper classes, Mothers & children, Fathers & children, Courtship & love. Lester S. Le...
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Piano and voice - SKU: LV.18214 Composed by George Loder. Parlors, Upper classes, Mothers & children, Fathers & children, Courtship & love. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.18214). Take Your Time Miss Lucy. A Comic Ballad. The Words By A. Allan, Esqr.; Adapted from the Original Melody By George Loder. Published 1842 by Atwill, 201 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Parlors, Upper classes, Mothers & children, Fathers & children, Courtship & love. First line reads When young my heart was bent, sir, Upon a nice young beau.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.53€
OURAGIA 4
OURAGIA 4
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Piano seul
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Musique Sacrée
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Gospel Spirituel
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THEMIS KOUTRAS
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OURAGIA 4
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THEMIS KOUTRAS
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SheetMusicPlus
Piano - SKU: A0.1066535 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 294. THEMIS KOUTRAS #4763535. P...
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Piano - SKU: A0.1066535 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 294. THEMIS KOUTRAS #4763535. Published by THEMIS KOUTRAS (A0.1066535). This song is in English but has i Greek word in it ouragia which means good day it is about my mothers true life story and her dads life story when he was shot down dead for jealousy leaving behind him his wife and 9 children he was just 32 years old now the family has gone to poverty looking for work a rich family promises to look after my mother if they take her away for her to work with them they would pay her well well they took her away but did not keep there promise she was slaved up and miss treated like hell until my father found her loved her freed her he stole her away and she was freed my mother was just 8 years old when she was stolen as a slave she was 21 years old about when my father freed her and married her this story touched my heart from young as mum told me her story and her dad's for i feel for mum and grandad and today i know in the real world would you all know that in some countries slavery still exists even selling children as slave prostitutes we must take a stand against slavery and against slave prostitution this song hopes to give people awareness about this that the authorities might take a stand and fight against this evil done and free all slaves so as to free all slaves bought for prostitution
$3.99 ≈
3.68€
Let the Spirit Live (New! ANZAC Day Anthem for young voices 2-part, piano and beginner Bb Trumpet)
Let the Spirit Live (New! ANZAC Day Anthem for young voices 2-part, piano and beginner Bb Trumpet)
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Chorale 2 parties
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FACILE
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Australian composer, Rebecca S
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Let the Spirit Live
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Rebecca Summers
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SheetMusicPlus
Choral Choir (2-Part) - Level 2 - SKU: A0.1149105 Composed by Australian composer, Rebecca Summers. Children,Contest,Festival,Holiday,Multicultural,Worl...
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Choral Choir (2-Part) - Level 2 - SKU: A0.1149105 Composed by Australian composer, Rebecca Summers. Children,Contest,Festival,Holiday,Multicultural,World. Octavo. 8 pages. Rebecca Summers #749231. Published by Rebecca Summers (A0.1149105). Perfect for ANZAC Day this year, this 2-part choral work for Primary School children is a real show-stopper, with easy parts that build to a mighty refrain, a beginner trumpet addition in the close and relatable lyrics that tell the story of a young person's ANZAC Day experience and thanks our returned service people for their sacrifice. Piano backing track, Vocal Part 1 and Vocal Part 2, plus the Bb Trumpet parts available for download. This piece was originally written for a school on the Sunshine Coast, Queensland, Australia. I hope you can feel the ANZAC spirit when you perform it. We did.
$5.99 ≈
5.53€
Let the Spirit Live (New! ANZAC Day Anthem for young voices 2-part, piano)
Let the Spirit Live (New! ANZAC Day Anthem for young voices 2-part, piano)
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Chorale 2 parties
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FACILE
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Australian composer, Rebecca S
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Let the Spirit Live
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Rebecca Summers
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SheetMusicPlus
Choral Choir (2-Part) - Level 2 - SKU: A0.1149106 Composed by Australian composer, Rebecca Summers. Children,Contemporary,Contest,Festival,Multicultural...
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Choral Choir (2-Part) - Level 2 - SKU: A0.1149106 Composed by Australian composer, Rebecca Summers. Children,Contemporary,Contest,Festival,Multicultural,World. Octavo. 8 pages. Rebecca Summers #749233. Published by Rebecca Summers (A0.1149106). Perfect for ANZAC Day this year, this 2-part choral work for Primary School children is a real show-stopper, with easy parts that build to a mighty refrain, a beginner trumpet addition in the close and relatable lyrics that tell the story of a young person's ANZAC Day experience and thanks our returned service people for their sacrifice. Piano backing track, Vocal Part 1 and Vocal Part 2, plus the Bb Trumpet parts available for download. This piece was originally written for a school on the Sunshine Coast, Queensland, Australia. I hope you can feel the ANZAC spirit when you perform it. We did.
$4.99 ≈
4.61€
When She Was Here
When She Was Here
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Bo Young Kwon
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When She Was Here
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Bo Young Kwon
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.871042 Composed by Bo Young Kwon. Contemporary,Film/TV,Pop,World. Score. 5 pages. Bo Young Kwon #3534965. Published by Bo...
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Piano Solo - Level 4 - SKU: A0.871042 Composed by Bo Young Kwon. Contemporary,Film/TV,Pop,World. Score. 5 pages. Bo Young Kwon #3534965. Published by Bo Young Kwon (A0.871042). An emotional, original piano solo piece, composed by pianist, Bo Young Kwon. The piece reminisces and walks through the memories you had with your loved one, who is no longer with you now. Highly moving with an unforgettable melody.
$5.99 ≈
5.53€
The Glow Worm
The Glow Worm
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Piano, Voix et Guitare
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Johnny Mercer and Paul Lincke
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The Glow Worm
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-XS-0000275 Composed by Johnny Mercer and Paul Lincke. Standard. 3 pages. Alfred Music - Digital Sheet Music #00-XS-00002...
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Piano/Vocal/Chords - SKU: AX.00-XS-0000275 Composed by Johnny Mercer and Paul Lincke. Standard. 3 pages. Alfred Music - Digital Sheet Music #00-XS-0000275. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000275). ISBN 9780739074770. UPC: 038081404509.Johnny Mercer (1909--1976) was not only one of America's greatest lyricists---he helped define the American South from the outside in. His words paint rich and vivid portraits of life in his native Georgia. Mercer wrote a wide variety of songs, from lush, dreamy ballads to plays on colloquial American expressions. He joined forces with some of the most talented composers of his day, including Harold Arlen, Hoagy Carmichael, and Henry Mancini, to fashion one of the most startlingly original catalogs in American popular music. This songbook commemorates the centennial of his birth with piano/vocal sheet music arrangements (including guitar chord frames) for 46 of his most famous and best-loved classics. Titles: Ac-cent-tchu-ate the Positive * And the Angels Sing * Any Place I Hang My Hat Is Home * Autumn Leaves * Bless Yore Beautiful Hide * Blues in the Night * Charade * Come Rain or Come Shine * Day In---Day Out * Days of Wine and Roses * Dream * Drinking Again * Emily * Fools Rush In (Where Angels Fear to Tread) * G.I. Jive * The Glow-Worm * Goody-Goody * Hooray for Hollywood * I Thought About You * I Wanna Be Around * If I Had My Druthers * I'm an Old Cowhand (from the Rio Grande) * I'm Old Fashioned * In the Cool, Cool, Cool of the Evening * Jeepers Creepers * Laura * Lazybones * Legalize My Name * Moon River * My Shining Hour * Namely You * On the Atchison, Topeka and the Santa Fe * One for My Baby (and One More for the Road) * Satan's Li'l Lamb * Satin Doll * Skylark * Something's Gotta Give * Strip Polka * Summer Wind * The Sweetheart Tree * That Old Black Magic * Too Marvelous for Words * Two of a Kind * When the World Was Young * You Must Have Been a Beautiful Baby * You Were Never Lovelier.
$3.99 ≈
3.68€
Any Place I Hang My Hat is Home
Any Place I Hang My Hat is Home
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Piano, Voix et Guitare
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Harold Arlen and Johnny Mercer
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Any Place I Hang My Hat is Hom
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-XS-0000276 Composed by Harold Arlen and Johnny Mercer. Standard. 4 pages. Alfred Music - Digital Sheet Music #00-XS-0000...
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Piano/Vocal/Chords - SKU: AX.00-XS-0000276 Composed by Harold Arlen and Johnny Mercer. Standard. 4 pages. Alfred Music - Digital Sheet Music #00-XS-0000276. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000276). ISBN 9780739074770. UPC: 038081404509.Johnny Mercer (1909--1976) was not only one of America's greatest lyricists---he helped define the American South from the outside in. His words paint rich and vivid portraits of life in his native Georgia. Mercer wrote a wide variety of songs, from lush, dreamy ballads to plays on colloquial American expressions. He joined forces with some of the most talented composers of his day, including Harold Arlen, Hoagy Carmichael, and Henry Mancini, to fashion one of the most startlingly original catalogs in American popular music. This songbook commemorates the centennial of his birth with piano/vocal sheet music arrangements (including guitar chord frames) for 46 of his most famous and best-loved classics. Titles: Ac-cent-tchu-ate the Positive * And the Angels Sing * Any Place I Hang My Hat Is Home * Autumn Leaves * Bless Yore Beautiful Hide * Blues in the Night * Charade * Come Rain or Come Shine * Day In---Day Out * Days of Wine and Roses * Dream * Drinking Again * Emily * Fools Rush In (Where Angels Fear to Tread) * G.I. Jive * The Glow-Worm * Goody-Goody * Hooray for Hollywood * I Thought About You * I Wanna Be Around * If I Had My Druthers * I'm an Old Cowhand (from the Rio Grande) * I'm Old Fashioned * In the Cool, Cool, Cool of the Evening * Jeepers Creepers * Laura * Lazybones * Legalize My Name * Moon River * My Shining Hour * Namely You * On the Atchison, Topeka and the Santa Fe * One for My Baby (and One More for the Road) * Satan's Li'l Lamb * Satin Doll * Skylark * Something's Gotta Give * Strip Polka * Summer Wind * The Sweetheart Tree * That Old Black Magic * Too Marvelous for Words * Two of a Kind * When the World Was Young * You Must Have Been a Beautiful Baby * You Were Never Lovelier.
$3.99 ≈
3.68€
Satin Doll
Satin Doll
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Piano, Voix et Guitare
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Billy Strayhorn, Duke Ellingto
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Satin Doll
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-XS-0000274 Composed by Billy Strayhorn, Duke Ellington, and Johnny Mercer. Standard. 3 pages. Alfred Music - Digital She...
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Piano/Vocal/Chords - SKU: AX.00-XS-0000274 Composed by Billy Strayhorn, Duke Ellington, and Johnny Mercer. Standard. 3 pages. Alfred Music - Digital Sheet Music #00-XS-0000274. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000274). ISBN 9780739074770. UPC: 038081404509.Johnny Mercer (1909--1976) was not only one of America's greatest lyricists---he helped define the American South from the outside in. His words paint rich and vivid portraits of life in his native Georgia. Mercer wrote a wide variety of songs, from lush, dreamy ballads to plays on colloquial American expressions. He joined forces with some of the most talented composers of his day, including Harold Arlen, Hoagy Carmichael, and Henry Mancini, to fashion one of the most startlingly original catalogs in American popular music. This songbook commemorates the centennial of his birth with piano/vocal sheet music arrangements (including guitar chord frames) for 46 of his most famous and best-loved classics. Titles: Ac-cent-tchu-ate the Positive * And the Angels Sing * Any Place I Hang My Hat Is Home * Autumn Leaves * Bless Yore Beautiful Hide * Blues in the Night * Charade * Come Rain or Come Shine * Day In---Day Out * Days of Wine and Roses * Dream * Drinking Again * Emily * Fools Rush In (Where Angels Fear to Tread) * G.I. Jive * The Glow-Worm * Goody-Goody * Hooray for Hollywood * I Thought About You * I Wanna Be Around * If I Had My Druthers * I'm an Old Cowhand (from the Rio Grande) * I'm Old Fashioned * In the Cool, Cool, Cool of the Evening * Jeepers Creepers * Laura * Lazybones * Legalize My Name * Moon River * My Shining Hour * Namely You * On the Atchison, Topeka and the Santa Fe * One for My Baby (and One More for the Road) * Satan's Li'l Lamb * Satin Doll * Skylark * Something's Gotta Give * Strip Polka * Summer Wind * The Sweetheart Tree * That Old Black Magic * Too Marvelous for Words * Two of a Kind * When the World Was Young * You Must Have Been a Beautiful Baby * You Were Never Lovelier.
$3.99 ≈
3.68€
Satan's Li'l Lamb
Satan's Li'l Lamb
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Piano, Voix et Guitare
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Harold Arlen and Johnny Mercer
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Satan's Li'l Lamb
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-XS-0000263 Composed by Harold Arlen and Johnny Mercer. Standard. 4 pages. Alfred Music - Digital Sheet Music #00-XS-0000...
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Piano/Vocal/Chords - SKU: AX.00-XS-0000263 Composed by Harold Arlen and Johnny Mercer. Standard. 4 pages. Alfred Music - Digital Sheet Music #00-XS-0000263. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000263). ISBN 9780739074770. UPC: 038081404509.Johnny Mercer (1909--1976) was not only one of America's greatest lyricists---he helped define the American South from the outside in. His words paint rich and vivid portraits of life in his native Georgia. Mercer wrote a wide variety of songs, from lush, dreamy ballads to plays on colloquial American expressions. He joined forces with some of the most talented composers of his day, including Harold Arlen, Hoagy Carmichael, and Henry Mancini, to fashion one of the most startlingly original catalogs in American popular music. This songbook commemorates the centennial of his birth with piano/vocal sheet music arrangements (including guitar chord frames) for 46 of his most famous and best-loved classics. Titles: Ac-cent-tchu-ate the Positive * And the Angels Sing * Any Place I Hang My Hat Is Home * Autumn Leaves * Bless Yore Beautiful Hide * Blues in the Night * Charade * Come Rain or Come Shine * Day In---Day Out * Days of Wine and Roses * Dream * Drinking Again * Emily * Fools Rush In (Where Angels Fear to Tread) * G.I. Jive * The Glow-Worm * Goody-Goody * Hooray for Hollywood * I Thought About You * I Wanna Be Around * If I Had My Druthers * I'm an Old Cowhand (from the Rio Grande) * I'm Old Fashioned * In the Cool, Cool, Cool of the Evening * Jeepers Creepers * Laura * Lazybones * Legalize My Name * Moon River * My Shining Hour * Namely You * On the Atchison, Topeka and the Santa Fe * One for My Baby (and One More for the Road) * Satan's Li'l Lamb * Satin Doll * Skylark * Something's Gotta Give * Strip Polka * Summer Wind * The Sweetheart Tree * That Old Black Magic * Too Marvelous for Words * Two of a Kind * When the World Was Young * You Must Have Been a Beautiful Baby * You Were Never Lovelier.
$3.99 ≈
3.68€
Hooray for Hollywood
Hooray for Hollywood
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Piano, Voix et Guitare
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Johnny Mercer and Richard A
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Hooray for Hollywood
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-XS-0000265 Composed by Johnny Mercer and Richard A. Whiting. Standard. 4 pages. Alfred Music - Digital Sheet Music #00-X...
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Piano/Vocal/Chords - SKU: AX.00-XS-0000265 Composed by Johnny Mercer and Richard A. Whiting. Standard. 4 pages. Alfred Music - Digital Sheet Music #00-XS-0000265. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000265). ISBN 9780739074770. UPC: 038081404509.Johnny Mercer (1909--1976) was not only one of America's greatest lyricists---he helped define the American South from the outside in. His words paint rich and vivid portraits of life in his native Georgia. Mercer wrote a wide variety of songs, from lush, dreamy ballads to plays on colloquial American expressions. He joined forces with some of the most talented composers of his day, including Harold Arlen, Hoagy Carmichael, and Henry Mancini, to fashion one of the most startlingly original catalogs in American popular music. This songbook commemorates the centennial of his birth with piano/vocal sheet music arrangements (including guitar chord frames) for 46 of his most famous and best-loved classics. Titles: Ac-cent-tchu-ate the Positive * And the Angels Sing * Any Place I Hang My Hat Is Home * Autumn Leaves * Bless Yore Beautiful Hide * Blues in the Night * Charade * Come Rain or Come Shine * Day In---Day Out * Days of Wine and Roses * Dream * Drinking Again * Emily * Fools Rush In (Where Angels Fear to Tread) * G.I. Jive * The Glow-Worm * Goody-Goody * Hooray for Hollywood * I Thought About You * I Wanna Be Around * If I Had My Druthers * I'm an Old Cowhand (from the Rio Grande) * I'm Old Fashioned * In the Cool, Cool, Cool of the Evening * Jeepers Creepers * Laura * Lazybones * Legalize My Name * Moon River * My Shining Hour * Namely You * On the Atchison, Topeka and the Santa Fe * One for My Baby (and One More for the Road) * Satan's Li'l Lamb * Satin Doll * Skylark * Something's Gotta Give * Strip Polka * Summer Wind * The Sweetheart Tree * That Old Black Magic * Too Marvelous for Words * Two of a Kind * When the World Was Young * You Must Have Been a Beautiful Baby * You Were Never Lovelier.
$3.99 ≈
3.68€
Requiem
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
51.68€
Cygnus X-1 Book Ii: Hemispheres
Cygnus X-1 Book Ii: Hemispheres
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Basse electrique
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Rush
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Tracy Dean McCallum
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Cygnus X-1 Book Ii: Hemisphere
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Tracy Dean McCallum
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SheetMusicPlus
Bass Guitar - Level 4 - SKU: A0.1193208 By Rush. By Alex Lifeson, Geddy Lee, and Neil Peart. Arranged by Tracy Dean McCallum. Rock. Score. 16 pages. Tra...
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Bass Guitar - Level 4 - SKU: A0.1193208 By Rush. By Alex Lifeson, Geddy Lee, and Neil Peart. Arranged by Tracy Dean McCallum. Rock. Score. 16 pages. Tracy Dean McCallum #792663. Published by Tracy Dean McCallum (A0.1193208). When our weary world was youngThe struggle of the ancients first beganThe gods of Love and ReasonSought alone to rule the fate of ManThey battled through the agesBut still neither force would yieldThe people were dividedEvery soul a battlefieldEvery soul a battlefieldThe Universe dividedAs the Heart and Mind collidedWith the people left unguidedFor so many troubled yearsIn a cloud of doubts and fearsTheir world was torn asunder into hollow hemispheresSome fought themselves, some fought each otherMost just followed one anotherLost and aimless like their brothersFor their hearts were so unclearAnd the truth could not appearTheir spirits were divided into blinded hemispheresSome who did not fightBrought tales of old to lightMy Rocinante sailed by nightOn her final flightTo the heart of Cygnus' fearsome forceWe set our courseSpiralled through that timeless spaceTo this immortal placeI have memory and awarenessBut I have no shape or formAs a disembodied spiritI am dead and yet unbornI have passed into OlympusAs was told in tales of oldTo the City of ImmortalsMarble white and purest goldI see the Gods in battle rage on highThunderbolts across the skyI cannot move, I cannot hideI feel a silent scream begin insideThen all at once the chaos ceasedA stillness fell, a sudden peaceThe Warriors felt my silent cryAnd stayed their struggle, mystifiedApollo was astonishedDionysus thought me madBut they heard my story furtherAnd they wondered, and were sadLooking down from OlympusOn a world of doubt and fearIts surface splintered intoSorry hemispheresThey sat a while in silenceThen they turned at last to meWe will call you CygnusThe God of Balance you shall beWe can walk our road togetherIf our goals are all the sameWe can run alone and freeIf we pursue a different aimLet the truth of Love be lightedLet the love of truth shine clearSensibilityArmed with sense and libertyWith the Heart and Mind unitedIn a single perfect sphere
$5.99 ≈
5.53€
Feu follet
Feu follet
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Piano seul
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AVANCÉ
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Contemporain
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1909, Landowska and her husban
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Wanda Landowska
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Zellev
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Feu follet
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Zellev Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1281191 Composed by Wanda Landowska. Arranged by Zellev. 20th Century,Classical,Contemporary,Folk,New Age. Score. 7 pages...
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Piano Solo - Level 5 - SKU: A0.1281191 Composed by Wanda Landowska. Arranged by Zellev. 20th Century,Classical,Contemporary,Folk,New Age. Score. 7 pages. Zellev Music #872533. Published by Zellev Music (A0.1281191). Key Signature: Fâ?¯ minorTime Signature: 3/4Tempo: Allegro vivace (143)Difficulty: AdvancedWanda Landowska (July 5, 1879 - August 16, 1959) was a Polish harpsichordist and composer who led the revival of the popularity of the harpsichord in the early 1900s. She was one of the earliest advocates and scholars on historically informed performance practices, and she made the first-ever recording of J.S. Bach's Goldberg Variations on the harpsichord.Landowska was born in Warsaw in 1879 and started playing the piano when she was four years old. As a child, she studied with Jan KleczyÅ?ski and then Aleksander Michalowski. Kleczynski noticed in her lessons that she had an affinity for older Baroque music, and he didn't want to impose his sensibilities onto the already apparent musical prodigy. Consequently, her mother decided that Kleczynski was too lenient of a teacher and sent her to study with the stricter Michalowski, who was a Chopin specialist. When she was 16 years old, Landowska moved to Berlin to study composition with Heinrich Urban, but was discouraged by the rigid curriculum. However, while in Berlin she composed songs and orchestral works, and she met her future husband, Henry Lew. In 1900, the young couple moved to Paris and got married. There she became associated with the Schola Cantorum, and was introduced to Vincent D'Indy, Albert Schweitzer, and other prominent performers and musicologists of the era.Throughout the next ten years, Landowska toured Europe and Russia, and dedicated herself to researching the authentic performance practices of older music. Her husband assisted her in this research, and they often utilized libraries that they encountered while touring. She concluded that it's more appropriate to play Baroque keyboard music on the harpsichord rather than on the piano. By 1909, Landowska and her husband published the book Musique Ancienne, which was the culmination of all of their research regarding the performance practices of Baroque music. She also started teaching harpsichord classes in 1913 at the Hochschule für Musik in Berlin.Ten years later, Landowska made her debut in the United States, performing with the Philadelphia Orchestra conducted by Stokowski. Also in 1923, she performed in the world premiere of Manuel de Falla's El retablo de maese Pedro, where she met Francis Poulenc and asked him to write a harpsichord concerto for her. She also commissioned a concerto from Falla in 1925, which would prove to be a modern masterpiece. In 1929, Landowska performed the premiere of Poulenc's Concert champêtre in Paris. By this time, she had settled in a town north of Paris, and was teaching from her school L'Ã?cole de Musique Ancienne, which she established in 1925. She offered private and group courses and an annual summer concert series that was very popular. Landowska taught and performed in this capacity until 1940, when she had to abandon the school, her extensive library, and her home because of World War II. With the assistance of her student Denise Restout, she escaped to Portugal and then sailed to the United States, and eventually settled in Lakeville, Connecticut. She continued to perform and teach in the U.S., and at the age of 70 she recorded the complete Well-Tempered Clavier, which was highly acclaimed. Landowska was 80 years old when she passed away in Lakeville in 1959.
$3.79 ≈
3.50€
Do You Hear How Many You Are?
Do You Hear How Many You Are?
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Keane Southard
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Do You Hear How Many You Are?
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Spindrift Pages
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1027467 Composed by Keane Southard. Contemporary. Octavo. 8 pages. Spindrift Pages #546435. Published by Spindri...
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Choral Choir (SATB) - Level 4 - SKU: A0.1027467 Composed by Keane Southard. Contemporary. Octavo. 8 pages. Spindrift Pages #546435. Published by Spindrift Pages (A0.1027467). Do You Hear How Many You Are? for SATB choir was written in April and May of 2010. The origins of this piece and text come from a very interesting experience I had in December of 2009. I have been learning a lot in the past few years about the state of our world and the many huge problems and crises we are faced with in the near future, and this discovery has been so daunting and overwhelming to me. So much change needs to happen in order for the near and long-term future of our world to be just and stable that I have felt a lot of guilt over my choice of profession. Why have I chosen to be a composer and musician when I could make more of an impact on solving these problems if I were a scientist or policy maker etc.? I have been struggling to find a solution to this dilemma for a while now and I just happened to be thinking about it, while filled with lots of stress and worries, one night as I was falling asleep in December of 2009. At the moment when I was in that state halfway between sleep and consciousness, I suddenly heard the line Do you hear how many you are? in my head, yet I felt as though I didn't come up with the line but that it was said TO me. I was instantly comforted, as if a load fell off my shoulders, and then I began to hear it being sung, which I knew was the beginning of a choral piece. I woke up, wrote down the music I was hearing (about the first six measures of the work) and then wrote down this entire poem. I truly feel that this message came to me for a reason, and that I need to share it through the music I create. Those of us who want to change the world for the better are not alone; we are many and we will make our voices hear in order to heal the world. -Keane Southard Duration: c. 3 minutes -Winner, 2010 Ars Nova Singers Colorado Composers Competition (Professional Division) -1st Prize, Warren County Summer Music School's Promising Young Composers Competition, 2014 Premiered June 3, 2011 in Boulder, CO by the Ars Nova Singers, Thomas Morgan-conductor PROJECT : ENCOREâ„¢ has found this work to be of exceptional merit. Its panel of internationally known conductors has selected this work for inclusion in its catalog of recommended choral music. Website: keanesouthard.instantencore.com.
$2.25 ≈
2.08€
Nothing But A Dream
Nothing But A Dream
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Piano seul
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INTERMÉDIAIRE
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Ivajla Kirova
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Nothing But A Dream
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The Noise Factory
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1435022 By Ivajla Kirova. By KEYA. 21st Century,Classical,New Age. Score. 8 pages. The Noise Factory #1015125. Published ...
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Piano Solo - Level 3 - SKU: A0.1435022 By Ivajla Kirova. By KEYA. 21st Century,Classical,New Age. Score. 8 pages. The Noise Factory #1015125. Published by The Noise Factory (A0.1435022). This was inspired by the story of a homeless man my grandmother met in her neighbourhood when she was young. Everyone thought he was insane but my grandmother did not think so since he always carried poetry writings and artworks with him wherever he went. My grandmother befriended him and during one of their conversations on the street he told her that he spent his life writing poems, drew portraits of the women he loved, and acknowledges that “life is nothing but a dream”. One day this homeless man disappeared and it wasn’t until a few weeks later that he was rumoured to have passed away one rainy night inside an abandoned house which was his childhood home. This piece intends to describe that man’s thoughts and feelings during his final moments: his lifetime memories, his final acceptance, and true inner peace before saying goodbye to this world.
$7.99 ≈
7.37€
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When our World was Young
