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Vous avez sélectionné:
When the Trumpets Sound
Partitions à imprimer
94 partitions trouvées
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Super Mario Bros Theme
Super Mario Bros Theme
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Jeux Videos
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Koji Kondo
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Brad Howland
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Super Mario Bros Theme
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Linden Brass Press Inc.
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1283448 Composed by Koji Kondo. Arranged by Brad Howland. Video Game. 21 pages. Linden Bras...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1283448 Composed by Koji Kondo. Arranged by Brad Howland. Video Game. 21 pages. Linden Brass Press Inc. #874632. Published by Linden Brass Press Inc. (A0.1283448). ===Super Mario BrothersMusic by Koji KondoArranged by Brad HowlandBrass Quintet with Optional Drum SetThe original Super Mario Brothers game first came out Japan in 1985, then internationally in 1986-87. Now is your chance to play the iconic music! Kids of all ages enjoy hearing it (and even most adults).The arrangement sounds great with drums, but also works perfectly fine without them. When playing without drum set you will likely want to omit the repeats. Playing time is 3:10 with repeats, 2:10 without.This piece has some tricky rhythm but most young people know what it's supposed to sound like. The playing level could be advanced intermediate, as long as they can get the patterns and your first trumpet has some high chops.You might want to have your drummer play a shuffle groove off the top, rather than the indicated Latin feel. ===.
$14.95 ≈
$20.15
When the Trumpets Sound (Downloadable)
When the Trumpets Sound (Downloadable)
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Ensemble de Trompettes
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INTERMÉDIAIRE/AVANCÉ
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Gwyneth W
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When the Trumpets Sound
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Eight trumpets - Moderately Difficult - SKU: MQ.9247-E Composed by Gwyneth W. Walker. 144 pages. E. C. Schirmer Music Company - Digital #9247-E. Publish...
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Eight trumpets - Moderately Difficult - SKU: MQ.9247-E Composed by Gwyneth W. Walker. 144 pages. E. C. Schirmer Music Company - Digital #9247-E. Published by E. C. Schirmer Music Company - Digital (MQ.9247-E). Commissioned by the International Trumpet Guild. This three-movement suite for eight trumpets considers the number 8 in a different manner.
$45.00 ≈
$60.64
Old Cavalry Fanfare for 3 Bb Trumpets & Kettledrums
Old Cavalry Fanfare for 3 Bb Trumpets & Kettledrums
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Trompette
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Old Cavalry Fanfare for 3 Bb T
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Keith Terrett
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SheetMusicPlus
Trumpet - Level 3 - SKU: A0.978843 By Keith Terrett. By Anon. Arranged by Keith Terrett. Baroque,Classical,Instructional,Traditional,Wedding. 6 pages. K...
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Trumpet - Level 3 - SKU: A0.978843 By Keith Terrett. By Anon. Arranged by Keith Terrett. Baroque,Classical,Instructional,Traditional,Wedding. 6 pages. Keith Terrett #584509. Published by Keith Terrett (A0.978843). A Fanfare for three Bb Trumpets & Timpani. This was arranged from an old melody of unknown origin, for Eb Cavalry Trumpets and Kettledrums of the Queen’s Royal Irish Hussars Band, a former Northern Irish Regiment within the British Army; whose Colonel in Chief was HRH The Duke of Edinburgh. Winston Churchill was a young officer in the regiment, before the amalgamation of the 4th & 8th Hussars, to form the ’Queen’s Royal Irish Hussars’’. All cavalry regiments of the line, have a team of Cavalry Trumpets, who under the ’Trumpet Major’, play at 11am each day outside regimental headquarters, for the Regiment. Traditionally the fanfare ’stables’ would be played first; followed by another fanfare of the ’’Trumpet Major’s’’ choice. In cavalry regiments there is often a drum horse, on which the two timpani are positioned and played. An example would be the Queen’s Own Hussars, who for many years had a fine old drum horse, trained not to panic when the kettledrums were being played fortissimo! During the day, one trumpeter is on duty, and plays various trumpet calls throughout the day to signal important happenings in the regiment’s daily schedule of events. For example, Reveille is at 0630, Mess call at 0700, Mess call 1230, Guard mount 1800, Officers dress for dinner 2000, finishing with last post at 2200! There are also trumpet calls for fire, war and mucking out the horses! One morning when I was on trumpet duty in Germany at the tender age of 18, I woke up late, and just managed to play the ’’Reveille’’ trumpet call out of my bedroom window, in an effort not to be ’charged’ for missing a call! The equivalent in the Infantry would be the bugle, which is also used as a method of signaling to the regiment. This fanfare works well for three Bb trumpets and timpani. Eb cavalry trumpets are often written in the key of C, and harmonically there is no third on chord V due to the harmonics of the instrument, and the fact that they have no valves; giving a bare sounding chord. The trills in the first part are lip trills, on Bb trumpet, simply play a lip trill using the valves 1 & 3. The most famous Eb cavalry trumpeters in the British Army, are undoubtedly the trumpeters of the household cavalry, who perform in spectacular golden uniforms, complete with riding hats, at the state opening of parliament. Don’t forget Eb cavalry trumpeters are musicians from the band,(they could be clarinettists),assigned to trumpet for two to three years, not so good for your embouchure!! So when you hear a mis-pitched note in future, you know that the trumpeter could be a bassoonist, doing his or her very best.
$5.00 ≈
$6.74
When the Saints Go Marching In
When the Saints Go Marching In
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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James M
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Bob Affonso
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When the Saints Go Marching In
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Celebratory Music
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1349710 By James M. Black and Katherine E. Purvis. By James M. Black and Katherine E. Purv...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1349710 By James M. Black and Katherine E. Purvis. By James M. Black and Katherine E. Purvis. Arranged by Bob Affonso. Historic,Holiday,Jazz,March,Pop. 24 pages. Celebratory Music #934482. Published by Celebratory Music (A0.1349710). This popular New Orleans classic by James M. Black and Katherine E. Purvis is a lively and celebratory rendition that is scored for an 8-piece brass ensemble. It also includes optional percussion parts. The spirit and energy of the song is reflected in this well-arranged version. It sounds great with or without the percussion! A great addition if you are looking to program a novelty selection! If you want the full New Orleans experience, it also works great when played after my version of Just A Closer Walk With Thee..
$29.99 ≈
$40.41
Brass Quintet - Three Pastoral Sketches
Brass Quintet - Three Pastoral Sketches
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Contemporain
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Servic...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00 ≈
$37.73
Dimension Traveler, Op. 150
Dimension Traveler, Op. 150
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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A to B is parallel to J-K
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Dimension Traveler, Op. 150
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - Level 4 - SKU: A0.1489523 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Film/TV. 31 pages. Https://gildedmusicpress....
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Brass Quintet - Level 4 - SKU: A0.1489523 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Film/TV. 31 pages. Https://gildedmusicpress.com/ #1066386. Published by https://gildedmusicpress.com/ (A0.1489523). Dimension Traveler, Op. 150, for brass quintet was completed 26 Mar 2024. When I wrote the first few distinctive notes into the computer, my ten-year-old son said that it sounded “futuristic.” Somehow that sparked memories of a novel I had started years ago, titled “Dimension Traveler,” based on dimensional theories I had developed. With that fresh inspiration in mind, the piece wrote itself with opening movie credits in mind.The form is thematically palindromic, the center point being m. 77. The beginning to rehearsal letter A mirrors K to the end; A to B is parallel to J-K; B-C = I-J; C-D = H-I; D-E = G-H; and the central thematic sections E-F = F-G. Concerning that central turning point, the thematic material shifts from the trumpets’ first statement at letter E to low brass with the trumpets taking on the pointillistic accompaniment at letter F. Of interest is the parallel of C-D and H-I wherein the motivic material, including dynamics, is quite literally reversed note for note to a climax.For aural aesthetics in performance, there is an optional cut from letter K to m. 142. Thematically, the structure remains chiastic, but taking the cut simply truncates the end for a motivic flavor rather than repeating the entire opening entrée. There is nothing wrong with purists performing the work in its entirety—it is simply a matter of taste among the performing ensemble members.Stylistically, this piece strays far from my typical compositions. Besides the pervasive echoing eighth-note motifs, the key never changes, and there is no chromaticism. Inspired in that regard by the masterpiece “Quintet” by Michael Kamen, the diatonicism often flows in planed clusters mildly influenced by the choral works of Eric Whitacre. Another deviation from my well-established compositional habits is the instrumentation including bass trombone instead of tuba. Of course the part can be played by a tubist, though the bass trombone meshes more seamlessly with the timbres of the other instruments in passing along the pervasively echoing eighth-notes.The individual brass parts appear deceptively simple, and indeed, they are not technically demanding besides a couple high notes in the trumpets. However, putting this piece together in an ensemble setting is rhythmically treacherous!The four-minute final product indeed sounds like it could be the opening to an epic movie of the same title, based on the novel-in-progress.
$24.95 ≈
$33.62
In the Cathedral Archives-brass trio 2
In the Cathedral Archives-brass trio 2
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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DÉBUTANT
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Phil Beaman
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In the Cathedral Archives-bras
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Phil Beaman
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 1 - SKU: A0.844778 Composed by Phil Beaman. Classical,New Age,Sacred. Score and parts. 6 pages. Phil Beaman...
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Brass Ensemble Horn,Trombone,Trumpet - Level 1 - SKU: A0.844778 Composed by Phil Beaman. Classical,New Age,Sacred. Score and parts. 6 pages. Phil Beaman #5361421. Published by Phil Beaman (A0.844778). In the Cathedral Archives invokes the hushed majesty of the cathedral, the mystery of the archives, and the excitement of the discovery there. The tempo, style, and dynamics change in every section, but similar patterns and chord progressions tie them together. The individual lines are super easy, but when all put together with the markings and variation it sounds quite exciting and special. A great piece for working on controlled playing and interpretation. A lovely addition to any recital.
$5.99 ≈
$8.07
The City In the Sea: Choral Tone Poem
The City In the Sea: Choral Tone Poem
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Chorale SATB
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AVANCÉ
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Contemporain
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Stanley M Hoffman
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The City In the Sea: Choral To
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Pu...
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Choral Choir (SATB) - Level 5 - SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60 ≈
$7.55
The Peanut Vendor (el Manisero)
The Peanut Vendor (el Manisero)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Stan Kenton & His Orchestra
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F
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The Peanut Vendor
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1221432 By Stan Kenton & His Orchestra. By L. Wolfe Gilbert, Marion Sunshine, and Moises Si...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1221432 By Stan Kenton & His Orchestra. By L. Wolfe Gilbert, Marion Sunshine, and Moises Simons. Arranged by F. Leslie Smith. Jazz,Latin,Multicultural,Pop,World. 39 pages. Sweetwater Brass Press #817754. Published by Sweetwater Brass Press (A0.1221432). Can a brass quintet sound like Stan Kenton’s 19-piece big band? No, not really:  no saxophones, no rhythm section, no Milt Bernhart, no Maynard Ferguson, no Bill Russo, no Conte Candoli, no . . .  Well, you get the picture.  But five brass instruments can play in the Kenton style.  And that’s what this is:  “The Peanut Vendor†in the style of the Stan Kenton Orchestra.   Moisés Simons’ “El Manisero†(“The Peanut Vendorâ€) was first recorded in the late 1920s.  The melody was relatively simple yet exotic sounding; the lyrics, a Cuban street vendor’s pitch for selling his bags of peanuts.  Consumers bought more than a million copies of the sheet music, and the song supposedly led to a “rumba craze†in the U.S. and Europe (although the song is not really a rumba!).     Don Azpiazú and his Havana Casino Orchestra recorded the song for RCA Victor in 1930 with Antonio MachÃn on the vocal; its sales may well have been more than the million-plus sheet music copies sold.     English lyrics were added by L. Wolfe Gilbert and Marion Sunshine and the song became “The Peanut Vendor.† One estimate is that nearly 200 recordings have been made.  That’s a lot of peanuts.    Stan Kenton revived “The Peanut Vendor†in 1947 when he first recorded it for Capitol Records.  His version was completely instrumental.  Rhythm and saxophones opened the number and established the background; later the trombone section added emphasis.  A trombone solo first stated the melody but eventually the five-person trumpet section took over with what one writer referred to as “shrieking dissonances.† “The Peanut Vendor†subsequently became one of Kenton’s most requested numbers and he recorded it at least three more times.   This brass quintet arrangement, of course, has access to only two trumpets.  So the good news is that all five players get a chance with the melody.  Kenton’s extended opening trombone solo is shared by Trombone and Tuba.  The “shrieking dissonances†are performed not only by Trumpets but also by Horn in F and Trombone.  The bad news is that all five players have to take a turn with the continuing rhythmic background melody.  Written in 4/4 time, the suggested tempo is 184 BPM in a Latin style.  Kenton’s version is in B-flat major; this arrangement lowers it to A-flat major so that most notes are within the normal playing range of the instruments.  (Don’t worry; the “shrieking dissonances†are still there!)     Completed in 2023, performance time runs about 3 minutes, 37 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$12.99 ≈
$17.51
Just A Closer Walk With Thee
Just A Closer Walk With Thee
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Musique Sacrée
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Traditional Hymn
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Bob Affonso
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Just A Closer Walk With Thee
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Celebratory Music
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1355189 By Traditional Hymn. By Traditional Hymn. Arranged by Bob Affonso. Historic,Praise...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1355189 By Traditional Hymn. By Traditional Hymn. Arranged by Bob Affonso. Historic,Praise & Worship,Religious,Spiritual,Traditional. 13 pages. Celebratory Music #939906. Published by Celebratory Music (A0.1355189). This traditional hymn has been arranged and scored for an 8-piece brass ensemble. It also includes optional percussion parts. The original spirit of the piece is retained in this well-arranged version. It sounds great with or without the percussion! A great addition if you are looking to program a novelty selection! If you want the full New Orleans experience, it also works great as a prelude to my version of When the Saints Go Marching In..
$29.99 ≈
$40.41
Contrapunctus I - From The Art of The Fugue ~ BWV 1080
Contrapunctus I - From The Art of The Fugue ~ BWV 1080
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Johann Sebastian Bach
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Alberto Mandarini
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Contrapunctus I - From The Art
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Alm@music
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SheetMusicPlus
Level 3 - SKU: A0.1488249 Composed by Johann Sebastian Bach. Arranged by Alberto Mandarini. Baroque,Chamber,Classical,Historic,Instructional. 19 pages. ...
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Level 3 - SKU: A0.1488249 Composed by Johann Sebastian Bach. Arranged by Alberto Mandarini. Baroque,Chamber,Classical,Historic,Instructional. 19 pages. Alm@music #1065126. Published by Alm@music (A0.1488249). I transcribed Contrapunctus I from the Art of Fugue by Johann Sebastian Bach, faithfully respecting the work of the Great Maestro, intervening only to distribute the voices when impracticable by the individual instruments and to give some breathing space to the various performers. In fact, from 4 parts, I obtained 5 using a small doubling only in the final part.The choice to use 3 trumpets and 2 trombones, and not the more typical brass quintet (2 trumpets, horn, trombone and tuba), was dictated by the lineup I had available at the time I made the transcription. Luckily, the second trombone part fits perfectly with the original fourth voice (…except for one very brief point…).However, in the future, I don't rule out creating a version for the standard quintet too!On a didactic level, the choice of this piece was certainly ambitious, but the extraordinary thing is that through Bach's music (!!!) it was possible to address an enormous amount of musical nuances. This immediately fascinated my students, both young and old, who did not hesitate to get involved with all their strength and I must say that, at the end of the study path, each of them achieved a clear improvement both technically and, above all, expressive.But then it's no surprise, Bach's music is always extraordinary and surprising!The structure of the transcription is therefore the original one and the duration is around 2 minutes and 45 seconds. To the expected parts I also added that of the horn in F, replacing the 3rd trumpet. At your discretion, of course, decide whether to replace it or double it directly.Also in this case, the audio is made with the synthetic sounds of midi, therefore not particularly captivating, but it should still be useful for getting an idea of the arrangement and for studying the individual parts.Good music!am.
$4.99 ≈
$6.72
Concerto for Two Trumpets with Brass Ensemble and Timpani
Concerto for Two Trumpets with Brass Ensemble and Timpani
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Ensemble de cuivres
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AVANCÉ
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Classique
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Antonio Vivaldi
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Niels-Bo Ole Johansen
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Concerto for Two Trumpets with
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.792812 Composed by Antonio Vivaldi. Arranged by Niels-Bo Ole Johansen. Baroque,Classical,Renaissance. Score and parts...
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Brass Ensemble - Level 5 - SKU: A0.792812 Composed by Antonio Vivaldi. Arranged by Niels-Bo Ole Johansen. Baroque,Classical,Renaissance. Score and parts. 95 pages. Gordon Cherry #6638557. Published by Gordon Cherry (A0.792812). Antonio Vivaldi's Concerto for Two Trumpets in C with Brass Ensemble and Timpani is a rarity for the Baroque era when solos for brass instruments were almost non-existent. The valveless nascent Trumpets were very difficult to play. But as with Bach, there must have been a few brave souls who mastered the instrument and inspired the composer to write his inspired work.As with most of Vivaldi's concertos, this one begins with a quick and sparkling movement to catch the attention of the audience and to showcase the bright tones of the solo trumpets. This is followed by a contrasting brief and languid second movement. The final movement is back to brilliant mode with quick energy and intricate passages for the soloists. (Encylopedia Britannica).Niels-Ole Bo Johansen has created a very unique arrangement for the two solo Trumpets with Brass Ensemble and Timpani...unique in that the accompaniment instruments are almost all conical (except for the trombones who can blend nicely into that pool of round sounds). This gives the listener a sharp contrast between the brilliance of the soloists and the plush sound of the accompaniment.The 6 1/2 minute work is appropriate for advanced performers. The instrumentation is for: 2 solo Trumpets in A, 2 Cornets in B-flat, Flugelhorn, 2 Horns in F, 3 Trombones, Euphonium, 2 Tubas, and Timpani.
$25.00 ≈
$33.69
TRUMPETS: ANY USE? Part2
TRUMPETS: ANY USE? Part2
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Alan Edgar, Sue Spivey
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TRUMPETS: ANY USE? Part2
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Alan Edgar Ted Moon
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SheetMusicPlus
Pipe Organ,Soprano voice,Tenor Voice,Trumpet - Level 3 - SKU: A0.1477964 Composed by Alan Edgar, Sue Spivey. Multicultural,World. 30 pages. Alan Edgar T...
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Pipe Organ,Soprano voice,Tenor Voice,Trumpet - Level 3 - SKU: A0.1477964 Composed by Alan Edgar, Sue Spivey. Multicultural,World. 30 pages. Alan Edgar Ted Moon #1055328. Published by Alan Edgar Ted Moon (A0.1477964). TRUMPETS: ANY USE? Part 2 Soprano orTenor,Trumpet,Organ. Trumpets--Any Use? was inspired by Graeme Lawson’s book Sound Tracks which describes many archaeological discoveries of trumpets and by Kim Moore's poem, When to Play the Trumpet (she wrote several poems about trumpets).There are two sets of four songs: this is the second set.WELCOME This fanfare and processional sets lines from Tennyson's Welcome to Princess Alexandra (she married Edward, Prince of Wales, and became Queen). I use the wholetone mode.CALL TO ARMS Uses lines from Tennyson's Call to Arms and the US Army's bugle call To Arms. EvenTutankhamun had military trumpets( see graphic).REMEMBRANCE uses lyrics by Sue Spivey of Hessle (copyright) and the Last Post.REVELATION Deities often use trumpets. This chant in organum quotes lines from the Holy Bible's Revelation, 1 and 8, about the seven angels and the awful power of their trumpets, as revealed to John of Patmos.DURATION: all four songs, 14 minutes.
$39.00 ≈
$52.56
Waltz from Album for the Young, Opus 39 for Brass Quintet
Waltz from Album for the Young, Opus 39 for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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Charles Decker
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Waltz from Album for the Young
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.817121 Composed by Peter Ilyich Tchaikovsky. Arranged by Charles Decker. 19...
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Brass Quintet Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.817121 Composed by Peter Ilyich Tchaikovsky. Arranged by Charles Decker. 19th Century,Chamber,Romantic Period. 22 pages. Charles Decker Music Press #3544639. Published by Charles Decker Music Press (A0.817121). Tchaikovsky's lyrical mastery of the waltz is aptly demonstrated in this miniature from a set of twenty-four short works written in 1878. Trumpet parts in B-flat and alternate C are included and flugelhorn/trumpet substitute for horn. The sound file is an actual brass quintet performance of the entire arrangement and not a computer playback of the score. When coupled with my SMP brass quintet arrangement of Tchaikovsky's September from the Seasons or my transcription of his Andante from String Quartet No. 2 at Kendor Music it makes an attractive Tchaikovsky set. See more than 70 mixed brass ensemble publications at Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions at Charles Decker Music Press at Sheet Music Plus for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.  For more Charles Decker brass quintet editions use these links to Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$9.95 ≈
$13.41
Singin' In The Rain
Singin' In The Rain
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Comédie Musicale
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Arthur Freed and Nacio Herb Br
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José L Blasco (Choral arr
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Singin' In The Rain
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1392859 Composed by Arthur Freed and Nacio Herb Brown. Arranged by José L Blasco (Choral...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1392859 Composed by Arthur Freed and Nacio Herb Brown. Arranged by José L Blasco (Choral arr.) & Peet du Toit. Broadway,Musical/Show. 22 pages. Peet du Toit #976384. Published by Peet du Toit (A0.1392859). Singin' in the Rain is a 1952 American musical romantic comedy film directed and choreographed by Gene Kelly and Stanley Donen, starring Kelly, Donald O'Connor, and Debbie Reynolds and featuring Jean Hagen, Millard Mitchell and Cyd Charisse. It offers a lighthearted depiction of Hollywood in the late 1920s, with the three stars portraying performers caught up in the transition from silent films to talkies.The film was only a modest hit when it was first released. O'Connor won the Golden Globe Award for Best Actor – Motion Picture Musical or Comedy, and Betty Comden and Adolph Green won the Writers Guild of America Award for their screenplay, while Jean Hagen was nominated for the Academy Award for Best Supporting Actress. However, it has since been accorded legendary status by contemporary critics, and is often regarded as the greatest musical film ever made and one of the greatest films ever made, as well as the greatest film made in the Freed Unit at Metro-Goldwyn-Mayer. It topped the AFI's Greatest Movie Musicals list and is ranked as the fifth-greatest American motion picture of all time in its updated list of the greatest American films in 2007.In 1989, Singin' in the Rain was one of the first 25 films selected by the United States Library of Congress for preservation in the National Film Registry for being culturally, historically, or aesthetically significant. In 2005, the British Film Institute included it in its list of the 50 films to be seen by the age of 14. In 2008, Empire magazine ranked it as the eighth-best film of all time. In Sight & Sound magazine's 2022 list of the greatest films of all time, Singin' in the Rain placed 10th.Well, this arrangement for Brass Quintet supports the accolades of this glorious song and show. Enjoy!
$17.00 ≈
$22.91
Joshua Fought the Battle of Jericho
Joshua Fought the Battle of Jericho
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Chorale 3 parties
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FACILE
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Gospel Spirituel
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Traditional Spiritual
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Mayim Stith
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Joshua Fought the Battle of Je
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Prairie Rose Press
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SheetMusicPlus
Choral Choir,Choral,SAB Chorus - Level 2 - SKU: A0.1417278 Composed by Traditional Spiritual. Arranged by Mayim Stith. Christian,Praise & Worship,Religi...
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Choral Choir,Choral,SAB Chorus - Level 2 - SKU: A0.1417278 Composed by Traditional Spiritual. Arranged by Mayim Stith. Christian,Praise & Worship,Religious,Sacred,Spiritual. 10 pages. Prairie Rose Press #998836. Published by Prairie Rose Press (A0.1417278). When you hear the priests sound a long blast on the trumpets, have the whole army give a loud shout; then the walls of the city of Jericho will collapse. -Joshua 6:5Embrace both the epic Biblical story and the spirit of swing with Joshua Fought the Battle of Jericho, the classic spiritual as newly arranged by Mayim Stith. Written for three-part SAB chorus, it features a jazzy piano solo for your accompanist as well as musical quotations from the beloved hymn The God Of Abram Praise. Bring the house down with Joshua Fought the Battle of Jericho today!Looking for a digital download? Support the composer directly and purchase this music on www.mayimstith.com/joshua-fought-the-battle-of-jericho.
$2.75 ≈
$3.71
When I'm Sixty-four
When I'm Sixty-four
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Rock
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The Beatles
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Ray Thompson
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When I'm Sixty-four
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RayThompsonMusic
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1033565 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Film/T...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1033565 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Film/TV,Pop,Rock,Standards. 9 pages. RayThompsonMusic #638875. Published by RayThompsonMusic (A0.1033565). Arranged standard brass quintet When I'm Sixty-Four is a song by the English rock band the Beatles, written by Paul McCartney (credited to Lennon–McCartney) and released on their 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was one of the first songs written by McCartney, who wrote it when he was 14. The song was recorded in a different key than the final recording; it was sped up at the request of McCartney to make his voice sound younger. It prominently features a trio of clarinets (two regular clarinets and one bass clarinet) throughout.
$19.95 ≈
$26.88
Northern Song-Schumann-brass quintet
Northern Song-Schumann-brass quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Robert Schumann
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Phil Beaman
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Northern Song-Schumann-brass q
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Phil Beaman
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.844975 Composed by Robert Schumann. Arranged by Phil Beaman. Romantic Period,Standards. Sc...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.844975 Composed by Robert Schumann. Arranged by Phil Beaman. Romantic Period,Standards. Score and parts. 8 pages. Phil Beaman #6039387. Published by Phil Beaman (A0.844975). In 1848 Robert Schumann wrote a set of piano pieces for his daughters which he called Album for the Young. One of those pieces was titled Northern Song. I have divided the thick original piano chords into an Instrumental Quintet. When playing this song use your ears to make sure every note of the chord is equally blended and balanced amongst all instruments in your ensemble. The final product is a clean, pleasant recital piece that is not too difficult but sounds rich and more advanced.
$8.90 ≈
$11.99
It Is Well With My Soul (When Peace Like a River)
It Is Well With My Soul (When Peace Like a River)
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Horatio Spafford
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Michael E
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It Is Well With My Soul
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Michael E. Ropp
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SheetMusicPlus
Small Ensemble Horn,Trumpet,Tuba - Level 3 - SKU: A0.971700 Composed by Horatio Spafford (lyric) and Phillip Bliss (music). Arranged by Michael E. Ropp....
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Small Ensemble Horn,Trumpet,Tuba - Level 3 - SKU: A0.971700 Composed by Horatio Spafford (lyric) and Phillip Bliss (music). Arranged by Michael E. Ropp. Christian,Sacred,Spiritual. Score and parts. 11 pages. Michael E. Ropp #2959209. Published by Michael E. Ropp (A0.971700). I have always loved this hymn, and one Sunday morning when I had been called upon to write something lyric for our brass quartet (two trumpets in Bb, horn in F, and tuba), I went straight for It Is Well With My Soul. This arrangement tells in music the story of Horatio Spafford and the circumstances under which he wrote the lyric for this hymn. The piece opens with sounding of the horn of Spafford’s ship as she passes over the point at which Spafford's four daughters were lost. The first verse builds dramatically as the lyric comes to Spafford and ends with the lovely chorus. The next section is based on the third stanza of the hymn in which Spafford writes, My sin, not the part, but the whole, is nailed to the cross… The horn gets the melody, evoking the sound of Spafford’s own voice, and the other instruments vividly paint the hammering of the nails. However, as Spafford moves into the chorus, the harmony becomes dark and uncertain as Spafford’s grief overwhelms him; his faith wavers as he tries to believe what he is writing. Then, the melody transfers to the trumpet as Spafford is answered by the higher voice from above-his daughters assuring him that, yes, it IS well, it is well. The piece then ends with a peaceful statement of the chorus, evocative of the rolling sea and Spafford’s soul at peace. This piece can be played by a student ensemble; the primary challenge is in achieving the level of expression and emotion required to pull off a piece like this.
$5.99 ≈
$8.07
Everybody Eats When They Come To My House
Everybody Eats When They Come To My House
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Jeanne Burns
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Daryl McKenzie
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Everybody Eats When They Come
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Daryl McKenzie
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1092640 Composed by Jeanne Burns. Arranged by Daryl McKenzie. Jazz,Standards. Score and parts. 57 pages....
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1092640 Composed by Jeanne Burns. Arranged by Daryl McKenzie. Jazz,Standards. Score and parts. 57 pages. Daryl McKenzie #696738. Published by Daryl McKenzie (A0.1092640). Arranged in the style of Cab Calloway for Vocal with Big Band (Opt. Flute or Vibes, 5 Saxes, 4 Trumpets, 4 Trombones, Piano, Guitar, Bass, Drums) Key of C (key as Cab Calloway) Full audio demo (Sibelius sounds): https://bit.ly/3Qr6Hcg Live School band performance audio: https://bit.ly/3rLnVql Same arrangement in Key of G also available More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$69.99 ≈
$94.32
Everybody Eats When They Come To My House
Everybody Eats When They Come To My House
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Ensemble Jazz
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INTERMÉDIAIRE
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Jazz
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Jeanne Burns
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Daryl McKenzie
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Everybody Eats When They Come
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Daryl McKenzie
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1092641 Composed by Jeanne Burns. Arranged by Daryl McKenzie. Jazz,Standards. Score and parts. 57 pages....
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1092641 Composed by Jeanne Burns. Arranged by Daryl McKenzie. Jazz,Standards. Score and parts. 57 pages. Daryl McKenzie #696739. Published by Daryl McKenzie (A0.1092641). Arranged in the style of Cab Calloway for Vocal with Big Band (Opt. Flute or Vibes, 5 Saxes, 4 Trumpets, 4 Trombones, Piano, Guitar, Bass, Drums) Key of G Full audio demo (Sibelius sounds): https://bit.ly/3bGtKRB Live School band performance audio: https://bit.ly/3rLnVql Same arrangement in Key of C (Cab Calloway key) also available More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$69.99 ≈
$94.32
Electricity from the Broadway Musical BILLY ELLIOT
Electricity from the Broadway Musical BILLY ELLIOT
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Rock
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Elton John
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Mike Lyons
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Electricity from the Broadway
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Lyons Music Services
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SheetMusicPlus
String Ensemble,String Quintet - Level 4 - SKU: A0.767455 By Elton John. By Elton John. Arranged by Mike Lyons. Pop,Rock. Score and parts. 11 pages. Lyo...
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String Ensemble,String Quintet - Level 4 - SKU: A0.767455 By Elton John. By Elton John. Arranged by Mike Lyons. Pop,Rock. Score and parts. 11 pages. Lyons Music Services #4354437. Published by Lyons Music Services (A0.767455). A brand new arrangement, for String Quintet or String Orchestra, of this delightful song from the Broadway musical Billy Elliot. When Billy is asked how it feels when he is dancing, this is his answer. The first part of the song should sound a little hesitant but then get more confident all the way through.Parts are supplied as follows:The pdf contains the full score and individual parts for a standard string quintet. If you are using this for string orchestra, please print off all the parts you need.There are now new arrangements for this for Clarinet quintet (3 Bb Clarinets, 2 Bass clarinets) and Brass Quintet (2 Trumpets, Horn, Trombone & Tuba). These arrangements are NOT identical, each being idiomatic to the ensemble.
$25.00 ≈
$33.69
Equinox
Equinox
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Jazz
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John Coltrane
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Keith Terrett
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Equinox
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Keith Terrett
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1149129 By John Coltrane. By John Coltrane. Arranged by Keith Terrett. 20th Century,Blues,Jazz,Multicultu...
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Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1149129 By John Coltrane. By John Coltrane. Arranged by Keith Terrett. 20th Century,Blues,Jazz,Multicultural,Standards,World. 11 pages. Keith Terrett #749258. Published by Keith Terrett (A0.1149129). An arrangement of John Coltrane's classic Equinox for Brass Quintet with optional drum kit. Equinox is a minor blues jazz standard by American jazz saxophone player and composer John Coltrane. Originally released on Coltrane's Sound[ played in C# minor with a slow swing feel. However, it is usually played in the key of C Minor and often covered on the flute Coltrane’s wife Naima named the song Equinox. The equinox occur twice a year, when the tilt of the Earth’s axis is inclined neither away from nor towards the sun. John Coltrane was born on September 23, 1926, the day of the official autumn equinox of that year. The release of Equinox was delayed until 1964 when Atlantic issued the album Coltrane’s Sound. Before he recorded it, Coltrane performed Equinox several times in live venues, including a session with Miles Davis’ rhythm section and at the 1960 Monterey Jazz Festival. Unfortunately, the other Atlantic recordings of Equinox were lost in the 1978 warehouse fire before they were released.Unlike Naima and My Favorite Things, Equinox would not become part of Coltrane's repertoire. Coltrane's attitude in writing Equinox is described by Dr Lewis Porter as Coltrane was a serious blues player and his blues pieces reflect the desire to get back to a primal mood, and away from the emotionally lighter, harmonically more complicated and complex blues of the boppers. Equinox is introduced by McCoy Tyner and Elvin Jones with a Latin rhythmic passage which shifts into the slower tempo of the theme. The composition evokes a sense of mystery. Coltrane then enters on the horn (a tenor), his playing slow and pensive. The theme is repeated for two choruses and then stating the theme twice. He then proceeds with an improvisation of unusual emotional depth - reminiscent of a preacher exhorting his congregation. Elvin Jones make dramatic use of drum rolls and cymbal crashes throughout the song to maintain the sense of mystery. McCoy Tyner comps with a light feel.
$14.99 ≈
$20.20
I Believe (When I Fall In Love It Will Be Forever)
I Believe (When I Fall In Love It Will Be Forever)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Pop musique
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Stevie Wonder
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Will Corbin
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I Believe
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Will Corbin
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - SKU: A0.1461181 By Stevie Wonder. By Stevie Wonder and Yvonne Wright. Arranged by Will Corbin. Pop. 21 pages....
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Brass Quintet Horn,Trombone,Trumpet,Tuba - SKU: A0.1461181 By Stevie Wonder. By Stevie Wonder and Yvonne Wright. Arranged by Will Corbin. Pop. 21 pages. Will Corbin #1040039. Published by Will Corbin (A0.1461181). Stevie Wonder first recorded this song -- he co-wrote it with Yvonne Wright -- in 1972. In the ensuing nearly 50 years, it has been covered over and over, right up to showing up on soundtracks of current television programming. Among the cover artists: Peter Frampton, Josh Groban, George Michael, Art Garfunkel and Michael McDonald.If you'd like alternative instrumentation, I'm happy to help. Contact me at wilcor@aol.com.
$15.00 ≈
$20.21
Joy, Joy, Everyone Is Flying - Easy Trumpet Duet
Joy, Joy, Everyone Is Flying - Easy Trumpet Duet
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2 Trompettes (duo)
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FACILE
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including more of the modern d
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Eddie Lewis
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Joy, Joy, Everyone Is Flying -
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Tiger Music
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SheetMusicPlus
Trumpet Duet Trumpet - Level 2 - SKU: A0.1088949 Composed by Eddie Lewis. Classical,Contemporary,Instructional. Score. 4 pages. Tiger Music #693161. Pub...
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Trumpet Duet Trumpet - Level 2 - SKU: A0.1088949 Composed by Eddie Lewis. Classical,Contemporary,Instructional. Score. 4 pages. Tiger Music #693161. Published by Tiger Music (A0.1088949). Give your students something modern to work on. Joy, Joy, Everyone Is Flying trumpet duet uses a modern compositional technique. Joy, Joy Everyone Is Flying trumpet duet is actually part of my recent modern composition series. The idea was to see if I could write one of those compositions for trumpet duet with Trumpet Tyro limitations. Being composed from a nontraditional technique, Joy, Joy, Everyone Is Flying does not sound like the typical “do re mi†beginner band music. As an educational piece, it serves as a wonderful opportunity to expose the students to exotic sounds. The piece begins like a traditional imitative piece, but you soon hear a non-traditional modality. That modality is emphasized in the B section with grace notes that give it an eastern hint. Joy, Joy, Everyone Is Flying is a short duet, lasting under a minute. This is because it is written for students who were beginners only months ago. Other Duet Books I have published similar duets to this one in my two other duet books for this level. The first and most popular is Celebrations which has trumpet duets for all skill levels. The second, which has some of the Celebrations duets, is called Twenty Trumpet Tyro Duets. In the trumpet community we use duets as educational tools. They are a wonderful way to expose students to counterpoint, different harmonies and different rhythmic ideas. By including more of the modern duets in the easier duet books, the younger students have an opportunity to experience non-traditional music in what is essentially a chamber music environment. The Experimental Music Series I’ve published a number of these experimental works for trumpet and brass instrumentations. The newer ones were in response to the popularity of the fishing suites. I had gone years without writing any of these compositions and wanted to apply the techniques to trumpet trio. The fishing suites are a suite of suites, each suite being dedicated to a different composition technique. Of those three suites, Catch Suite is the one that uses the same technique as Joy, Joy, Everyone Is Flying. Other compositions utilizing this compositional technique include The Lotus Eater and Voice of the Prophets. SKILL LEVEL The skill level for Joy, Joy, Everyone Is Flying is Trumpet Tyro. Trumpet Tyro is the second of seven levels in our system. This is music for trumpet students with a range up to fourth space E. The music in this level is limited to three flats or sharps. We almost bumped this piece up into the Trumpet Player level because of all the accidentals, but eventually decided to keep it in the Trumpet Tyro level. Technically, the accidentals all fall within acceptable keys for this level, so we kept it at the lower level. That said, because it is non-traditional, it will take a little longer to learn. The melodic sounds will not come as readily as the traditional “do re mi†stuff. Practice Recommendations Listening to the recording is a very important part of learning something with new sounds. You want to be able to hear those sounds. Here’s an interesting bit of trivia for you… When I am using one of these original compositional techniques, I know when I’ve made a mistake because I can hear that it sounds different. I believe this is the sign of a technique that works. If there’s a mistake, the composer should be able to hear that there’s something wrong. Well, performing music that utilizes these sorts of non-traditional techniques goes far better when the performers can also hear the music that way.
$4.99 ≈
$6.72
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When the Trumpets Sound
