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Whistle Down The Wind Violin 3
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Vous avez sélectionné:
Whistle Down The Wind Violin 3
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21 partitions trouvées
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1
Concerto
Concerto
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Piano et Orchestre
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AVANCÉ
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Contemporain
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minut...
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Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
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Whistle Down The Wind - Violin 3 (Viola T.C.)
Whistle Down The Wind - Violin 3 (Viola T.C.)
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Violon (partie séparée)
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Comédie Musicale
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Jim Steinman and Andrew Lloyd
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John Leavitt
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Musical/Show
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Whistle Down The Wind - Violin
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Jim Steinman and Andrew Lloyd Webber. Arranged by John Leavitt. Orchestra. For Violin 3 (Viola T.C.). Broadway; Musical/Show. Individual instrument part. 1 p...
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By Jim Steinman and Andrew Lloyd Webber. Arranged by John Leavitt. Orchestra. For Violin 3 (Viola T.C.). Broadway; Musical/Show. Individual instrument part. 1 pages. Duration 3:30. Published by Hal Leonard - Digital Sheet Music
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El cielo en tus ojos (The Sky in Your Eyes), Celtic Song by Gustavo Fuentes
El cielo en tus ojos (The Sky in Your Eyes), Celtic Song by Gustavo Fuentes
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Gustavo Fuentes
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Gustavo Fuentes
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El cielo en tus ojos
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Gustavo Fuentes
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SheetMusicPlus
Small Ensemble Cello,Flute,Soprano Recorder,Violin - SKU: A0.900404 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Ag...
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Small Ensemble Cello,Flute,Soprano Recorder,Violin - SKU: A0.900404 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 3 pages. Gustavo Fuentes #3637523. Published by Gustavo Fuentes (A0.900404). The Sky in Your Eyes. Celtic music song composed by Gustavo Fuentes, arranged for two voices. One melody instrument, such as tin-whistle, flute, recorder, low whistle, violin or piano and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. The eyes are the windows to the soul. They can reflect sadness, happiness, pain, peace, love. The eyes of a mother looking at her child, of a migrant taking one last look at their homeland, the eyes of two lovers getting lost in ecstasy.So we must let our eyes be. Let them fill up with tears of joy, tears of sadness and tears of excitement. We must truly let our eyes be windows to our souls so those that want to get to know it only need to look inside. Once we let our eyes reflect the skies, reflect smiles, reflect hope and even reflect the world, we might be able to perceive the eyes around us. Canción de música celta compuesta por Gustavo Fuentes, arreglada para dos voces. Una aguda como tin-whistle, low whistle, flauta traversa, flauta dulce, violÃn o piano y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. La mirada es el lenguaje del alma. En los ojos se traslucen la tristeza, la alegrÃa, el dolor, la paz, el amor. La mirada de una madre hacia su hijo, la mirada de aquel que debe emigrar y observa por última vez su tierra, la mirada de los enamorados que se funden en el éxtasis.Dejemos ser a nuestros ojos. Que se llenen de lágrimas de emoción, que palidezcan de tristeza o que brillen de deseo. Demos permiso a nuestras miradas y que sean realmente el espejo de nuestra alma para quienes quieran conocerla. Aceptemos que se nos llenen los ojos de cielo, de sonrisas, de esperanza y también de ausencia. Permitamos que nuestro mundo se vea en nuestros ojos, y tal vez entonces podamos ver el universo de miradas que nos rodea.
$4.99 ≈
4.63€
Whistle Down The Wind - Violin 1
Whistle Down The Wind - Violin 1
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Violon (partie séparée)
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Comédie Musicale
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Jim Steinman and Andrew Lloyd
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John Leavitt
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Musical/Show
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Whistle Down The Wind - Violin
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Jim Steinman and Andrew Lloyd Webber. Arranged by John Leavitt. Orchestra. For Violin 1. Broadway; Musical/Show. Individual instrument part. 1 pages. Duratio...
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By Jim Steinman and Andrew Lloyd Webber. Arranged by John Leavitt. Orchestra. For Violin 1. Broadway; Musical/Show. Individual instrument part. 1 pages. Duration 3:30. Published by Hal Leonard - Digital Sheet Music
$7.00 ≈
6.49€
Whistle Down The Wind - Violin 2
Whistle Down The Wind - Violin 2
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Violon (partie séparée)
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Comédie Musicale
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Jim Steinman and Andrew Lloyd
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John Leavitt
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Musical/Show
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Whistle Down The Wind - Violin
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Jim Steinman and Andrew Lloyd Webber. Arranged by John Leavitt. Orchestra. For Violin 2. Broadway; Musical/Show. Individual instrument part. 1 pages. Duratio...
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By Jim Steinman and Andrew Lloyd Webber. Arranged by John Leavitt. Orchestra. For Violin 2. Broadway; Musical/Show. Individual instrument part. 1 pages. Duration 3:30. Published by Hal Leonard - Digital Sheet Music
$7.00 ≈
6.49€
No Matter What (from Whistle Down The Wind)
No Matter What (from Whistle Down The Wind)
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Violon
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Pop
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No Matter What
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Musical/Show; Pop. Vlnsol. 3 pages. Published by Hal Leonard - Digital Sheet Music (HX.347538). - vlnsol - Musical/Show; Pop - Hal Leonard - Digital Sheet Music...
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Musical/Show; Pop. Vlnsol. 3 pages. Published by Hal Leonard - Digital Sheet Music (HX.347538). - vlnsol - Musical/Show; Pop - Hal Leonard - Digital Sheet Music
$2.99 ≈
2.77€
Music from the First Age, Volume I (9 duets for flute, recorder, tin whistle and more)
Music from the First Age, Volume I (9 duets for flute, recorder, tin whistle and more)
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2 Flûtes traversières (duo)
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INTERMÉDIAIRE
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Sean Michael Batura
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Music from the First Age, Volu
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Sean Michael Batura
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.945442 Composed by Sean Michael Batura. 20th Century,Celtic,Contemporary,World. 67 pages. Sean Michael Batura #644...
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Woodwind Ensemble - Level 3 - SKU: A0.945442 Composed by Sean Michael Batura. 20th Century,Celtic,Contemporary,World. 67 pages. Sean Michael Batura #6446355. Published by Sean Michael Batura (A0.945442). This book includes 9 duets written with the tin whistle in mind, but these pieces also are very suitable for the Irish flute, recorder, concert flute, violin, other treble clef instruments. .
$14.95 ≈
13.86€
Almas en vuelo (Souls in Flight), Celtic Song by Gustavo Fuentes
Almas en vuelo (Souls in Flight), Celtic Song by Gustavo Fuentes
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Gustavo Fuentes
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Gustavo Fuentes
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Almas en vuelo
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Gustavo Fuentes
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SheetMusicPlus
Large Ensemble Cello,Flute,Piano Accompaniment,Soprano Recorder,Tin Whistle,Violin - Level 3 - SKU: A0.900400 Composed by Gustavo Fuentes. Arranged by G...
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Large Ensemble Cello,Flute,Piano Accompaniment,Soprano Recorder,Tin Whistle,Violin - Level 3 - SKU: A0.900400 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 4 pages. Gustavo Fuentes #3637489. Published by Gustavo Fuentes (A0.900400). Souls in Flight. Celtic music song composed by Gustavo Fuentes, arranged for two voices. One melody instrument, such as tin-whistle, flute, recorder, low whistle, violin, piano or guitar and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. Our souls are always in flight. They sometimes flap their wings against the cold winds of indifference, and some other times they simply glide with the gentle winds of love. When in flight, they come across other souls and travel some of the journey together until fate sets them on separate paths again.As poet Luis Alberto Spinetta so eloquently worded it: I have to learn how to fly among so many people standing. Our flying souls can sometimes be hard to track. They are chasing dreams, so we have to learn how to fly away from our everydayness and closer to them. Merely watching our souls fly away will mean forsaking the chance to visit the sky where our dreams are, that same sky where the ancient Celts believed was the home of the Gods, the Otherworld. Canción de música celta compuesta por Gustavo Fuentes, arreglada para dos voces. Una aguda como tin-whistle, low whistle, flauta traversa, flauta dulce, violÃn, piano o guitarra y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. Nuestras almas están en constante vuelo. A veces aletean contra el viento frÃo de la indiferencia; otras veces planean suavemente, acompañando la plácida brisa del amor. En su vuelo, se cruzan con otras almas y transitan parte del trayecto juntas, hasta que el destino decide que tomen rumbos diferentes.Tengo que aprender a volar entre tanta gente de pie, dice el poeta Luis Alberto Spinetta. A veces nos cuesta seguirle el vuelo a nuestras almas. Tenemos que aprender a elevarnos de lo cotidiano para no alejarnos tanto de ellas, que con su vuelo persiguen los sueños. Si nos quedamos simplemente contemplándolas volar, renunciamos a surcar a su lado el cielo de nuestros sueños; ese cielo donde los antiguos celtas ubicaban al Supramundo, la morada de los dioses.
$4.99 ≈
4.63€
Nuevo cielo (New Heaven), Celtic Song by Gustavo Fuentes
Nuevo cielo (New Heaven), Celtic Song by Gustavo Fuentes
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Gustavo Fuentes
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Gustavo Fuentes
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Nuevo cielo
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Gustavo Fuentes
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.900406 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. 4 pages. Gusta...
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Woodwind Ensemble - Level 3 - SKU: A0.900406 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. 4 pages. Gustavo Fuentes #3637535. Published by Gustavo Fuentes (A0.900406). New Heaven. Celtic music song composed by Gustavo Fuentes, arranged for two voices. Two melody instruments, such as tin whistle, low whistle, flute, recorder, piano or violin, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. Some things in this universe always remain the same while others are constantly changing. We are at the mercy of time and the changing seasons. Time is precisely what gives us perspective and helps us realize our reality is always evolving.Some changes are inevitable and we cannot do anything about them. They can be beautiful and fill our souls with joy and excitement or they can fill us with sorrow.But there are other types of changes which are fully up to us and that is what this song is about.There are times when we decide to make personal changes in order to go on a new journey and reimagine our heaven. A new heaven which will give us the strength and the courage to fight our fears and our demons. When we change our destiny and fight despite all setbacks, we become the warriors of our own battles. Canción de música celta compuesta por Gustavo Fuentes, arreglada para dos voces agudas como tin-whistle, low whistle, flauta traversa, flauta dulce, piano o violÃn, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. Asà como en el universo existen cosas constantes y cosas en perpetuo cambio, nosotros también vivimos a merced del tiempo y sus estaciones. Es justamente el tiempo el que nos da la perspectiva de que nuestra realidad evoluciona.Algunos de esos cambios pueden ser externos a nuestra voluntad, inevitables. Pueden ser hermosos y llenarnos el alma de alegrÃa y emoción o envolvernos en tristeza y melancolÃa. Pero hay otros cambios que dependen de nosotros, y sobre ellos gira esta melodÃa.Hay momentos en que decidimos mudar nuestro ser y nuestra realidad para transitar un camino diferente, tiempos en los que queremos transformar nuestro cielo. Ese nuevo cielo por venir es el que nos da la fuerza y la valentÃa para luchar contra nuestros temores y fantasmas. Se trata de esas ocasiones en las que decidimos transformar nuestro destino y luchamos contra todas las adversidades. El tiempo en que somos guerreros de nuestras propias batallas.
$4.99 ≈
4.63€
Railway Song (Auf de schwäb'sche Eisebahne) for string quartet
Railway Song (Auf de schwäb'sche Eisebahne) for string quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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David Warin Solomons
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Railway Song
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David Warin Solomons
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.575774 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Folk,World. Score and p...
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String Quartet String Quartet - Level 4 - SKU: A0.575774 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Folk,World. Score and parts. 21 pages. David Warin Solomons #2028009. Published by David Warin Solomons (A0.575774). This arrangement of Railway Song is one of a series of jolly and descriptive quartets (and a septet) all based on the Swabian folksong Auf de schwäb'sche Eisebahne (= on the Swabian railway) from the Tübinger Kommersbuch 1853 The music in this arrangement also mimics the speeding up and slowing down of the train and its whistles. Versions available on this site are: Flute quartet (piccolo, flute, alto flute, bass flute) Flute quartet (2 flutes, alto flute, bass flute) Flute quartet (piccolo, 2 flutes, alto flute) Clarinet quartet (3 B-flat clarinets and 1 Bass clarinet) String quartet (2 violins, viola and cello) Saxophone quartet (soprano, alto, tenor and baritone saxophones) Wind quartet (flute, oboe, clarinet, bassoon) Septet (flute (or oboe), oboe, clarinet, bassoon, viola, cello, piano).
$12.00 ≈
11.12€
Ensemble Time - C Flutes (Oboe)
Ensemble Time - C Flutes (Oboe)
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Harvey S
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Flute Quartet
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Ensemble Time - C Flutes
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Rubank Publications
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SheetMusicPlus
Flute Ensemble; Flute Quartet; Flute Trio; Mixed Woodwind Ensemble; Violin Ensemble; Violin Quartet; Violin Trio; Woodwind Ensemble SKU: HL.4474640 Fo...
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Flute Ensemble; Flute Quartet; Flute Trio; Mixed Woodwind Ensemble; Violin Ensemble; Violin Quartet; Violin Trio; Woodwind Ensemble SKU: HL.4474640 For Instrumental Trio or Quartet Playing. Arranged by Harvey S. Whistler and Herman Hummel. Ensemble Collection. Classical. 24 pages. Published by Rubank Publications (HL.4474640). ISBN 9781540083371. UPC: 073999746402. 9.0x12.0x0.117 inches.An abundant collection of grade 1-2 ensembles that can be played by any combination of 3 or more flutes, clarinets, oboes, saxophones, trumpets or violins. Includes traditional songs and rounds, as well as beginning level arrangements of songs by Bach, Schubert, Stephen Foster, Lehar, Weber, Mendelssohn and many more.
Song List
: God Rest Ye Merry, Gentlemen Viennese Refrain Vilia Poor Wand'ring One Integer Vitae The Bell Doth Toll Concert Waltz (Oberon) Weber The Light Of All Our Seeing The Miller Of The Dee One And All Rejoice (R.Massie) Aria (Il Trovatore) Verdi Flantation Favorites (Foster) Grandfather's Clock Oh How Lovely Is The Evening Parting Hour, The (Schubert) Spring Is Come, The (Hayes) Blow The Man Down On Wings Of Song (Auf Flugeln Des Gesanges)
$6.99 ≈
6.48€
Flowers of Edinburgh, Celtic Song Arranged by Gustavo Fuentes
Flowers of Edinburgh, Celtic Song Arranged by Gustavo Fuentes
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Traditional
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Gustavo Fuentes
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Flowers of Edinburgh, Celtic S
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Gustavo Fuentes
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SheetMusicPlus
Woodwind Ensemble - SKU: A0.900410 Composed by Traditional. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. 3 pages. Gustavo Fuentes #36...
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Woodwind Ensemble - SKU: A0.900410 Composed by Traditional. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. 3 pages. Gustavo Fuentes #3637565. Published by Gustavo Fuentes (A0.900410). Flowers of Edinburgh. Scotish music song, arranged for three voices. Two melody instruments, such as tin whistle, low whistle, flute, recorder, harmonic or violin, and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. The hornpipe is a traditional dance in Ireland and Scotland. The legend says that sailors used to dance the hornpipe before setting sail. It makes sense that they would dance atop bar tables until their legs gave out: after all, on each journey they put their lives at risk. Dancing is a way to face one’s fears and find the happiness that lies within. It is a way to find hope amidst uncertainty.We should dance when we are happy, so we can be happier. We should dance when we are sad, so our sadness can be soothed. We should dance like our sailor ancestors once did, so that we can know that even though the journey might be dangerous, if we are tired from dancing, nothing can go wrong. Canción tradicional escocesa, arreglada para tres voces. Dos agudas como tin-whistle, low whistle, flauta traversa, flauta dulce, armónica o violÃn, y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. El hornpipe es una danza muy tradicional en Irlanda y Escocia. Cuenta la leyenda que lo bailaban los marineros antes de embarcar. Y suena lógico que zapatearan hasta el cansancio sobre las mesas de los bares porque en cada viaje ellos arriesgaban sus vidas. Bailar es una forma de ponerle el cuerpo al miedo, de ahuyentar los fantasmas, de conectarnos con nuestra alegrÃa más profunda. Bailar es un modo de encontrar esperanza cuando el porvenir nos llena de incertidumbre.Bailemos cuando estemos felices, porque aumentará nuestra felicidad. Bailemos cuando estemos tristes, porque atenuará nuestra tristeza. Bailemos como lo hacÃan nuestros ancestros marineros, para tomar conciencia de que aunque el viaje puede ser peligroso, si nuestro cuerpo está cansado de felicidad, nada saldrá mal.
$4.99 ≈
4.63€
Himno del Antiguo Reyno de Galicia - Celtic song
Himno del Antiguo Reyno de Galicia - Celtic song
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Traditional
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Gustavo Fuentes
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Himno del Antiguo Reyno de Gal
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Gustavo Fuentes
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.900397 Composed by Traditional. Arranged by Gustavo Fuentes. Celtic,Folk,World. 4 pages. Gustavo Fuentes #3534537....
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Woodwind Ensemble - Level 3 - SKU: A0.900397 Composed by Traditional. Arranged by Gustavo Fuentes. Celtic,Folk,World. 4 pages. Gustavo Fuentes #3534537. Published by Gustavo Fuentes (A0.900397). Traditional spanish march, arranged for two melody instrument, such as spanish bagpipe, tin whistle, flute, recorder or violin, and low voice like cello or bass, with chords for piano or guitar. This arrangement belongs to the repertory of the celtic group Eriskay, of which I am its director and arranger. The audio is from our CD Musica Celta that you can listen to on Spotify. It is also the arrangement in the version of the Ensamble de Música Celta de Buenos Aires. https://youtu.be/CpWBDfTGrvA Marcha tradicional de Galicia (España), arreglada para dos instrumentos melódicos, como gaita gallega, tin-whistle, flauta traversa, flauta dulce o violÃn, y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. Este arreglo forma parte del repertorio del grupo de música celta Eriskay, del cual soy el director y arreglador. El audio pertenece a nuestro CD Música Celta, que se puede escuchar completo en Spotify. También es el arreglo en la versión del Ensamble de Música Celta de Buenos Aires.
$3.99 ≈
3.70€
Oisín en Tirnanoge (Oisin in Tirnanoge), Celtic Song by Gustavo Fuentes
Oisín en Tirnanoge (Oisin in Tirnanoge), Celtic Song by Gustavo Fuentes
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Gustavo Fuentes
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Gustavo Fuentes
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Oisín en Tirnanoge
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Gustavo Fuentes
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.900409 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. 5 pages. Gusta...
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Woodwind Ensemble - Level 3 - SKU: A0.900409 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. 5 pages. Gustavo Fuentes #3637867. Published by Gustavo Fuentes (A0.900409). Oisin in Tirnanoge. Celtic music song composed by Gustavo Fuentes, arranged for five voices. Two melody instrument, such as tin-whistle, flute, recorder, low whistle, violin or piano and three voices like violins and cello or bass, with chords for piano or guitar. The audio is from to the Eriskay Group CD Música Celta that you can listen to on Spotify.Canción de música celta compuesta por Gustavo Fuentes, arreglada para cinco voces. Dos melódicas como tin-whistle, low whistle, flauta traversa, flauta dulce, violÃn o piano y tres voces de acompañamiento para violines y cello, con cifrado de acordes para piano o guitarra. El audio pertenece al CD del grupo Eriskay Música celta, que se puede escuchar completo en Spotify.
$4.99 ≈
4.63€
Ensemble Time - B Flat Clarinets (Bass Clarinet)
Ensemble Time - B Flat Clarinets (Bass Clarinet)
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Harvey S
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Clarinet Quartet
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Ensemble Time - B Flat Clarine
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Rubank Publications
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SheetMusicPlus
Clarinet Ensemble; Clarinet Quartet; Clarinet Trio; Mixed Woodwind Ensemble; Woodwind Ensemble SKU: HL.4474650 For Instrumental Trio or Quartet Playin...
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Clarinet Ensemble; Clarinet Quartet; Clarinet Trio; Mixed Woodwind Ensemble; Woodwind Ensemble SKU: HL.4474650 For Instrumental Trio or Quartet Playing. Arranged by Harvey S. Whistler and Herman Hummel. Ensemble Collection. Classical. 24 pages. Published by Rubank Publications (HL.4474650). ISBN 9781540083425. UPC: 073999746501. 9.0x12.0x0.1 inches.An abundant collection of grade 1-2 ensembles that can be played by any combination of 3 or more flutes, clarinets, oboes, saxophones, trumpets or violins. Includes traditional songs and rounds, as well as beginning level arrangements of songs by Bach, Schubert, Stephen Foster, Lehar, Weber, Mendelssohn and many more.
Song List
: God Rest Ye Merry, Gentlemen Viennese Refrain Vilia Poor Wand'ring One Integer Vitae The Bell Doth Toll Concert Waltz (Oberon) Weber The Light Of All Our Seeing The Miller Of The Dee One And All Rejoice (R.Massie) Aria (Il Trovatore) Verdi Flantation Favorites (Foster) Grandfather's Clock Oh How Lovely Is The Evening Parting Hour, The (Schubert) Spring Is Come, The (Hayes) Blow The Man Down On Wings Of Song (Auf Flugeln Des Gesanges)
$6.99 ≈
6.48€
Ensemble Time - Alto Saxophone (Baritone Saxophone)
Ensemble Time - Alto Saxophone (Baritone Saxophone)
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Harvey S
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Ensemble Time - Alto Saxophone
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Rubank Publications
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SheetMusicPlus
Saxophone Quartet, Saxophone Ensemble, Mixed Woodwind Ensemble, Woodwind Ensemble, Saxophone Trio SKU: HL.4474660 For Instrumental Trio or Quartet Pla...
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Saxophone Quartet, Saxophone Ensemble, Mixed Woodwind Ensemble, Woodwind Ensemble, Saxophone Trio SKU: HL.4474660 For Instrumental Trio or Quartet Playing. Arranged by Harvey S. Whistler and Herman Hummel. Ensemble Collection. Classical. 24 pages. Published by Rubank Publications (HL.4474660). ISBN 9781540083388. UPC: 073999746600. 9x12 inches.An abundant collection of grade 1-2 ensembles that can be played by any combination of 3 or more flutes, clarinets, oboes, saxophones, trumpets or violins. Includes traditional songs and rounds, as well as beginning level arrangements of songs by Bach, Schubert, Stephen Foster, Lehar, Weber, Mendelssohn and many more.
Song List
: God Rest Ye Merry, Gentlemen Viennese Refrain Vilia Poor Wand'ring One Integer Vitae The Bell Doth Toll Concert Waltz (Oberon) Weber The Light Of All Our Seeing The Miller Of The Dee One And All Rejoice (R.Massie) Aria (Il Trovatore) Verdi Flantation Favorites (Foster) Grandfather's Clock Oh How Lovely Is The Evening Parting Hour, The (Schubert) Spring Is Come, The (Hayes) Blow The Man Down On Wings Of Song (Auf Flugeln Des Gesanges)
$6.99 ≈
6.48€
Puente de luz (Bridge of Light), Celtic Song by Gustavo Fuentes
Puente de luz (Bridge of Light), Celtic Song by Gustavo Fuentes
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Gustavo Fuentes
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Gustavo Fuentes
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Puente de luz
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Gustavo Fuentes
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.900407 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. 5 pages. Gusta...
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Woodwind Ensemble - Level 3 - SKU: A0.900407 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. 5 pages. Gustavo Fuentes #3637545. Published by Gustavo Fuentes (A0.900407). Bridge of Light. Celtic music song composed by Gustavo Fuentes, arranged for two voices. Two melody instruments, such as tin whistle, low whistle, flute, recorder, piano or violin, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. Even though we are constantly surrounded by people, we only develop feelings of affection for a few of those that cross our paths. That affection is actually love, and it is the bridge that brings us closer together. Walking across that bridge can change us, transform us and fill us with light. And doing so while holding each other’s hands, in silence and smiling, will help us enjoy each step of the way. If we realize that this bridge of love and light is the place where we always want to be, and if we take the time to pause and truly look at the person walking across the bridge with us, we will be able to cherish the journey and the bridge forever in our hearts. Canción de música celta compuesta por Gustavo Fuentes, arreglada para dos voces agudas como tin-whistle, low whistle, flauta traversa, flauta dulce, piano o violÃn, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. Aunque vivimos rodeados de miles de personas, sólo con algunas de ellas desarrollamos sentimientos de afecto. Ese sentimiento, ese puente que nos conecta, es el amor. Y transitar ese puente nos cambia, nos transforma, nos llena de luz. Caminar de la mano, en silencio y sonriendo, nos hace disfrutar cada paso compartido. Tomarnos el tiempo de detenernos, de descansar en ese trayecto para observar los ojos de nuestra compañÃa, sabiendo que ese puente de amor y luz es el que siempre deseamos transitar. Y entonces sÃ, guardamos ese paseo y ese puente en un abrazo que durará por siempre en nosotros.
$4.99 ≈
4.63€
Railway Song (Auf de schwäb'sche Eisebahne) for clarinet quartet
Railway Song (Auf de schwäb'sche Eisebahne) for clarinet quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Budapest Scoring Clarinet Ense
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David Warin Solomons
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Railway Song
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David Warin Solomons
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - SKU: A0.575772 By Budapest Scoring Clarinet Ensemble. By Traditional. Arranged by David Warin So...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - SKU: A0.575772 By Budapest Scoring Clarinet Ensemble. By Traditional. Arranged by David Warin Solomons. Contemporary,Folk,Multicultural,World. 21 pages. David Warin Solomons #2028003. Published by David Warin Solomons (A0.575772). This arrangement of Railway Song is one of a series of jolly and descriptive quartets (and a septet) all based on the Swabian folksong Auf de schwäb'sche Eisebahne (= on the Swabian railway) from the Tübinger Kommersbuch 1853 The music in this arrangement also mimics the speeding up and slowing down of the train and its whistles. Versions available on this site are: Flute quartet (piccolo, flute, alto flute, bass flute) Flute quartet (2 flutes, alto flute, bass flute) Flute quartet (piccolo, 2 flutes, alto flute) Clarinet quartet (3 B-flat clarinets and 1 Bass clarinet) String quartet (2 violins, viola and cello) Saxophone quartet (soprano, alto, tenor and baritone saxophones) Wind quartet (flute, oboe, clarinet, bassoon) Septet (flute (or oboe), oboe, clarinet, bassoon, viola, cello, piano).
$12.00 ≈
11.12€
Railway Song (Auf de schwäb'sche Eisebahne) for saxophone quartet
Railway Song (Auf de schwäb'sche Eisebahne) for saxophone quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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David Warin Solomons
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Railway Song
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David Warin Solomons
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.575773 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Folk,World. 21 pag...
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Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.575773 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Folk,World. 21 pages. David Warin Solomons #2028001. Published by David Warin Solomons (A0.575773). This arrangement of Railway Song is one of a series of jolly and descriptive quartets (and a septet) all based on the Swabian folksong Auf de schwäb'sche Eisebahne (= on the Swabian railway) from the Tübinger Kommersbuch 1853 The music in this arrangement also mimics the speeding up and slowing down of the train and its whistles. Versions available on this site are: Flute quartet (piccolo, flute, alto flute, bass flute) Flute quartet (2 flutes, alto flute, bass flute) Flute quartet (piccolo, 2 flutes, alto flute) Clarinet quartet (3 B-flat clarinets and 1 Bass clarinet) String quartet (2 violins, viola and cello) Saxophone quartet (soprano, alto, tenor and baritone saxophones) Wind quartet (flute, oboe, clarinet, bassoon) Septet (flute (or oboe), oboe, clarinet, bassoon, viola, cello, piano).
$12.00 ≈
11.12€
Railway Song (Auf de schwäb'sche Eisebahne) for 2 flutes, alto flute, bass flute
Railway Song (Auf de schwäb'sche Eisebahne) for 2 flutes, alto flute, bass flute
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2 Flûtes traversières (duo)
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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David Warin Solomons
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Railway Song
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David Warin Solomons
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SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - SKU: A0.575771 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Folk,World. 21 pages. David W...
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Woodwind Ensemble Flute - Level 4 - SKU: A0.575771 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Folk,World. 21 pages. David Warin Solomons #2028011. Published by David Warin Solomons (A0.575771). This arrangement of Railway Song is one of a series of jolly and descriptive quartets (and a septet) all based on the Swabian folksong Auf de schwäb'sche Eisebahne (= on the Swabian railway) from the Tübinger Kommersbuch 1853 The music in this arrangement also mimics the speeding up and slowing down of the train and its whistles. The sound sample is performed by Nancy Tyler Versions available on this site are: Flute quartet (piccolo, flute, alto flute, bass flute) Flute quartet (2 flutes, alto flute, bass flute) Flute quartet (piccolo, 2 flutes, alto flute) Clarinet quartet (3 B-flat clarinets and 1 Bass clarinet) String quartet (2 violins, viola and cello) Saxophone quartet (soprano, alto, tenor and baritone saxophones) Wind quartet (flute, oboe, clarinet, bassoon) Septet (flute (or oboe), oboe, clarinet, bassoon, viola, cello, piano).
$12.00 ≈
11.12€
Railway Song (Auf de schwäb'sche Eisebahne) flute, oboe, clarinet, bassoon, viola, cello, piano
Railway Song (Auf de schwäb'sche Eisebahne) flute, oboe, clarinet, bassoon, viola, cello, piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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David Warin Solomons
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Railway Song
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David Warin Solomons
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Flute,Oboe,Piano,Viola - Level 4 - SKU: A0.575776 Composed by Traditional. Arranged by David Warin Solomons. Conte...
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Large Ensemble Bassoon,Cello,Clarinet,Flute,Oboe,Piano,Viola - Level 4 - SKU: A0.575776 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Folk,Multicultural,World. Score and parts. 31 pages. David Warin Solomons #2028015. Published by David Warin Solomons (A0.575776). This arrangement of Railway Song is one of a series of jolly and descriptive quartets (and a septet) all based on the Swabian folksong Auf de schwäb'sche Eisebahne (= on the Swabian railway) from the Tübinger Kommersbuch 1853 The music in this arrangement also mimics the speeding up and slowing down of the train and its whistles. Versions available on this site are: Flute quartet (piccolo, flute, alto flute, bass flute) Flute quartet (2 flutes, alto flute, bass flute) Flute quartet (piccolo, 2 flutes, alto flute) Clarinet quartet (3 B-flat clarinets and 1 Bass clarinet) String quartet (2 violins, viola and cello) Saxophone quartet (soprano, alto, tenor and baritone saxophones) Wind quartet (flute, oboe, clarinet, bassoon) Septet (flute (or oboe), oboe, clarinet, bassoon, viola, cello, piano).
$12.00 ≈
11.12€
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Whistle Down The Wind Violin 3
