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Who Telemann
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TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
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Orchestre de chambre
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AVANCÉ
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Classique
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Georg Philipp Telemann
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Sneakwood Editions
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TELEMANN – VIOLIN CONCER
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Sneakwood Editions
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 ...
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Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00 ≈
£13.51
Telemann – Polish Dances from the Rostock Manuscript TWV 45
Telemann – Polish Dances from the Rostock Manuscript TWV 45
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Georg Philipp Telemann
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Sneakwood Editions
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Telemann – Polish Dances
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Sneakwood Editions
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SheetMusicPlus
Small Ensemble - Level 1 - SKU: A0.890779 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Folk,Jewish,World. Score and parts...
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Small Ensemble - Level 1 - SKU: A0.890779 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Folk,Jewish,World. Score and parts. 32 pages. Sneakwood Editions #5799897. Published by Sneakwood Editions (A0.890779). Georg Philipp Telemann – Polish Dances from the Rostock Manuscript TWV 45 (Danse d`Polones / Danse Polonie)Telemann was seduced by Polish music, especially by his dances and popular musicI became acquainted there and also in Krakau with Polish and Moravian music in its true, barbaric beauty […] […] it is impossible to imagine the fantastic musical ideas they presented between dances when the dancers rested and the musicians improvised music together [‘jammed’] to fill out the time. Anyone who paid very close attention could pick up in 8 days sufficient musical ideas to last a lifetime.(Telemann’s autobiography, published in Mattheson’s Ehren-Pforte, Hamburg, 1740)It is easy to understand, through Telemann’s own words, the great influence that Polish music and Polish dances had on Telemann. It was in 1705 when Telemann become Kapellmeister for the court of Count Erdmann II of Promnitz at Sorau (now Żary, in Poland), His career there was cut short in early 1706 by the hostilities of the Great Northern War but his contact with Polish music marked him for life.These Polish dances found in Rostock are a reflection of the music that Telemann heard and transcribed. A reflection of that barbaric beauty.The manuscript was discovered in 1986 at the University of Rostock. It consists of two volumes. One of the volumes contains the violin part and the other the bass part.
$18.00 ≈
£13.51
Fantasia 2 by Georg Philipp Telemann for solo piano (Classical Music or Tablet Series)
Fantasia 2 by Georg Philipp Telemann for solo piano (Classical Music or Tablet Series)
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Piano seul
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Classique
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Georg Philipp Telemann
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Stephen R
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Fantasia 2 by Georg Philipp Te
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Stephen R Dalrymple
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SheetMusicPlus
Piano Solo - SKU: A0.818285 Composed by Georg Philipp Telemann. Arranged by Stephen R. Dalrymple (Dalrymple Designs). Baroque. Score. 14 pages. Stephen ...
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Piano Solo - SKU: A0.818285 Composed by Georg Philipp Telemann. Arranged by Stephen R. Dalrymple (Dalrymple Designs). Baroque. Score. 14 pages. Stephen R Dalrymple #4967599. Published by Stephen R Dalrymple (A0.818285). Fantasia 2 [for Harpsichord] by Georg Philipp Telemann for solo piano UPDATED 06 30 20The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Mobile Sheets Pro imports music from Drop Box onto a Kindle tablet quickly and efficiently. For performers who use a different tablet, there are similar products available to provide tablet users the same functionality. These pieces have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful. Telemann wrote this piece for harpsichord, but it works perfectly on the piano. Although this is sometimes listed as being in D minor, I would call it D Dorian.
$3.75 ≈
£2.81
Telemann – Flute Concerto in D Major TWV 51:D2 (Score and parts in PDF)
Telemann – Flute Concerto in D Major TWV 51:D2 (Score and parts in PDF)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Georg Philipp Telemann
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Sneakwood Editions
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Telemann – Flute Concert
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Sneakwood Editions
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.890769 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 40 ...
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Chamber Orchestra - Level 4 - SKU: A0.890769 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 40 pages. Sneakwood Editions #4781037. Published by Sneakwood Editions (A0.890769). We present a well reseached edition of the Telemann´s concerto for flute and orchestra contained in the manuscript of the Universitäts- und Landesbibliothek, Darmstadt (D-DS): Mus.ms.1033-39.We have maintained the original annotations clearly indicating the cases in which they can be interpreted in another way. The resulting edition can be used directly for its interpretation both by specialists in early music and by any musician who wants to approach this beautiful work.Edition based on (D-DS): Mus.ms.1033-39Score (19 pages) and Parts (friendly performance edition): Flute, Violin I, Violin II, Violin III, Viola and Basso.www.snakewoodeditions.com
$18.00 ≈
£13.51
Telemann Trumpet concerto in D (1st movement) - Trumpet quintet
Telemann Trumpet concerto in D (1st movement) - Trumpet quintet
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Georg Philipp Telemann
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Darren Lloyd
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Telemann Trumpet concerto in D
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Darren Lloyd
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SheetMusicPlus
Brass Ensemble Trumpet - Level 4 - SKU: A0.856061 Composed by Georg Philipp Telemann. Arranged by Darren Lloyd. Baroque,Concert,Graduation,Standards. Sc...
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Brass Ensemble Trumpet - Level 4 - SKU: A0.856061 Composed by Georg Philipp Telemann. Arranged by Darren Lloyd. Baroque,Concert,Graduation,Standards. Score and parts. 9 pages. Darren Lloyd #5018945. Published by Darren Lloyd (A0.856061). An arrangement of Telemann's Trumpet concerto in D (1st movement) for solo Trumpet with accompanying Trumpet quartet (5 in total!). The key is as per the original with the 1st part being added for Piccolo in A also. This would suit an advanced intermediate quartet with a soloist with a very good high register. Great to perform with Trumpet playing friends who can't get a String group together with Harpsichord!!
$7.50 ≈
£5.63
Selected Duets - French Horn (Volume 2)
Selected Duets - French Horn (Volume 2)
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Selected Duets - French Horn
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Rubank Publications
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SheetMusicPlus
Volume 2 French Horn - Advanced SKU: HL.4471010 Volume 2 - Advanced. Edited by H. Voxman. Concert Band Method. Ensemble Collection. Classical, Due...
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Volume 2 French Horn - Advanced SKU: HL.4471010 Volume 2 - Advanced. Edited by H. Voxman. Concert Band Method. Ensemble Collection. Classical, Duet. 72 pages. Published by Rubank Publications (HL.4471010). ISBN 9781423445388. UPC: 073999499902. 9.0x12.0x0.179 inches.This classic series of duets for like instruments is recognizable to nearly everyone who has ever studied an instrument. The wealth of material supplements musical development and provides a rich experience for growing musicians. Duet playing is often a student's first form of ensemble experience - technique, tone quality, intonation and balance are introduced as students do one of the things they enjoy most - making music with a friend. And duet playing leads easily and naturally to competent performance in larger ensembles. (Vol. I – Easy to Medium, Vol. 2 – Medium to Advanced).
Song List
: Andante (Mozart) Allegro (Mozart) Menuetto (Mozart) Three Canons (Winter) Nine Duets (Naudot) Gavotte (Corelli) Two Duets (Telemann) Allegro Mod.&Fugue (Monteclair) Andante (Fontana) Duo #1 (Kopprasch) Premier Divertissement(Corrette) Allegretto (Gallay) Allegretto (Weller) Fugato (Stamitz) Menuetto&Trio (Jacqmin) Allegro Moderato (Jacqmin) Four Duos (Vecchietti) Andante (Bimboni) Minuet (Handel) Scherzo (Franz) Invention Xv (Bach) Invention Iii (Bach) Invention Viii (Bach) Water Music, Theme From
$11.99 ≈
£9.00
Suite No. 1
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'...
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Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95 ≈
£8.22
Overture a 7
Overture a 7
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Georg Philipp Telemann
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Overture a 7
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Schott Music - Digital
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SheetMusicPlus
3 oboes, 2 violins, viola and basso continuo; harpsichord (piano), viola da gamba (cello, bassoon) ad libitum - intermediate - SKU: S9.Q16231 C Major...
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3 oboes, 2 violins, viola and basso continuo; harpsichord (piano), viola da gamba (cello, bassoon) ad libitum - intermediate - SKU: S9.Q16231 C Major. Composed by Georg Philipp Telemann. This edition: score. Concertino. Downloadable, Score. TWV 55:C6. Duration 23 minutes. Schott Music - Digital #Q16231. Published by Schott Music - Digital (S9.Q16231). Key: C major.Right at the beginning of the overture, Telemann comes up with a surprising idea. After the -„bare entry of the wind section, the string tutti do not join in the playing until the third bar. The „harlequinade often appearing in Telemann’s overture suites obtains its attraction not least from syncopes and from a permanent change of tone colour. The „Espagniol whose title prom-ises a bit of urbanity turns out to be a saraband, the „Bourrée en Trompette justifies its name by the tone repetitions typical of trumpet music. In the context of the whole, the „Sommeille, a harmonically unusual movement in C minor, is almost a piece across the border. Even in this gently rocking piece, Telemann is not at a loss for unobtrusive wit when he lets the upper parts die down shortly before the end, only a single bass tone represents the last chord.
$21.99 ≈
£16.50
Overture (Suite) No. 3
Overture (Suite) No. 3
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Classique
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Johann Sebastian Bach
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Overture
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Chamber orchestra and basso continuo - SKU: S9.Q12514 D major. Composed by Johann Sebastian Bach. This edition: study score. Ernst Eulenburg - Or...
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Chamber orchestra and basso continuo - SKU: S9.Q12514 D major. Composed by Johann Sebastian Bach. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q12514. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q12514). Key: D major.From early in the 17th century until the form engaged the interest of Johann Sebastian Bach, various notable German composers - including Rosenmüller, Fischer, Fasch and Telemann - had contributed to the development of the orchestral suite or 'Ouverture', whose name betrays its French theatrical origins. From Bach himself only four such suites have survived thanks to the diligence of C.F.Penzel, a student at the Thomasschule from 1751, who made copies of Bach's MSS which he found there. Thus, neither the dates nor the order of composition of the suites can be established with any certainty. As to the present suite in D major, recent criticism suggests that it may originally have been written for strings only, and dates, in its final form from around 1731. Penzel's copy of the suite includes significant variants to be played by a solo violin (marked Violino Concertato) which are included here in the Appendices. The score is newly-edited from the extant sources consisting of sets of parts (some in Bach's autograph) and copyist's scores are preserved in the Staastbibliothek zu Berlin - Preußischer Kulturbestitz, Musikabteilung mit Mendelssohn-Archiv. This edition replaces the former Eulenburg miniature score edited by Wilhelm Altmann.
$11.99 ≈
£9.00
Heroic Music - No. 1. La Majeste (C) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tuba, Timp)
Heroic Music - No. 1. La Majeste (C) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tuba, Timp)
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Georg Philipp Telemann
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Regis Bookshar
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Heroic Music - No. 1. La Majes
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Regis Bookshar
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SheetMusicPlus
Horn,Timpani,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1173645 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,...
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Horn,Timpani,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1173645 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March. 16 pages. Regis Bookshar #773785. Published by Regis Bookshar (A0.1173645). Heroic Music - No.  1. La Majeste - Georg Philipp Telemann - Brass Quintet, Timpani - Intermediate - .Heroic Music (or Heldenmusik) is a suite of twelve short marches and processionals, written by Georg Philipp Telemann in 1728, and is associated with various attributes of Heroism such as Dignity, Bravery and Alertness. All twelve movements have now been transcribed and arranged by Regis Bookshar to be played by Trumpet Quintets or Brass Quintets. Some of them have also been arranged for Sextets, Septets, Octets, Nonets and Brass Choirs. Some also include a Timpani. They can be purchased individually, or, if you prefer, as a complete set of all twelve at a huge saving.Any of these selections whould be a wonderful addition to any music library. They are perfectly suited to recitals and public performances, can stand alone as short interludes and are generally well received by audiences. They are suitable for high school and college students but professional musicians would also enjoy playing these arrangements. These selections are some of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. In the past, these compositions have often been performed by a soloist playing on a Piccolo Trumpet, but these new arrangements are Bb Trumpet friendly as one player stated after playing through them, making them much easier for most high school students.This selection, Heroic Music - No.  1. La Majeste, is arranged for a Brass Quintet, consisting of 2 Bb Trumpets, 1 French Horn, 1 Trombone, 1 Tuba and a Timpani, and is associated with the heroic quality of Dignity. This version is written in the Key of Concert C but a version written in Concert Bb is also available, if you would prefer. There is also a version without Timpani. Included are a score and a complete set of parts (16 pages).These selections are readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I am certain that these wonderful arrangements of Georg Philipp Telemann's Heroic Music will continue to enterain both performers and audiences alike for years to come.
$16.00 ≈
£12.01
From Descant to Treble
From Descant to Treble
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Flûte à bec Alto
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From Descant to Treble
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Schott Music - Digital
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SheetMusicPlus
Treble recorder - SKU: S9.Q54700 This edition: Sheet music. Downloadable. Op. Vol. 1. Schott Music - Digital #Q54700. Published by Schott Music - Digita...
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Treble recorder - SKU: S9.Q54700 This edition: Sheet music. Downloadable. Op. Vol. 1. Schott Music - Digital #Q54700. Published by Schott Music - Digital (S9.Q54700). English....this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken“ (Oliver James, Contact Magazine) A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts), country dance tunes and excerpts from the standart treble repertoire - Bach, Barsanti, Corelli, Händel, Telemann, etc. An outstanding feature of the book has proved to be Brian Bonsor's brilliantly simple but highly effective practice circles and recognition squares designed to give, in only a few minutes, concentrated practice on the more usual leaps to and from each new note and instant recognition of random notes. Quickly emulating the outstanding success of the descant tutors, these books are very popular even with those who normally use tutors other than the Enjoy the Recorder series.A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts), country dance tunes and excerpts from the standart treble repertoire - Bach, Barsanti, Corelli, Händel, Telemann, etc. Quickly emulating the outstanding success of the descant tutors, these books are very popular even with those who normally use tutors other than the Enjoy the Recorder series.
$11.99 ≈
£9.00
STEP by STEP Book for Horns Level 2
STEP by STEP Book for Horns Level 2
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Alessandro Macrì
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Alessandro Macrì
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STEP by STEP Book for Horns Le
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn - Level 2 - SKU: A0.1045347 Composed by Alessandro Macrì. Arranged by Alessandro Macrì. Baroque,Christmas,Classical,Renaissanc...
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Brass Ensemble Horn - Level 2 - SKU: A0.1045347 Composed by Alessandro Macrì. Arranged by Alessandro Macrì. Baroque,Christmas,Classical,Renaissance,Traditional. Score and parts. 144 pages. Music Macri Editions #649924. Published by Music Macri Editions (A0.1045347). Il Libro STEP by STEP Book for Horns - Level 2, di Alessandro Macrì, segue un percorso basato sul concetto di fare musica d’insieme, cioè divertirsi a suonare con gli altri ed arricchirsi a vicenda, imparando a conoscere il proprio strumento e cominciando a relazionarsi ed “aver rispetto†di chi suona al proprio fianco. Il tutto al fine di impostare una mentalità di musicista, immergendo i ragazzi in una nuova esperienza, ovvero quella di far parte di un piccolo ensemble. Questo libro presenta una selezione di melodie didattiche, di tradizionali e di brani classici dei compositori più famosi del mondo: Händel, Mozart, Beethoven, Haydn, Brahms, Tchaikovsky, Vivaldi, Telemann, Purcell, Schubert, Praetorius, Offenbach, Corrette, Mouret, Grieg, Arban, Schumann e Rimskij-Korsakov. The Book for Horns STEP by STEP - Level 2, written by Alessandro Macrì, is based on some of the principles that identify a musical ensemble: enjoying playing with other people, learning from them, becoming familiar with your instrument and having respect for those who play beside you. The ultimate aim is to cultivate the attitude of a musician by offering young people a new experience, that is to say being part of a small ensemble. This book presents a selection of didactic melodies, traditional and classical pieces by the most famous composers in the world: Händel, Mozart, Beethoven, Haydn, Brahms, Tchaikovsky, Vivaldi, Telemann, Purcell, Schubert, Praetorius, Offenbach, Corrette, Mouret, Grieg, Arban, Schumann and Rimskij-Korsakov. Includes: - Le crome The eights notes - I sedicesimi The sixteenth notes - Il ritmo di caccia The rhythm of hunting - Easy Christmas Songs Collection Level 2.
$10.00 ≈
£7.50
Telemensch for solo clarinet (mp3)
Telemensch for solo clarinet (mp3)
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Clarinette
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József Dávid
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Telemensch for solo clarinet
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David Warin Solomons
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SheetMusicPlus
Clarinet - SKU: A0.1103918 By József Dávid. By David Warin Solomons. Chamber,Classical,Jewish. Full Performance. Duration 256. David Warin Solomon...
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Clarinet - SKU: A0.1103918 By József Dávid. By David Warin Solomons. Chamber,Classical,Jewish. Full Performance. Duration 256. David Warin Solomons #707202. Published by David Warin Solomons (A0.1103918). This work is based on 4 melodies by Telemann but with many additional augmented-second twists, in Jewish music style, and various decorations. The original melodies are: Herr wie lange (Lord, how long) This is a canon for two voices based on the psalm text and forms the beginning and end of the work Herr, wie lange willst du mein so gar vergessen, wie lange verbirgest du dein Antlitz vor mir! Lord, how long you forget me how long will you hide your face from me The other pieces are based on Telemann's settings for voice and keyboard of poems by his contemporary Daniel Stoppe Glück - (Happiness) Das glücke kömmt selten per posta, zu pferde es geht zu fusse, schritt vor schritt; sein eigensinn ist nicht zu zwingen; Happiness seldom comes by post or on horseback It goes on foot step by step It does not demand compulsion Jeder sein eigener Richter (Each his own judge) Ich will vor meiner thüre kehren; ich habe gnug für mich zu thun; ich kenne mich, ich bin kein engel; ein jeder mensch hat seine mängel, wer diese tilgen will, darf lebenslang nicht ruhn. I will turn from my doors I have enough for myself to do I know myself, I am no angel Every person has his faults Anyone who wishes to wipe them out Can never be at at peace all his life Wind (Wind) Wind macht aus thoren kluge leute; durch wind verdient der narr sein brodt: The wind makes fools into clever folk The fool earns his bread by the wind.
$5.50 ≈
£4.13
Telemensch (The isolated one) for Cello Solo (mp3)
Telemensch (The isolated one) for Cello Solo (mp3)
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Violoncelle
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Mády-Szabó Eszter
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Telemensch
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David Warin Solomons
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SheetMusicPlus
Cello - SKU: A0.1103919 By Mády-Szabó Eszter. By David Warin Solomons. Baroque,Chamber,Classical,Jewish. Full Performance. Duration 258. David War...
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Cello - SKU: A0.1103919 By Mády-Szabó Eszter. By David Warin Solomons. Baroque,Chamber,Classical,Jewish. Full Performance. Duration 258. David Warin Solomons #707203. Published by David Warin Solomons (A0.1103919). This work is based on 4 melodies by Telemann but with many additional augmented-second twists, in Jewish music style, and various decorations. The original melodies are: Herr wie lange (Lord, how long) This is a canon for two voices based on the psalm text and forms the beginning and end of the work Herr, wie lange willst du mein so gar vergessen, wie lange verbirgest du dein Antlitz vor mir! Lord, how long you forget me how long will you hide your face from me The other pieces are based on Telemann's settings for voice and keyboard of poems by his contemporary Daniel Stoppe Glück - (Happiness) Das glücke kömmt selten per posta, zu pferde es geht zu fusse, schritt vor schritt; sein eigensinn ist nicht zu zwingen; Happiness seldom comes by post or on horseback It goes on foot step by step It does not demand compulsion Jeder sein eigener Richter (Each his own judge) Ich will vor meiner thüre kehren; ich habe gnug für mich zu thun; ich kenne mich, ich bin kein engel; ein jeder mensch hat seine mängel, wer diese tilgen will, darf lebenslang nicht ruhn. I will turn from my doors I have enough for myself to do I know myself, I am no angel Every person has his faults Anyone who wishes to wipe them out Can never be at at peace all his life Wind (Wind) Wind macht aus thoren kluge leute; durch wind verdient der narr sein brodt: The wind makes fools into clever folk The fool earns his bread by the wind Performed by Mády-Szabó Eszter of Budapest Scoring Cellos.
$5.50 ≈
£4.13
Overture (Suite) No. 2
Overture (Suite) No. 2
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Classique
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Johann Sebastian Bach
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Overture
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Flute, strings and basso continuo - intermediate to advanced - SKU: S9.Q12513 B minor. Composed by Johann Sebastian Bach. This edition: study sco...
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Flute, strings and basso continuo - intermediate to advanced - SKU: S9.Q12513 B minor. Composed by Johann Sebastian Bach. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q12513. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q12513). Key: B minor.From early in the 17th century until the form engaged the interest of Johann Sebastian Bach, various notable German composers - including Rosenmüller, Fischer, Fasch and Telemann - had contributed to the development of the orchestral suite or 'Ouverture', which name betrays its French theatrical origins. From Bach himself only four such suites have come down to us due to the diligence of C.F.Penzel, who was a student at the Thomasschule from 1751, and who made copies of Bach's MSS he found there. Thus, neither the dates nor the order of composition of the suites can be established with any certainty. As to the present suite in B minor, recent criticism suggests that Bach's idiomatic flute writing in this popular suite would, even in 1737 or later, have been considered fashionably up-to-date even in Paris. It has also been suggested that the suite could have been written expressly for Pierre-Gabriel Buffardin, principal flautist of the Dresden Court Orchestra.
$9.99 ≈
£7.50
Notenbuch für Wolfgang Amadeus Mozart - Music book for W.A. Mozart Tenor/Bass
Notenbuch für Wolfgang Amadeus Mozart - Music book for W.A. Mozart Tenor/Bass
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2 Flûte à bec (duo)
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FACILE
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Leopold Mozart
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B
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Notenbuch für Wolfgang Am
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bl_music
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SheetMusicPlus
Recorder Duet Recorder - Level 2 - SKU: A0.842550 Composed by Leopold Mozart. Arranged by B. Brennan. Classical,Concert,Instructional,Standards. Score. ...
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Recorder Duet Recorder - Level 2 - SKU: A0.842550 Composed by Leopold Mozart. Arranged by B. Brennan. Classical,Concert,Instructional,Standards. Score. 24 pages. Bl_music #5298653. Published by bl_music (A0.842550). Music book for W.A. Mozart by Leopold Mozart, for Tenor and Bass Recorder (notation: treble/bass clef)The Notenbuch für Wolfgang Amadeus Mozart contains 32 easy to medium duos1. Menuet 2. Menuet de Sigr. Bach 3. Bourlesq 4. Polonaise 5. Menuet 6. Polonaise 7. Menuet 8. Menuet 9. Waldhorn ~ Stück10. Entrée 11. Bourrée 12. Schwaben ~ Tanz 13. Menuet 14. Musette 15. Polonaise 16. Menuet 17. Sarabande 18. Menuet 19. Angloise 20. Passepied 21. Aria 22. Menuet 23. Gavotte 24. March di Sigr. Bach 25. Polonaise 26. Menuet 27. Fantasia del Sigr. Telemann 28. Jägerlied 29. March30. Bourrée 31. Menuet 32. MenuetThis edition for tenor and bass recorder is suitable for both experienced players (e.g. as encores) and advanced students who may find the pieces useful regarding technique.About Notenbuch für Wolfgang Amadeus MozartMeinem lieben Sohn Wolfgang Amadee zu seinem sechsten Namenstag von seinem Vater Leopold Mozart. Salzburg, den 31. Oktober 1762 (To my beloved son Wolfgang Amadeus for his sixth Name Day from his father Leopold Mozart.Salzburg,October 31st, 1962)This book had an important influence on Mozart’s early compositions.The pieces fall into three categories:The first category includes songs and dances of a folk nature such as Jägerlied, Schwabentanz Schmiedecourante, Waldhornstück. The second category provides examples of compositions by Scarlatti, Bach, Händel, e.g. Fantasias, Allegros, Arias. The third group presents contemporary dance movements in the French style like Minuets, Courantes, Polonaises and Rondi.Father Mozart included pieces in a variety of styles with the intention of helping Mozart not only to learn piano technique, but also elements of composition. The works are intentionally simple, one task for the boy being to fill out the incomplete harmonies. Overall, the technical standard is appropriate to the age and abilities of the player. Apart from its historical significance, the Notenbuch for Wolfgang Amadeus is a colourful collection of charming little pieces.
$12.99 ≈
£9.75
Notenbuch für Wolfgang Amadeus Mozart - Music book for W.A. Mozart Soprano/Alto
Notenbuch für Wolfgang Amadeus Mozart - Music book for W.A. Mozart Soprano/Alto
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Leopold Mozart
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B
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Notenbuch für Wolfgang Am
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bl_music
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SheetMusicPlus
Woodwind Ensemble - Level 2 - SKU: A0.842552 Composed by Leopold Mozart. Arranged by B. Brennan. Classical,Concert,Instructional,Standards. 23 pages. Bl...
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Woodwind Ensemble - Level 2 - SKU: A0.842552 Composed by Leopold Mozart. Arranged by B. Brennan. Classical,Concert,Instructional,Standards. 23 pages. Bl_music #5298655. Published by bl_music (A0.842552). Music book for W.A. Mozart by Leopold Mozart, for Descant and Treble Recorder (notation: treble/treble clef)The Notenbuch für Wolfgang Amadeus Mozart contains 32 easy to medium duos1. Menuet 2. Menuet de Sigr. Bach 3. Bourlesq 4. Polonaise 5. Menuet 6. Polonaise 7. Menuet 8. Menuet 9. Waldhorn ~ Stück10. Entrée 11. Bourrée 12. Schwaben ~ Tanz 13. Menuet 14. Musette 15. Polonaise 16. Menuet 17. Sarabande 18. Menuet 19. Angloise 20. Passepied 21. Aria 22. Menuet 23. Gavotte 24. March di Sigr. Bach 25. Polonaise 26. Menuet 27. Fantasia del Sigr. Telemann 28. Jägerlied 29. March30. Bourrée 31. Menuet 32. MenuetThis edition for descant and treble recorder is suitable for both experienced players (e.g. as encores) and advanced students who may find the pieces useful regarding technique.About Notenbuch für Wolfgang Amadeus MozartMeinem lieben Sohn Wolfgang Amadee zu seinem sechsten Namenstag von seinem Vater Leopold Mozart. Salzburg, den 31. Oktober 1762 (To my beloved son Wolfgang Amadeus for his sixth Name Day from his father Leopold Mozart.Salzburg,October 31st, 1962)This book had an important influence on Mozart’s early compositions.The pieces fall into three categories:The first category includes songs and dances of a folk nature such as Jägerlied, Schwabentanz Schmiedecourante, Waldhornstück. The second category provides examples of compositions by Scarlatti, Bach, Händel, e.g. Fantasias, Allegros, Arias. The third group presents contemporary dance movements in the French style like Minuets, Courantes, Polonaises and Rondi.Father Mozart included pieces in a variety of styles with the intention of helping Mozart not only to learn piano technique, but also elements of composition. The works are intentionally simple, one task for the boy being to fill out the incomplete harmonies. Overall, the technical standard is appropriate to the age and abilities of the player. Apart from its historical significance, the Notenbuch for Wolfgang Amadeus is a colourful collection of charming little pieces.
$12.99 ≈
£9.75
From Descant to Treble
From Descant to Treble
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Flûte à bec Alto, Piano
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From Descant to Treble
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Schott Music - Digital
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SheetMusicPlus
Treble recorder and piano - SKU: S9.Q577800 Downloadable, Teacher's edition. Op Vol. 1 + 2. Schott Music - Digital #Q577800. Published by Schott Music -...
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Treble recorder and piano - SKU: S9.Q577800 Downloadable, Teacher's edition. Op Vol. 1 + 2. Schott Music - Digital #Q577800. Published by Schott Music - Digital (S9.Q577800). English.“...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken“ (Oliver James, Contact Magazine) A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts), country dance tunes and excerpts from the standart treble repertoire - Bach, Barsanti, Corelli, Händel, Telemann, etc. An outstanding feature of the book has proved to be Brian Bonsor's brilliantly simple but highly effective practice circles and recognition squares designed to give, in only a few minutes, concentrated practice on the more usual leaps to and from each new note and instant recognition of random notes. Quickly emulating the outstanding success of the descant tutors, these books are very popular even with those who normally use tutors other than the Enjoy the Recorder series.
$17.99 ≈
£13.50
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